All posts tagged: Uriginal

BSA Images of the Week 01.13.19

BSA Images of the Week 01.13.19

Here’s our weekly interview with the street, this time featuring Abe Lincoln Jr., Alexis Diaz, Brian Alfred, Celso, City Kitty, Cranio, Deih XLF, Diva Dogla, Dog Byste, Fales, Gane, Jenna Morello, MTO, Pleks, Raf Urban, Slomo29, Spaint, Uriginal.

Uriginal, Irene Lopez Leon, Deih.XLF, Slomo29. Wynwood, Miami 2018. (photo © Jaime Rojo)

Jenna Morello (photo © Jaime Rojo)

City Kitty (photo © Jaime Rojo)

Alexis Diaz. Wynwood, Miami. (photo © Jaime Rojo)

Raf Urban (photo © Jaime Rojo)

Gane . Texas updated their wall on the LES in NYC. (photo © Jaime Rojo)

MTO. Wynwood, Miami 2018. (photo © Jaime Rojo)

MTO. Wynwood, Miami 2018. (photo © Jaime Rojo)

Spaint. Wynwood, Miami 2018. (photo © Jaime Rojo)

PLEKS for The Bushwick Collective. (photo © Jaime Rojo)

Brian Alfred (photo © Jaime Rojo)

Brian Alfred (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Cranio. Wynwood, Miami 2018. (photo © Jaime Rojo)

False (photo © Jaime Rojo)

Abe Lincoln Jr. in collaboration with Maia Lorian phone booth ad takeover. (photo © Jaime Rojo)

Diva Dogla (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Dog Byte (photo © Jaime Rojo)

Celso. Wynwood, Miami 2018. (photo © Jaime Rojo)

Untitled. The South. USA January 2019. (photo © Jaime Rojo)

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Pop Culture at Citric Festival in Torreblanca, Spain

Pop Culture at Citric Festival in Torreblanca, Spain

Celebrity, photorealism, illustration, fantasy, spectacle. These have always been part of popular art culture and have had an increasingly strong representation in Street Art culture, particularly in the last decade and a half as well.

Pablo lurking over the wall by Cobre Art. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Since the earliest reproductions of comic-book characters and voluptuous women by graff writers on subway cars in the 1970s, the chasm between your life and this art in public is short. From pin-up girls to stylized Dali’s to adorable animals, its the thrill of recognition, the associations you have with the figure’s back-story, and the familiarity with the visual nomenclature that makes it popular.

Audiences in Torreblanca, Spain have been responding strongly to these images for their local Citric Festival, and photographer Lluís Olivé Bulbena was on the street from last month’s events and he shares some of his shots with BSA readers. Our thanks to him.

Dados Punto Cero. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero in collaboration with Asier Vera. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero in collaboration with Asier Vera. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Dados Punto Cero in collaboration with Asier Vera. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Daniela Volchkova. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Danielle Weber. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Uruginal in collaboration with Kenor. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Uruginal in collaboration with Kenor. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

Lezzart. Citric Festival 2018. Torreblanca, Spain. (photo © Lluís Olivé Bulbena)

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BSA “Images Of The Year” for 2016 (VIDEO)

BSA “Images Of The Year” for 2016 (VIDEO)

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Of the thousands of images he took this year in places like New York, Berlin, Dresden, Moscow, Marrakesh, Detroit and Miami, photographer Jaime Rojo found that the figurative image still stands prominently in the Street Art scene – along with text-based, abstract and animal world themes.

Surprisingly the scene does not appear to be addressing the troubled and contentious matters of the political and social realms in a large way, but the D.I.Y. scene keeps alive and defies the forces of homogeneity with one-of-a-kind small wheat-pastes, stencils, sculptures, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our regular interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2016.

Brooklyn Street Art 2016 Images of the Year by Jaime Rojo includes the following artists;

1Up, Above, Adele Renault, Alaniz, Amy Smalls, George Vidas, GEN2, Apexer, BordaloII, Buff Monster, C215, Collin Van Der Sluijs, Super A, David Choe, D*Face, Duke Riley, El Sol 25, Sean 9 Lugo, EQC, Faile, Faith47, Faust, Shantell Martin, Felipe Pantone, Hueman, Droid907, Icy & Sot, InDecline, Invader, JJ Veronis, Jilly Ballistic, John Ahearn, JR, London Kaye, Louis Masai, MadC, Marshal Arts, Mongolz, MSK, Rime, Myth, Nina Chanel, Optic Ninja, Otto Osch Schade, Panmela Castro, Plastic Jesus, QRST, Reed b More, Remi Rough, REVS, Self Made, Sharon Dela Cruz, Maripussy, Specter, Stikman, Strok, Swoon, Ted Pim, Thievin’ Stephen, Farin Purth, Thomas Allen, Tobo, Uriginal, Vermibus, Vhils, Wing, Yes Two, Zola.

The artist featured on the main graphic is D*Face as shot by Jaime Rojo in New York.

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BCN Transit Walls Festival during La Mercè in Barcelona

BCN Transit Walls Festival during La Mercè in Barcelona

Cultural organizations and lifestyle brands often pool together their resources and coordinate events to capitalize on foot traffic. It’s like punk kids organizing a skate event – with bands, djs, graffiti jams, tattooing… You can catch some air, catch a great show, catch a tag, and hopefully catch secret kisses behind some old rusty freight train all on one perfect Saturday.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

During the La Mercè Festival in Barcelona in September the organizers for “BCN Transit Walls” brought to life a former ‘hall of fame’ stretch of wall and captured the attention of a lot of folks who were in town for the concerts, fireworks, drummer parades, wine festivals, projections, human acrobat towers – and many other events marking the end of the summer. Organizers brought many artists together to paint live on the wall at Passeig de Circumval·lació; the incredibly long wall that surrounds the Barcelona Zoo at the edge of the Estació de França train tracks.

Lluis Olive Bulbena was there with his camera and he shares some of the walls here with BSA readers.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal . Lucas Milart. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Lucas Milart . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Uriginal . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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SPOGO. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Aleix Gordo. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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BToy. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

The Spanish Street Artist Hyuro again features the uncovered breast of a female form in her public mural.

The news here in Barcelona is that it is not news.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Four years ago at a mural festival in Atlanta, Georgia the Argentinian artist was embroiled in a local “controversy” for painting a mural that depicted the nude female form. The monochromatic film-frame presentation across a long wall showed the incremental metaphorical shedding of wolves clothing to that of a human, then back to a wolf – or something like that. It’s open to your interpretation and not painstakingly explained by the artist, as is often the case.

Most viewers didn’t find it to be an eroticized presentation and some thought it had religious undertones actually. Alexandra Parrish, a principal organizer of the mural explained to the Huffington Post at that time that it was “a portrait of transformation, the mural reflects the teachings of the church.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Regardless, the high-minded Atlantans who rallied to have that painting destroyed could only see that the mural presented naked lady parts parading in public, which could potentially light loins afire. Presumably none of those people were in attendance with more than 50,000 Beyonce fans this September at Atlanta’s Georgia Dome, since it was essentially two hours of women strutting in high heels and highly revealing, even erotically inspired, costumes across enormous screens for everyone in attendance, including children, to ogle.

Here in Barcelona Hyuro doesn’t report any negative commentary coming her way for this mural painted with BCN Transit Walls in conjunction with La Mercè, Barcelona’s largest cultural, musical arts and communities festival. Named after the Virgin of Grace (Mare de Déu de la Mercè), the patron saint of the Archdiocese of Barcelona, you may think that the vision of a bared breast may cause a firestorm here.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Like many of her public pieces the Hyuro’s mural is a series of frames that collectively can create a sense of motion when viewed in quick succession. This series depicts a woman opening her garments to expose her breast and give it to her nursing infant.

These are not erotic images but in a society that again is increasingly equating women’s worth with their their physical appearance and sexual availability, devaluing their intellects, and otherwise objectifying and sexualizing them in media and advertising imagery, a simple loving and nurturing act like this can be perversely, stunningly, misinterpreted.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

We often say that Street Art and Public Art are a mirror; a reflection of a society back to itself. Our extensive experience observing art in the streets has taught us that certain images are allowed by the greater culture to stay up while others are destroyed quickly. It is a fair measuring device for the opinions, mores, political leanings, and popular tastes of a locality.

Spanish passersby at this transit hub do not appear to find objection with this mural, but Hyuro might have to think twice about a mural like this in many American cities, where reports of shaming and bullying of breastfeeding mothers are still common.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Not surprisingly perhaps, the candidate for the highest office in the US this year whom has not been a mother reportedly told an attorney that she was “disgusting” for requesting a break to breast-pump milk for her baby. She also may have been “nasty“.

Whether the female form is entirely sexualized in your mind or not, for the record, US federal law permits breastfeeding in any public area where you happen to be when your baby gets hungry and laws in cities like New York actually permit women to be topless in public at any time. It may take a while for popular tastes in art to reflect this in certain areas, and when it comes to legal mural festivals visiting artists are always wise to consider the audience.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

 


 

Our sincere thanks to photographer Lluis Olive Bulbena for sharing his images with BSA readers.

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BSA Images Of The Week: 07.31.16

BSA Images Of The Week: 07.31.16

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This week we bring you fresh stuff from Berlin where the final Project M/10 was debuted with a collection of artists curated by Instagrafite and we had an opportunity to ride the streets looking for interesting art, to avoid getting swept away by a sudden massive flood, and to visit Urban Spree for some great prints and paintings, and even to hang out in a boxing club for days with a cluster of curators.

Our special thanks to Yasha Young and the entire UN Team for their UNflagging support as we collectively are bringing a new institution that recognizes a wide swath of history and influences forward. More to come…

Here’s our weekly interview with the street, this week featuring A Squid Called Sebastian, Anarkia, Axel Void, Hop Louie, JAZ, Marshal Arts, Mindaugas Bonanu, Nafir, Olek, Panmela Castro, RoboSexi, Roxi, Speto, Uriginal, and Various & Gould.

Our top image: Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Various & Gould. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

New interventional pieces of objects in clear resin from the Polish duo Robosexi in collaboration with Polish/Brooklyner artist OLEK placed IN the streets of Berlin this week. An anagram of their first names Roxi and Sebo, the duo say their “Time Capsules” are an effort to freeze the truth about this time and people today. They say that they also do performances and video art in addition to these installations, but this week they are in town with OLEK for PM/10 at Urban Nation.

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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A selfie gun from Hamburg based stencillist Marshal Arts. Berlin, Germany. One source tells us the title is “How to Take a Great Selfie.” (photo © Jaime Rojo)

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Uriginal in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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Nafir is having some rather explosive ideas lately. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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An unidentified artist’s painting of these two amorous lovers appears under the train tracks that lead across Oberbaum Bridge (German: Oberbaumbrücke), a double-deck bridge crossing Berlin’s River Spree. (photo © Jaime Rojo)

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Axel Void. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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A new sculpture by Franco JAZ Fasoli commands the center exhibition space at Project M/10, which opened last evening in Berlin. Urban Nation Museum For Urban Contemporary Art. Curated by Instagrafite.(photo © Jaime Rojo)

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Beards and man buns are the default fashion accessory for men who would like to give an air of hipness at this moment. Arguably however, they are probably considered mainstream. Hop Louie. Berlin, Germany. (photo © Jaime Rojo)

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Speto. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Roxi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

brooklyn-sreet-art-jaime-rojo-berlin-07-31-16-webAlleged ties between US Republican Presidential candidate Donald Trump and Russian President Vladimer Putin made it to the street via Lithuanian artist Mindaugas Bonanu and this week on the cover of Frankfurter Allgemeine. Although the German newspaper doesn’t credit the creator of this image (which happens a LOT with street art), we can tell you that the significance of the image is directly tied to Berlin Wall art history. As writer and art critic Carlo McCormick notes in a recent PAPER magazine portfolio of Trump-related art, this piece refers to ” a famous fraternal kiss in 1979 between Russian leader Leonid Brezhnev and his East German counterpart Erich Honecker that gained fame as a painting by Dmitri Vrubel on the Berlin Wall.”

Untitled. Berlin, Germany. (photo © Jaime Rojo)

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Tour Paris 13 : Fluorescent & Towering Show Book

Tour Paris 13 : Fluorescent & Towering Show Book

Another book to tell you about today! Remember when BSA took you to Paris that time and we skipped the line and went into all the floors of this soon to be demolished building?

“The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.”

That is how we described it in November 2013 when Spencer took us on a whirlwind tour of TOUR 13.

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Tour Paris 13 (photo © Jaime Rojo)

Published last month this towering book with the page edges sprayed neon orange was released by Mehdi Ben Cheikh in French and English to commemorate the event, and seeing the installations this way is going to make you wish the place wasn’t destroyed. 500 new photos previously unpublished allows you to see the show as you travel from the cellar to the top floors.

You may wish you had more background on the artists and the context and clearly not all of the artistry is of similar quality but you will be satiated by the images and thankful that they were recorded during their brief duration. Published by Editions Albin Michel, in partnership with the Itinerrance Gallery, this show will continue to soar long after the dust has settled.

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Entes . Tour Paris 13 (photo © Jaime Rojo)

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Inti . Tour Paris 13 (photo © Jaime Rojo)

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Ethos .Tour Paris 13 (photo © Jaime Rojo)

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Seth .Tour Paris 13 (photo © Jaime Rojo)

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Moneyless .Tour Paris 13 (photo © Jaime Rojo)

Artists included in the Tour Paris 13 project:

108, 2MIL FAMILIA, A1ONE, ADD FUEL, AGL, AGOSTINO IACURCI, AMINE, ALEXÖNE, ARRAIANO, AWER, AZOOZ, BOM.K, BTOY, C215, CEKIS, CELESTE JAVA, CLET, COPE2, CORLEONE, DABRO, DADO, DAN23, DAVID WALKER, DEYAA, EIME, eL SEED, ENTES, ETHOS, ETNIK, FENX, FLIP, GAËL, GILBERT, GUY DENNING, HERBERT BAGLIONE, HOGRE, HOPNN, INDIE, INTI ANSA, INTI CASTRO, JAZ, JB ROCK, JÉRÔME GULON, JIMMY C, JOYS, JULIEN COLOMBIER, KAN, KATRE, KEITH HARING, KRUELLA, LEGZ, LEK, LE CYKLOP, LILIWENN, LOIOLA, LUDO, MAIS MENOS, MAR, MÁRIO BELÉM, MARKO, MARYAM, MATÉO GARCIA, MAZ, MONEYLESS, MOSKO, MP5, MYRE, NANO, NEBAY, NEMI “UHU”, NILKO, ORTICANOODLES, PANTÓNIO, PEETA, PHILIPPE BAUDELOCQUE, RAPTO, REA ONE, RODOLPHE CINTORINO, ROTI, SAILE, SAMBRE, SAMINA, SEAN HART, SÉBASTIEN PRESCHOUX, SENSO, SETH, SHAKA, SHOOF, SHUCK 2, SOWAT, SPAZM, SPETO, STeW, STINKFISH, SWOON, TELLA’S, TINHO, TORE, UNO, URIGINAL, VEXTA, VHILS, and WISIGN

 

Click HERE to read BSA’s coverage of this project before the building was demolished.

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Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

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The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.

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El Seed. La Tour Paris 13.  Exterior of the tower. (photo © Spencer Elzey)

“The La Tour Paris 13 experience was something that I’ll never forget,” Elzey recounts as he thinks of himself nearly running from apartment to apartment with camera in hand, each room a new discovery, many of them inspiring awe.

“I was on an adrenaline rush while I was inside since I only had an hour by myself before it opened to the public. It wasn’t until later in the morning when I looked back at all of my pictures that I was able to fully understand exactly how much art I just witnessed,” he says.

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Kan. La Tour Paris 13. Come in. (photo © Spencer Elzey)

Mehdi Ben Cheikh from Galerie Itinerrance, who curated the project La Tour Paris 13 gave permission to Elzey to get these shots for BSA before the crowds arrived and now he was snapping as many as possible.

Over the course of the year artists have devised specific paintings, sculptures, and installations inside the housing tower knowing that it would be exhibited for a month before being demolished. “The number of artists and the amount of space dedicated to this one exhibit is something that I don’t think will ever again be replicated,” he says.

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a1ONE. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

While touring former living rooms, bathrooms, and kitchens Elzey quickly discovered that aerosol and markers were not the only materials used by this global pool of street/graffiti/urban artists who came from far places like Brazil, Iran, US, Tunisia, and even Saudi Arabia in addition to many European countries.

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a1ONE. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

Some artists had staged new perspectives and environments by combining sculptural elements that married into their wall pieces, others like C215 cut into the floorboards to create a relief, still others worked in and around the decaying, partially destroyed infrastructure to create venues that slid into the fantasies of subconscious. “It was a free-for-all in a sense that once inside the apartment the artist had free reign to transform it however they wanted,” he says.

“What isn’t apparent in the pictures is how dark a lot of the rooms were. There were at least three rooms that were essentially dark with the exception of a little black light, while others were dimly lit by a solo lamp or fluorescent bulb. Sometimes you had to walk through holes in the walls to access further rooms.”

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Seth. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

In his images here you can see the variety of styles and influences that the artists brought to the game, each accepting that it was a one-time-only installation. Maybe this group wasn’t so hard to convince, since the very nature of art on the streets is ephemeral.

“Street Art on the street has an expiration date, but the exact amount of time in which it will stay up isn’t known,” says Elzey, “It can either be covered up by graffiti or another wheat-paste, it can be removed by the building owner, or it can just wither away from being exposed to the elements.”

La Tour Paris 13 brings to mind the multitude of urban explorers who regularly trek into abandoned and neglected places all over the world and leave their mark, activating previously moribund spaces with art, but no one has ever launched a show like this with such genuine quality or with this scope.

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Uriginal. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

“The closest thing that I can compare it to is 5 Pointz,” Elzey says of the grouping of buildings in New Yorks’ Long Island City that provided what was perhaps the original group show venue for urban art from the 1990s until yesterday.  In an ironic mirroring of events, 5 Pointz and its multitude of external paintings underwent “the buff” the night before last after running an every-changing show for about three decades.

The 5 Pointz factory buildings themselves are also slated for demolition and will make way for new condos. “We all knew that its days were extremely numbered,” he says sadly of what had become a New York cultural heritage icon to some and a holy place for graffiti writers and Street Artists and fans from around the world.

 

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Tellas. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

The true impact from the La Tour Paris 13 project and 5 Pointz may happen in the mind and heart of the artist and the art fan; perhaps the beauty of this exercise, however short lived, is that the public is being encouraged to re-imagine old buildings for new uses, to consider what else we can do with private and public space.

When that conversation takes place we often realize how the limits of creativity are determined in no small part by imagination.

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Sambre. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

While we keep tracking the routes and machinations of this first global people’s art movement that has evolved into  Street Art, we fully expect that we will continue to be surprised and inspired by the creative spirit and by artists.

For Spencer, this Tour was a lot more personal. “Having experienced something like this on such an immense scale and with a definitive end date made me feel like I was part of something special.”

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Stew. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Shoof. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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David Walker. Detail. Jimmy C in the background room. La Tour Paris 13.  (photo © Spencer Elzey)

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Guy Denning. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Katre. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Rea1. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Pantonio. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Jaz. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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C215. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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C215. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Belem. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Add Fuel. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Dado. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Bom K . Liliwenn. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Agostino Iacurci. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Entes. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Inti. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Dan 23. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Maz. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Hopnn. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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JB Rock. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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el Seed. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Cekis. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Nebay. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Ethos. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Mar. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Loiola. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Mosko. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Cope and Indi 184. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Ludo on the exterior with a view of the line to get in. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

Visit La Tour Paris 13 site for a full set of photographs, details and a full experience of the project.

This article is also published on The Huffington Post.

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Artists participating include: 108 ( Italy) – 2mil (Brazil) – Add Fuel ( Portugal) – AGL ( France ) – Lacurci Agostino (Italy) – Alexone ( France ) – A1one (Iran) – Amin ( France ) – Aous (Saudi Arabia) – awer (Italy) – Azooz (Saudi Arabia) – Belem (Portugal) – BOM.K ( France ) – Btoy (Spain) – C215 ( France ) – Celeste Java ( France ) – Cope2 (USA) – Corleone (Portugal ) – Dabro (Tunisia) – Dado (Italy) – Dan23 ( France ) – David Walker (UK) – Eime (Portugal) – eL Seed ( Tunisia) – Ethos (Brazil) – Etnik (Italy) – Fenx ( France ) – Flip (Brazil) – Gael ( France ) – Gilbert ( France ) – Guy Denning (UK) – Herbert Baglione (Brazil) – Hogre (Italy) – Hopnn (Italy) – Indie 184 (USA) – Inti Ansa ( France ) – Inti Castro (Chile) – Jaz (Argentina) – JB Rock ( Italy) – Jimmy C ( Australia) – Samina Joao (Portugal) – Jonone (USA) – Joys (Italy) – Julien Colombier ( France ) – Kan ( France ) – Katre ( France ) – Kruella (Portugal) – Legz ( France ) – Lek ( France ) – Liliwenn ( France ) – Loyola (Brazil) – Ludo ( France ) – Mrs. Sanbor ( France ) – March (Portugal) – Marko93 ( France ) , Mario Belem (Portugal) – Maryam (Saudi Arabia) – Mateo Garcia Leon ( France ) – Maz (Saudi Arabia) – moneyless (Italy) – Mosko ( France ) – Mp5 (Italy) – Myra ( France ) – Nano (Chile) – Nebay ( France ) – Nemi Uhu ( France ) – Nilko ( France ) – Orticanoodles (Italy) – PANTONIO (Portugal) – Paulo Arraiano (Portugal) – Peeta (Italy) – Philippe Baudelocque ( France ) – Rapto (Brazil) – Rea 1 ( France ) – Rodolphe Cintorino ( France ) – Roti ( France ) – Sambre ( France ) – Sean Hart ( France ) – Sebastien Preschoux ( France ) – Senso (Italy) – Seth ( France ) – Shaka ( France ) – Shoof (Tunisia) – Shuck2 ( France ) – Sowat ( France ) – Spazm ( France ) – Speto (Brazil) – Stew ( France ) – Stinkfish (Mexico) – Sumo (Luxembourg) – Tellas (Italy) – Tinho (Brazil) – Tore ( France ) -Uno ( France ) – Uriginal (Spain) – Vexta (Australia) – Vhils (Portugal) – / Maismenos (Portugal).

 

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