All posts tagged: Studio Cromie

BSA Film Friday 06.09.23

BSA Film Friday 06.09.23

June 9, 2023 ,
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Our weekly focus is on the moving image and art in the streets. And other oddities.

Now screening:
1. The Chronicles of a New York Locksmith / Keys to the City / The New Yorker. By Ian Moubayed

2. 5 MINUTES WITH: MAMBA (BERLIN) via I Love Graffiiti

3. Momo: Darmon 3 via Studio Cromie bald head.”

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BSA Special Feature: The Chronicles of a New York Locksmith

Great filmmaking doesn’t happen too often, but when it does, it resonates. Ian Moubayed captures his people and lets them tell their story, their way. This locksmith and his young protégé give parts of themselves to form a story that comes across as authentic, with great respect for all involved.

The Chronicles of a New York Locksmith / Keys to the City / The New Yorker. By Ian Moubayed

5MINUTES WITH: MAMBA (BERLIN) via I Love Graffiti

Can we say that graffiti writing film has become stunning? The inclusion of Christiane F’s “Wunderbar” lends the activities an isolated feeling of disjointed belonging, the rhythm of the city adding its structure to a nighttime escapade of vandalism and creativity. The painting is rigid and artful, the evenings opportunity eclipsed by the harsher elements, an ever-present game of cat and mouse. This is brilliant storytelling, a warm and distinct dance at the margin

Momo: Darmon 3 via Studio Cromie

Longtime friends, creative co-conspiritors, celebrators of the absurd, MOMO and Angelino travel together and bring you along. Again. Revisiting paradise (Maldives) after 10 years, you’ll notice some changes, some subtle, some clarifying. The shock of Sri Lanka brought that Honeymoon to a crash. And yet, as they travel, surrounded by beautiful people, nature, and culture, they rise to the occasion. Again and again.

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BSA Film Friday: 02.17.23

BSA Film Friday: 02.17.23

February 17, 2023 ,
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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. MOMO “Final Call” Via Studio Cromie

2. 5 Minutes with: Rosy One (Schweiz)via ILoveGraffiti.de

3. PichiAvo “Used to Be” at Underdogs gallery in Lisbon

4. ARAI sings “Little Stupid Boy”

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BSA Special Feature: MOMO “Final Call”

MOMO and that dude from Studio Cromie have an in-depth conversation about a new series of non-representational artworks by MOMO, as represented by that dude from Studio Cromie.

Buon appetito!

MOMO Final Call. Via Studio Cromie

First entranced by hip-hop culture in the late 80s and writing graffiti in the early 90s in Switzerland, Rosy One moved on to train bombing and was hooked for life. Rosy One says she doesn’t see herself accommodating herself into conventional society; she favors working alone although she’s been in crews, and describes her style as having a “sweet and tough” aesthetic, clearly influenced by the New York, Paris, and Berlin scenes.

Turn on the subtitles – they work!

5 MINUTES WITH: ROSY ONE (SCHWEIZ) VIA I LOVE GRAFFITI DE

“What first draws their attention is the mixture of graffiti with classical art. We try to convey our roots and that this is what we know.” PichiAvo have always traveled and spoken to you in the myths and the margins. The nexus of the two is the genius that can be found amidst the ruins, at the margins of society. Exposed to the elements, these generations are called to the fore, equally at home inside or outside.

“Our work is in the studio, and our work is in the street, and we aim for there to be a balance between both worlds.”

Keep your eyes open for a collaborative canvas with Vhils. Another diamond in the rough.

PichiAvo “Used to Be” at Underdogs gallery in Lisbon

ARAI sings “Little Stupid Boy”

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Ceramic Faile: A New Collection With StudioCromie in Grottaglie, Italy

Ceramic Faile: A New Collection With StudioCromie in Grottaglie, Italy

March 6, 2021

Angelo Milano, the founder of Studiocromie and FAME Festival, has been courting Brooklyn artist duo Faile for more than a decade, and they finally created a series of ceramics together for his studio art business in Grottaglie under the tutelage and traditional expertise of the centuries-old Ceramiche Nicola Fasano’s workshop.

Faile. Large Vases. Stenciled and Glazed Terracotta. (photo courtesy of Faile)

The model of hosting artists for a variable length of time and offering them cooperation with local artisans to create commercial products was part of the original concept of FAME, in addition to the well-curated placement of stunning murals on walls by artists including Erica Il Cane, Vhils, Interesni Kazki, Conor Harrington, Cyop & Kaf, Momo, Lucy McLauchlan, Bastardilla, and Ted Moneyless. Since the mural festivals’ dissolution by Milano a half dozen years ago, he’s hosted a growing list of talents mirroring his eclectic fine eye for quality, and devil-may-care philosophical stance – the solo show and rap album with the Italian trio Canemorto both come to mind, for example.

“Exploring a mix of our stencil processes and combining it with a variety of their methodologies,” says Faile (Patrick McNeil and Patrick Miller), “we created a small collection of unique ceramic plates and vases.”

Faile. Multilayered Large Plate Collection. Stenciled and Glazed Terracotta Plate. (photo courtesy of Faile)

The pieces incorporate the familiar pop and pulp imagery and visual vocabulary of canvasses, collaged media, wheat-pasted posters, and street art stencils on a plate. Now you can enjoy your Friselle bread and tomato salad with your favorite stenciled skateboard girl in pink while looking at a vase that may recall prayer wheels.

Faile. Small Plate Collection in Blue. Stenciled and Glazed Terracotta Plate. ( Photo courtesy of Faile)

Faile. Small Plate Collection in Red. Stenciled and Glazed Terracotta Plate. ( Photo courtesy of Faile)

Collection available now via the StudioCromie Shop. Click HERE to see more.

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Canemorto & Angelino Release “Golden Age”

Canemorto & Angelino Release “Golden Age”

January 25, 2018

Not quite Domingo, Carreras, and Pavarotti but it’s still an historic achievement in the field of music. The inimitable trio of lively street canines known as Canemorto (dead dog) have just dropped a new track straight from Italy entitled “Gipsy Kings”, the eponymous single from their EP “Golden Age”, performed near the end of the mini-documentary below.

Canemorto & Angelino “Golden.Age” Hand painted album cover. Studio Cromie. Grottaglie, Italy. (photo © Jaime Rojo)

And now they’ve brought Angelino into their mix so you know its all FAME for the future with 4 MCs on the mic. Or, to paraphrase the lyrics, Canemorto with their homie from Studio Chromie gives you zero phonies on the microphoney. Talents like this rarely make it past security, let alone into the studio, so the howling results of this musical are remarkably fresh, painfully funny, and sometimes just painful.

Canemorto & Angelino “Golden.Age” Printed album cover. Studio Cromie. Grottaglie, Italy. (photo © Jaime Rojo)

Seen here is the still-warm vinyl for all the old skool DJs rocking turntables, with a custom screen printed B side. For a frameable edition of the cover the artists have also dug deep in created custom painted versions. A new single to add to a list of musical contributions to the Street Art/graffiti world, surely a greatest hits collection is on the horizon as these neo-brutalists show their tongue-style is as slick as their handstyle.

Canemorto & Angelino “Golden.Age” Lyrics. Studio Cromie. Grottaglie, Italy. (photo © Jaime Rojo)

Canemorto & Angelino “Golden.Age” The vinyl. Studio Cromie. Grottaglie, Italy. (photo © Jaime Rojo)

 

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