Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Kraftwerk: Pop Art, Remembering Florian Schneider
BSA Special Feature: Kraftwerk: Pop Art, Remembering Florian Schneider
They
predicted what music would sound like and what the world would look like, fifty
years before it happened. Merging man, machine and avant garde theatric
sensibilities, these where the young artists were at the forefront of imagining
and creating the future while residing inside a completely different one and
enduring the overconfident and snide dismissals – later to be followed by the
masses.
Florian Schneider, Karl Bartos, Wolfgang Flür and Ralf Hütter in Rotterdam. copyright Gijsbert Hanekroot/Redferns
Over
time, with critical embrace by the recognized academic and institutional
authorities who were finally catching on decades later, the group itself was
transformed in the eyes of global culture as a work of art.
Oh, the influence they have had; Karl Bartos, Wolfgang Flür, Ralph Hütter and Florian Schneider. Countless musicians in many genres point to their ground breaking sound for inspiration on thousands of pieces.
The Face Magazine, “The Werk Ethic” (Issue 23, March 1982)
Somewhere between the Black Forest and Cologne, the spirit of Kraftwerk swells and speeds and glides and calculates the upcoming curve up above on the Autobahn, this modern classicism sweeping minds and imaginations.
Our thoughts today to the family and friends of Kraftwerk co-founder Florian Schneider, who passed away recently at 73. May all our young men and women who are creating today reach this age, and may they inspire us to imagine a future one.
The idea that the boys of Canemorto are in danger is both repelling and dinosaurian. But the paint-roller free thinking rapping brutalists of Italy are staying safe in quarantine, thank Dios.
But they, like so many people who are not working right now, are in distinct danger of economic monstrosities lurking around every corner. Their real fears are mixed with imagined ones from movies of your childhood, so you can identify with their plight.
You can save them from ruin by getting one of their new Jurassic posters. “As for most of the artists during the lockdown, online sales are the only form of support and income we have,” they tell us. And then we hear the sounds of large talons of the Velociraptor thumping down the hallway to our door…
CLICK HERE TO ORDER YOUR LIMITED EDITION POSTER AND HELP THE ARTISTS IN THE PROCESS
Cane Morto. Jurassic Park. Detail. (photo courtesy of Cane Morto)Cane Morto. Jurassic Park. Detail. (photo courtesy of Cane Morto)Cane Morto. Jurassic Park. Detail. (photo courtesy of Cane Morto)Cane Morto. Jurassic Park. Detail. (photo courtesy of Cane Morto)
CLICK HERE TO ORDER YOUR LIMITED EDITION POSTER AND HELP THE ARTISTS IN THE PROCESS
Yes, out door advertising is often a pox, a blight, most agree. But once in a while, artists take it over and it becomes a service to society.
Mark Titchner. London, UK. (photo @jack__Arts)
Example; this new campaign by Mark Titchner that reassures all of us that this is a temporary situation, and we will pass through it. The bold lettering and direct statements may bring to mind original text-based culture-jammers like Barbara Kruger or Jenny Holzer, who wrested the nomenclature of mass marketing and rather rearranged it. Clearly the sentiment here is a bit easier to connect with.
Mark Titchner. London, UK. (photo @jack__Arts)
But during a time where there appear to be more questions about the virus than there are answers, and the power-holders are slyly seizing more while the rest of us drift further toward poverty, it is a nice bit of a reassuring sentiment. Don’t you believe?
Mark Titchner. London, UK. (photo @jack__Arts)
CLICK HERE TO PRINT A FREE HOME VERSION OF THE POSTER
As you watch and wait to see
the festering uprisings of workers and the growing crowds of poor and hungry in
the US, we take you back to Friday, which was Labor Day in Europe. It was also
the release date for this curious and interesting project by the artist and people’s
advocate, the New Yorker John Fekner.
John Fekner “Memory” (photo courtesy Bien Urbain)
This unique collection of objects and images and textures called MEMORY is a publication linked by projects that are strung together in a constellation across five decades, a few continents, and pivotal moments that reflect the themes in this New York artists’ activism on the street and through various public interventions. A true innovator, trouble maker, and activator of moribund spaces, its Fekner’s cryptic pronouncements that can read as final judgements and humorous summaries.
“This publication gathers 6
objects edited by projects : a parcel memory from the artist’s archives,” says
the description of this limited edition. “It is the result of exchanges between
the artists John Fekner and Brad Downey, the artistic director of the Bien
Urbain festival David Demougeot and the graphic designers Laura Bouchez and
Bart Lanzini.”
John Fekner (photo courtesy Bien Urbain)
It all seems so current, of
this moment: with references to broken promises, saving schools, worker’s
movements, the remains of industry, government abandonment, citizen
participation, engaging memory, beseeching the power of poetry. It’s all of one
cloth, and all a wistful piece of our collective memory – now brought to life
again.
Rachel Maddow gets $7 million a year. Sean Hannity makes $40 million a year. Anderson Cooper $12 million a year. Joe Scarborough $8 million a year. Even Erin Burnett, who started her professional career as a financial analyst for Goldman Sachs GS, has a net worth of $13 million.
“Right” wing or “Left” wing, it doesn’t matter – these “news” reporters are millionaires looking at the world through your eyes, right?
Maybe this is why there are few positive news stories or policy debates or discussions or “Special Investigation” programs about student debt forgiveness, housing issues, workers rights, unions, Medicare for All, rent strikes, a guaranteed Basic Universal Income on the main networks and news sites. There are NO grand, sweeping financial/job/infrastructure solutions for everyday people that are being proposed, or being reported. There are more people out of work and without a safety net than any time in your life, and there are no big solutions to this?
Huh.
In other news, we’re still quarantining inside. 18,610 people are dead from Covid 19 in New York. That is 6 times as many as we lost on 9/11 – Please send us your pics of art in the streets! We love to hear from you. Spread love!
So here’s our weekly interview with the streets, this week featuring Ines, JJ Veronis, King Baby, One-Tooth, Moe, Pollyn, Praxis-VGZ, and Woe.
Everybody falls. Some know how to do it with great style.
Today we give tribute to the man who showed us how to do it right and spawned a thousand dancing and performing imitators and variations practiced since he flew across TV screens in the 1970s..
When it comes to the dance known Campbellocking – later shortened to “Locking” – Don Campbell was the originator of the series of pop and lock joint movements that fueled what would become part of the hip-hop dance lexicon.
Esquire – 1974 Photo by Harry Hamburg / J.P. Goude
The Camblelock Dancers were comprised of with members Toni
Basil, Fred ‘Mr. Penguin’ Berry a.k.a. Rerun, Leo ‘Fluky Luke’ Williamson, Greg
‘ Campbellock Jr.’ Pope, Bill ‘Slim The Robot’ Williams, and Adolpho ‘Shabba
Doo’ Quinones
Don “Campbellock” Campbell. Artwork by Cleveland Palmer
He passed in April in his home of Santa Clarita, California and we just wanted to pay tribute to the innovator, incorporator, and top notch operator. Put your hands together as we send off Mr. Campbell to a Soul Train dance floor in the heavens.
Funky Fresh pages for your fresh paint from the Museum of Graffiti in Miami today.
They’ve been doing their best to make your quarantine dope! Every week for the last month they’ve been releasing new pages in what will ultimately be the biggest most supercharged graffiti coloring book we’ve seen.
This week Volume IV is here with a special cover designed by PURE TFP, featuring art by CES, DOC TC5, DR. DAX, INTEL TCI, and MICKEY. Pick it up a hardcopy by ordering it online – and they’ll immediately send you a PDF file to print.
Don’t forget to be sure to tag your work-in-progress or finished photos at @museumofgraffiti on instagram or Facebook!
It’s good to see that Stikman is still lucidly dreaming himself into a world of mid-century superheroes and gorgeous dames even while in lock-down for this never-ending quarantine.
A charmingly witty self-insinuator into all manner of Americana from yesteryear, the mysterious Street Artist who started simply as a man made of matchsticks regularly utilizes a sophisticated array of printing methods to place himself in pop and pulp settings.
And he shape-shifts into the background easily, sometimes assuming a character or using himself as a billboard, or in a couple of these, a reminder to wash your hands and stay home.
Judy Chicago, Jane Fonda and Swoon are teaming up for a Global Open Call to #CreateArtForEarth, and the hashtag is picking up speed quickly.
“There are so many ways that art will be part of how we survive this climate crisis and the current pandemic, from helping us work through paralyzing fears so that we can act constructively, to keeping our hearts and minds inspired by what matters, and even using the creative process to tackle tangible solutions. I’m such a believer that the first step to action is an act of imagination.”
– Swoon
Swoon. “Healing Arises in Slowness” 2020 (photo courtesy of Swoon)
Working side by side with Greenpeace USA, National Museum of Women in the Arts and $FireDrillFridays invite you to join the launch of #CreateArtforEarth – a global initiative to encourage art that addresses the climate crisis and hopes to inspires action.
Plastic arts, songs, performance, poems, – all are encouraged. Just follow the hash tag to see where you can participate. #CreateArtforEarth
“Over the last few decades, we have witnessed the melting of the Arctic ice; the warming of the oceans; massive wildfires; dramatic changes in weather patterns; the extinction of hundreds of living creatures; and now, the coronavirus which is upending human behavior all over the planet, causing the disruption of economic systems at a level never seen before and death for many thousands of people. The most pressing issue for us today are the conditions out of which these dire occurrences have happened, which artists can help illuminate if they start addressing what matters in understandable modes.” – Judy Chicago
On Thursday, April 30th, at 1:00 PM MST @Hansulrichobrist and I will be in conversation with on @SerpentineUK account for an Instagram Live. Join us as discuss the global creative campaign ‘Create Art For Earth’ and my involvement in Serpentine’s #BackToEarth project.
Bill
Posters knows his street art and activism history.
From Beuys’ practice of ‘social sculpture’ and John Fekner’s blunt upbraiding of urban planning hypocrisies to AIDS activists using street art to shame government homophobia and the paint-bombing of a Mao portrait that led to the arrest and torture of the artists/activists for counter-revolutionary propaganda, he’ll give you a solid foundation on precedence for this rebellious art life in “The Street Art Manual.”
He also knows how to yarn-bomb.
And myriad other techniques for freelance intervening in city spaces that you own, that all of us own, but which are often commandeered for commercial messages, political propaganda messages, or commercial-political propaganda messages – otherwise known as fascism.
His new book on hacking public space is one of the most instructive, constructive, serious and light-hearted romps through your world with new eyes. He has mastered a balance of educational and fun, sane and irreverent as he takes you methodically with text, photos, and cleanly modern diagrams through practices such as graffiti, stencils, paste-ups, subvertising, large-scale murals, yarn bombing, guerrilla theater, dropping banners, light projections, launching paint projectiles, and mastering aerial art via drone.
One may say that it is a handbook for taking back your voice in a sea of disinformation to advocate for a point of view. But don’t take yourself so seriously, dawg. Also, mind your manners. For being a rule breaker, Bill Posters wants you to be gentlemen and gentleladies and gentlepersons – Don’t just hit the streets as a hormone-fueled dunderhead who rides roughshod over others in a toxic, abusive way.
Check out his list for how to do the most fundamental of forms, graffiti. The “DO” list includes admonitions to “say something more than your name. Stick up for those less privileged”, which may sound like a tear-jerking sermon. But then he also tells you not to bring your cellphone to the train yard, which just seems logical.
In the “DON’T” list he suggests you don’t go into train yards without experienced writers, and he implores aspiring aerosol mark makers to be original, “Focus on developing your own voice and your own style.” In many ways, Bill Posters is the supportive dad you never had, which probably would have helped you avoid this whole vandalism lifestyle to begin with.
But since you are a vandal or are unwittingly breaking some municipality’s law by wrapping a sculpture with crochet to look like a clown, he does offer direct advice on dealing with authorities, knowing your rights, knowing what your options are, and knowing that some times police actually like your art and might let you off if you don’t act like a jerk. All that said, this book is not about breaking laws, it’s philosophically about reclaiming public space and having a voice in your society.
“Throughout
history, people have used creativity to push against conformity in search of
experiences that create more meaning,” he says in his introduction. “Street
art, and its predecessor, graffiti, are two art forms that do just that.”
And
when doing your subversive or society-saving art installation under cover of
night, elsewhere he recommends, “Don’t forget to scope things out and check for
onsite security. Dogs are a real issue when you’re stuck on a fence, hanging
there like a tasty human sausage.”
The Street Art Manual by Bill Posters. The Street Art Manual new US on-sale date is now Sept. 8th. 2020. Published by Laurence King Publishing Ltd. London, UK. 2020.
The famous piece inspired by the other more famous piece
“Girl with a Pearl Earring” by Dutch artist Johannes Vermeer has been
enhanced by the addition of the now-ubiquitous blue face mask on the girl’s
face.
Word on the street is that the addition might not be that of the famously reclusive artist himself but that of an admirer. Usually, Banksy gives his pieces on the street his imprimatur by posting them on his Instagram account. At the time of this posting on BSA, such action hasn’t yet been taken.
Unfortunately it doesn’t realize that all this clean air and water from the last couple of months is not intentional – we just had to stay inside our homes and not ruin stuff.
Shepard Fairey. Earth Day 2020. (photo courtesy of Studio No. 1)
Airplanes
are grounded, parks are closed, and asthma is down. Wild animals are enjoying
their natural habitat without the hordes of humans traipsing about their
territory. Mountains, rivers, lakes, and our oceans are experiencing less
stress and our cities, in general, are calmer and cleaner. When people float
conspiracy theories about Covid-19, we always like the one about the Earth
creating it to get our attention and be better earth citizens.
50
years after the first Earth Day, we pause to recognize people like US Senator
Gaylord Nelson, a Democrat from the state of Wisconsin who founded it. He
probably had no idea that corporations would take over the Senate and House and
White House and the media here in 2020.
Who
did?
Shepard Fairey. Earth Day 2020. (photo courtesy of Studio No. 1)
But
the good work of those first environmentalists hasn’t been completely reversed,
however they have tried to smear the name of people who love the Earth, eroding
laws that protect it. “Teach-ins” from the Vietnam War era actually inspired Senator
Nelson to envision a “national-teach-in-movement” where neighbors taught each
other and empowered and encouraged one another to act positively and directly
to protect natural resources. For all those who have fought for our environment
and our fellow creatures, some at great personal cost, we salute you.
Street
Artist and activist Shepard Fairey has been sounding the alarm on environmental
issues and the climate for years now. His voice resonates because he’s informed
and straight-forward with his graphic campaigns to elevate the discussion where
we all can participate with the shared goal of leaving this planet in much
better shape than it was when we were born. Here are a couple of posters he
just released through his design studio Studio No 1.
Street art welcomes all manner of materials and methods, typically deployed without permission and without apology. This hand-formed wire piece …Read More »