All posts tagged: Shepard Fairey

A Diverse Mix on All Accounts – HK Walls 2017, Dispatch 4

A Diverse Mix on All Accounts – HK Walls 2017, Dispatch 4

This week BSA and Urban Nation (UN) are in Hong Kong for the 4th edition of HKwalls to capture a very international and local mix of artists in this East/West nexus; a world-class city for art and culture, English and Cantonese, hi-tech and traditional methods – all during the enormous Art Basel week. We’ll bring you the new walls, some previous pieces, some graffiti, stickers, and a whole lot of color from this fast moving and dynamic city on the Pearl River Delta of East Asia.


Last night was a blast with Louisa Haining and “Secret Walls” at the HKwalls HQ here on the southside of Hong Kong. DJs were pumping old school hiphop hits and happy jams from 80s and 90s and the young and extremely attentive HK crowd was happy and savvy, although a BK crowd would have singing/yelling the lyrics and fronting and jumping around more probably.

Debe. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

It’s a sort of franchise, these Secret Walls events, begun In Berlin in the 90s(?) and the competition of multiple artists and art styles up on a stage creating in teams in a semi-competitive environment  with black instruments on a white wall – all while the audience is swilling beer and pumping to jams blasted by a DJ… is just flexible enough to respond to any range of tastes and ultimately does what we love the most; engages people directly with the creative spirit.

Also we appreciated the diverse mix of graff writers and Street Artists from Thailand, Indonesia, Hong Kong, UK, Italy and US – not unlike the representation of people in HKwalls itself out here on the street.

Debe. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

And that spirit has been alive on the streets for HKwalls these last few warm and sticky days, now at full volume with artists around many corners (and up a few elevators) making new murals in this industrial and auto neighborhood now in the early-throes of gentrification. On the one hand, walking on some streets is so loud and near-death-defying with boldly defiant drivers who don’t appear to register your existence as you scurry across the street in front of them.

On the other hand there are some of those trendy shops with pressed panninis and olives in a tub and pretty mommies and business suit daddies ferrying their progeny up the elevator of new glass buildings to private day care activities – and of course the sparkling green soccer fields full of teams playing every night.

Debe. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

It helps matters that there is a brand new extension of the MTR train system, all shiny and smooth and hi-tech and friendly, running right though the neighborhood out to the furthest island of Apleichu – now five minutes away.

Enter the HKwalls festival. Run by three partners – founders Jason Dembski and Stan Wu and managing director Maria Wong. This is the fourth time out for the festival, which has been held in different neighborhoods and had various configurations in terms of art and artists. Determined to break the mold in whatever ways are possible, the three have backgrounds in graffiti, architecture, marketing, entrepreneurship, and curating/producing events.

Tuts. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

The mix of artists is about a third from Pacific Rim, a third Euro-US, and a third locals and expats. Respected by the graff kids and old schoolers, they are smart to be inclusive of HK’s professional artistic folks too, including inroads from the illustration side, tape artistry, brushwork of all manner, aerosol freehand, stencil, projection mapping. More on this later but just wanted to give you a little background on the solid knowledge that is in effect, yo. Suffice to say more attention needs to given to this hard-working big hearted team.

Tuts completed his wall. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Today’s update gives you a sense of some of the flavor on the festival tip, along with some shots of pieces inside the Art Central show on the other side of mountain on this island.

While it was good see the offerings in the deliriously corporate environment under giant tents near a Ferris Wheel – and a number of the full ceiling to floor sculptural installations were of good quality – there is a definite reigned-in quality, with a slight tendency toward cute. As artists in certain parts of the Western world and even the Middle East have become more activist and challenging in certain aspects, the art fairs in general are sort of playing it safe.

Spok. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Mauy. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Mauy. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Jecks. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Jecks. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Messy Desk . SeeNaeMe. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Messy Desk . SeeNaeMe. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Messy Desk . SeeNaeMe. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Dilk. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Dilk. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Aspire. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Aspire. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Wong Ting Fung. Process shot. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Cleon Patterson at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

Shepard Fairey at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

Desire Obtain Cherish at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

Anida Yeou Ali at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

Invader at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

Craneo at Art Central Art Fair. Hong Kong – March 2017 (photo © Jaime Rojo)

 

 


HKWalls and Hong Kong stories come to you courtesy BSA in Partnership with Urban Nation (UN)

#urbannationberlin #allnationsunderoneroof #unblog @urbannationberlin @bkstreetart

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BSA Images Of The Week: 02.20.17

BSA Images Of The Week: 02.20.17

BSA-Images-Week-Jan2015

We have a lot to show you this week of art from the street, museum, and studio. This horrid and chaotic political environment is proving to be fertile soil for the growth of politically themed works by artists everywhere.

We start todays’ posting with the image above created with the simplicity of a mirror held up during a recent demonstration as if to say, “this is what America looks like”, by the artists “Icy & Sot”.  The people who is reflected back to the camera appear in stark contrast to the nearly exclusively white, male, ultra-rich cabinet he has selected as his advisors.

Here’s our weekly interview with the streets, this week featuring: Chor Boogie, EC13, Homless, Icy & Sot, JPO Art, Keith Haring, Kenny Scharf, Love Breeds Love, Shepard Fairey, UNO, and Wayne.

Top image: Icy & Sot “United America” silhouetted mirror at a demonstration. (photo © Icy & Sot)

Love Breeds Love (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Shepard Fairey for #artinadsplaces (photo © Jaime Rojo)

A posed in-studio performance courtesy of Icy & Sot “Knitting Hate” (photo © Icy & Sot)

Wane (photo © Jaime Rojo)

Keith Haring. Detail. The Whitney Museum of American Art “Fast Forward: Painting From The 1980s” (photo © Jaime Rojo)

Keith Haring. The Whitney Museum of American Art “Fast Forward: Painting From The 1980s” (photo © Jaime Rojo)

Kenny Scharf. The Whitney Museum of American Art “Fast Forward: Painting From The 1980s” (photo © Jaime Rojo)

 

Chor Boogie. “The Birds & The Bees” Santa Rosa, CA. CLICK ON IMAGE TO ENLARGE (photo © Chor Boogie)

Homless (photo © Jaime Rojo)

UNO. Lisbon, Portugal. (photo © UNO)

First thing to know about the new piece in Lisbon above is that the Street Artist who made it, UNO, has a phobia with birds. The second thing is to know that if you see a crow flying overhead in Lisbon, some people will tell you that it is protecting the city. The belief is a remnant from a 12th century story that says the beloved Saint Vincent was buried in Sagres, where his body was protected by crows. When his body was moved to Lisbon by the first King of Portugal, D. Afonso Henrique, it is said that two crows accompanied the body. This is why the flag of Lisbon has a ship and two ravens on either side with the motto “MUI NOBRE E SEMPRE LEAL CIDADE DE LISBOA” (the most noble and always loyal to the city of Lisbon) .

Unidentified Artist (photo © Jaime Rojo)

Unidentified Artist. We couldn’t read the signature. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

JPO Art (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

EC13 new piece in Granada, Andalucia. Spain.  (photo © EC13)

Untitled. Landing. NYC. January 2017. (photo © Jaime Rojo)

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Two Miami Schools Enveloped in Murals : The RAW Project in Wynwood

Two Miami Schools Enveloped in Murals : The RAW Project in Wynwood

Reimagining Art in Wynwood: The RAW Project.

The National Endowment for the Arts (NEA) received $148 million in 2016. The war budget, also called the “Defense Budget”, was approved for $582 billion for this year.

For comparison’s sake, that means the “Defense Budget” is 3,900 times the size of the NEA.

Paola Delfin at work on her mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Arts and artists get very little or no financial or institutional support from the federal, state, or local government in the United States, which is always a shock for Europeans to learn – and many won’t believe it when you tell them. This website, for example, receives no funding or grants from any organization despite publishing daily for almost nine years, and it has remained non-commercial during that entire time.

Paola Delfin with some fans. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

It may be getting even worse for the arts in the US now that the new Trump administration in Washington is proposing cutting all funding from the National Endowment for the Arts. Arts and music programs in many American schools have already been eliminated slowly but surely over the last 40 years since the beginning of trickle-down economics in the 1980s.

That is why it is rather astounding that two of Miami’s Wynwood schools, Eneida M. Hartner elementary school and Jose De Diego middle school, are completely covered in murals.

Mr. June. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

The Raw Project in Wynwood, Miami is the initiative of Robert De Los Rios, who partnered with private contributors, did fundraising, and asked a coalition of artists to paint the walls of the schools for the kids.

 

Part of its success of course is due to the status of the Wynwood neighborhood as a magnet for graffiti and Street Artists over the last decade or so. Already coming to Wynwood for Art Basel or to partake in a related art event, these artists have given of themselves and their talents to create a completely unique and dynamic environment for students to learn and grow up around.

Zed1. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

We captured a number of these walls during successive visits over the last few years and share them with BSA readers today.

Please consider donating to the school organization to continue this program and to refresh or replace murals as they age. http://www.projectwynwood.com/raw/

Martin Whatson. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Martin Whatson. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Shepard Fairey. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

2501. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

INO at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

INO. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © INO)

Kevin Ludo at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Kevin Ludo. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai. The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Emil Walker)

Dan Witz. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Pip Squeak. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Axel Rod. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Bik Ismo. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Findac. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

D*Face on the left with Pixel Pancho on the right. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

MTO. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Paola Delfin. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Spencer Keeton Cunnigham. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Word To Mother. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Pastel. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Jose Mertz . Lister. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Looks like the kids at the Jose De Diego middle school are being inspired by the art of Ben Eine. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Martin Whatson. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Txemy. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

 

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BSA Images Of the Week: 01.22.17

BSA Images Of the Week: 01.22.17

BSA-Images-Week-Jan2015Inauguration week was just as bumpy as you could have expected with an incredibly divided country discussing the outgoing president, the incoming president, the foreign interference and weird circumstances around the actual election, the nearly all white all billionaire cabinet nominees, and the Women’s March‘s that vastly overwhelmed Trumps ceremony attendee numbers while “sister” marches took place in nearly 700 cities around the world. This president, more than any one in decades, is galvanizing people to take action and get involved, just not in the way he might have preferred and we’ve been seeing a steady dialogue on the street about him since last fall.

He certainly wasted no time by signing his first executive order within minutes of being sworn in, one that aims to repeal Obamacare and that would deny health care. In the early and mid-2000s there was a lot of anti-Bush/ anti-war street art. At this inauguration George W. looked giddy and relaxed (despite a poncho battle) perhaps because he might not be the most disliked president of the century after all. Trump v. Obama inauguration numbers were pretty stark, and this week Trump’s national approval ratings have tanked, although a fresh war always tends to perk up a presidents approval numbers, so maybe he can start one of those. Not sure if his popularity would go up or down if he triggered a crisis in the financial markets, but it does feel like absolutely anything is possible with this wildcard. You can be sure that Street Art will be probably be there to respond! We’re keep our eyes open.

So here’s our weekly interview with the streets, this week featuring Adline, City Kitty, D7606, Drsco, El Sol 25, Hek Tad, Homo Riot, Jerk Face, Jose Feliz Perez, Lunge Box, Meguru Yamaguchi, Michael Vasquez, Nimai Keston, Not Art, Shepard Fairey, Sheryo & the Yok, and Vicki Da Silva.

First image above: American Puppet (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Vicki Da Silva (photo © Vicki Da Silva)

Yeah, we didn’t know what it meant either so we looked it up. Here’s what Wikipedia says: Kompromat (Russian: компромат; IPA: [kəmprɐˈmat], short for компрометирующий материал, literally “compromising material”) is the Russian term for compromising materials about a politician or other public figure. Such materials can be used to create negative publicity, for blackmail, or for ensuring loyalty.

In other words, light artist Vicki Da Silva is referencing the apparent influence of the Russian government over the presidential election by smearing Clinton publicly with information they had found. Luckily they didn’t find any information to influence Trump in any way.

Nimai Kesten. This is the wheat-pasted mural of Ai Wei Wei before Hebru Brantley added goggles to it. Wynwood, Miami. (photo © Jaime Rojo)

Adine (photo © Jaime Rojo)

DRSCO (photo © Jaime Rojo)

Jeffrey Gibson with a quote from James Baldwin for #artinadplaces (photo © Jaime Rojo)

Homo Riot (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Obey and friends in Wynwood, Miami. (photo © Jaime Rojo)

Some writers couldn’t resist the white huge canvas that was the Houston Wall, freshly primed for Pichi & Avo’s turn to paint on it this week. (photo © Jaime Rojo)

The Yok & Sheryo in Wynwood, Miami. (photo © Jaime Rojo)

D7606 . City Kitty . Lunge Box collaboration. (photo © Jaime Rojo)

Meguru Yamaguchi (photo © Jaime Rojo)

Meguru Yamaguchi. Detail. (photo © Jaime Rojo)

Michael Vasquez . Jose Felix Perez in Wynwood, Miami. (photo © Jaime Rojo)

This piece of plywood was tagged several times by different artists at different times. (photo © Jaime Rojo)

Jerk Face (photo © Jaime Rojo)

Looks like Pepe Le Pew is lurking around for some lovely lady skunk to walk by so he can use his famously suave pickup lines;

“Permit me to introduce myself, I am your new lover.”

“Where are you, my little object of art? I am here to collect you.”

“Is it possible to be too attractive?”

Humans Crossing (photo © Jaime Rojo)

Untitled. Manhattan, NYC. January 2017. (photo © Jaime Rojo)

 

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Fairey & Friends Respond Graphically: “We The People” & Women’s March Posters for Download

Fairey & Friends Respond Graphically: “We The People” & Women’s March Posters for Download

If the popular response to this poster campaign is an indication, there will be many in the streets.

The “We the People” project with Street Artist and activist Shepard Fairey, Ernesto Yerena and Jessica Sobogal originally aimed to raise $60,000 on their Kickstarter page with the non-profit Amplifier Foundation.

They received 22 times their goal.

 

We The People: Defend Dignity

Shepard Fairey. We The People. (photograph by Arlene Mejorado)

The first words in the US Constitution and the majority of whom did not vote for the incoming president, “We The People” will appear in full page ads in The Washington Post, The New York Times, and USA Today,” according to Shepard Fairey in an interview yesterday.

 

We The People: Protect Each Other

Shepard Fairey. We The People. (photograph by Arlene Mejorado)

Rather than focusing on the visage of the new president, Donald Trump, as his iconic red, and blue “Hope” poster of then-candidate Barack Obama did, these new posters by Fairey and team feature communities that the conservative white right wing can’t bring themselves to treat equally – Native American, African American, Muslim, and Latinos.

The posters have been printed and distributed in the millions by now and you can download and print high resolution versions of them yourself below. You’ll also see that there are five new posters designed specifically for the Women’s March tomorrow in Washington, New York, Chicago, Los Angeles, and an estimated 616 other cities around the world that are also hosting marches called “sister marches”.

We The People: Are Greater Than Fear

Shepard Fairey. We The People. (photograph by Arlene Mejorado)

 

Jessica Sobogal “We the Indivisible” for the We the People Campaign.

Ernesto Yerena for the “We the People” Campaign


Below are a few posters from a growing roster of posters for the Women’s March on Washington. Check below for a button to download them.

Amplifier Foundation

 


Download Zip file of high res versions of “We the People” posters to print here:

 


Download Zip file of high res versions of “Women’s March” posters to print here:


 

From the Kickstarter Page

SHEPARD FAIREY is one of the most accomplished street artists in the world, and creator and founder of Obey Clothing and Obey Giant, first becoming known for his “Andre The Giant has a Posse” sticker campaign while at the Rhode Island School of Design. He became widely known during the 2008 presidential election for his Barak Obama “Hope” poster.

JESSICA SABOGAL is a first generation Colombian American muralist. Her art serves as a haven, a tribute, a creative outlet of adoration and exaltation for women with stories often untold. Her pieces possess a vision of female identity that is revolutionary and powerful, brave and beautiful. Most recently she has created a visual campaign entitled, “Women Are Perfect” which attempts to spread this simple but necessary notion worldwide.

ERNESTO YERENA is an artist living in Los Angeles.  His art brings political concerns to light with subject matter that depicts cultural icons, rebels and everyday people voicing their stance against oppression. While Yerena identifies as Chicano he also strongly identifies as Native/Indigenous to this continent which is often seen in his work. Highly recognized for his activism, Yerena is the founder and curator of the Alto Arizona Art campaign (2010) as well as a founding member of the We Are Human campaign (2009).

THE AMPLIFIER FOUNDATION:  Our non-profit is dedicated to amplifying the voices of grassroots movements through art and community engagement. We do this by funding collaborations between those movements and contemporary artists so that their messages can reach a wider audience. Our goal is to flip artists into activists and observers into participants.

 

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Wayne Rada & Rey Rosa : Wishes & Hopes for 2017

Wayne Rada & Rey Rosa : Wishes & Hopes for 2017

brooklyn-street-art-wishes-and-hopes-for-2017-ani-4brooklyn-street-art-holiday-garland12-2016

As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.

Stalwart proponents of Street Art and New York’s Little Italy neighborhood, Wayne Rada and Rey Rosa have shepherded many artists onto walls of this historic commercial and residential community over the five years with their L.I.S.A. Project and the LoMan Art Festival. With a comedians’ sense of timing and serious Gotham grit, since 2012 these guys have been responsible for welcoming artists like Crash, Daze, Ron English, Olek, Bishop 203, Invader, … and many more to install their work legally in the heart of Manhattan. Today they tell the story of an experience with a mural by Shepard Fairey this year that reassured them that their hard work is worth it.


Manhattan, NYC
September 2016

Photo by Rey Rosa

For their “Hopes & Wishes” posting the guys share a letter they received this year after working with Shepard Fairey’s crew to put a new mural up. They say that stuff like this makes all their efforts seem worth it.

“I really feel that the teacher at TASS school, sums up about how we feel, and why we spit blood for this mural program,” says Wayne.

“I wanted to write to thank you again for taking time out of your busy schedule to meet with my art students. They loved meeting and talking with you, and have been excited watching your progress from classroom window,” begins the letter from Kristen Miller, a teacher at Technology, Arts, and Sciences Studio.

“Our students usually do not have the opportunity to be exposed to formalized art outside of school. Being able to meet and talk with a professional artist not only was an amazing way to help them make connections between the street art they see around them everyday, but also to what they are learning in my art class. It was a great opportunity to show them that street art/graffiti is a form of “real art” that has value, and that it can have real meaning.”

brooklyn-street-art-2016-740-wayne-rada-rey-rosa-2

The L.I.S.A Project NYC : lisaprojectnyc.org
Instagram/Twitter: @thelisaprojectnyc
The LoMan Art Fest (Lower Manhattan Arts Festival): lomanartfest.org
Instagram/Twitter: @lomanartfest

 

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BSA HOT LIST : Books For Your Gift List from 2016

BSA HOT LIST : Books For Your Gift List from 2016

brooklyn-street-art-bsa-hotlist-books-2016-december-740

Nothing can replace the experience of reading a printed and bound collection of images and texts – and the number of Street Art and graffiti related books that come out every year continues to grow in quantity and quality. We don’t receive all of them, and we don’t get the chance to thoroughly review them sometimes, but many of them do pass our desk and we take time to highlight ones that strike a chord throughout the year.

Here is a BSA Hot List selection from 2016 – a cross section really – that impressed us for one reason or another. Full disclosure: we were fundamental to the design and structure of the Icy & Sot book and wrote the Afterword and worked closely with the artists for months, and Ella & Pitr drew us into one of their illustrations, so there is a little more than usual bias in those choices. But otherwise, we’re confident that you’re well served by choosing from these titles for Christmas presents or Hanukkah gifts or Solstice offerings …


 

“Tracing Morocco”, Hendrik Beikirch

brooklyn-street-art-hendrik-beikirch-tracing-morocco-jaime-rojo-01-16-web-1

From BSA:

Dignity in “Tracing Morrocco” gives pause, requests your consideration.

Last year we wrote about Hendrik Beikirch’s journey to Morocco, The Trades. With the support of the Foundation Montresso he embarked  on a project to paint the portraits of people whose trades might be in danger of becoming obsolete and/or disappearing due to the complexities of the modern world. Tracing Morocco, the book about the project is now out…

brooklyn-street-art-hendrik-beikirch-tracing-morocco-jaime-rojo-01-16-web-2

Hendrik Beikirch’s Tracing Morocco published by and in collaboration with Montresso Art Foundation. November 2016.

Click HERE for more about this book.


 

Alan KET Brings You “Urban Art Legends”

brooklyn-street-art-ket-jaime-rojo-01-16-web-1

From BSA:

“This book is about the artists who have pioneered, promoted and transformed this ‘other’ art world,” says the author, himself a graffiti writer, artist, curator, activist, advisor and entrepreneur. What is fresh about his approach is the egalitarian respect that is given to artists regardless of their genre or associated scene, something we have always tried to balance as well amid a sometimes turbulent volley of antagonism that can sometimes distinguish graffiti/street art discourse.

brooklyn-street-art-ket-jaime-rojo-01-16-web-4

KET: “Urban Art Legends” Lom Art. London 2015

Click HERE for more about his book.


 

Ella & Pitr Draw You Their Diary of World Travels in “Baiser D’Encre”

brooklyn-street-art-ella-pitr-book-baiser-dencre-jaime-rojo-01-16-web-1

From BSA:

Who knew that babies could use so many diapers! What to do when you are in a foreign city and both of you are sick as dogs? Also, we may need a crane to help us finish the world’s largest roof mural.

These considerations are things you draw into your travelogue diary when you are Ella & Pitr, the painters of enormous kings, pilots, and couples cuddled in bed on fields, rooftops, and beaches around the world.

brooklyn-street-art-ella-pitr-book-baiser-dencre-jaime-rojo-01-16-web-5

Ella & Pitr. Les Editions Papiers Peintres. France. November 2015.

Click HERE for more about this book.


MIKE MAKATRON : In 10 Cities and Multiple Worlds

brooklyn-street-art-mike-makatron-jaime-rojo-02-16-web-1

From BSA:

Wanderer Mike Makatron has been spending his young manhood traveling the globe and painting walls and experimenting with styles of art ranging from fantasy illustration to loose and leafy botanicals, with symbols of indigenous spirits, psychedelic mushrooms and plenty of the time honored ying/yang.

brooklyn-street-art-mike-makatron-jaime-rojo-02-16-web-3

Mike Makatron – In Ten Cities published by Trojan Press. Melbourne, Australia 2015.

Click HERE for more about this book.

 


“Daze World”, the Artist and Book from City to Canvas and Back

brooklyn-street-art-daze-jaime-rojo-05-01-16-web-1

From BSA:

“This is not an autobiography in the practical sense. I didn’t cover the day-to-day minutia of my childhood or formative teenage years all the way to the present. Rather, I have chosen to take the reader on a journey that covers some of the seminal moments in my life. Those moments shaped my art and allowed me to continue to evolve as an artist,” says graffiti/street/studio artist DAZE of the brand new collection of images and essays that make up “Daze World,” the new hardcover from Schiffer.

brooklyn-street-art-daze-jaime-rojo-05-01-16-web-2

DAZE WORLD: The Artwork Of Chris DAZE Ellis available through Schiffer Publishing.

Click HERE for more about this book.

 


“The Art Of The Mural: Volume 01″ Captures a Moment

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From BSA:

Murals hold their own place onstage in public space today for a variety of reasons that we discuss regularly on BSA. From grassroots and public, to private and corporate, we have watched the genre professionalize as Street Art festivals and other initiatives are often coupling artists with brands and are selling canvasses through the organizers’ galleries. Today we have the first of a promised four-part book series by Art Whino gallerist and organizer of the Richmond Mural Project in Virginia, Shane Pomajambo, that features many artists he has worked with in the brand new “The Art of the Mural”.

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The Art of The Mural: Contemporary International Urban Art. Volume 01 by Shaen Pomajambo. Schiffer Publishing

Click HERE for more about this book.

 


Rubin: “Scandinavia / New York” Studio Works and Murals

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From BSA:

An immigrant’s tale, Rubin’s, and a New York story as well. For his first artists monograph the Fin by way of Sweden brazenly tells you his story in a most deliberate and considered way. It’s brazen because it’s a truth that has taken him a long time to be ready to tell, ready to be vulnerable. It’s carefully considered because – that’s his style.

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Rubin. Scandinavia / New York. Studio Works and Murals. Published by Dokument Press 2016. Sweden.

Click HERE for more about this book.

 


“Street Art / Today” features 50 of the Most Influential Street Artists

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From BSA:

It’s nearly impossible to arrange the work of Street Artists into lists of “top” or “most popular” or “most influential”, but it happens all the time now particularly as the street art world morphs into a commercial and professional scene for some. But it’s a dodgy business when one tries to rank art and artists – and most people will disagree with your list no matter what.

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Street art / today: The 50 most influential street artists today by Bjørn Van Poucke & Elise Luong published by Lannoo. Belgium.

Click HERE for more about this book.

 


Graffiti Murals: Exploring The Impacts Of Street Art

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From BSA:

New Book by Patrick Verel Attempts to Untangle the Graffiti Mural Discussion

In Graffiti Murals: Exploring The Impacts Of Street Art, a methodical study of graffiti and murals in Manhattan, Brooklyn, The Bronx, Staten Island, Jersey City, Philadelphia, and Trenton (New Jersey), author Patrick Verel talks to all of the stakeholders he can find, revealing much in the telling of his findings. The author says he created this book from a paper he was researching for while completing his masters degree in urban studies, and you can tell his intention was to turn over as many stones as possible to study the impact this grassroots art movement is having on the communities that murals appear in.

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Graffiti Murals: Exploring the Impact of Street Art. Patrick Verel. Schiffer Publishing. 2016

Click HERE for more about this book.

 


Stik : His First Collected Volume of Work

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From BSA:

An unusual little tall man, this Stik man.

Deceptively simple, he expresses profound truths that are anything but. Since the turn of this century in his hometown of Hackney, the formerly homeless Stik has been bringing his unassuming line drawn character out to the streets of northeast London, often Shoreditch. With few details and is as uncluttered as a logo, Stik towers above on the side of a housing behemoth, or a water tower, or a doorway.

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STIK. Published by Penguin Books – Random House. New York City. 2016

Click HERE for more about this book.

 


Shepard Fairey: Earth Crisis

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From BSA:

Artist and activist Shepard Fairey this week releases a 2 volume “Earth Crisis” set that commemorates a recent public environmental project and doubles as a collection of plates to jumpstart your collection which you could easily frame and hang. With it comes powerful socio-political messages common to his wheelhouse delivered with the artists often iconic sense of design.

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Click HERE for more about this book.

 


Icy & Sot “Let Her Be Free”

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From BSA:

“We first met Icy and Sot the summer they arrived in New York. Their name was already preceding them on the Internet because even while still in Iran, they had developed a network of friends and collectors who had helped them to show their art in Europe. Images of their work had already caught our eye. We were lucky to be the first to interview them here.” – Steven P. Harrington and Jaime Rojo, Co-founders, Brooklyn Street Art

BSA is proud to tell you of this new book, the first monograph of Iranian Street Art brothers ICY & SOT, which we dedicated many hours of design, editing, interviewing, and writing to, in addition to contributing photographs by Jaime Rojo. Along with the brothers and book designer Cassandra Brinen, we spent many hours in New York meetings in each others apartments and Brooklyn cafes sorting through images and stories to find the narrative and the flow of the pages and chapters (even laying all the pages across a living room floor), all the time wondering if we could finish it in time and to the quality level and taste level everyone was looking for.

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Icy & Sot “Let Her Be Free” Lebowski Publishers. Amsterdam 2016

Click HERE for more about this book.


Luna Park’s “(Un)Sanctioned” Book

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From BSA:

The memory of the joy and the excitement of discovery of graffiti and Street Art is something we never take for granted, and we have always given voice to as many artists and photographers as possible on BSA for that reason. Luna, whose real name is Katherine Lorimer, this month introduces her first book-bound collection of many of her most electrifying moments of capture and documentation.

Heavy on New York artists, particularly her favorites and dear friends, the collection captures a splendid offering of the spine tingling pieces of ephemera one could stumble upon here in the last 11 years – if they did the hard work. Expertly collected and selected, this above all is a reflection of one personal journey.

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Katherine ‘Luna Park’ Lorimer’s book (UN)SANCTIONED The Art On New York Streets from Carpet Bombing Culture

Click HERE for more about this book.

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Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

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An embarrassment of riches in so many ways, the Wynwood Street Art and mural scene is outrageously sexy, flashy, ugly, posey, pretty, proliferate and quizzically content-free. The annual outdoor urban art visual carnival that accompanies Art Basel in Miami is full of hi/low expectation and spectacle, and it confidently delivers on both.

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1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Long-limbed and shimmery sleek women are often working the sidewalks like runways, the men are carefully posing/not posing/posing with open shirts and genial braggadocio, and there are thousands, more likely millions of selfies taken in front of painted walls.

International art fans are mixing with skater kids and hip hop heads and egg-headed social scientists and teenage marching bands and they are all gawking and interacting with loquacious mamacitas and bearded lumbersexuals; this is not your average clambake.

Sometimes it is just weird; flourescence mixed with plaid, shot-callers and violins, strollers and stillettos, an undertone of aggression and sexual tension, salt-of-the-earth with self-admiring clubbers, perfect skin and aerosol painted hands, a whiff of weed and a sense of wonder waiting to be discovered.

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Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

While there was a parade of 40 or so citizens and activists carrying signs and handing out flyers down the street to protest the oil pipelines taking sacred lands from native tribes and polluting natural water supplies, the thousands of art fans flooding the Wynwood neighborhood of Miami would have been hard pressed to find any Street Art talking about those topics.

Ironically the political shockwaves this year in Miami seemed to emanate from behind doors at the fair with Sam Durant’s “End White Supremacy” piece that many interpreted as a direct response to the election of a president whose followers include radical organizations that champion white supremacy. Alas, the piece was made in 2008, and although its hand-style emulates the hit and run scrawl of some graffiti on the street, it was a thoughtfully executed piece constructed as an illuminated sign.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

With one very notable exception, the enormous and frightful mural featuring Donald Trump as Heath Ledger’s Joker wielding a knife at the neck of the Statue of Liberty with the screaming headline “Come On… What the Hell Do You Have to Lose?” by 12 artists for The Bushwick Collective/Mana Urban Arts Project, the professionalization of Street Artists and their murals may be steering the paintings in Wynwood away from in-your-face activism.

Granted, no one is thinking that commercially branded ventures that actually pay artists to paint will encourage the outright expression of social or political opinions – that may challenge or frighten potential customers and investors. Hotel lobbies need murals, sport cars need decorative painting, beer cans need labels. A number of liquor and lifestyle companies have invited artists here over the last few years and paid them to make their special events and products visually appealing, but little else.

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David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The newly refurbished Hard Rock stadium a few miles north of Miami features huge mural installations by international Street Artists that are curated by Goldman Global Arts, a division of Goldman Properties, the same real estate organization that has brought artists from around the world to the Wynwood Walls compound and featured their fine art canvasses in gallery expositions since the late 2000s. The pieces are opus works in an unusual setting and now sports fans are going to be up close and personal with some of the bigger names in Street Art right now.

It would be hypocritical for anyone to expect that these artists should accept commercial work and yet disrespect guidelines about the content. Similarly, expecting artists not to seek commercial opportunities for fear of “selling out” is arrogant and unrealistic and often the convenient provenance of privileged youth who dabble in “slumming” as a rebellious lifestyle. Later they are bankers.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Even so, where’s the anger right now? Why didn’t you see a lot of furious diatribes, challenges to power, and mockery of small-minded thinking on the street in Wynwood – and what would it take for Street Art to embrace its power to affect social and political change?

Just posing the question here now, again – as the topics of impending fascism, the increasing acts of racism, anti-Semitism, homophobia, corruption, oligarchy, state-corporatism, and a systematic eroding of respect for our institutions – all came up in conversations at bars, art openings, panel discussions, and roof parties.

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Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The murals you see here are often technically superb and their themes, while muted, may address some of the larger themes affecting society, but one wonders if there is an internalized censorship that we have accepted.

These images are admittedly of a modest percentage of the hundreds of legal murals and illegally dashed-off pieces we saw this week, but that’s only because we have edited for our individual aesthetics, not because of content. Also admittedly, as people in the arts, we are exhausted from the recent election and all it portends, and we were happy for some glorious eye candy to salve the psychic wounds – so maybe we were selectively seeing what we wanted to.

Probably not too much though.

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

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Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

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Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

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Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)


 Our week’s coverage on BSA:

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).


This article is also published on The Huffington Post.

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Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

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Scope! The verb, not the art fair.

We will be hitting SCOPE shortly but in the interim we’ve been scoping for action or trouble; trolling around the streets of Wynwood and other selected odd locations to find Street Artists actively brush-painting, aerosol painting, markering, stenciling, wheat-pasting, even tying some wires and ribbons around fences. The walls and murals and the scene are all transforming in front of your eyes here, with photographers, videographers, and drones all flying around to capture the action as it progresses.

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Bob from The London Police working at their mural for the new Goldaman offices in Wynwood, Miami. Wynwood Walls 2016 /Art Basel. Miami. (photo © Jaime Rojo)

This neighborhood is an art fair, without the attitude. Well, maybe there is attitude occasionally on display as well.

Also, political speech was pushing through the carousing beer swilling, late-sipping, burrito chomping streets yesterday with a 50 person troop of protesters with home made signs addressing the massive oil pipeline that is routed through sacred land of Native Americans in North Dakota and a pipeline planned to go through Florida.

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Oil pipelines protest in Wynwood. (photo © Steven P. Harrington)

We followed them for a few blocks, listening to chants about water and hegemony and found that for many art/party fans it was a curiosity to see citizens demonstrating, and a few bystanders took the fluorescent green flyers offered and said thanks, while others took photos and naturally, selfies with the marchers.

Just one more element to add to your sense of cognitive dissonance.

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Pichi & Avo. Work in progress. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

Night time in the Wynwood District is a chaotic grimy glittery mix of high and low and middle in the neighborhood as well – where you are as likely to catch a whiff of a models’ perfume as she sashays past you in a backless silver mini dress with her 3 leggy friends flipping their long hair over their shoulders as you are to catch a whiff of sweet ganga smoke from the joint of an open-shirted, low-waisted Romeo in dreadlocks or one the acrid whiff of the rumpled grayish clothing worn by the guy who is sitting on a chair against a mural and is ready to spend another night laying on the sidewalk after you stumble back to your hotel.

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Pichi & Avo. Detail. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

An ongoing slothful and bloated and thumping network of car-minivan-limo-Escalade-motorcycle traffic is rolling into a mechanical Ambian lethargy, at times looking more like a parking lot or tailgating party, grid-locking and popping and actively cruising the options parading down the sidewalks, with windows open and music pumping.

With no police at intersections to ease the flow of this jamtastic scene, low-bubbling rage mixes with cologne and produces slick insults hurled at the guy whose car is blocking the traffic flow, or more importantly, your flow. The song of the night wafting through the air on one corner, perhaps because a bicycle would be a perfect solution here, is called Bicycleta.

Luckily for us, we are usually on foot and not afraid to walk to find the good stuff. That is the best way to experience the street and the various events and to catch artists at work. Enjoy a few scenes from the day and one from the evening in Wynwood in Miami.

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Ron English touching up his mural from a previous edition of Wynwood Walls. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Ken Hiratsuka. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Case Maclaim. Detail. Work in progress. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Shepard Fairey. Work in progress for Mana Urban Arts Project. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Shepard Fairey. Work in progress for Mana Urban Arts Project. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Insa and Drew Merritt. Work in progress. This will be an augmented reality wall which the public will be able to appreciate on Saturday with an app. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Insa and Drew Merrit. Work in progress. This will be an augmented reality wall which the public will be able to appreciate on Saturday with an app. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Low Bros. Perfecting ones curtsy to the Queen comes in handy while painting on a wall. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Obey, people! Or not, its up to you. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Artist Talk at the new Goldman art gallery with Martha Cooper, Crash, Tristan Eaton, Faith47 and Pixel Pancho. Moderated by Steven P. Harrington of BSA. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

Pichi & Avo at the Hard Rock Stadium for Goldman Global Arts


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

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One of the fantastic parts of Miami’s Art Basel / Wynwood craziness, aside from the colorful drinks and hair sculptures and accidental tripping over almost every Street Artist you have heard of (and many whom you haven’t) is the sheer amount of madhouse chemistry that explodes in your face because of new partnerships and events – like the Juxtapoz Clubhouse in Wynwood opening today.

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Olek. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

The premier contemporaty and underground magazine and cultural stew from the west coast teams up with New Jersey’s Mana Urban Arts and others this year to take over one of those previously run-down and neglected parts of the neighborhood to create an “immersive retreat”.

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Denis McNett. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

We got a behind-the-scenes peek at the installations and artworks in advance of today’s opening and were pleased to see that the quality is slammin’ –with sufficiently large installations to create an environment and to stand on their own as fully realized concepts.

So many of these artists can work larger, and many have: Dennis McNett stages fully performances and parades of characters pounding like warriors through streets, for example. Dude, the energy is good.

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Denis McNett. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

The mix of producers/collaborators at the Clubhouse is contemporary, theatrical, and somehow darkly comic –Jonathan Levine Gallery, Chandran Gallery, MILK Studios, ThinkSpace, and the 1xRun crew – a smartly flipped trip of heavy hitters that relies on the strangely symbiotic and the serendipitous to succeed.

Check out some of the work here and if you are in Miami go to 2400 NW 5th Avenue from December 1-4.

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Laurence Vallieres. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Ever at work on his installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Ever. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Fintan Magee. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Cern at work on his painting. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Cinta Vidal. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Zio Ziegler. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Scott Campbell. This is is an interactive piece which will involve the public. Mr. Campbell is a tattoo artist and through a raffle willing participants will have the opportunity to have their arm tattooed but they will not know what the tattoo will be until completed. The participants will stick his or her arm, trough the hole in the middle of the installation and Mr. Campbell will be unseen, working on the tattoo on the other side of the wall. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Low Bros. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Swoon. Detail of her installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Swoon. Detail of her installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Adam Wallacavage. Jonathan LeVine Gallery x Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Dan Witz. Jonathan LeVine Gallery x Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Shepard Fairey. Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Louis Masai. The Art of Beeing. Mana Urban Arts Projects x The Bushwick Collective/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Louis Masai. The Art of Beeing. Mana Urban Arts Projects x The Bushwick Collective/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Case Maclaim sketching his wall for Wynwood Walls/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Please Do! Artist Unknown. Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

You’ll Need Good Shoes.

That’s what most people will tell you in the Wynwood District of Miami if you want to see everything, especially now that the murals go further north up the grid.

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Tatiana Suarez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

Street Artists are participating in singular and group gallery shows, mural shows, special events, DJ parties, installations, dinners, openings, and the occasional garbage can fire with a plastic bag full of beers.

The crowds are going to start hitting these sidewalks and clogging the streets in the next day or two but until then, aaaaaahhh summer!

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Tatiana Suarez signing her wall. Martha Cooper documenting it. Wynwood Walls 2016. (photo © Jaime Rojo)

Wait, tomorrow’s December. Technically not summer in the Northern Hemisphere.

Brooklyn clearly doesn’t know what to do when he gets to visit these palm treed parts of the country with his southern cousins.

Enjoy some of the action on the street from today.

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Tatiana Suarez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

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Tatiana Suarez. Wynwood Walls 2016. (photo © Jaime Rojo)

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Felipe Pantone. Wynwood Walls 2016. (photo © Jaime Rojo)

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Ken Hiratsuka. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez at work on his wall. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez at work on his wall. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez signing his wall. Martha Cooper documenting it. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez. Wynwood Walls 2016. (photo © Jaime Rojo)

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Dasic Fernandez. Wynwood Walls 2016. (photo © Jaime Rojo)

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Faith 47. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

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Audrey Kawasaki at work on her wall at The Hotel in South Beach. Wynwood Walls 2016. (photo © Jaime Rojo)

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Audrey Kawasaki at work on her wall at The Hotel in South Beach. Wynwood Walls 2016. (photo © Jaime Rojo)

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Shepard Fairey at work on his wall for Mana Urban Art Projects. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shepard Fairey at work on his wall for Mana Urban Art Projects. Wynwood, Miami 2016. (photo © Jaime Rojo)

 


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

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“Magic City” in Dresden : Exhibition of Street Artists and City as Muse

“Magic City” in Dresden : Exhibition of Street Artists and City as Muse

An unusual amalgam of the interactivity of the street combined with the formality of a gallery environment, Magic City opened this fall in a converted factory in Dresden, Germany with an eclectic selection of 40+ artists spanning the current and past practices of art in the street.

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Skewville. Children enjoying Skewville’s “tete-a-tete” shopping cart. Ernest Zacharevic’s mobile in the background. (photo © Jaime Rojo)

With revered culture critic and curator Carlo McCormick at the helm alongside curator Ethel Seno, the richly marbled show runs a gamut from 70’s subway train writers and photographers like Americans Daze, Henry Chalfant, and Martha Cooper to the Egyptian activist Ganzeer, Italian interventionist Biancoshock, popagandist Ron English, and the eye-tricking anamorphic artist from the Netherlands, Leon Keer.

Veering from the hedonistic to the satiric to head-scratching illusions, the collection allows you to go as deep into your education about this multifaceted practice of intervening public space as you like, including just staying on the surface.

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Ernest Zacharevic mobile with a “listening station” on the left. (photo © Jaime Rojo)

It’s not an easy balance to strike – some of these artists have heavy hearts and withering critiques of human behaviors and institutional hypocrisies ranging from 1st World treatment of refugees to celebrity culture to encroaching surveillance on individual rights, government oppression, and urban blight.

Magic City doesn’t try to shield you from the difficult topics, but the exhibition also contains enough mystery, fanboy cheer, eye candy and child-like delight that the kids still have plenty of fun discoveries to take selfies with. We also saw a few kissing couples, so apparently there is room for some romance as well.

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 A visitor to Magic City enjoys a “listening station”. (photo © Jaime Rojo)

“We believe that even the typical city is uncommon, and that the idiosyncrasies that make each city unique are collectively something they all have in common,” says McCormick in his text describing the exhibition. “This is then a celebration of the universal character of cities as well as a love letter to their infinite diversity. The special magic that comes from our cities is germinated in the mad sum of their improbable juxtapositions and impossible contradictions.”

Of particular note is the sound design throughout the exhibition by Sebastian Purfürst and Hendrick Neumerkel of LEM Studios that frequently evokes an experiential atmosphere of incidental city sounds like sirens, rumbling trains, snatches of conversations and musical interludes. Played at varying volumes, locations, and textures throughout the exhibition, the evocative city soundscape all adds to a feeling of unexpected possibilities and an increased probability for new discovery.

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Olek’s carousel from above. (photo © Jaime Rojo)

Obviously this Magic City cannot be all things to all people, and some will criticize the crisp presentation of a notably gritty series of subcultures, or perhaps the omission of one genre or technique or important artist. It’s not meant to be encyclopedic, rather a series of insights into a grassroots art and activism practice that continues to evolve in cities before our eyes.

For full disclosure, we curated the accompanying BSA Film Program for Magic City by 12 artists and collectives which runs at one end of the vast hall – and Mr. Rojo is on the artist roster with 15 photographs of his throughout the exhibition, so our view of this show is somewhat skewed.

Here we share photographs from the exhibition taken recently inside the exhibition for you to have a look for yourself.

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Olek (photo © Jaime Rojo)

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Ron English (photo © Jaime Rojo)

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A MadC installation made with thousands of spray can caps. (photo © Jaime Rojo)

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Belgian urban naturalist ROA (photo © Jaime Rojo)

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Skewville . ROA (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Daze (photo © Jaime Rojo)

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Martha Cooper at the gallery. (photo © Jaime Rojo)

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Henry Chalfant at the gallery. (photo © Jaime Rojo)

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Bordalo II (photo © Jaime Rojo)

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Andy K. detail. (photo © Jaime Rojo)

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Dan Witz (photo © Jaime Rojo)

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Dan Witz (photo © Jaime Rojo)

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Isaac Cordal. Detail. (photo © Jaime Rojo)

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Isaac Cordal (photo © Jaime Rojo)

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Anders Gjennestad AKA Strok (photo © Jaime Rojo)

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Icy & Sot with Asbestos on the left. (photo © Jaime Rojo)

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Replete (photo © Jaime Rojo)

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Truly (photo © Jaime Rojo)

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Leon Keer (photo © Jaime Rojo)

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Jaime Rojo. A young visitor enjoying the Kids Trail through a peephole with Jaime’s photos inside an “electrical box”. (photo © Jaime Rojo)

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Jaime Rojo. The Kids Trail wasn’t only for kids it seems. (photo © Jaime Rojo)

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Tristan Eaton on the right. Olek on the left. (photo © Jaime Rojo)

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Aiko at the Red Light District. (photo © Jaime Rojo)

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The Yok & Sheryo (photo © Jaime Rojo)

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Herakut. Detail. (photo © Jaime Rojo)

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Herakut (photo © Jaime Rojo)

 

Full list of participating artists:

Aiko, AKRylonumérik, Andy K, Asbestos, Benus, Jens Besser, Biancoshock, Mark Bode, Bordalo II, Ori Carino & Benjamin Armas, Henry Chalfant, Martha Cooper, Isaac Cordal, Daze, Brad Downey, Tristan Eaton, Ron English, Shepard Fairey, Fino’91, Ganzeer, Anders Gjennestad, Ben Heine, Herakut, Icy & Sot, Leon Keer, Loomit, MadC, OakOak, Odeith, Olek, Qi Xinghua, Replete, Roa, Jaime Rojo, Skewville, SpY, Truly, Juandres Vera, WENU, Dan Witz, Yok & Sheryo, Ernest Zacharevic.

 

Visit MAGIC CITY DRESDEN for more details, news, videos and the blog.

 


This article is also published on The Huffington Post

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