All posts tagged: NYC

Images Of The Week: 02.09.14

Images Of The Week: 02.09.14

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Maya Hayuk on the Houston Wall this week got tagged mid-job, took a moment and repaired and continued on to completion in signature glowing dripping geometrically teXt-driven style, Ben Eine ISHued a jab at entertainment culture, and QRST made a reappearance with a hand-rendered reminder of temporality on a bus stop, saw his shadow and went back into a hole.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, Ben Eine, Bone, Bradley Theodore, Ellis G., Issa, Jilly Ballistic, Maya Hayuk, and QRST.

Top Image >> Fashion profiler Bradley Theodore depicts Diana Vreeland as social x-ray (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. Detail. (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. Detail. The beginning. (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. Process shot. (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. Process shot. (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. (photo © Jaime Rojo)

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Maya Hayuk. Houston Wall. (photo © Jaime Rojo)

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QRST. Bus shelter ad takeover. (photo © Jaime Rojo)

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Issa and Jilly Ballistic collaboration in a MTA subway platform. (photo © Jaime Rojo)

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Ben Eine. “Thats Entertainment. ish” (photo © Jaime Rojo)

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Ben Eine. “Thats Entertainment. ish” (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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BONE (photo © Jaime Rojo)

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Yes, it does seem rather harsh. Ellis G. THR (photo © Jaime Rojo)

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Justin in time for Valentine’s Day, this smashed bouquet of flowers. Serge Miquel. “Yummy” (photo © Jaime Rojo)

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Alice Pasquini at work on her piece in Barcelona, Spain for ÚS Festival. (photo © João Gordicho)

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Alice Pasquini in Barcelona, Spain for ÚS Festival. (photo © João Gordicho)

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Untitled. Manhattan, NYC. February, 2014. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Priest Comes to Brooklyn and Puts Ego on the Alter

Priest Comes to Brooklyn and Puts Ego on the Alter

Priests are really taking a beating in public opinion these days, and with good reason (see U.N. report this week). One New Orleans priest visiting Brooklyn this week hopes to change all those negative perceptions and replace them with new ones by taunting the church, law enforcement, the KKK, illegal immigrants, Street Art fans, and, well, anyone really.

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PRIEST (photo © Jaime Rojo)

Priest is the Po-Boy’s Banksy, a less talented stencillist perhaps by half, but equally smart and witty if he applies himself. You won’t need to buzz saw through a concrete wall to get a Priest piece – if you arrive early tonight he’ll give you one. For that money you won’t find a better blender of graffiti’s nihlism with street art’s self-indulgent sarcasm as he rifles through the visual tropes and winking in-jokes you have grown to know and tire of.

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PRIEST at work on his installation. (photo © Jaime Rojo)

Without reading into it too far, it appears that he’s also questioning the necessity for polarization between the vocabularies of graffiti and Street Art. For the new kids who didn’t absorb the context the styles were developed in and have no interest in it, the practices and visual vocab have all been dropped into a cultural food processor. Welcome to the ‘teens.

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PRIEST (photo © Jaime Rojo)

Originally from Mobile Alabama, “Priest landed in the only place a person with zero skills and a computer could: the superficial world of street art,” says his wife in the press release for the solo “ALTARed Ego,” opening tonight at Mecka Gallery in East Williamsburg. The approach could be the self-conscious disarming of critics by an out-of-town bomber but don’t let it cloud the reality of a certain underlying sophistication and pathos. When realized, the social critiques meet with a harsher edge and still retain the humor we need to swallow it: Witness the silhouette of ET in the front bicycle basket as a sombrero- and-poncho-wearing alien.

It’s just frank enough commentary to engage with and contemplate without droning on and on about immigration policy. Did we say droning? That’s a different painting.

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PRIEST “Graffiti has always been a grey area of the LAW” (photo © Jaime Rojo)

Taunting everyone from the NSA to Big Oil to consumerism, the police and the shallowness of art fans, Priest experiments with stencils, the paint brush, and losing control of his spray across the wall. With “ALTARed Ego,” Priest tells us to calm the f**k down about all the ginned up hype and consider the mess we’re actually in. It’s one of the new faces of activism that we are seeing more of these day, and just one tip of the iceberg.

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PRIEST. The stencil in the middle is of the Gray Ghost. The infamous graffiti buffer in New Orleans. (photo © Jaime Rojo)

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PRIEST (photo © Jaime Rojo)

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PRIEST at work on his installation. (photo © Jaime Rojo)

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PRIEST (photo © Jaime Rojo)

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PRIEST at work on his installation. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Ben Eine Would Like To Have A Heartfelt Word With You

Ben Eine Would Like To Have A Heartfelt Word With You

Heartfelt words are a dime a dozen this time of year with Valentine’s Day coming up, which makes you want to drunk dial your ex girlfriend and see watcheezdoinritenow, but few people’s words are as crisp and wry and dang colorful as the sentiments that flow from Street Artist EINE, who is in New York to present “Heartfelt”.

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

Known for his trademark alphabet in a prismatically pleasant palette on pulldown gates around the planet, we stumbled across him posing for pics on the Bowery and thought we’d pop by the new show. The London based former graff writer, now painter and master-printer has a distinctively crisp and plump typography that is rippling with stripes and clever color pairing in this new body of work at Judith Charles Gallery – as well as the couple of pieces he left around town.

From New York to you Ben, a heartfelt welcome.

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Ben Eine gives us all that cheerful backwards peace sign thing those Brits are always doing. Think it means “I Love You”. At Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

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Ben Eine “Heartfelt” exhibition at Judith Charles Gallery, NYC. (photo © Jaime Rojo)

Ben Eine “Hearfelt” is now open to the public at the Judith Charles Gallery in Manhattan. Click HERE for further details.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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The Power of Color via Street Art, Graffiti, and Murals

The Power of Color via Street Art, Graffiti, and Murals

No doubt it is the grey days of late winter that is making us think about this as we brace for the next snowstorm, but today we’re considering the impact that Street Art color has on architecture that never asked for it.

We’re not the first to think of hues, shades, tones, and palettes when it comes to the man made environment of course, but it does strike us that most of the buildings that are hit up by street art and murals today were designed by architects who never imagined art on their facade.

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Os Gemeos in Boston. (photo © Jaime Rojo)

Modern architecture for some reason is still primarily grey, washed out greens, beige, eggshell, snore.

“Color is something that architects are usually afraid of,” said internationally known and awarded architect Benedetta Tagliabue in an interview last May about the topic of color.  A generalization probably, and you can always find exceptions of colorfully painted neighborhoods globally like the Haight in San Francisco, La Boca in Buenos Aires, Portafino in Italy, Guanajuato in Mexico, Bo-Kaap in Capetown, the favelas of Rio de Janeiro and the Blue City of India, but many of those examples speak to color blocking and pattern.

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Interesni Kazki in Baltimore. (photo © Jaime Rojo)

We’ve been looking at the power of Street Art to reface, re-contextualize, re-energize, and re-imagine a building and its place in the neighborhood. Some times it is successful, other times it may produce a light vertigo. The impact of work on buildings by today’s Street Artists and muralists depends not only on content and composition but largely on the palette they have chosen. It sounds trite, and self-evident perhaps, but much of Street Art is about color, and primarily on the warm scale first described by Faber Birren with his OSHA colors and color circle in the 1930s .

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Faile in Manhattan, NYC. (photo © Jaime Rojo)

Birren developed his color system with the observation that artists favor the warm colors more than the cold, from the violet side of red and extending beyond yellow because “, their effect is more dynamic and intense and because the eye can, in fact, distinguish more warm colors than cold.

It’s common now to think of 21st century Street Art as the graffiti-influenced practice that primarily activates the detritus of the abandoned industrial sector blighting western cities in the wake of trade agreements that sent all the jobs to lands without protections and regulations. While that is definitely the sort of neglected factory architecture preferred for “activation” by many graffiti artists and Street Artists alike, we also see more curious couplings of color with the delicately ornate, the regal, or even modernist structures today thanks to artists being invited, rather than chased.

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Shepard Fairey in Manhattan, NYC. (photo © Jaime Rojo)

The results? Abstractionist, cubist, geometric, letter-based, illustrative, figurative, text-based, outsider, folk, dadaist, pop.  One common denominator: color.

“The environment and its colors are perceived, and the brain processes and judges what it perceives on an objective and subjective basis. Psychological influence, communication, information, and effects on the psyche are aspects of our perceptual judgment processes,” writes Frank H. Mahnke in his recent piece for Archinect. The author of Color, Environment, & Human Response has made it his mission to explore psychological, biological effects of color and light and to help creators of the man-made environment make good choices.

Whether all of these choices are good, we leave up to you. But it is worth considering that Street Artists have been part of the conversation on the street for decades now, making powerful suggestions to architects and city planners , so maybe it’s worth taking another look at what they’ve been up to lately.

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Ever in Baltimore. (photo © Jaime Rojo)

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Escif in Atlanta. (photo © Jaime Rojo)

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Kenton Parker and Roa in Miami. (photo © Jaime Rojo)

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LUDO in Chicago. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. (photo © Jaime Rojo)

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Kobra in Manhattan, NYC. (photo © Jaime Rojo)

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Smells, Cash4 and Spiro in Brooklyn, NYC. (photo © Jaime Rojo)

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Don Rimx in El Barrio. Harlem, NYC. (photo © Jaime Rojo)

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Agostino Iacurci in Atlanta. (photo © Jaime Rojo)

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Barry McGee in Brooklyn, NYC. (photo © Jaime Rojo)

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Jaz and Cern in Brooklyn, NYC. (photo © Jaime Rojo)

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Pose and Revok in Manhattan, NYC. (photo © Jaime Rojo)

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Rime, Dceve and Toper in Manhattan, NYC. (photo © Jaime Rojo)

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Pixel Pancho in Miami. (photo © Jaime Rojo)

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Deeker and David Pappaceno in Brooklyn, NYC. (photo © Jaime Rojo)

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Reka in Brooklyn, NYC. (photo © Jaime Rojo)

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RRobots in Brooklyn, NYC. (photo © Jaime Rojo)

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MOMO in Brooklyn, NYC. (photo © Jaime Rojo)

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Skewville in Brooklyn, NYC with an old NEKST tag on top. (photo © Jaime Rojo)

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3ttman and Elias in Atlanta. (photo © Jaime Rojo)

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Chris Stain and Billy Mode tribute to Martha Cooper in Brooklyn with ROA on the water tank. (photo © Jaime Rojo)

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Rubin in Brooklyn, NYC. (photo © Jaime Rojo)

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Os Gemeos in Manhattan, NYC. (photo © Jaime Rojo)

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JMR in Brooklyn, NYC. (photo © Jaime Rojo)

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Greg LaMarche in Brooklyn, NYC. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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This article was also published on The Huffington Post

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Images Of The Week: 01.26.14

Images Of The Week: 01.26.14

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BSA Images of the Week this week starts with a series of non Street Art photos because they are inside a hallowed hall of NYC high culture, namely the Phillip Johnson designed modernist building that houses the New York City Ballet at Lincoln Center. International Street Artist, photographer and populist JR made a splash this week here with his project that puts ballet at the center of our eye.

For the second year the ballet has featured a Street Artist to lead their new artist series (last year was the duo Faile) and we’re nominating some names for next year already. This week however, JR’s large scale photographs of the ballet company ruled on opening night as a wide variety of guests walked on them all and marvelled up close and personally with the dancers images that lay artfully throughout the room.

Some guests climbed stairs to look down upon the giant ocular piece from balconies above, and in a true spirit of interactivity some fans went the full-immersion route by laying upon the image itself,  striking a pose while friends took shots and tweeted and Instagrammed them. By the time the performers hit the stage we were all primed for the sprightly Gen Y talent to dance, and if this program by @balletnyc is successful, a new generation will also be filling the seats to see them this spring.

Here’s our weekly interview with the street, this week featuring Ainac, Bask, El Sol 25, Elbow-Toe, JR, Pyramid Oracle, and Swoon.

Top Image >> A new piece by Elbow Toe takes flight on the street in Brooklyn (photo © Jaime Rojo)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Jaime Rojo)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Jaime Rojo)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Jaime Rojo)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Jaime Rojo)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Steven P. Harrington)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Steven P. Harrington)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Steven P. Harrington)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Steven P. Harrington)

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The JR installation for his collaboration with The NYC Ballet Artists Series at Lincoln Center in Manhattan. (photo © Steven P. Harrington)

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Swoon (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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BASK new wall in Saint Petersburg, Florida. (photo © Jaime Rojo)

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AiNAC (photo © Jaime Rojo)

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Girl Power. Artist Unknown (photo © Jaime Rojo)

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Untitled. Manhattan, NYC. January 2014. (photo © Jaime Rojo)

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Crash and Remi Rough “Flow” at Dorian Grey

Crash and Remi Rough “Flow” at Dorian Grey

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Remi Rough and Crash (photo © Jaime Rojo)

A Bronx-born bomber of the past teams up with a graffuturist from South London in this small gallery show in Manhattan’s East Village entitled “Flow”.

John “Crash” Matos has been a student and pioneer in pop, graffiti and Street Art over his 30+ years as an artist and here he takes his inspiration from the next generation Remi Rough when coupling his distinctive style with the abstract and the third dimension.

Now considered part of the geometric school of graffiti and Street Artists in Europe and the US sometimes referred to as graffuturism, the graffiti roots of Remi enable him to bend his forms to intersect and ride with the more curvilinear and cartoon inspired Crash.

While it is a side by side hanging collaboration of individual styles for much of the show, the vibrational strength arises from the union when the two are able to do as the show title suggests, creating an intersection through seamless collisions and sheer layering that complement the visual vocabulary of both.

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Remi Rough (photo © Jaime Rojo)

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Crash (photo © Jaime Rojo)

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Crash and Remi Rough (photo © Jaime Rojo)

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Crash and Remi Rough (photo © Jaime Rojo)

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Remi Rough (photo © Jaime Rojo)

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Crash (photo © Jaime Rojo)

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Remi Rough and Crash (photo © Jaime Rojo)

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Remi Rough and Crash (photo © Jaime Rojo)

“Flow” is currently on view at the Dorian Grey Gallery at 437 East 9th Street in New York City until February 23rd, 2014.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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JR Goes To The Ballet: Dancing Across the Walls

JR Goes To The Ballet: Dancing Across the Walls

Street Artist JR has joined the ballet, or at least has become a collaborator with it.

Joining a short list of artists associated with the New York City company, and an even shorter list of Street Artists, the French photographer has been spending time in rehearsals with the performers to create these huge pasted images to greet patrons.

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JR (photo © Jaime Rojo)

The scale is impressive, the placement across the interior gives the place a sense of immediacy, with an echo of the transgressive to welcome guests to George Balanchine’s JEWELS, an epic performance evening consisting of three ballets: EMERALDS, RUBIES, and DIAMONDS, with music by Gabriel Faure, Igor Stravinsky, and Pyotr Ilyich Tschaikovsky.

Here are scenes from the installation of JR’s new pieces of the New York City Ballet Art Series (Twitter @nycballet). The big opening performance? Tonight!

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JR. Installation in progress. (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

 

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Images of The Week: 01.19.14

Images of The Week: 01.19.14

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New York’s Street Art/graffiti/public/urban art scene is poppin’ baby – new shows, new spaces opening up or rumored to be, a new fleet of artists going out to the street doing sanctioned and unsanctioned work, and new debates about what it all means to the scene and who should rush to take credit for each phase or element of it. Answer: all of us, none of us.

Also a renewed and flawed discussion has erupted again, as it periodically does, around the need to have a “critique” around street art. We know that critical observation can be useful for those who are unsure about forming their own opinions, it’s just that we advocate widening that circle of who gets to offer the critique to include, um, everybody.

We also usually trust people on the street to make their own judgements about an art piece and its value or importance in that context. The inner world and material world of art is vastly larger than we can usually imagine and our rush to measure it often hilariously misses the point or the intention of the artist, so let’s take this impulse to judge it with some humility.

In the case of graffiti and Street Art, we all have seen examples over the last half-century where educational or cultural institutions implicitly or explicitly dismiss work on the street until it has been validated by market forces. The caustic undertone of this habitual and snide dismissal can be tied directly to classism, racism, or fear of the unknown. This is a generalization of course, so take it as such, but the neo-liberal cycle of “critical thought” has been too often reserved for the dominant culture or class, and that paradigm is really of no service to any of us anymore.

The folks who put missives on the street do so with a wide variety of motivations, needs, desires, and expectations. They are perfectly happy to have their work judged by the average passerby, and in New Yawk there is never a shortage of opinions, regardless of what school you went to. In the case of art in the streets, those are the opinions that still matter the most.

Here’s our weekly interview with the street, this week featuring Ainac, AwerOne, Bluedog 10003, Joan Tarrago, Judith Supine, Kalen Hollomon, Maki Carvalho, Pastel, REVS, Wolftits, and ZAH

Top Image >> Judith Supine is really piling on the winter layers. (photo © Jaime Rojo)

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Wolftits unveiled an astounding sculpture on this unused pedestal in Brooklyn this week – a three dimensional interpretation of the multi-mammaried aerosol character that normally  carries the name. (photo © Jaime Rojo)

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Wolftits (photo © Jaime Rojo)

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Barcelona’s Joan Tarrago (photo © Jaime Rojo)

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ZAH (photo © Jaime Rojo)

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REVS (photo © Jaime Rojo)

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This is an update from a previous piece that was comprised of a framed empty pack of cigarettes. It is unclear if this is a diss or an update. Also, the word is bills. Artist Unknown (photo © Jaime Rojo)

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A new campaign of unsanctioned pseudo ads appeared on the NYC Subway recently and have gone undetected for days and days. With subtle replacements of limbs, Kalen likes to reassign gender or simply take peoples pants off. (photo © Jaime Rojo)

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Kalen Hollomon (photo © Jaime Rojo)

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Pastel has a new wall in Buenos Aires (photo © Pastel)

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Maki Carvalho suddenly appeared like magic in BK. (photo © Jaime Rojo)

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This stencil wasn’t signed and while we see resemblances in style and technique from various artists we can’t with certainty establish authorship. Can you help? (photo © Jaime Rojo)

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AwerOne in Italy showing a heavy influence by Never2501 . (photo © AwerOne)

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Bluedog 10003 (photo © Jaime Rojo)

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Banksy… is still on New York’s mind (photo © Jaime Rojo)

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AINAC (photo © Jaime Rojo)

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Untitled. New York City. January 2014 (photo © Jaime Rojo)

 

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A Sudden Secret Street Art House Party in Manhattan

A Sudden Secret Street Art House Party in Manhattan

It’s a House Party Y’all!

With studio apartments in Manhattan now hitting nearly 3K a month the closest thing most Milennials will ever get to a house party in Gotham will be snagging a VCR tape of the Kid ‘n Play danceoff movie at their parents stoop sale.  Last week during the “polar vortex” cold freeze some lucky invitees did get access to a secret house party in a dilapidated building on the Lower East Side for 2 hours however. There wasn’t much heat, no DJ, and your flask of Jack Daniels substituted as the bar, but if you made it in you scored a free condensed Street Artist show that is as rare as a New Jack Swing hit these days.

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A subtle beam of light from Heaven (or Kevin) above Hanksy. (photo © Jaime Rojo)

A little more than 40 (mostly) Street Artists brought the four floor former tenement building to life one last time before it will be destroyed – and they did it almost entirely in secret over the course of a week.  Just how secret this event was is debatable considering the multitude of blog posts and photos of it that appeared in the days following but in the Internet age, news about stuff like this goes viral no matter what.

All tolled, the varied collection of participants was a cross-section; a blurry screenshot of Street Artists on the New York scene along with a few graff writers, taggers, sticker slappers, painters, illustrators, aerosol experts, installationists, art school students, and visitors to the big city who happened to be around at the right time.  Also, a couple of pyros.

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A collaborative wall for “Surplus Candy” (photo © Jaime Rojo)

While this sort of artist takeover of an abandoned house or building is increasingly occurring in bankrupt cities and neighborhoods in America and Europe where no one wants to live except the creative types, you don’t find this unruly and freewheeling expression much in the increasingly scrubbed and mall-like playground for the rich in Manhattan.

Similarly, producers of large Street Art/Urban Art events in global cities can deliver murals that make you salivate and on a scale that dwarfs this “event” thanks to corporate underwriters and shills for sneakers/sodas/urban-themed tampons these days, but few can truthfully rival the unpolished impromptu spirit of a semi-secret House Party jam session. For one week during installations and on opening night it was like the ghost of New York’s downtown 1970s-80s Bohemia was coming back to the island in all it’s imperfectness to remind everyone of Manhattan’s former greatness as a petri dish for experimentation and discovery.

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Icy & Sot (photo © Jaime Rojo)

Considering the huge increase in sanctioned walls over the last two years in New York, this work looks surprisingly alive, and is just the sort of balm needed for the raw nerves of anarchists everywhere who have bemoaned the polished soul-deadening mural painting of late. Even if some of this looks sort of slap-dash and ragged in spots, and it does, it also gives off an air of being authentic and in-the-moment.

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Icy & Sot (photo © Jaime Rojo)

Notably, the ratio of penis, breast, and defacation-related themes was higher than your average art show but as you know, there is an audience for every artist, even the ones gravitating to bathroom humor as creative wellspring.  Judging by the few hundred images floating around on Flickr and elsewhere, this pop-up was a hit for the people.

Given the growing number of artists communities that have blossomed outside of Manhattan, this could have been one of its last jams for Street Art.  Yo! That’s my jam!

And now please step aside as we build another luxury condo.

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Trap (photo © Jaime Rojo)

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ASVP (photo © Jaime Rojo)

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Tony DePew (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Sonni (photo © Jaime Rojo)

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Royce Bannon at work on his installation. (photo © Jaime Rojo)

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Royce Bannon (photo © Jaime Rojo)

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LNY (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Rusell King (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Col Wallnuts (photo © Jaime Rojo)

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Cosbe (photo © Jaime Rojo)

 

This show, “Surplus Candy” was organized by Hanksy, and is now closed.

A near complete artist list includes:

Alice Mizrachi/AM, ASVP, BD White, Bishop203, CB23, Cernesto, Col Wallnuts, Cosbe, Dee Dee, Dick Mama, Drippings, Edapt,   EKG, El Sol 25, Elizabeth Glaessner, Elle, Enzo and Nio, Foxxface, GILF!, Hanksy, Icy and Sot, Left Handed Wave, Lunar New Year, Magda Love, Martha Cooper,  Mata Ruda, Moustache Man, Mr. Toll, Mr. Two Three, Mrs. Big Stuff, NDA, Never, Nicolas Holiber, Royce Bannon, Russell King, Sonni, Tako, Tone Tank, Tony Depew, Trap, UR New York, Vulpes Vulpes, Wizard Skull, and Wretched Beast.

 

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Images Of The Week: 01.12.14

Images Of The Week: 01.12.14

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Great week in NYC with the new mayor shaking hands for hours in the cold outside City Hall with all New Yorkers last Sunday, then we got smacked with the devastating cold, then sleet, then high winds. Next up, ice locusts! Also, if your Christmas tree is still up, don’t plug it in because that puppy will go up in 25 seconds of flaming glory. Wait until it is safely on the street before igniting.

This week we also featured not one but two yarn artists, which has gotta be a first for us – London Kaye and the Olek. Yarn on the street isn’t exactly a trend, but it is sort of a trend.

– In a related story, Olek is now reporting that the piece we documented her installing in 4 degree temperatures has mysteriously disappeared. Street Art vanishes all the time but the size of this piece was gargantuan and it was a complicated install and it was hung in a very heavily traversed part of Little Italy. Says Olek in her FB/Twitter all-points-bulletin “Alert: 376 square feet of #crochet art stolen.” Keep your eye on Grandma, also Aunt Betty. ‘Cause you know, knitters sometimes get competitive, that’s all I’m saying.

And here we are with our weekly interview with the street, this week featuring Beau Stanton, EC13, Etnik, Haculla, Icy & Sot, Miron Milic, Olek, Pyramid Oracle, Rene Gagnon, Seville, Sexer, Steep, Swoon, Team Low Brow, Team Mishka, and Zimad.

Top Image >> Haculla. We are happy to see this veteran Street Artist on this old spot in Manhattan and of course back on the streets of NYC. Nice stash. (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Swoon’s collaboration with Groundswell was tagged very heavily during the most recent snow storm in the city. Luckily, the color palette of the new graffiti work complements the overall scheme. (photo © Jaime Rojo)

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Miron Milic’s sketch for his most recent work in Croatia. (photo © Miron Milic)

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The finished piece by Miron Milic. When translated, we still didn’t understand the meaning but here it is: “We played at war because it was healthy that were as much in the air.”  (photo © Jaime Rojo)

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Steep at The Bushwick Collective. (photo © Jaime Rojo)

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Icy and Sot depict a feeling of impotence fighting the war machine and the ubiquity of guns and violence. What’s your interpretation? (photo © Jaime Rojo)

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Beau Stanton for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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A new piece in Turin, Italy by Etnik, who is preparing for his first solo show at Square23. Dude’s got skillz. (photo © Etnik)

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Zimad at The Bushwick Collective. Detail. (photo © Jaime Rojo)

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RIPO for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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EC13 new installation in Spain. (photo © EC13)

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Team Mishka vs Team Low Brow for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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Sexer at The Bushwick Collective. (photo © Jaime Rojo)

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“There is no such thing as part freedom”. Olek for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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Rene Gagnon opened with an extensive solo show at the new Mecka Gallery last night. Heavily attended. Read more about the venue, the show, and an interview with the artist HERE. (photo © Jaime Rojo)

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Untitled. The Golden Hour becomes the Manhattan skyline. January 2014. (photo © Jaime Rojo)

 

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Rene Gagnon Inaugurates Mecka Gallery : Opening Today in Brooklyn

Rene Gagnon Inaugurates Mecka Gallery : Opening Today in Brooklyn

“HI! My name is…

Brooklyn hasn’t opened a new Street Art gallery in a little while – in fact it has lost some formal spaces that welcome artists of the street kind over the past couple of years. So you’ll be happy to know we can now announce a new Street Art show at a new Street Art centric gallery is opening tonight. And you’ll jump out of your boots when you find out there will be a free print release to the first hundred people in line.

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Rene Gagnon (photo © Jaime Rojo)

“HI! My name is… A Solo Exhibition of This and That”, a new show by Rene Gagnon opens tonight and inaugurates the Mecka Gallery in Bushwick, or East Williamsburg, depending on which real estate agent or Midwestern transplant is showing you the neighborhood.

“Its really fitting actually,” says Gagnon, whose wheat-paste and stencil work was more prevalent on the streets in North Brooklyn in the mid to late 2000s when the neighborhood was still an industrial wilderness for arriving scrappy artists looking for space, and Ad Hoc gallery was the only game in the area. “This show is a formal introduction of me and my conceptual work in a gallery setting in NYC and a formal introduction of Mecka Gallery. I think it’s perfect.” brooklyn-street-art-rene-gagnon-jaime-rojo-01-14-web-2

Rene Gagnon (photo © Jaime Rojo)

Ironically, it was at another event begun by Ad Hoc’s Garrison and Alison Buxton in Queens in recent years that facilitated this opportunity for Gagnon and Mecka to work together.

“I met Justin DeDemko at the Welling Court Mural Project,” says Gagnon of the huge free Street Art event sponsored by the Buxtons as an opportunity for artists to get get exposure and, not surprisingly, it worked. After discussing the idea of a smaller show with a second artist at Bottleneck Gallery, Justin offered a new possibility.

“He was like, ‘we got something better for you’,” recalls Gagnon about the brand new raw space that DeDemko had in mind as a showcase for street artist. “I was super excited and overwhelmed at the same point,” he says of the October conversation. “I went into high gear and completed the entire body of work for this show in about two and a half months.”

Along with partners Joseph Bouganim, Arseny Libon, and Joshua Harris, DeDemko runs the small south side Williamsburg gallery that focuses on pop art and posters.  Mecka Gallery however  plans to be more of a street art and contemporary art gallery space.

“I have been collecting street art for years,” says DeDemko of his primary expression of interest in the scene thus far. He lists favorites of his eclectic collection to include How & Nosm, Miss Bugs, Judith Supine, Faile, Priest and Banksy. Although this venture will include his three other friends, DeDemko says they “just starting to get into” collecting work by Street Artists. “They have been slowly grabbing some pieces from Phlegm, Faile and Banksy.”

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Rene Gagnon (photo © Jaime Rojo)

Already Mecka is lining up a varied roster of artists for planned installations that is spread widely among folks known for Street Art, graffiti, murals, fine art, and one remarkable one known for photography – many of which are not commonly associated with one another. 2014 will showcase names like Pr1est, Judith Supine, a dual show with Martha Cooper and ELLE, a group show with GraffitiPrints including artists like Martin Whatson and Dot Dot Dot, and another duet by Pahnl and Romacouch. DeDemko says the selections are based on who the partners like personally as artists and who is looking to push themselves forward with a certain degree of creative risk involved.

“We want to challenge the artist – we want them to push the boundaries of what they thought their gallery show would be,” says DeDemko of the open approach to planning and installing that Mecka plans to offer artists and that will combine elements of the street in an environmental way rather than simply as a storefront with pieces for sale. “We want to infuse the street and a viewing gallery into one place,” he says. Also, “Expect some very large scale installations down the road.”

The choice of Rene Gagnon as the inaugural show is remarkably appropriate because the artist has ventured into a wide variety of styles that reflect the contemporary idea of what urban art is during his career as a graffiti writer and Street Artist, which started around 1986. Over that time his work has reflected the visual language popular at the time as he likes to investigate processes and techniques that he sees and hopefully to create a new take on a style. Notably, he’s had a few hits that are his and his alone, like the “Cash Rules Everything Around Me” stencil.

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Rene Gagnon (photo © Jaime Rojo)

“As you know I have a very diverse body of work,” explains Gagnon when describing the array of pieces he’ll be showing tonight. “It’s always been hard for me to lock down to one approach when creating my work – but honestly it’s the most fulfilling aspect of being an artist. I get to do something different every day which is an extreme positive but the negative is that galleries never know what to expect from me. So when I got this opportunity I wanted to take a look at what I envisioned was one of my greatest strengths. I believe my conceptual ability was at the forefront.”

Will visitors see works that span the previous twenty plus years? You bet. There are plenty of stencils and wheatpasted works that he considers some greatest hits –as well as some more sculptural installations and video work that he has explored in recent years.

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Rene Gagnon at work on his installation. (photo © Jaime Rojo)

“When I decided to go the conceptual route for this show I went back into my print and street archives and realized there were a lot of classic images that I had never made fully realized pieces of fine art so that was my starting point. Also during the first month of preparation I was on a super creative high. I think one day over 20 concepts I deemed worthy of creating were recorded. When I finally had to go into production mode I think I had enough fodder for two or three more shows,” says Gagnon of the font of ideas and inclinations that flooded his mind.

“I’ve always had the ability to turn my creative flow on and off, but that doesn’t mean ideas don’t strike me on a daily basis. I just usually have a balance between creating and producing. For this show it was all creating then a mad fury of producing.”

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Rene Gagnon (photo © Jaime Rojo)

Doors open at Mecka Gallery tonight at 6 pm and the first hundred or so people in the door will score “Heart Breaker” a print release that will not be offered for sale, as well as a copy of a book by Michelle Gaudencio titled ‘A small collection of This and That’. It is a pretty generous gift that most galleries and artists would never think of, but Gagnon feels like it is a cool way for people who are not familiar with his work to get to know him better. “It was produced to give the gallery goers some insight into the vast array of artistic approaches I have experimented with.”

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Rene Gagnon (photo © Jaime Rojo)

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Rene Gagnon (photo © Jaime Rojo)

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Rene Gagnon (photo © Jaime Rojo)

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Rene Gagnon (photo © Jaime Rojo)

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Rene Gagnon (photo © Jaime Rojo)

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Rene Gagnon (photo © Jaime Rojo)

Mecka Gallery
65 Meadow Street
Brooklyn, NY 11206

More information on “HI! My name is… A Solo Exhibition of This and That” is HERE.

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Olek Warms Little Italy With Giant Multi-colored Freedom

Olek Warms Little Italy With Giant Multi-colored Freedom

The previous NYC record for frigid cold on January 7th was 6 degrees (F).

Tuesday broke that record at 4 degrees.

Olek decided we needed a blanket.

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

With the help of Shir Lieberman, London O’Donnell, and Whitney Spivey, the crochet Street Artist installed a 60 foot long multicolored comforter to warm a parking lot fence in coordination with Wayne Rada and RJ Rushmore of the Little Italy Street Art Project. The LISA Project, as it is more commonly referred to, is a private initiative that has brought a variety of street and graffiti artists to this tourist neighborhood in the last two years.

Olek never does a project half way, and the size and scope of her psychedelic camouflage skin street projects continue to barely keep pace with her imagination.  The sentiment of the slogan appears to augment the work ethic and of course, and it is perfectly timely as the concept and practice of freedom is debated daily in the public and digital spheres.

Having part freedom is like being part pregnant. More germanely perhaps, we think of those “free speech” zones set up outside of political conventions that are basically just cages to contain people and prevent them from moving about freely to protest.  They are part free speech/ part totalitarianism. Is there such a thing?

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek is surprised to see you. (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Photographer Martha Cooper braved the very low temps for the occasion. Olek for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Climbing fences sort of comes with the job. Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

“…the path of progress, the struggle for equality for all, is a life-long endeavor, achieved through persistence and faith, never wavering. Each individual must participate in this progress through any way available, including public displays of solidarity, creations of art, reliance on the legal system and vocalizations of opinion. Equality for all in some parts of the world is not total equality; it must be worldwide.” -Olek

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Olek begins the process of fully encasing a willing participant in crochet for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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You shoot me, I’ll shoot you. Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

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Olek for The L.I.S.A. Project NYC (photo © Jaime Rojo)

To learn more about the L.I.S.A. Project NYC click HERE.

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