All posts tagged: Nuart Festival

BSA Film Friday 11.01.2019

BSA Film Friday 11.01.2019

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Paradox and CPT. OLF and Daredevilry in Berlin
2. The Tunnels. Nuart Festival 2019. A film by MZM Projects
3. Post-graffiti artist Jose Parla for ‘Isthmus’ in Instabul

BSA Special Feature: Paradox and CPT. OLF and Daredevilry in Berlin

In the videos featuring daredevilry, parkour and graffiti the Lengua Drona has been adding words to our visual vocabulary that were once reserved for extreme sporting, National Geographic docs, Crocodile Dundee and James Bond.

Now the pixação writer and urban climber, Paradox releases unprecedented adventure footage and editing from photographer CPT. Olf, and its sending shockwaves.

Somehow this is a new way to synthesize wall-climbing and train surfing; positioning it as a visual and audio symphony that almost makes you forget that these are graffiti vandals “fucking the system”, pushing their limits – and yours.

As you thrill to these evolving genre-combining aspects of Oleg Cricket, 1Up Crew, Berlin Kidz, and Ang Lee, it’s important to realize that these are real risks that people take that could result in serious injury, death, and rivers of grief if a miscalculation happens. So, yeah, we’re not endorsing the irresponsible risks or a mounting “arms race” of stunts, but we are endorsing the athleticism, imagination, and sheer slickness of this FPV drone mastery, which appears to have taken this stuff up another level.

Hold tight.

Currently Paradox is on exhibition at Urban Spree in Berlin, a show that we hope to see soon and pick up our own copy of “CPT.OLF 16-19”: The Photobook, published by Urban Spree Books in October 2019


The Tunnels. Nuart Festival 2019. A film by MZM Projects

A positioning in text, a re-strung manifesto for a moment from the past, now revisited in your Nuart or Nuart Aberdeen branded t-shirt. Here is the work in the tunnels of Tou Scene, unfolding before you by Ukranian directors and street scholars Kristina Borhes and Nazar Tymoshchuk. It’s a beehive of activity as participants in this years’ event in Stavanger, Norway
create their installations in preparation for the big opening.

“This film is a journey,” explain the directors/authors/poets/narrators, “it is moving backward from the last 7th tunnel until the introductory Tunnel Zero in order to show the development of the movement with its modern variety of artistic practices and the parallels with the past.”

Brand New, You’re Retro, that 90s jam from Tricky, is presented here as a doorway to pass through to get to the 70s and then to return through to see the last moments of the 10s. Here is open rebellion against a system that suckers you in, gives you succor, sucks you, and regales you succulently with a promise. Sung by angry hopeful canaries in the coalmine, here are some winners and losers, as ever. Shout out to Yatharth Roy Vibhakar for a splendid soundtrack that is glitchy and timely, of this time.


Post-graffiti artist Jose Parla for ‘Isthmus’ in Instabul

Jose Parla is not a Street Artist. He’ll tell you that himself. Here he presents himself as a post-graffiti artist in Istanbul. You may also see possible labels of public artist, artist working in public space, muralist, studio artist, sculptor, contemporary artist, gestural abstractionist, pottery designer, decollagist a la Villeglé – taking posters from the street and applying to canvas. Here you follow him in the streets as he creates his “first-ever exhibition in Turkey, inspired by the word ‘ISTHMUS,” consisting of a new body of works on paper, paintings, sculptures and ceramics.”

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BSA Film Friday: 04.05.19

BSA Film Friday: 04.05.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Icy & Sot Overview
2. Imaginary City. Teaser from MZM Projects (UA)
3. “Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico.
4. Fanakapan x 1UP Crew in Berlin.

BSA Special Feature: Icy & Sot Overview

The Iranian brothers have been toiling and innovating and taking risks on the streets of Tabriz and Brooklyn now for more than a decade. Now commercial brands are discovering them as well. These guys just keep marching forward with purpose, staying true to their beliefs.

Icy & Sot Video Project

Imaginary City. Teaser from MZM Projects (UA)

Entirely of their own volition and vision, filmmakers Kristina Borhes & Nazar Tymoshchuk created this ode to Stavanger and the Street Art festival called Nuart.


Two BSA quickvids in a row here from our recent travels in Berlin and Queretero…

“Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico.

Urban photographer Martha Cooper now has 101 of her photographs on the streets — literally on the streets of Queretero, Mexico. Part of the Nueve Arte Urbano festival, the exhibition is called “Evolution of a Revolution” and we were pleased to be a part of the opening events with Ms. Cooper, who said she was very pleased with the quality of the large format photos and the reception of the people on the streets.

Thanks to Édgar Sánchez and Sigre Tompel and their team for the vision and hard work. See more on “Evolucion de una Revolucion” Outside in Queretaro, Mexico

Fanakapan x 1UP Crew in Berlin.

Thanks to a new big empty city lot this building seems primed for the big stage! First the Alanis angel has ridden on this wall for a long time with grace and beautiful realism. Secondly, Berlin Kidz climbed vertically down from the roof in their distinctive and colorful language.

But we were lucky to see the British Fanakapan working with the worldwide, Berlin-based, anonymous graffiti crew 1UP for a stunning collaboration. This kind of shit can turn you into a fanboy or fangirl in a heartbeat. If you had a heart.

Shout out YAP and team! Read more about the project on Vox Graffiti Roars in Berlin with New Fanakapan X 1UP Collabo.


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Ella & Pitr “Live Fast, Die Old” in Stavanger and Sandnes with Nuart

Ella & Pitr “Live Fast, Die Old” in Stavanger and Sandnes with Nuart

They are so sweet faced you would not guess that they are fire starters. French Street Art couple Ella + Pitr have a strong work ethic and a earnest dedication to fanciful flights of the imagination.

Ella & Pitr create an illusory metaphor for the #sandesarttrail, courtesy of Nuart called “Live Fast, Die Old”. Sandnes, Norway. June 2017. (photo © Tor Ståle Moen)

With a touch of domesticity that may make you think of home, often they bring a child-like fascination with stories and characters; playful monsters and grouches setting at play inside a number of possible narratives, depending on your interpretation.

Here in Stavanger and Sandnes (Norway), Tor Staale Moen had the opportunity to capture them around the winding stone streets of the two adjoining seaside towns, adding illustrations in public spaces. We thank him for sharing his images here with BSA readers.

 

Ella & Pitr (Faith47 in the background) ad take over in Stavanger, Norway. June 2017. (photo © Tor Ståle Moen)

Ella & Pitr ad take over in Stavanger, Norway. June 2017. (photo © Tor Ståle Moen)

Ella & Pitr ad take over in Stavanger, Norway. June 2017. (photo © Tor Ståle Moen)

Ella & Pitr ad take over in Stavanger, Norway. June 2017. (photo © Tor Ståle Moen)

Ella & Pitr. Aftenblad Wall. Nuart 2017. Stavanger, Norway. (photo © Tor Staale Moen)

 

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BSA Film Friday: 06.09.17

BSA Film Friday: 06.09.17

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. NIMI – The Last Travel
2. Art Meets Milk: BustArt . Hombre . Carl Kenz
3. Said Dokins in Mexico for Letrástica Festival
4. Urban Nation. We Broke Night 19.05.2017

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BSA Special Feature: NIMI – The Last Travel

“The character was originally a Nepalese woman – it was during the time they had the earthquake there. I was sort of wondering why we didn’t hear about it from the media, we didn’t hear about it three days into it,” says Nimi about the portrait he completed recently in Stavanger for Nuart Festival. Here image stands for the millions who are uprooted and currently have no home, are stateless and unrooted.

 

Art Meets Milk: BustArt . Hombre . Carl Kenz

German cow scenes now. A dairy industry boost here from three graffiti artists, BustArt, Hombre, and Carl Kenz. Also some heavy advertising from the paint sponsor in the middle. Mooooo!

 

Said Dokins in Mexico for Letrástica Festival

In Guadalajara, Mexico for Letrástica Festival, here’s Said Dokins with a tribute to Chalchihuites, an archaeological site in the northwest of Mexico. “This mural is a tribute to ancient wisdom, indigenous cosmogony and ancient thinking and refers directly to the prehispanic rain god Tlaloc, represented by those two great circles made using calligraphy and the geometric elements that accompany them,” he says. You’ll also see techniques common to other cultures, including calligraphic brushstrokes with a Japanese brush.

 

 

Urban Nation. We Broke Night 19.05.2017

Inside scenes of the new museum space at Urban Nation for its last public event before the opening in September. Here you can see new temporary works and hear observations from such artists as Fin Dac, Shepard Fairey, Snik, Millo, 1UP crew, Klebebande, Inkie, Fanakapan, Nuno Viegas, Sepe, Cranio, Sebastian Wandl, Dot Dot Dot, Onur & Wes 21, Erik Jones, Lora Zombie, Haroshi, Woes, OG Slick, TankPatrol, Mimi S., Jef Aerosol, Bustart, Vhils, Christian Rothenhagen, Herakut, Daniel Van Es… and more.

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Tours, Films, & Fight Night : Nuart x Aberdeen x BSA Dispatch 3

Tours, Films, & Fight Night : Nuart x Aberdeen x BSA Dispatch 3

“I have two questions,” said one smartly sweatered and coiffed lady of a certain age. She had grabbed an elbow as we waded through the 350-person tour that we were leading through Aberdeen streets with Jon Reid. “Who gave you all permission to paint your pictures on these walls?” she asked. “And number two: When and where did this whole movement begin?”

Martin Whatson (photo © Jaime Rojo)

Those seemed like relatively easy to answer questions, and they would have been if a small blue car didn’t start honking it’s little insistent horn at us, seeing as we were standing in the middle of the road with Mrs. Siddens. As it turns out, Mrs. Siddens didn’t just have two questions. She had 162.

But that is to be expected here in Aberdeen right now as Nuart has more or less popped open the magic Street Art lamp and the lively spirits are swirling up Jopps Lane camera-in-hand behind parking lots and mechanic shops, and other streets that locals rarely explore.

So here’s an aspect of the scene that we don’t interact with too much – the completely gob-smacked art fan who can’t believe their luck to be regaled with new art and artists. The big cities that have a history with graffiti and, later, street art – or just the plastic arts in general, are often blasé when encountering a new addition to the street, so easily spoiled us humans are.

Jaune. Need we say more? (photo © Jaime Rojo)

But here in Aberdeen – today it looked like there had been such a pent-up desire for any kind of public visual expression of art in the streets that it erupted inside the bottle and verily foamed and frothed out to these historied brick streets.– Like a top secret camera-armed terrorist cell suddenly activated; old, young, entire families… all fanned out across the streets to capture hundreds, thousands of images of M-City and Jaune and Nipper and Alice Mirachi and Martin Whatson and all of the crew.

Okay terrorist analogies are ham-handed, but its just like that!

Jaune (photo © Jaime Rojo)

Our BSA Film Friday LIVE event at the Belmont Filmhouse was a lot of fun, with engaged and aghast reactions to art interventions by artists like Kut Collective, Akay, and Vhils. Hawaiian born artist Hula’s portraits painted on ice rafts in the melting arctic cap amongst the Inuit people was the one that actually elicited gasps, with at least one woman crying.

Also Street Artist Fintan Magee left his wall early to come to the show and be our special guest presenter of his video about his mural made during his time with Syrian children who were confined to refugee camps in Amman, Jordan recently.

 

Add Fuel at work. (photo © Jaime Rojo)

Also, have we mentioned the Fight Night? A Nuart tradition worth preserving, with artists and experts of all ilks convening as small teams on the stage to debate two sides of an issue. Friday night in the “Underground”, a basement pub with wood and soldiered steel stools and deliberately dark lighting, the assembled clump of fans Street Art and beer gathered around the stage to hear a debate that pitted large murals against small interventions.

Among the sparring, personal insults, laughter, and flashes of Juanes leg’s vexing and tantalizing the crowd beneath his new his new plaid kilt, somehow the female panelists on each team landed some of the strongest arguments. – Alice Pasquini for the small interventions and Jasmine from Herakut presented thoughtful reasoned rationale while the men bandied about jokes referring to size and an inexplicable reference to baby pandas by Evan Pricco turned into a running joke. Ultimately, the “small interventions” team prevailed by the thinnest of margins over large murals in during the final audience vote.

Isaac Cordal (photo © Jaime Rojo)

So the panel discussions, on-stage interviews with artists, kids programs, tours and movie screenings continue today, with us introducing the debut of “Saving Banksy” and Nuart’s James Finucane introducing the 2011 mini-doc about Nuart and it’s early beginnings.

In an exciting development, there are some surprise Street Art pieces going up in the areas that the new formal interventions are going, suggesting that a seeding of the soil is producing local fruit. It is spring after all. Time for a renewal. Slàinte mhath!

Isaac Cordal (photo © Jaime Rojo)

Alice Pasquini. Process shot. (photo © Jaime Rojo)

Alice Pasquini at work. (photo © Jaime Rojo)

Alice Pasquini at work. (photo © Jaime Rojo)

This Nipper interactive piece provides all the tools a passerby needs to be a Street. (photo © Jaime Rojo)

Nipper an aspiring artist plays with interactive piece. (photo © Jaime Rojo)

Nipper (photo © Jaime Rojo)

Nipper (photo © Jaime Rojo)

Herakut. Detail. (photo © Jaime Rojo)

At the Fight Club/Pub Debate last night from left to right. Jasmin from Herakut, Pedro Soares Nieves, Sasha Bogojev, Alice Pasquini, Jaune and Evan Prico debating the merits of large murals vs small scale interventions. Pedro’s team argued in favor of murals and Evan’s team argued in favor of small interventions. (photo © Steven P. Harrington)

Almost 350 people showed up for the first ever street art tour in Aberdeen battling cold, rain and hail, sun and clowds all at once!. Here they admired the piece by Martin Whatson.  (photo © Jaime Rojo)

The crowds in front of Fintan Magee’s work in progress. (photo © Jaime Rojo)

The crowds in front of M-City’s mural. (photo © Jaime Rojo)

These intrepid art lovers who lasted throughout the entire tour were such troupers and they stood at the last mural by Add Fuel in the background braving the intense cold rain falling on them. (photo © Jaime Rojo)

 

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BSA Film Friday Special Edition: Nuart x Aberdeen x BSA

BSA Film Friday Special Edition: Nuart x Aberdeen x BSA

Aabody* at the club got tipsy* last night in the Anatomy Rooms, a former academic space for students at University of Aberdeen that still has random skeletons and 3-D plastic diagrams of humans cut in half.

Julien de Casabianca. Outings Project. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

Anatomy Rooms is now an artist-run space with studios for “makers” and creatives of various disciplines and the Nuart Aberdeen event brought a central focus to Street Artist Julien De CasaBianca in the main lecture hall; we watched attentively pacing back and forth in front of us where bodies were probably dissected for lectures.

To many people’s delight, he gave a riveting and humorous lecture to the packed hall of rowdy desk-pounding bookish attendees, recounting his path of accidental entry into the Street Art scene via reluctant museum visits and classical painters – which alone would have been entertaining enough.

Jaune. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

However Professor Julian just happened to throw in additional colorful story-lines about Corsican mobsters, stenciled signs at concentration camps, jail time, accidental homicide, and an uncle’s planned suicide that was accompanied by an elaborate display of fireworks.

At the end of Julien’s barrage of 234 slides and the accompanying raucous applause, the rambunctious guests headed down the steps for the beer (2 pound donation), the loo, the Street Art Instagram projection show by Jon Reid, and the darkened DJ chill lounge which seemed to be playing slow jams from the 80s and 90s, encouraging art folk to gently sway their anatomies in close proximity to one another.

Also, murals.

Jaune, stencil artist who features city workers in his small pieces for Nuart Aberdeen, heralds the important contributions they labor over to make our cities and homes livable day after day after day. Just steps away from one of those new stencils with paintbrush in hand, we found this municipal worker maintaining the city’s streets with a coat of fresh paint. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

 

De CasaBianca’s “Outings Project” completed his second enormous installation of a thoughtful boy in a previously industrial passage over slippery rounded brick streets.

With all that wheat-paste splashed acrossed the wall in buckets there was a huge puddle of the white gooey stuff just waiting for at least one intrepid camera-happy Street Art hunter to evaluate carefully.

M-City. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

M-City put the final aerosol touches on his two walls, which are set at a 90 degree angle with one another along a tightly winding street that snakes among old factories with smokestacks and a parking garage that serves a nearby shopping district.

The images of oil barrels falling through the sky onto two oil tankers below and into the ocean have a direct relationship to the petroleum-fueled economy of  Aberdeen and we’ll need to get that full story from the Polish stencil machine and professor – We’ll get back to you on it.

Herakut. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

Jasmine was high on the lift making final adjustments to the Herakut mural that on Aberdeen Market that now commands a triangle of pedestrian activity while Falk, the second half of the German Street Art/fine art duo, was off getting married. Slacker.

Juane continued to find secret small locations to install his miniature workmen stencils while Isaac Cordal prepared a wall for a larger multi-terrace show of his morose and guilty businessmen to contemplate their existences upon.

Fintan Magee at work. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

Nipper, the Norwegian (Bergen) of generous spirit, worked with local artists and volunteers to create his glassine envelopes stuffed with artworks – which are then snapped onto clip-boards and hung around the city center. These missives are meant as encapsulated communications, with some containing directives to carry out activities, while others are simply a collection of collage, drawings, crafts from local artists, poets. He calls them #missiondirectives .

Fintan Magee at work. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

This is Street Art as a most engaging act, a method of somewhat random communication that meets you at eye level and asks you to participate if you would like. While Cordal and a friend and Jaime played Jenga nervously at the breakfast table and the waitress brought a small iron skillet of eggs, tomato, sausage and bacon, (John) Nipper talked about one of the local artist contributor’s idea for the street missive that she was making contents for.

Nipper. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

John says that she wanted to encourage the concept and practice of taking a creative journey, so she was thinking of buying a bus ticket to a favorite Scottish destination and putting it in the pack to be hung anonymously on the street.

Fintan Magee has been working on the first of two walls that will together form one complete story, with the assistance of local artist and public art curator Mary (check out “Painted Doors” here in Aberdeen) and her legs and knee-high boots are actually featured standing upon a boulder in the brand new mural.

Robert Montgomery. Process shot. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

Fintan tells us that he still has a lot of work to do, but he will be to stop work today by 1800 hrs so he can get over to our BSA Film Friday LIVE show tonight – we’re actually showing one of his videos among the 12 we have selected for the Belmont Filmhouse – Aberdeen’s foremost independent cinema. As our special guest tonight, Fintan is going to regale the audience about the genesis of the film and what he was doing in Amman, Jordan at the time.

So we are about to run out on the street and see as much as possible right now – but if you are in Aberdeen we’re really looking forward to meeting YOU tonight at BSA Film Friday LIVE! (see more information below).

If you got tickets to “Saving Banksy” which we’re introducing tomorrow, lucky you! It’s sold out the for largest theatre of their three screens. Aberdeen represent, yo!

Isaac Cordal. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

Window dressing. Nuart Aberdeen  April 2017. (photo © Jaime Rojo)

BSA Film Friday LIVE tonight at Belmont Filmhouse – more HERE.


*Aabody – Doric for everybody, or as J-Kwon says in that dope 2000’s jam “Tipsy” – “errrbody”.

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Fintan Magee. Nuart 2016

Fintan Magee. Nuart 2016

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For the ninth straight year, BSA brings Nuart to our readers – artists, academics, collectors, instructors, curators, fanboys /girls, photographers, organizers, all. Not sure who else has been covering this international Street-Art themed indoor/outdoor festival and forum as early and continuously as we have, but we’re happy to say that this Norwegian pocket of public art continues to hold its own among a suddenly bloated field of new festivals and events globally.

Melbournes’ Fintan Magee has just begun his 32 meter high double silos after the fierce rains dissuaded him for a couple of days. After carefully planning out the figure/s he’s gradually bringing them alive here in this coastal Norwegian town – a reminder of the maritime history of the people here, and the rising tides of our modern era.

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Fintan Magee at work on his sketches for the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

Ironically an oil economy like Norway’s is implicated in the warming of the atmosphere, so Mr. Magee’s ongoing program of climate-change related murals around the world takes on a special resonance here.  Thanks to an unfailing respect for intellectual independence, Nuart has often featured work that is critical to the fossil fuel economy over the years. Stay tuned for a finished image of Fintan’s towers this week.

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Fintan Magee sketches for the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee work in progress for the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee’s work washed away by the pesky  Stavanger’s weather. Nuart 2016. (photo © Tor Ståle Moen)

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Fintan Magee at work on the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee work in progress at the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee at work on the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee at work on the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee at work on the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee. Process shot. NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee at work on the silos murals for NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

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Fintan Magee. NUART 2016. Stavanger, Norway. 09-2016. (photo © Tor Ståle Moen)

We wish to extend our most heartfelt thank you to our friend Tor for sharing his photos with us in exclusive for this year’s coverage of NUART 2016.

 

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Nuart Day 5: Flying High in the Norwegian Sky

Nuart Day 5: Flying High in the Norwegian Sky

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Live from Nuart as it’s happening folks, and the festival is proving to be a rather impressive small beast at this point – one with multiple heads and legs and hands waving paint brushes, aerosol cans, saws, drills, stencils, spot lights, fans, ship buoys, shovels, ladders, helicopter blades….. What?

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Friday began with an helicopter ride to take the full scope of the giant Ella & Pitr roof top mural. Here we see Martyn saying good bye to all of us earthlings. (photo © Jaime Rojo)

Yes, Martyn Reed gave a healthy scare to a number of guests by inviting them to view the massive Ella & Pitr piece from a helicopter hovering about on Friday in conjunction with a formal dedication ceremony. It’s the only way to truly see it, darling, and that is not simply a clever manner of expression – it is a literal one.

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Ella & Pitr. Detail of their roof top mural. More to come. (photo © Jaime Rojo)

Ground-based mortals may also see these painted red nails on giant hand inside the public art exhibition planned for Saturday night as the French couple have coupled their installation with the radically smaller scaled sculptures of Isaac Cordel, whose balding concrete curmudgeons lurk and mope and sink into the soil around the perimeter.

All three artists were in the audience at BSA Film Friday LIVE at the cinema downtown, which made us feel relieved because their videos were also featured in our show about PLAY. Thanks to everyone who came, including those sitting in the aisles and on the steps: think we need a bigger theater next time!

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Detail of Isaac Cordal and Ella & Pitr collaboration in the Tou Scene tunnels. (photo © Jaime Rojo)

Elsewhere the Outings Project liberated a number of museum pieces on walls here and there around the neighborhood, their unsung regal figures set loose yet rigidly posed on concrete blocks in empty lots. Some malformed and miscreant monsters have also popped up, seemingly over night, on pieces of printed news. They look rather similar to the installation of Bortusk Leer in the beer halls of Tou Scene, but not much like the realistic children on cut-out wood in Ernest Zacharevic’s installation nor Pixel Pancho’s three dimensional robot – a symbol used in many of his large scale murals appearing in cities around the world.

Stay tuned for more images, as we are a bit buried under a wealth of them right now but feel compelled to run outside and gather more while the sun is shining and the paint is still wet.

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Tor channels Banksy with Ella & Pitr collaboration.(photo © Jaime Rojo)

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The Outings Project brings the masters outside onto the walls and Bortusk Leer’s monsters take an art history lesson. (photo © Jaime Rojo)

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Sandra Chevrier at work inside the Tou Scene tunnels at work on her collaboration with Martin Whatson. (photo © Jaime Rojo)

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Bordalo II at work inside the Tou Scene tunnels. (photo © Jaime Rojo)

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Futura at work on a new outside wall project. (photo © Jaime Rojo)

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Bortusk Leer. Detail of his installation inside the Tou Scene tunnels. (photo © Jaime Rojo)

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Ernest Zacharevic work in progress inside the Tou Scene tunnels. (photo © Jaime Rojo)

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Pixel Pancho work in progress inside the Tou Scene tunnels. (photo © Jaime Rojo)

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The tractor moving in on the chopper with Martyn on board . (photo © Jaime Rojo)

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Nuart Day 3 : Picking Up Pace and Sandra Chevrier’s Dramatic Eyes

Nuart Day 3 : Picking Up Pace and Sandra Chevrier’s Dramatic Eyes

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A fever pitch is possibly overstating the tempo but not by much as Day 3 at Nuart continued to be wet and gray and at times a little windy (not typically good for stencil work by the way). A couple of people have gotten a cold – possibly due to painting in the rain for hours on end, possible due to drinking back at the hotel late into the evening, one cannot be quick to surmise. Regardless, the artists are full of industry and the results are appearing right here before your dramatic and alluring eyes.

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Sandra Chevrier. Work in progress. Detail. Aftenblad Wall. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

Icy and Sot moved to smaller figurative works in site-specific locations while arriving artists like Pixel Pancho and Martha Cooper began their prospective projects, his ivy covered mural awaiting a robot of some sort and hers a projection of her child’s play photography from the streets that will be on display at the Tou Scene opening. We’re eager to see what museum quality works will be appearing suddenly on Stavanger walls from Julien de Casabianca of the Outings Project, who’s just arrived with a number of figures who are itching to get outside.

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Sandra Chevrier. Work in progress. Detail. Aftenbladet Wall. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

Sandra Chevier and her assistant labored with brushes for about 10 hours to complete her new Aftenblad wall despite winds from off the bay – just in time for Thursday’s dedication by the local newspaper, Stavanger’s largest. Bortusk Leer gradually filled his tunnel installation with sculptural and flat childlike/cheerful renderings of people and monsters and Ernest is projecting kids on the walls to begin his similarly juvenile-themed play scene.

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Sandra Chevrier. Work in progress. Detail. Aftenblad Wall. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

Futura completed his very large installation and allowed us to shoot some live video of it in process – which we’ll gladly post tomorrow on Film Friday – speaking of which we’re pretty excited about our program tomorrow BSA Film Friday LIVE at the cinema downtown as part of the Nuart PLUS programming where we’ll show video pieces related to this years theme of “Play” under categories of Exploring, Experimenting, and Inventing.

Martin Whatson has been creating a new winged creature and Bodalo II is bringing a horned one to life as the garbage has begun climbing the back walls of the former beer factory and assembling itself into a deer head.

Peering through the garbage bag tree “leaves” is Icy as he attaches the last pieces of green foliage and Isaac Cordal tells us he attached seven new little men on balconies throughout the neighborhood, including a couple on a nearby gas station/carpark overhang – evoking the oil businessmen who are briskly walking through streets here even as the shrinking economy adjusts to lower world oil prices.

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Sandra Chevrier… Meanwhile at Tou Scene… Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

Thursday starts to really pick up the pace with Nuart Plus programming kicked off by Carlo McCormick, Evan Pricco (Juxtapoz), Harmen de Koop, and Bortusk Leer squaring off for a lively debate (“Should Art Have a Deeper Meaning?”) starting at beer-o’clock sharp (21:30) at a local pub – just after Harmen’s performance/mural “Permanent Education” on the street with Jan Uboe, a Mathematics and Statistics Professor from the Norwegian School of Economics.

After we tally up the numbers we’ll give you a full account.

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Nafir. Work in progress. Detail. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Nafir. Work in progress. Detail. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Martin Watson. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Martin Watson. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Pixel Pancho. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bordalo II. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bordalo II. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bordalo II. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bordalo II. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bortusk Leer. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Bortusk Leer. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Ernest Zacharevic. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Ernest Zacharevic. Work in progress. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Ernest Zacharevic. Work in progress. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Ernest Zacharevic. Work in progress. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Ernest Zacharevic has created a work on the wall that mimics a nearby statue “Johanne og Broremann” (Johanne and her little brother) made by Svein Magnus Håvarstein in 1993. Work in progress. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Icy & Sot. Work in progress. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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Icy & Sot. Work in progress. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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The light appears as the sun peering through the tree at Icy while he works on the installation he is doing with Sot. Tou Scene. Nuart 2015. Stavanger, Norway. (photo © Jaime Rojo)

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A local Stavanger resident watches the action from a secured vantage point. Untitled. Stavanger, Norway. August 2015. (photo © Jaime Rojo)

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Logan Hicks New 4 Panel Piece- Stenciling in his New Direction

Stencil master and Street Artist Logan Hicks began this direction at the NuArt Festival in Norway this past  September.

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The Multi-Layered Work: Precise, cool, revealing.

“It’s part of a new direction that I have begun. I suspect that much of my new work will be following this same direction,” he says.

The new works which (once at least) have also included the artist himself, look like a still from a CGI effect – but the direction the movie is going is unclear. Is the line drawing, rendered with CAD-like precision, being brought to full bodied life?

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“The panels were actually a re-spray of a piece I did down at The Art Center in Miami during Basel. It was part of the show called Blueprint for Space,” says Logan

Or is this a peeling back of the skin of architecture and streetscape textures to reveal the superstructures and engineering underneath, the bones? To further enhance the stripped-down feeling is a devotion to a monochrome palette, minus the ox blood and acrid red punches he has favored in the recent past.

Logan Hicks standing in front of his new four panelled stencil piece to be hung in somebody's home.
Logan Hicks standing in front of his new four paneled stencil piece to be hung in somebody’s home.

Thanks Logan for showing your new stuff to BSA readers.

For more on the NuArt Festival, go HERE

See Jaime Rojo’s pics from BluePrint for Space/Primary Flight:

http://www.brooklynstreetart.com/theBlog/?p=7256

http://www.brooklynstreetart.com/theBlog/?p=7394

Primary Flight Blog

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Street Signals 09.05.09

“Oh, my God! We slept on our own important art movement for all these years.” – Lee Quinones

He was talking broadly about graffiti, but he might as well be talking about Street Art too. New York-based Lee Quinones is one of the most important graffiti artists – with some of his work in the collection of the Whitney Museum of American Art in New York.

Here he explains how graffiti has evolved from its early days into “something much more mature, and much more expensive.” Video Interview With Lee Quinones on BBC

Lee Quinones talking to BSA at "Whole in the Wall" show (photo Steven P. Harrington)

Lee Quinones talking to BSA at "Whole in the Wall" show (photo Steven P. Harrington)

Brooklyn Street Art Inteview at the “Whole In The Wall” opening in May

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GRL Arriving at Nuart Festival to Demo the Eyewriter Project

Yesterday the Graffiti Research Labs (GRL) arrived in Stavanger, Norway, in advance of their presentation at the Brooklyn street art celebration called the Nuart Festival.

Rockin the Kanye-Tronic GRL Style (image courtesy GRL)
Rockin the Kan-Eye-tronic GRL Style (image courtesy GRL)

James Powderly and Evan Roth are artists and hackers (the good kind) of technology, always looking for ways to project art without damaging property, but in new and innovative ways.  This week at Nuart Festival GRL are showcasing their own works as well as the “EyeWriter” project, which is seeking to enable people who are otherwise disabled to use only the movement of their eyes to create art and communicate.

On hand Nuart special guest will be old school LA graffiti writer Tony Quan, aka Temptone, with whom the “EyeWriter” project has done experiments with the developing technology.

The EyeWriter project at work (image courtesy GRL)

The EyeWriter project at work (image courtesy GRL)

“The EyeWriter project is on ongoing collaborative research effort to empower people, who are suffering from ALS, with creative technologies. The project began in Los Angeles, Caifornia in 2009, when members of the GRL, FAT, OF and TEG communities teamed-up with TEMPTONE. Tony was diagnosed with ALS in 2003. The disease has left him almost completely physically paralyzed… except for his eyes.”

Read More Here

Day #03- KanEye Tracking from Evan Roth on Vimeo.

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Pedestrians & Sidewalks Urban Art Program – Check out this Open Call for Urban Artists to do a project by the WTC Site

“69 Meters,” by artist Magda Sayeg, on Montague Street in Downtown Brooklyn organized in partnership with the Montague BID
“69 Meters,” by artist Magda Sayeg, on Montague Street in Downtown Brooklyn organized in partnership with the Montague BID (image courtesy Alternaventions)

Call for Proposals

The Port Authority of New York & New Jersey, in cooperation with NYCDOT invite artists and/or designers to propose conceptual designs for a temporary mural to be installed on the part of the construction fence surrounding the World Trade Center Site, located on Church Street between Liberty and Vesey streets in Lower Manhattan. The deadline is October 1, 2009.

Go here to learn more and download full RFP.

About the Urban Art Program

The Urban Art Program is an initiative to invigorate the City’s streetscapes with engaging temporary art installations. As part of the World Class Streets initiative, art will help foster more vibrant and attractive streets and offer the public new ways to experience New York City’s streetscapes.

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Street Art Shrine on Williamsburg Bridge honors DJ Josh Link

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This bicyclist lights a candle for Josh Link. He said he didn’t know who the guy was, but wanted to pay tribute anyway. (photo Steven P. Harrington)

A not uncommon sight in New York is the street-side shrine, a public and very personal outpouring of grief for a loved one who lost their life due to an accident on the streets.  Currently on the pedestrian walkway of the Williamsburg Bridge between Manhattan and Brooklyn an impromptu tribute is sprayed on a city plaque, a photo taped to it, flowers laid nearby, and candles are kept alight.  While not art for it’s own sake, these displays have a powerful way to symbolize love, grief, and tribute… while the traffic continues to rumble by.

DJ Josh Link (image courtesy Nicky Digital)
DJ Josh Link (image courtesy Nicky Digital)

On August 24 well known DJ Josh Link was hit by a black car on the Williamsburg Bridge while riding his Vespa, and the accident was fatal.  According to news reports, he was knocked from his ride and died as a result.

A very poignant observation can be found here by a person who discovered the accident.

Sadly and ironically, graffiti had just begun to appear around town paying tribute to another New York DJ saying, “R.I.P. DJ AM”, who died 4 days later, reportedly of a drug overdose.

Rest in peace.

Rest in peace.

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