Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. 5 Minutes with: Plotbot Ken via I Love Graffiti.de 2. Nadia Vadori-Gauthier: One Minute of Dance 3. Ron English: The Road To Heaven (Tribute to Daniel Johnston)
BSA Special Feature: 5 Minutes with: Plotbot Ken via I Love Graffiti.de
Plotbot Ken first caught our eye in the remnants of a factory full of environmental and personal hazards. His is an apocalyptic view of humanity and our shortsighted predilection for creating destruction and for poisoning the earth. But somehow he has made something positive from our dire idiocy. You don’t have to speak German to enjoy this video, or to understand the symbolism of his recurring gas mask motif, or his genius for placement.
Nadia Vadori-Gauthier: Une Minute De Danse Par Jour (One Minute of Dance Per Day)
In reaction to terrorist acts, dancer Nadia
Vadori-Gauthier began a program to dance for one minute a day.
I dance as one manifests, like a small but daily
one, to work for a living poetry, to act by the sensitive against the violence
of certain aspects of the world. It felt like a series of small acts that might
possibly prove to reconnect the disconnections in her own society. She sites
the wisdom of a Chinese proverb to talk about her repeating acts of expression
in the public sphere over many years: “Dripping water ends up going through
This compilation of her works can help us see that
the aggregate of many small acts can indeed be phenomenal.
Ron English: The Road To Heaven (Tribute to Daniel Johnston)
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Swoon and The Heliotrope Foundation: A Catalyst For Local Change 2. One Minute Dance: Petites Deambulations Sur “Paradis Perdus” 3. Festival Concreto #5 – Narcelio Grud in Fortaleza, Brazil 4. Murfy Paints Mural for La Fiesta de los Corremayo
BSA Special Feature: Swoon and The Heliotrope Foundation: A Catalyst For Local Change
term economic development? From a Street Artist? Sustainable homes? Jobs?
if the question is about Cormiers, Haiti and the answer is Street Artist Swoon
with her Heliotrope Foundation. You can draw a direct through-line from her
earliest wheatpastes of people on the street to the earthquake surviving Haitians
whom these buildings and programs are for and from. By listening, sharing, and
working alongside, the volunteers and foundation have been building community. And
you thought it was all about vandalism, didn’t you?
One Minute Dance: Petites Deambulations Sur “Paradis Perdus”
Nadia Vadori-Gauthier, the performance artist behind the project One Minute of Dance Per Day, has teamed up with other dancers for a new project titled Petites deambulationssur “Paradis Perdus”
Festival Concreto #5 – Narcelio Grud in Fortaleza, Brazil
For 6 years artist, professor, and organizer Narcelio Grud has gradually
grown the Concreto Festival in Forteleza. As he and the team prepare for
November’s new edition, he tells BSA readers about this video recap of Concreto
“In the timespan of 9 days, downtown Fortaleza received more than 40 artists from Brazil and all over the world to participate in the 5th edition of Festival Concreto – International Festival of Urban Art. Great names from the urban art scene, such as Mônica Nador, Guto Lacaz, Inti Castro, Sabek, SatOne and others, met between November 16 and 24 to color and democratize art in the city.
In the year of 2018, the Festival brought interventions and other activities
to Downtown neighbourhood in Fortaleza, Brazil, called ‘Centro’. The idea was
to occupy and reestablish the connection with an area of the city that was once
a great place of cultural movement, especially in the city’s ‘Belle Époque’. All
this brought color and movement to the local landscapes, realigning the
neighbourhood to a greater valorization of urban culture.
In the video, you can watch most of the activities and artworks that took place in the Festival, as well as participant artists, staff members and the general public talking about their experience within Concreto.”
Murfy Paints Mural for La Fiesta de los Corremayo
Muralist Murfy was in the south of Spain to paint this four-story portrait of a child on the street. “This is a girl dressed in a harlequin costume,” he says of the outfit, “a typical feature at a party in southern Alhama de Murcia, which is where this is.” The La Fiesta de los Corremayo is at the end of April and beginning of May and features bands, music, food, and lots of dancing in the streets by people wearing variations of the harlequin.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. “Shadows Of Illusion” Eduardo Cuadrado 2. One Minute of Dance Per Day, Number 1352: Nadia Vadori-Gauthier 3. The Art Of Street Photography: Just Do It…Listen to the experts. 4. Marseille Street Art Show X IPAF Festival 2018
BSA Special Feature: “Shadows Of Illusion” Eduardo Cuadrado
The problem with fences and razor wire is that if you have enough of them in a society, you may begin to lose track of whether you are free or in prison.
The core inhumanity of certain humanity means that once you have successfully made it to the other side you quickly slam a door behind you, sometimes erecting a fence behind yourself, effectively surrendering.
Conceptual artist Eduardo Cuadrado created this haunted installation outside Saint Paul’s Church in Valladolid, Spain a couple of months ago at the International Art in the Street Festival 2018, and the impact was powerful in a wordless way that few artworks are. The man playing a cello live in front of it adds to the effect tremendously.
One Minute of Dance Per Day, Number 1352: Nadia Vadori-Gauthier
A dollop of creamy cement for your Art Brut cafe au lait this morning, here is your one minute of dance, number 1352.
The Art Of Street Photography: Just Do It…Listen to the experts.
Yeah, it is an ad for an online class, but we still find it inspiring. No surprise, right?
Marseille Street Art Show X IPAF Festival 2018
Packaged as tourism, this Street Art is illegal and commissioned and somehow all rolled into one experience of seeing and shopping and tasting delights. Its the IPAF Festival in collaboration with Marseille Street Art Show and Galerie Saint Laurent at Marseille June 2018.
It’s BSA Film Friday! Now we present the best of the year, according to you. We bring you new videos each week – about 240 of them this year. The beauty of the experience is that it can feel quite random and exhilarating – rather like the serendipity of finding new Street Art.
You helped us decide who made it to the top 15 – and we feel proud to see some of these because we liked them too. When we take videos on the road to different cities and countries doing our BSA Film Friday LIVE we also like to share these in classrooms or theaters or lecture halls with locals, students, city leaders. Nothing can beat seeing faces light up, a person thrilled to finally get the sense of something, better understanding the scene, helping people with a new way to look at art in the streets.
The best part is many of these videos encourage you to create, to co-create, to actively participate in public space with meaning and intention. As a collection, these 15 are illuminating, elevating, riveting, strange, soaring, secretly otherworldly, and achingly beautifully human.
Special congratulations go out to artists/directors Kristina Borhes & Nazar Tymoshchuk who landed on the list two times this year, including the number 1 position. Their work is about the intersection of art and theory and life, how to create it, to see it, and how to re-see your world.
We hope you can take some time to enjoy some of the best Street Art videos from around the world and on BSA this year.
“Listen, my only request…. When you’re done doing your thing, do an Italian flag with my daughter’s name on it,” says a guy who is shouting up from the street to the roof where two Hungarian graff writers are preparing to hit a wall with a giant rat in Jersey. That rat looks fantastic as it basks in the blinking glow of the marquee for Vinny Italian Gourmet on the streets in the Newark night below.
That scene alone can stand as their American iconic moment for the US Tapes, but Fatheat and TransOne documented a number of golden moments on their trip this winter to New York, Wynwood, LA, and Las Vegas. Travel with them as they try to square the television mythology of modern America with the one they are encountering in all its ridiculous free-wheeling self satisfied unreflective emotional consumerist funkified freedom*. Standby for sonic blasts from the cultural pulp soundbook and prepare for a celebrity visit.
Slyly they observe and sample and taste and catalogue the insights by traversing the main stage and the margins, smartly not taking it too seriously, finding plenty of places for wide-eyed wonder and wiseguy sarcasm. Steeped in graffiti history with mad skillz themselves, this is all an adventure. Generous of heart, they also share it with you.
“And lost be the day to us in which a measure hath not been danced.”
~ from Nietzsche’s Thus Spake Zarathustra
Every day since the shootings of artists and journalists at the Charlie Hebdo offices on January 14, 2015, dancer Nadia Vadori-Gauthier has made sure to dance for a minute or more. It sounds like a good idea.
“Without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there,” she says on her website.
“I dance inside or outside, in public or private places, alone or with others, strangers or people I know, sometimes friends.
I dance as protesters demonstrate, to effect a living poetry, to act through sensitivity against the violence of certain aspects of the world.
This is the solution I found: an action to my own measure, a concrete, repeated action that may redraw lines, disrupt the design, shake up the norms.”
Here she is in Paris on Esperance Street in front of a mural by Street Artist Seth.
All the subversive drama of a terrorist cell, all the color of Mardi Gras, all the pomp and ceremony of an Olympic triathlon. Wielding the long-handled roller like a javelin in the hands of Järvinen, weight lifting multiple backpacks full of paint cans, climbing and jumping walls with speed and dexterity, the 1UP team goes for the gold.
Debuting today on BSA is the flaming new 1UP crew video directed by the ingenious Selina. Slicing the streets with the drone camera like a hot knife through butter, she follows the unruly yet highly organized vandals from overhead in a manner more melodic than menacing as Miles lines up one shot after another in this instantly classic continuous thread of aerosol mayhem.
Passing the aerosol can like a baton, this relay race puts 1UP over the finish line while many rivals would have just blasted out of the blocks. But will those Olympian circles turn into golden handcuffs before the closing ceremony?
A quick overview to catch you up on the 7 most recent pieces attributed to Banksy in Paris. He’s said to be creating work more attuned to the plight of migration, but others have observed it is a return to the classic Banksy sarcastic sweetness that has characterized the clever sudden missives he has delivered since he began. See Butterfly Art News’ coverage here: Paris: Banksy for World Refugee Day
It’s an Italian movie directed by Luchino Visconti in 1960, yes. It is also the name of a crew of Berlin graffiti/installation artists whose satirical interventions play on issues propriety and property – and on social experiments that dupe the media, the public, and banks.
Did they really set up an apartment inside the subway? Is that really the tracks and wall of a metro inside a gallery? Is that Wagner playing in the mobile war arcade set up in the Christmas market? Are those hand grenades being lobbed by children? Is the bank facade blinking red every 20 seconds?
Rocco und seine Brüder (Rocco and His Brothers) have you engaged. Now you have to answer the questions.
The Uruguayan Street Artists/muralist Florencia Durán and Camilo Nuñez are “Colectivo Licuado” and here in the middle of Oviedo in Northern Spain to create a new mural for the Parees fest this September. As is their practice they study the culture that they are visiting and create an allegory that is familiar to the community, if still rather mystical.
In this case they visit Colectivo Licuado & Nun Tamos Toes for a visit of great cultural exchange – sharing sketches, songs, and learning the history of women’s roles in traditional Asturian culture. The resulting mural project is collaborative in nature and powerful in person.
“I pay attention to the intensity of the gaze and the posture, so the passerby is challenged and seeks to question the project.”
A sociological experiment and intervention on the streets by the French Street Artist YZ takes place in Abidjan and camera work in the crowds allows you to appreciate the action on the street. A city of 4.7 million people and the economic capital of Côte d’Ivoire, the city has a lively culture of street vending that is unregulated and often populated by children.
YZ speaks with the folks she meets who are vending, who she refers to as “girls” although many are women. Her goal is to better understand them, she says, and to create a Street Art campaign of their portraits.
“I realized that their situation was very different from the men. So I wanted to know more about them. So I started the project ‘Street Vendors’,” she says.
Chernobyl is a nuclear disaster that figures profoundly into the modern age – and for centuries into the future.
Today not so many people talk about this man-made horror that killed a Russian town and chased out its survivors in 1986 just 90 kilometers northeast of Kiev. Called the most disastrous nuclear accident in history, it evacuated 115,000 and spread a radioactive cloud around the Earth, with European neighbors like Scandinavia, Switzerland, Greece, Italy, France and the UK detecting the effects of radiation for years afterward. Three scientists at The New York Academy of Sciences have estimated that over time the number of people killed by effects from the meltdown was almost a million.
Because of the nature of radiation, Chernobyl has been estimated to not be safely habitable for about 20,000 years.
A short documentary today taking us through last autumns On October 7th in Marseille, France in collaboration with Galerie Saint Laurent and Spanish artist Gonzalo Borondo as they presented Matière Noire. A massive collection of individual installations that took over the top floor of an exhibition space normally used for shops, Borondo’s influence in the selections is throughout, a story told in three acts on Projection, Perception and Interpretation.
“When I was just a baby, my Mama told me, ‘Son, always be a good boy, don’t ever play with guns.’ But I shot a man in Reno just to watch him die.” Johnny Cash sings with some bravado in Folsom Prison Blues on an album released 50 years ago this year. Street Artist Shepard Fairey honors the album and here in Sacramento, California to raise consciousness about the outrageously high rate of incarceration here. “The United States has 5% of the world’s population but 25% of it’s prisoners,” he says, making you question the system in the Land of the Free.
MZM Projects – Kristina Borhes & Nazar Tymoshchuk/”Wasteland Wanderers”
This week we feature a couple of new film pieces from the Ukraine based duo of Kristina Borhes and Nazar Tymoschuk which fairly present an insightful treatise on a particular flavor of Post-Graffiti. Think of it as a two volume textbook and your professors will guide you through the darkness into the light.
“The place tells you what to do,” is a poetic and truthful phrase uttered in “Night” on the relationship a vandal has to an abandoned factory, school, home, medical facility; it is spacial and alchemical.
It is also personal, says the female narrator. “The presence of their absence,” is something that every Wasteland Wanderer will be familiar with, the knowledge and feeling that others have been there before you. The work is undeniably affected, even created in response.
“I’ve started a new series called ‘On the Road’ which looks at life behind the scenes in street art culture,” Doug Gillen tells us about this debut episode. Look forward to Doug’s unique perspective on Street Art festivals, art fairs, and studio visits as he expands to the world of urban contemporary.
Not typically who you think of as a Street Artist, here we see Add Fuel and Doug talk about his first book and you see examples of work from this tile maker who infuses traditional Portuguese techniques and pattern making with pop-modern cultural references and cartoon archetypes.
He has a hat, sunglasses, and he has been creating huge black and white photo installations of people wheat-pasted to the sides of buildings for how long? Surprising to us that Jetsonorama is not more of a household name in Street Art circles – his work is solidly tied to biography and human rights, uses his own photography, and routinely elevates humanity – and has been doing it for some time now.
Why isn’t he in huge museum exhibitions?
Today we have a new video giving you a good look at the work and the artist along with the genuine connection and presence that he has with community, taking the time to share their stories.
“The speed of ruin is just something else,” says Street Artist Vegan Flava, and it’s an exasperating realization. Extrapolated to thinking about the enormous war industry, and there is such a thing, you realize that pouring money year after year into ever more sophisticated and destructive weaponry only results in broken bridges, buildings, water systems, vital infrastructure, lives.
Construction, on the other hand, can be arduous and time consuming, takes vision, planning, collaboration, and fortitude. Like great societies.
How quickly they can be eroded, destroyed.
But since Vegan Flava is creating during this destructive enterprise, you get a glimpse into his creativity, and sense of humor. Similarly the psychographics of this story and how it is told reveal insights into the artist and larger themes.
“A drawing, an idea on a piece of paper, can swiftly grow into something larger, thoughts and actions leading to the next. But creating something is never as fast as to tear it to pieces. The speed of ruin is just something else,” he says.
MZM Projects – Kristina Borhes & Nazar Tymoshchuk /”Aesthetic of Eas”
“We wanted everything to occur naturally in this movie. We wanted to achieve spontaneity,” say film makers Kristina Borhes and Nazar Tymoshchuk about their up close look at graffiti writer/abstract painter EAS. In this new film they have captured the creative spirit in action as unobtrusively as they could, allowing the artist to speak – in a way he never does, they say.
Today on BSA Film Friday we’re proud to debut this new portrait by three artists – one painter and two film makers – to encourage BSA readers to take a moment and observe, inside and outside.