The Solar Grid is a serialized sci-fi graphic novel in 9 parts by Ganzeer, the Egyptian Street Artist whose work on the streets during the Arab Spring caused him to fear for his safety, escaping to the US and in the process garnering press.
His work as an artist or course continues and this summer he is promoting his illustrated vision of a future based on his observations of the present wholesale consolidation and hoarding of planetary resources and the accompanying interruptions in our fundamental natural systems.
Ganzeer. The Solar Grid. Photo still from the video.
“The concept of the Aswan dam is controlling a central natural resource. I figured if I was to apply it to the whole planet, that resource is obviously the sun. That’s what we see in the future with the two kids. As the sun sets, the solar grid automatically turns on and turns off as soon as the sun rises again,” he tells David Batty in The Guardian, as he describes the story that unfolds in chapters.
The next chapter is released in August, which is also when the list of artists participating in Magic City in Dresden will be released. We can happily tell you the Ganzeer is one of the them.
A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so.
We did some investigating on our own later through Dresden’s more bohemian/neglected gritty neighborhoods but that first tour clued us in to some of the magic that can be found in this city that lies only two hours south of Berlin. The multitude of skills and voices on the street added additional color to the rich conversations we were invited to contribute to by sage and storied writer, critic and chief curator Carlo McCormick. Carlo generously asked us to be a part of his vision of a “Magic City”, a constructed simulacrum and somewhat surreal streetscape with 30+ artists creating new works of many disciplines and mediums inside a former plane engine factory here, and for years we have provided a platform for this form of storytelling on BSA so it’s fantastic to bring to a theater setting here.
McCormick has an intense affinity for the artists and the creative spirit that rivals how extensively he is versed in the antecedents, undercurrents, and greater intellectual and cultural implications of this world that is loosely described as Street Art or Urban art. We’re honored that Carlo tapped us to create a BSA Film Program to work within this newly designed city and to expand the definitions and perceptions of freewill art in the public sphere. Likewise we are grateful to the incredibly talented and ingenious Magic City team under the leadership of Christoph Scholz for inviting us on board for this project – all of which we’ll tell you more about soon.