Happy Easter to all our readers who celebrate it, and pray for peace.
This week, we give light to some of the recent panels from a community wall project that consistently refreshes the view for people in the Prospect Heights neighborhood of Brooklyn. Founded in 2015 by artist and curator Jeff Beler, who developed the site after securing permission to transform construction fencing around a fire-damaged, long-abandoned building into an open-air mural space. The project, initially organized with curator Frankie Velez, operates as a recurring, theme-based installation refreshed roughly twice a year, bringing together a mix of established and emerging muralists to produce site-specific work across multiple panels. A community-based initiative, Underhill Walls has grown into a visible neighborhood fixture and a broader hub for mural production, emphasizing collaboration, accessibility, and artist “chemistry” in selection for the rotating roster.
Here is our weekly interview with the street, today featuring Anna Faris, Barbtropolis, BC NBA, Bunny M, Calicho Art, CAMI XVX, DG Millie, Drones, Fumero, Georgia Violett, Kams S Art, LeCrue Eyebrows, Luis Valle, Majo, Margarita Howls, Metamorph, Minhafofa, and Peachee Blue.
Welcome to BSA Images of the week, where we have been surfing through street art in Miami for 7 days. Wynwood keeps upping the ante in terms of spectacle: the entire neighborhood this week has been awash in events, openings, dinners, tours, panel discussions, gallery openings, exhibition boxing, live music performed in store windows, boisterous rooftop cocktails, sponsor ‘activations’, stickers, t-shirts, lanyards, festivalized clubs with fire jugglers and whirling light shows, and pop-up playgrounds in nontraditional venues like parking lots and warehouses. Many people catch these events when they look up from their phones.
Clubs with long lines on the sidewalk are running hot on reggaeton and Latin trap, colliding Bad Bunny’s stadium-sized hooks with Karol G, Rauw Alejandro, Feid, and Peso Pluma, all cut and slammed into sweat-soaked house – with EDM drops. It’s loud, physical, and relentless — the sexy fashion and sleek swagger on the nighttime sidewalk is all fueled by a heavy bass heartbeat blasting out the door and off the roof. If your window panes are thumping rhythmically louder than the air conditioner hum inside the hotel room at 2 am, you are in Wynwood. Also, why are you asleep, bro?
Oops — almost forgot to mention the painting. These days, the lineup is broad: graffiti writers, street artists, mural painters, and plenty of contemporary artists testing their footing out in public. The range of styles is wide — genuinely wide — and if we’re being honest, a fair number of walls double as neatly disguised brand exercises, selling trends back to us in fresh packaging.
We’ve met plenty of real creators along the way — people with muscle memory, ideas of their own, and a sense of why this work matters. But there’s also a growing crowd of art-fair regulars who’ve vacuumed up the look of graffiti and street art, mixed it with a few drips and gestures, and sent it right back out. In their work, you’ll spot familiar DNA — KAWS, Basquiat, Fairey, Warhol, Banksy — sliced, layered, splashed, and lettered across the surface. It’s street art by collage and citation, often stripped of the context that made those references meaningful in the first place.
Here’s a selection of works seen on the street this week in Wynwood, Miami, including: Aine, BK Foxx, Dirt Cobain, Dustoe, Earsnot, EMERGE, Entes, Gyalgebra, Jason Naylor, Johann Aven, Lae, Luis Valle, Marcos Conde, MEPS, Patrick Churcany, Saturno, Shepard Fairey, SMOG ONE, STOE, and TATS004.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
