All posts tagged: Lora Zombie

Pastel + Lora Zombie. Up North Fest X BSA: Røst, Norway. Dispatch 4

Pastel + Lora Zombie. Up North Fest X BSA: Røst, Norway. Dispatch 4

This is the third year for Northern Norway’s UPN Festival and this year it’s on an Island called Røst and includes a collection of artists eager to do site-specific and environmental works – one evolutionary development in the mural festivals that blossom throughout the world right now. This week BSA is proud to bring you images and interviews along with Urban Nation this year at UpNorth, where the seagulls never stop calling and the sun never goes down this time of year.


“If you do this in London this would just be one wall out of many,” says UpNorth festival founder Gøran Moya,

“But on this island the artists can really make an impact. They can be part of changing history for this community. The festival is also all about doing this together. Because it’s such a small place the artists, crew and locals have a special opportunity to interact with each other. This makes the whole project more personal I think.”

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

We had asked him to contrast the nature of what we call “Street Art” in its original environment versus the experience of creating and seeing it here at UPN.

“I think this will have a greater impact. For the artists coming to such a remote place where there is no history of urban art, but also for the community of the island. Most people don’t know anything of this artistic expression and can be very sceptical in the beginning. But they have always ended up loving it. They also take a pride in this.”

“We’re just trying to have new work that brings a contrast – Like getting Pastel to paint his colorful expression on a island without almost any vegetation.”

 

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

An Argentinian architect and painter, Pastel routinely brings the natural world to the manmade irregular spaces in the built environments of modern cities. Not a stranger to the city, he’s equally engaged in the country – taking particular care to educate himself about the sliding matrix of environments that one walks through when visiting a place – social, historical, geological…

So it makes sense that his work here draws directly from the eating habits of sea and air in this land where both are the principal actors. His interesting twist is how flora becomes symbolic for social issues in Pastels projects – a catalyst for dialogue about the nature of nature and the nature of us.

 

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

BSA: Can you describe that shell/flower arrangement, how it is related to the local vegetation, what you learned about the geography/agriculture/topography on Røst?
Pastel: The painting is based on the local flora that grow during the artic summer (24hs sunny) and the marine imagery. The seagulls jump into the water and catch sea urchin, then they drop them in the ground to crack the shell and eat it.

You can find all over the island these empty shells covering the ground. Because of changing climate conditions and the noticeable jump from to a subpolar oceanic climate to a cold-summer Mediterranean climate, the flora has become endemic and unique to the region itself.

 

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

BSA: Can you talk about the greater significance of the work as it relates to environmental or social issues?
Pastel: In my painting I’m focusing on the flora as a way to talk about the local issues of each place I’m going to paint in. The issues may reference architecture and urban mistakes, socio-economical and historical problems. I think of my painting as a dynamic way to make architecture in public spaces (a kind of “urban acupuncture”), as a performance, hopefully improving the local identity of each place.

When I work on studio paintings I translate those meanings using poisonous plants instead of the local flora.

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

BSA:What are some of the challenges for you as an artist right now?
Pastel: I guess one ongoing challenge for me is to improve my painting techniques. My biggest challenge may be that I am a difficult critic with myself. Also when I think of the concept of painting on public areas, I feel a great responsibility about the work I create in public space.

Pastel sharing what inspired him to paint this wall. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

 

Pastel. He thought he had completed his piece but then he had a change of heart and decided to switch the background color completely. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Pastel. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Lora Zombie begins. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)


Known more as a fine art illustrator than urban artist, Russian born Lora Zombie brought her fantastical sensibility to this very grey area, injecting her self-taught style of art-making into the familiar environment.

Her world-wide collectors will probably not make it up here, but then again much of her success as an artist can be directly traced to her presence on the Internet – and of course bouyant personality and the ubiquitous shocking blue hair.

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

“Lalala!” Lora says when we ask her to answer a few questions about her image of a girl getting a ride on the back of a bird at UpNorth.

BSA: Can you tell us about the piece that you did for UpNorth?
Lora Zombie: So my piece is more about just good bright harmony and joyful vibe! I wanted to spread some bright and flying feeling for Røst island!

 

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

BSA: How would you describe the environment working in Røst?
Lora Zombie: The Environment was wonderful. It felt like artist camping – fun and childish.

BSA:How are you challenging yourself as an artist right now?
Lora Zombie: Animation is my challenge at the moment. Conceptual animated video clips.

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

Lora Zombie. Up North Fest 2017. Røst, Norway. (photo © Tor Ståle Moen)

 

Our thanks to our partner Urban Nation (UN) and to photographer Tor Ståle Moen for his talents.


See our Up North roundup piece on The Huffington Post

 

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BSA Images Of The Week: 05.21.17 – Berlin Edition

BSA Images Of The Week: 05.21.17 – Berlin Edition

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This week in Berlin we had the chance to meet so many great folks as a result of the final Urban Nation events before September’s opening of the museum. All the curators were in attendance, including your BSA friends here, for the “We Broke Night” show along with the artistic director, managing director, architect, and about 40 artists in the 225 person party that featured breakers on pedestals dancing with flourescent tape, Shepard Fairey as DJ, and plenty of new artworks created just for this event.

Along with the main museum space show, across the street was another exhibition, the Project M/12 show called “What in the World” with mainly European former graff writers/now-fine-artists curated by Evan Pricco from Juxtapoz. Overflowing from the main space, the sidewalks were a parade of aesthetes, fans, business people, graff writers, archivists, politicians, and sex workers… It’s a wild mix and it gets very rowdy and everyone is reacting to the dynamics at play and wondering aloud how a museum like this will pull this off.

We’re not wondering, however. The sheer volume and variety of interested artists and related art lovers and community supporters tells us that this museum is a success before it has even opened. Here are a few images from the last few days for you to take a look at from outside and inside.

Here’s our weekly interview with the streets, this week featuring: Besonders, BustArt, Cranio, Daniel Van Nes, Fin DAC, Herakut, Lora Zombie, Millo, Nasca, Nuno Vegas, Sebastian Wandl, Shepard Fairey, Stikki Peaches, Snik, Tank Patrol.

Top image: FinDac. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

FinDac. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

FinDac. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Nasca. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Stikki Peaches. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Shepard Fairey in Berlin translates his No Future piece for the words apathy, sexism, xenophobia, and racism. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Cranio. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

BustArt. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Lora Zombie. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Pfui Teufel!” Ms. Merkel hears some disturbing news in this sticker placed on a post box.Unidentified Artist. Berlin, May 19, 2017. (photo © Jaime Rojo)

Bleib Besonders. Berlin, May 19, 2017. (photo © Jaime Rojo)

Obey . Sura. Berlin, May 19, 2017. (photo © Jaime Rojo)

Sebastian Wandl. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Daniel Van Nes. Detail. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Daniel Van Nes. Detial. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Herakut in purple light for the “We Broke the Night” exhibit inside the space that will be the Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Stencil majicians Snik. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

BustArt. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Tank Petrol. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Millo. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Lora Zombie. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Nuno Vegas. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Untitled. Berlin, May 19, 2017. (photo © Jaime Rojo)

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Icelandic Murals, Northern Lights, “Wall Poetry 2016” in Reykjavik

Icelandic Murals, Northern Lights, “Wall Poetry 2016” in Reykjavik

The concept album was born in the Stoned Age when TV was black and white, back when disaffected teens had to trudge for blocks and blocks outside on the sidewalk to the record store and carry their rock and roll home on large heavy vinyl platters called albums, sometimes double albums.

In the snow. Barefoot.

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Heather Mclean collaborated on her wall with Minor Victories and the song “A Hundred Ropes”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Rewarded for their hard work and sacrifice, these pioneering music fans opened those two record concept albums and used the big flat surface to pick the seeds out from their marijuana stash and roll a reefer.

Then they dropped the needle, turned up the dial, and lied on their back on their single beds surrounded by the two speaker stereophonic sound that gently vibrated their black-light posters on the wall, reading the song lyrics and metaphorically taking a wild and magical trip inside the cover art of the album.

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Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

“We paint the music you love to hear,” says Yasha Young in Reykavik, Iceland, as she imagines the thousands of music fans who will inundate this city in a few weeks for “Iceland Airwaves”.

For the second year Urban Nation, the Berlin-based arts organization working primarily within the Urban Contemporary Art scene, brings the musicians a powerful visual partner called “Wall Poetry”.

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Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

By pairing one musician/group with one visual artist/group, Young, the director of UN, wants to re-create the concept album where the eyes have a newly created entryway into the music. Of course its only one interpretation but countless stories can be evoked from this intercultural exchange.

It’s the second year for the program, and we are very lucky to have these exclusive shots from Nikka Kramer of some of the first walls going up in advance of the festival, which this year features over 200 bands. Check out the stunning atmospheric images featuring northern lights; a poetry of their own.

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Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Strøk collaborated on his wall with MAMMÚT and the song “I Pray For Air In The Water”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Strøk. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Phlegm collaborated on his wall with MÚM The Band. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Phlegm. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Phlegm. Detail. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Lora Zombie. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Lora Zombie was inspired by the songs of L.A. based band War Paint for her wall. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Lora Zombie. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Lora Zombie. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Herakut collaborated on their wall with Kronos Quartet. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Herakut. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Herakut. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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INO. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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INO. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Don John. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Don John collaborated on his wall with Swedish musician Silvana Imam’s “Naturkraft”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Don John. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Wes21 and Onur. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Wes21 and Onur. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Wes21 and Onur collaborated on their wall with the Icelandic band Of Monsters and Men. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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DotDotDot publicly collaborated on his wall with all the volunteers, locals, strangers and passers by using the word “perfection” as officially described on Google/dictionary. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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DotDotDot. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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DotDotDot. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

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Wall Poetry/Iceland Airwaves 2016 artists in no particular order: Don John, Onur, Wes21, Ino, Heather Mclean, Herakut, Lora Zombie,Phlegm and Strok. Reykjavik, Iceland. (photo © Nika Kramer)

Wall Poetry/Iceland Airwaves is presented in partnership between Urban Nation Museum For Urban Contemporary Art (UN Berlin) and Iceland Airwaves. For for about Wall Poetry read here.

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BSA Images Of The Week: 04.17.16

BSA Images Of The Week: 04.17.16

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Hillary Clinton announced in Brooklyn this week that she supports raising the minimum wage to $250,000 a speech while Bernie Sanders scoped around the showroom of a Danish furniture designer in the Brooklyn Navy Yard to order a new blond wood desk and chair for the Oval Office. The two sparred live on national TV from Brooklyn Thursday but you couldn’t tell they were in the BK because the CNN logos engulfed the screen and candidates and the actual citizens were reduced to a babbling rabble who hooted and hollered like sports fans somewhere in the dark. Wonder how long CNN intends to have their brand new warehouse-sized logo beaming across the river at Manhattan.

Meanwhile, on the streets here it is pretty evident who many New Yorkers favor and the majority of new Street Art pieces and graffiti pieces are feeling the Bern. It’s true, we tend to hang out with artists, creatives, punks, hippies, and assorted wild-eyed weirdos – so its not exactly a true cross-section, but Clinton fans are not making much art on the streets. Possibly that is because level-headed reasonable people don’t feel the need to express their support for her so loudly and visibly. It will be interesting to see if Big Media predictions of a 17% Clinton lead are true by Wednesday morning. The Wall Street Journal seems to be banking on it.

Trump is #1 in NYC for the Republicans, presumably because of “New York values”.

So here’s our weekly interview with the street, this week featuring Caratoes, Elle, Ever Siempre, Faust, Flood, Icy & Sot, Lola Jiblazee, Lora Zombie, Nafir, Shantell Martin, Stuart Ringholt, Thiago Goms, Thievin’ Stephen, Thomas Allen, TriHumph, Vandal Expressionism, Vanesa Longchamp, Vexta, You Go Girl!, and Zabou.

Our top image: Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Icy & Sot . Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Thomas Allen (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Vandal Expressionism (photo © Jaime Rojo)

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Thievin’ Stephen in Rochester, NY. (photo © Thievin’ Stephen)

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Lola Jiblazee (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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TriHumph styles Bernie as Bowie. (photo © Jaime Rojo)

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EverSiempre in Ostend, Belgium for Crystal Ship Fest 2016. (photo © EverSiempre)

“Homage to the Past and Future”

The city of Oostende began its great reforms in 1883. King Leopold II earned the nickname the “constructor” for his contribution to public works. These reforms were possible thanks to the large profits that were made from the king’s colony, an area sixty times larger than Belguim: the Congo. In the Congo, rubber was a resource that became precious because of its use in the automotive and bicycle industries. The king imposed high quotas on rubber production in the Congo and forced the indigenous population to comply using coercive methods and extreme violence. It is estimated that during Leopold’s years of domination about ten million natives were killed in the Congo.

“Homage to the Past and Future” is a work that talks about the heavy legacy of the past, about how societies live with the consequences of those that came before and how they build their current reality to be better. The mural is located at the urban entrance to the city, a work that perhaps Leopoldo II had not imagined at the gates of the resort town. Today, the reality is different; diversity flourishes in the city and the image is of a resident of Oostende. Humans learn from their mistakes and the future will always be better if our present remembers and pays homage to the real heroes.”

-Ever

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Faust. Shantell Martin (photo © Jaime Rojo)

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Zabou for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Caratoes for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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You Go Girl (photo © Jaime Rojo)

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Elle for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Vexta for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Lora Zombie for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Vanesa Longchamp for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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GOMS for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Untitled. SOHO, NYC. Spring 2016. (photo © Jaime Rojo)

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UN & StolenSpace Create PM/8 “Freedom” in Berlin

UN & StolenSpace Create PM/8 “Freedom” in Berlin

Urban Nation in Berlin has just completed a new series of walls, window displayed artworks, and a gallery show for the eighth edition of Project M (PM/8) in conjunction with StolenSpace Gallery in London.

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Snik (photo © Nika Kramer)

The show is called “Freedom” and features a few of the better known names in the Street Art / Urban Art game along with other emerging artists in the Stolen Space stable. In addition to the opportunity to see new work being created live and meeting many of the artists, this version of Project M also included a roundtable discussion hosted by Very Nearly Almost (VNA) editor Roland Henry and featuring a conversation with D*Face, Shepard Fairey, and UN Director Yasha Young.

Project M is taking it to the street, into a gallery/museum-like setting, and into the community with various educational projects like these. We’re looking forward to seeing the nascent Martha Cooper library project as it continues to grow as well as seeing more panels, discussions, scholarly examinations, and interactive community programming in the future as the UN evolves.

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Snik (photo © Nika Kramer)

Project M is meant as a lead-up to the opening of Urban Nation, currently slated for 2016, and many of the window works made here will become part of the future institutions permanent collection. The full PM/8 roster continued to shape-shift as additional artists were painting walls as well but we think we have it right when we say it includes Cyrcle, D*Face, Evoca1, Miss Van, Herakut, The London Police, Shepard Fairey, Snik, Word to Mother, Maya Hayuk, Cyrcle, Case M’Claim, Elle, and Lora Zombie, with many of artists in attendance, and one giving tattoos (see below).

Maya Hayuk took on the large task of the UN façade while Shepard and D*Face knocked out a slim set of tall twin walls and Cyrcle knocked out a modern text balanced graphic piece.

Our very special thanks to Nika Kramer, who shares her exclusive photographs of some of the artists and action at PM/8 here with BSA readers.

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Snik (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Herakut (photo © Nika Kramer)

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AkutOne of Herakut (photo © Nika Kramer)

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Word To Mother (photo © Nika Kramer)

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Word To Mother (photo © Nika Kramer)

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Evoka1 (photo © Nika Kramer)

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Evoka1 (photo © Nika Kramer)

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Cyrcle (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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Shepard Fairey (photo © Nika Kramer)

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Maya Hayuk (photo © Nika Kramer)

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Shepard Fairey . D*Face. Urban Nation OneWall Project in conjunction with PM8 “Freedom” (photo © Nika Kramer)

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Cyrcle. Urban Nation OneWall Project in conjunction with PM8 “Freedom” (photo © Nika Kramer)

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Lora Zombie. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Lora Zombie. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Case M’Claim. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Case M’Claim (photo © Nika Kramer)

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ELLE. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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ELLE (photo © Nika Kramer)

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More detail for Davey. During downtime tattoos were offered by Word To Mother in the back workshop at UN. (photo © Nika Kramer)

 

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Eyes On The Walls Presents: Lora Zombie “Blue Bird Lobotomy” (Manhattan, NYC)

Lora Zombie

Eyes On Walls Presents:

LORA ZOMBIE

BLUE BIRD LOBOTOMY

A night of Grunge Art by Lora Zombie – drinks, music and exclusive releases.

SOHO NYC // 11.8.2012 // 7-10pm

 498 BROOME STREET

SHOW INFO & RSVP: www.EyesOnWalls.com/LoraZombieNYC

PRESS CONTACT: Marit Weitnauer // 323-333-9614 // marit@eyesonwalls.com

EYES ON WALLS PRESENTS “BLUE BIRD LOBOTOMY” AN ART SHOW BY LORA ZOMBIE

ABOUT THE ARTIST
Lora Zombie is a young self-taught painter from Russia and a top seller on the urban art scene. Her first New York solo show will feature over 50 brand new pieces, a limited edition art book release, exclusive print offerings and more.

Since making a name for herself with her trademark “grunge art” painting style, Lora Zombie has exhibited in Los Angeles, Toronto, New York and Russia – bringing in the interest of notable collectors and fans worldwide. Her raw, trademark style is already unmistakable in the urban art scene. A unique commentary on pop culture and keen eye for beauty, along with her young and eclectic mind, prove that Lora sees things differently than the rest of us. Take a glimpse into the world of Lora Zombie – her private world of color, character and signature dripping, drooling, masterful grunge. Soft and tender, elegant and daring, her multi-disciplinary talents are evident in this recent collection of her work.

PREVIOUS EXHIBITIONS

“Crazy 4 Cult: New York”, Gallery 1988, New York, NY (2012)

“The Breaking Bad Art Project” Group Show – Gallery 1988, Los Angeles, CA (2012)

“Whales.Love.Procrastination”, Phonebooth Gallery, Long Beach, CA (2012)
“Drugs and Unicorns” – Art Show at the Gladstone Hotel, Toronto, Canada (2011)

“Grunge Art by Lora Zombie” – Art Show at MART Gallery, St. Petersburg Russia (2011)

“BROKEN DOLL LA LA LA” Phonebooth Gallery, Long Beach, CA (2011)

ABOUT EYES ON WALLS                 

Eyes On Walls is an art publishing company that works with an elite group of artists from around the world. We publish and promote these artists, selling work in open and limited edition formats, as well as offering original art, apparel and more. Since pairing up with Lora Zombie in 2010 Eyes On Walls has sold over 30,000 pieces of her work, produced two North American shows, and released a Limited Edition Book. We’re proud to present Blue Bird Lobotomy, her first solo show in New York.

MORE INFO AT                 

LoraZombie.com

EyesOnWalls.com

BroomeStreetGallery.com

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Signal Gallery Presents: “Pandamonium” A Group Exhibition. (London, UK)

Pandamonium

Over the years, it appears that several of our artists have become inspired by the iconic image of the Panda. In whatever form they emerge, whether as the bear itself or a human figure sporting an animal mask, these works always seem to be a sure-fire hit. So we thought… why don’t we ask a large group of artists to pay homage to the Panda and produce an entire exhibition dedicated to the cuddly creatures, resulting in a sell-out, recession-proof show?

The fabulous group of artists who are taking part in the show so far include: C215, Dale Grimshaw, Jef Aerosol, Elinor Evans, Byroglyphics (Russ Mills), SPQR, TRXTR, David Le Fleming, Gaye Black, Frank Rannou, Joram Roukes and newcomers to Signal; Lora Zombie, Chris Bell and Jane Price.

Signal Gallery, 32 Paul Street, London EC2A 4LB
Opening Times: Tues-Sat 12-6 pm, and by appointment.

email: info@signalgallery.com
Tel: 0207 6131550

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