All posts tagged: London

disCONNECT Wall Of Fame / Free Coloring Books

disCONNECT Wall Of Fame / Free Coloring Books

In need a calming yet stimulating distraction during these tumultuous times? Artists from Schoeni Projects and HK Walls have made a free coloring book for you and so much more.

Aida Wilde (photo © Jenny Lewis)

They’re also mounting a show in a Victorian townhouse in South West London as part of an exhibition created during our Covid-19 lockdown and we’ll be bringing you exclusive installations from them. They’re calling it the disCONNECT Wall of Fame and it will run July 24 – August 24.

And here’s a sweet spot: You can participate in the exhibition with your own work. Submissions of your complete own creation on your thoughts and feelings about the pandemic are welcomed; a quote, a poem, a drawing, a painting.

Click here for all the details https://schoeniprojects.com/

Participating artists:

Adam Neate (UK)
Aida Wilde (Iran)
Alex Fakso (Italy)
Mr.Cenz (UK)
David Bray (UK)
Herakut (Germany)
Icy and Sot (Iran)
Isaac Cordal (Spain)
Vhils (Portugal)
ZOER (Italy)

David Bray (photo courtesy of Schoeni Projects)

An unusual approach to most unusual circumstances, this joint London/Hong Kong show will reflect on the creative and physical constraints of the current global crisis, exploring psychological and political reactions to the crisis, as well as the role of technology as conduit between the two. Accessible to online audiences through Matterport software, each work is further activated through an accompanying program of digital initiatives, including downloadable artworks, online videos, virtual tours and an Instagram Live interview series.

Mr Cenz (photo courtesy of Schoeni Projects)
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BSA Film Friday: 05.29.20 / Dispatch From Isolation # 68

BSA Film Friday: 05.29.20 / Dispatch From Isolation # 68

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “InkStemism” from Tinta Crua in Lisbon
2. STIK at Picadilly Lights in London: Hope & Solidarity
3. The PR Economy Shapes “News” and Perception
4. Big Joanie, “Fall Asleep”

BSA Special Feature: “InkStemism” from Tinta Crua in Lisbon

Portuguese activist, street artist and illustrator Tinta Crua says he hasn’t had a lot of action in Lisbon since the virus outbreak, so he’s been experimenting with animation and seeing his figures come to life across the screen. Today we have a look at the homemade video called InkStemism.

He says he’s been using wheat-pasting to display his hand-painted original acrylic pieces on construction walls or downtown shop windows. The style of figures and archetypes may recall for some the hand-drawn aesthetic punk/heavy metal fanzines: A stark wit and a bit of sarcasm – softened by an underlying sentiment of goodwill, romantic tendencies.

“I started back in 2008 when the crisis hit Portugal with its full impact. Lots of shops closed. People lost their jobs like me at the time and now again…but this window became my canvas!” says Tinta. Given the dire economic situation that appears to be headed our way, its safe to say there will be more artists working on the street soon, addressing fundamental issues in social, economic, and geo-political spheres.

“I don’t know what will be the scenario post-pandemic,” says the artist. “I hope that people will  keep their jobs and that the shops keep open. Well I’ll keep doing my thing – just have to walk more and wait till I find a good place to paste.”

STIK at Picadilly Lights in London: Hope & Solidarity

A curious turn of events leads STIK to Picadilly. His forms unite in a warm glow, yet few are here to see it.

The PR Economy Shapes “News” and Perception

When you hear and see the same story repeated multiple times by serious faces in authoritative positions, does it affect your perception of a company, politician, poet, artist, businesswoman, race, war? Sidenote: Is this journalism?

Big Joanie, “Fall Asleep

London based trio Big Joanie going from strength to strength. A great sound evolving from the DIY community and a fresh frank take on feminist punk.

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Mark Titchner: “Please Believe These Days Will Pass” / Dispatch From Isolation # 44

Mark Titchner: “Please Believe These Days Will Pass” / Dispatch From Isolation # 44

Yes, out door advertising is often a pox, a blight, most agree. But once in a while, artists take it over and it becomes a service to society.

Mark Titchner. London, UK. (photo @jack__Arts)

Example; this new campaign by Mark Titchner that reassures all of us that this is a temporary situation, and we will pass through it. The bold lettering and direct statements may bring to mind original text-based culture-jammers like Barbara Kruger or Jenny Holzer, who wrested the nomenclature of mass marketing and rather rearranged it. Clearly the sentiment here is a bit easier to connect with.

Mark Titchner. London, UK. (photo @jack__Arts)

But during a time where there appear to be more questions about the virus than there are answers, and the power-holders are slyly seizing more while the rest of us drift further toward poverty, it is a nice bit of a reassuring sentiment. Don’t you believe?

Mark Titchner. London, UK. (photo @jack__Arts)

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SNIK Is “EPHEMERAL” at Crypt in London.

SNIK Is “EPHEMERAL” at Crypt in London.

A 3-day solo exhibition this weekend opens with SNIK at The Crypt Gallery in London


Snik. “EPHEMERAL” (photo © Doug Gillen)

Flowers in decomposition, pathways to discovery, hidden and revealed – SNIK unveils a certain richness with this multi-staged display of beauty and decay. Lightboxes, textures, curving forms, natural and artificial light wending in and out of layers; the artists approach and examine the mystery of life and death with wholistic poetry, finding beauty in each.

Snik. “EPHEMERAL” (photo © Doug Gillen)

For nearly a decade the English duo of Laura Perrett and Nicholas Ellis have chosen the nomenclature of the gallery when creating larger and medium-sized stenciled imagery for the street. Clean lines, photographic values, increasing sophistication in volume and textures, it is a steadfast dedication to learning that plays out before your eyes. For this show they do it all – scenery, costume, lighting, photography, directing, hand-cutting, and painting.

Snik. “EPHEMERAL” (photo © Doug Gillen)

The resulting experience of the show is a seamless continuity in sensual gentility, a collection of figurative works and environments that seem familiar, enveloping you with the more subtle stirrings of nature. Analogous to the ephemeral qualities of art in the street, you can possibly see that there is a way to embrace the changes that they bring, and suggest. SNIK aims to help you to embrace this ephemerality.

Snik. “EPHEMERAL” (photo © Doug Gillen)
Snik. “EPHEMERAL” (photo © Doug Gillen)
Snik. “EPHEMERAL” (photo © Doug Gillen)

British artist duo SNIK present EPHEMERAL, an exhibition of new works at The Crypt Gallery, London, running from 17- 20 October 2019.
The Crypt Gallery, London, 165 Euston Rd, Bloomsbury, London NW1 2B

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“Cash Is King II” is Rolling In It at Saatchi in London

“Cash Is King II” is Rolling In It at Saatchi in London

Now that corporate and global debt has surged to an all-time high, posing unprecedented risk to the value of all money, it’s a sweet and sour nostalgia that drives you into your purse or wallet to pluck out a thin colorful slice of that rumpled paper fiat currency to buy yourself a beer at your local pub.

Bitcoin may be coming, and plastic is fantastic but in some parts of the world, cash is still king. And it rules everything around you.

Icy & Sot. Last Supper Five Dollar Bill (photo courtesy of the curators)

Right now you can see a collection of these banknotes from around the world developed as a series of canvasses at London’s Saatchi Gallery – mutated and defaced and adorned by graffiti and Street Artists, along with a series by Iranian born Aida Wilde, who uses banknotes from Eritrea, Iraq, Somalia, Sudan, and Syria.

Penny. Picasso Ten Pound Note (photo courtesy of the curators)

Cash is King II, a sequel to last years Cash is King – the brainchild book and exhibition of artists Robert Osborne and Carrie Reichardt, the show opened this week to an appreciative crowd who appeared to really enjoy seeing bills reimagined.

Jef Aerosol. Arts Can’t Buy Me Love (photo courtesy of the curators)

Curators Susan Hansen and Olly Walker share these images here with us and tell us they’re also happy that Ms. Wilde’s sales are going to benefit the Help Refugees organization so they are able to continue their work around the world. Not surprisingly perhaps, “Many of these banknotes represent some of the countries that have seen the highest numbers of people become refugees in recent years,” says Hansen.

Olly Walker. Process shot. (photo courtesy of the curators)
Aida Wilde. And We Walk Eritrean. Process shot. (photo courtesy of the curators)
Al Diaz. Samo Dollar (photo courtesy of the curators)
1 UP Crew. Tag Dollar (photo courtesy of the curators)
Anthony Lister. Zero To One Hundred Real Quick Dollar (photo courtesy of the curators)
Bortusk Leer. Art Is Not Serious (photo courtesy of the curators)
Caroline Caldwell. Oil Money Dollar (photo courtesy of the curators)
John Fekner. Greed Dollar (photo courtesy of the curators)
Cash Is King 2: Money Talks. Opening night. (photo courtesy of the curators)

Aida Wilde’s work will available for sale on the Saatchi website from 2pm on Tuesday the 20th of August. All proceeds will go to support Help Refugees’ work around the world.

Cash is King II: Money Talks features works of art executed on banknotes, an exhibition curated by Olly Walker of Ollystudio.

Cash Is King 2: Money Talks is currently on view at the Saatchi Gallery in London installed in the Prints and Originals space until September 8th. Otherwise, click HERE to view and purchase available works of art.

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Mark Rigney, BSA Wishes And Hopes For 2019

Mark Rigney, BSA Wishes And Hopes For 2019

As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2018 and to tell us about one photograph that best captures the year for them. It’s a box of treats to surprise you with every day – and conjure our hopes and wishes for 2019. This is our way of sharing the sweetness of the season and of saying ‘Thank You’ to you for inspiring us throughout the year.


Today’s special guest:

Mark Rigney, photographer, writer, founder of London-based Hooked Blog


Looking back it was for me a year of adventure and travel as I continue my ongoing journey to document the ever-changing and evolving street art movement.  Each year the number of festivals I revisit annually is ever increasing and throughout 2018 I made return visits to WaterfordWalls in Ireland; Nuart in Scotland and The Crystal Ship in Belgium.

This was the year I made it to my first PowWow which also happened to be the first European edition of the festival taking place in a city new to me, Rotterdam. Each year I make an effort to pick one or two new festivals or destination to visit and along with PowWow in Rotterdam; FestiWall in Ragusa Sicily, CVTA Fest in Civitacampomarano deep in the Campobasso countryside in Italy were just some of the new events that will now join my annual list.

Of the thousands of photographs I shot this year I have selected this image of British street artist Phlegm. I took this photograph on a particularly cold day earlier in the year while the artist was taking a much needed coffee break from working on a large mural in the East London neighbourhood of Walthamstow.

We talked about his Cigarette card series, which has seen him producing a magical series of wood engravings, copper engravings and copper etchings each no bigger than 7×3.5cm. Working under a magnifying glass these beautiful miniature artworks are packed with delicate line work with which Phlegm plans to scan and produce a mini book.

Phlegm spoke about experimenting and challenging himself so as not to become comfortable and how working on the series at such a small scale has really altered his line work in the larger murals he is painting. I look forward to seeing the entire collection in the forthcoming book which I hope will get released in 2019.

 

— Location: London, UK

— March 2018

 

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“RUN” Plunders Subtle Summer Bourgeoisie Hypocrisies at the Beach

“RUN” Plunders Subtle Summer Bourgeoisie Hypocrisies at the Beach

You’ve packed your sandwiches, rolled out your tropically themed beach towel on the sand, applied sun block liberally, sipped your margarita from your thermos, and are finally laying down to daze at the seagulls circling in the blue sky.

RUN. Detail. Hackney, London. July 2018. (photo © RUN)

Suddenly someone spots with their binoculars the sight of refugees swimming toward shore from their overburdened, partially submerged boat, escaping from an oil war that has devastated their home.

Italian Street Artist and muralist RUN shares with BSA readers his new beach reverie painted in Hackney, and with some closer inspection you’ll see that the politically charged scene is rather dark for a sunny day.

RUN. Detail. Hackney, London. July 2018. (photo © RUN)

“I wanted to represent a normal, crowded beach-side scene where joyful people who suddenly witness a boat of immigrants in the distance,” he explains.

“They are trying to reach the shore. Some of them make it some others don’t. It is sad but it’s the daily reality.”

He plays with that normality of his figures behaviors and gestures among a privileged society, whose casual gaze out to sea at first only catches view what they must think is an athletic diver enjoying their leisure.

RUN. Detail. Hackney, London. July 2018. (photo © RUN)

This is the second of two recent murals, and he has something to say in each.

“I have given a political edge to both of my recent murals,” RUN says, as he shows you a busy character who is checking his clock and going through some sort of chaotic time machine.

The artists dim view of the human race at the moment is reflected in the scene of gradual devolution. “The figure is going back to the sapiens and monkey stages,” he says, “caged in a small space, hypnotized by an electronic device.”

Present company not included, of course!

RUN. Detail. Hackney, London. July 2018. (photo © RUN)

RUN. Detail. De-Evolution. Hackney, London. July 2018. (photo © RUN)

RUN. De-Evolution. Hackney, London. July 2018. (photo © RUN)

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“The Lady Don’t Protest Enough” in Shoreditch, by Otto Schade

“The Lady Don’t Protest Enough” in Shoreditch, by Otto Schade

The sight of this stylized skull may not have evoked the same reminiscence by Prince Hamlet as Yorick’s did but Street Artist Otto Schade brings it to London streets once again.

Otto OSCH Schade. “The Lady Don’t Protest Enough”. London. July 2018. (photo © Otto Schade)

The context is wholly appropriate for a city that summons the spirit of Shakespeare rather year round – including this summer from Hamlet at the Globe Theatre to Ian McKellen as the tragic King Lear at the Duke of York’s Theatre, and Regents Park gives you open air performances of As You Like It.

For Mr. Schade, this freehand painting is about protest and power, particularly as it refers to women. Here on Bateman’s Row in Shoreditch he turns another Hamlet phrase to title it, “The Lady Don’t Protest Enough”. Hethinks.

Otto OSCH Schade. “The Lady Don’t Protest Enough”. London. July 2018. (photo © Otto Schade)

Otto OSCH Schade. “The Lady Don’t Protest Enough”. London. July 2018. (photo © Otto Schade)

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Theresa May Graces the Street Art Scene in London

Theresa May Graces the Street Art Scene in London

“No you May not!”

Maureen Barlin, creative commons license

Or so you might imagine Britain’s Prime Minister Theresa May saying if you asked to illegally wheat-paste a political parody of her person on a London street. But that is exactly what is happening often these days, says Matt Brown, who calls himself “probably the most London-obsessed person in the world”.

“Any Prime Minister can expect to become the target of mockery, parody and satirical anger,” says Mr. Brown in his recent photo essay published in The Londonist. “Theresa May is no exception. In fact, she’s an inspiration. You don’t have to wander far around London to chance across a wry stencil, or biting paste-up.”

A wheat-pasted poster campaign by the artist duo kennardphillipps, a collaboration between Peter Kennard and Cat Phillipps who have been working on the street together since 2002. (photo © kennardphillipps)

For a New Yorker its actually a relief to not have to look at Street Art that lampoons our own orange travesty for a change, as American cities are routinely assaulted with images of Trump. Somehow, however clever, they don’t bring a smile to most passersby. So, as a bit of aesthetic palette cleanser, here are a couple of recent Street Artist creations with Mrs. May as the surly, scary, and sometimes sordid subject.


See more in Matt Brown’s article Theresa May: London’s Unlikely Street Art Icon.

Follow him on Twitter at @mattfromlondon

 

 

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BSA HOT LIST: Books For Your Gift Giving 2017

BSA HOT LIST: Books For Your Gift Giving 2017

Documenting the Street Art scene has always been important to BSA and we know it is important to many of our readers as well. This year BSA brought you a number of reviews of Street Art related books that we have run across during the year. It’s not an exhaustive list but now that it is Christmas / Hannukah / Kwaanza / Solstice / New Year time we thought you would like our brief roundup of some of the best books of 2017. Enjoy!


“Street Art World”, Alison Young.

From BSA:

Alison Young Examines and Presents the “Street Art World”

Contested space is a term accurately describing the Street Artists’ relationship with the world outside your door; a place where the aesthetics are up for grabs, autonomously determined, willfully exploited.

Drawing upon twenty years of empirical observation, scholarly study, and interviews with artists and experts throughout a constellation of cities where this art-making has flourished, “Street Art World” by Alison Young examines this contested space from every angle to present a balanced assessment for understanding our moment.

A professor of criminology at University of Melbourne, Young delivers her fourth volume on the topic of Street Art with a confidence and unique perspective that few can claim thanks to extensive travel and periodic, repeated and ongoing tracking of an evolving family of practice.

Alison Young Street Art World was published by Reaktion Books Ltd. London, UK. 2016. Click HERE for more about this book.

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“Shoe Is My Middle Name”, Niels Shoe Meulman

From BSA:

“Shoe” is His Middle Name: New Book by Niels Shoe Meulman

Carlo McCormick writes in his essay, “We honor Shoe as the great cross-pollinator who came to New York City as a kid to meet the graffiti master Dondi and brought Wild Style back to Europe, but his strength remains just how far he can still can carry this immoderate load.” Based on his path and his evolution, we’ll consider this beautiful monster to be in a mid-career retrospective and some of his most masterful work is yet to come.

Niels Shoe Meulman “Shoe Is My Middle Name” was published by Lebowski Publishers / Overamstel. Amsterdam, 2016. Click HERE for more about this book.

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“Time Traveller Artist Man”, Giacomo Bufarini AKA RUN

From BSA:

RUN: “Time Traveller Artist Man” Tells All With His Hands

The founder of analytical psychology would have looked at the hands of RUN and perhaps understood more about his lifelong psychological process than the average intellect, and yet seeing RUN’s carefully formed people on the street captivates your imagination as well.

These are the dreams he creates with his expressive hands, conscious or unconscious features that over time have developed into archetypes to be combined, adorned, alone, and recombined. Not surprisingly, his people often have a grasp, a hold, a flair for the five fingered gesture as well.

RUN Time Traveller Artist Man is published by Unicorn Publishing Group. London, UK. 2016. Click HERE for more about this book.

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“Street Art”, Ed Bartlett

From BSA:

“Street Art” by Ed Bartlett: A Quick Primer for the World Traveler

Since the early 70s Lonely Planet publishing has made guidebooks for travelers of the world, enabling people to gain a greater understanding and to appreciate localities, cultures, and histories. Ed Bartlett now adds to this vast compendium of understanding a concise and varied survey of Street Art from his vantage point as an avid bicyclist, traveler, and expert on Street Art.

Ed Bartlett’s “Street Art” Was published by Lonely Planet Publishers. UK, April 2017.  Click HERE for more about this book.

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“Happily Ever After”, Jeremy Fish

From BSA:

Jeremy Fish and “Happily Ever After”

It’s unusual to see his work in New York (or in this case New Jersey) since after leaving Upstate New York nearly two decades ago this fine artist/commercial illustrator has been dancing in the arms of San Francisco. You think we’re being poetic about his West Coast cred, but he literally illustrated 100 drawings in SF City Hall over 100 days, was awarded with his own “Jeremy Fish” day by the city, might have the record for the most shows at Upper Playground Gallery, and has even collaborated with a cannabis company to create a branded oil and vape pen.

Jeremy Fish “Happily Ever After: The Artwork of Jeremy Fish”. Click HERE for more about this book.

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“The Art Of Writing Your Name”, Patrick Hartl & Christian Hundertmark

From BSA:

“The Art Of Writing Your Name” Expands Potential for Both Art & Writing

Born of many late night talks and collaborative painting sessions together, merging Christian’s abstract graphics and collage with Patrick’s calligraphy and tagging, the two slowly discovered a mutual collection of writers and artists whose work they both admired, a book slowly taking form in their minds. “Our late night sessions also implied long conversations about the evolution of Graffiti to Street Art to urban calligraphy,” the authors say in their preface.

The Art Of Writing Your Name: Contemporary Urban Calligraphy and Beyond by Patrick Hartl & Christian Hundertmark. Publikat Verlags – und Handels GmbH & Co. KG. Mainaschaff, Germany, 2017. Click HERE for more about this book.

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“Saturday Mornings”, Jerkface

From BSA:

Jerkface: “Saturday Mornings” Deconstructed, Reconstructed, Repeated

A direct link to his childhood and the televised cartoons of Saturday morning, where the majority of cartoons were relegated to appear in the 1970s and 1980s, Street Artist Jerkface recreates and multiplies his associations of happy times full of adventure, mysteries easily solved, crimes categorically punished.

His new book “Saturday Morning” collects the recognizable works of other artists and removes the emotional expressions found in facial features, recombining their other characteristics and playing with their associated resonance.

Jerface “Saturday Morning”. Published by Over The Influence. December 2016. Click HERE for more about this book.

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“Street Art In Sicilia”, Mauro Filippi, Marco Mondino & Luisa Tuttolomondo

From BSA:

“Street Art In Sicilia” Tours You Through 31 Cities and 200 Artists

A serious undertaking that documents 31 urban centers that vary widely in distinctive personality, more than two hundred artists are captured and carefully, succinctly described for a wide audience of tourists, Street Art fans, students, even academics. With three authors who collectively have studied architecture, semiotics, sociology and photography, you get a mapping that reveals not only physical location but a describes a cultural one as well.

Street Art in Sicilia – Guida ai luoghi e alle opere
Mauro Filippi, Marco Mondino, Luisa Tuttolomondo
Dario Flaccovio Editore, 2017. Click HERE for more about this book.

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“Metamorphosis”, Tavar Zawacki

From BSA:

Tavar Zawacki: Being Fearless and “Metamorphosis” with Urban Spree

“The whole thing is a metaphor,” he says at one point when describing a particular piece, but you realize that the statement applies to the show as well. A metaphor for the evolutions that an artist must go through to keep alive; a recreation, a metamorphosis, however bold or subtle, that can push him or her into a new direction.

He sits on a window sill and pulls back the sleeve of his t-shirt to reveal a tattooed sleeve that moves from densely inked pattern to bare skin. The finespun graduated marking is repeated on the books’ cover, designed by Kelly Jewell.
“I’m really interested in gradients as well because it’s a slow transition – when you can see the tattoo and the cover of the book; it’s like with each circle, if you look at it compared to the neighboring one, you won’t see a big difference. But over time and with effort you can keep going forward, day by day.”

Tavar Zawacki. “Metamorphosis” Published by Urban Spree Gallery. Berlin. September 2017. Click HERE for more about this book.

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“Half A World Passed Me By”, In the Studio with David Walker

“Half A World Passed Me By”, In the Studio with David Walker

Known well as a portrait painter of pensively wistful women across numerous expansive walls in cities around the globe in the last decade, Street Artist/muralist/fine artist David Walker is opening his scope of work to new things. Men for example.

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

“Half a World Passed Me By” represents a turning point for the artist, or a few, says Walker, of the new exhibition opening at Lawrence Alkin Gallery in London this week. Of course he’s still using spray paint, but “I feel that using new approaches and materials has allowed me a fresh dexterity and an opportunity to mature as a painter,” he says.

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

Maybe it was simply the event of turning 40 years old, but Walker tells us that he’s experiencing a new sense of freedom to explore that he didn’t have before and the two-level show includes figurative works, studies and sketches, along with a new series of text-based paintings featuring his own writings.

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

‘Half A World Passed Me By’ refers to a few changes for the artist, including talking about something he says he hasn’t felt comfortable speaking of previously.

“I have been completely blind in my right eye since birth. It’s not common knowledge,” he says, as he didn’t want it to cloud perceptions of his work. Whatever obstacles he’s referring to, the new collection speaks for itself. In the meantime we’re happy to hear him say,”I feel far more fearless as a person and artist and far more comfortable to invite people further into my world.”

Take a look at these new images, including exclusive process shots for BSA readers, thanks to photographer Yuli Gates.

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)


David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

David Walker. Half A World Passed Me By. Lawrence Alkin Gallery. London. (photo © Yuli Gates)

David Walker’s Half A World Passed Me By opens this Thursday, Novemeber 16th. Click HERE for more details.

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BSA Images Of The Week: 07.30.17

BSA Images Of The Week: 07.30.17

BSA-Images-Week-Jan2015

We really dig these new collaged political cartoons that are on the street as quickly as the weeks news – each depicting one of the many rich white men who are impacting our minds and our bank accounts and our health and sense of security right now. Are we watching the White House or Good Fellas? The backstabbing, front stabbing, chicanery, and ongoing systemic tomfoolery makes you wonder who’s actually running things.

The news cycle is hourly it seems, with tweets and personnel changes and threats happening so fast that people are developing PTSD that is triggered by news alerts on the phone. We have to admire any Street Artist who tries to keep up with the developments and get their commentary on a wall.

Many young and old New Yorkers are wincing from high rent, high debts, crumbling infrastructure, and everyone is working longer hours, if they are lucky enough to work. Some just give up. Meanwhile the one plausible healthcare option that many have gained over the last handful of years? – the servants of the rich have been trying to stab it to death – but they couldn’t muster it this week. Even now – Trump says he’ll stand by and watch it die rather than improve it in any way. Have we ever had a leader who is so cynical?

Even Senator McCain – in our top image above – fresh off his tax-payer funded brain cancer surgery, waivered this week before providing the pivotal vote that saved healthcare for 20 million or so. Most GOP Senators ignored the majority of the US citizens who implored them to fix Obamacare not nix it. But their bank accounts proved far more important than our health. The rich and their corporations are flooding our entire political system and only after we get their money out would we be able to call the USA a democracy. Otherwise we are just fooling ourselves.

So here’s our weekly interview with the streets, this week featuring Bifido, El Sol 25, Jarus, London Kaye, Luna Park, Miss17, MSK, Myth, Otto Schade, Rime, SikaOne, Solus, Sonni, Spy33, and Wonderpuss Octopus.

Top image: Unidentified artist. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Sonni (photo © Jaime Rojo)

Solus for The Bushwick Collective. (photo © Jaime Rojo)

Sidka One (photo © Jaime Rojo)

Otto OSCH Schade “Taurus” in Shoreditch, London. (photo © Otto Osch Shade)

Otto OSCH Schade “Taurus” in Shoreditch, London. (photo © Otto Osch Shade)

Otto OSCH Schade paints a small Snoopy and Woodstock on a sunsent in Shoreditch, London. (photo © Otto Osch Shade)

London Kaye (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Miss 17 with unidentified artist (photo © Jaime Rojo)

Rime . MSK (photo © Jaime Rojo)

Bifido for Oltremare Festival in San Cataldo, Italy. (photo © Bifido)

“In this area the government is building a gas pipeline and to do it they are cutting many olive trees. Part of the local economy is based on olive oil production, so people are fighting for preserve their lands and trees. I wanted to address this situation with my artwork.” -Bifido

Bifido for Oltremare Festival in San Cataldo, Italy. (photo © Bifido)

Bifido for Oltremare Festival in San Cataldo, Italy. (photo © Bifido)

Luna Park for #resistanceisfemale (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

Unidentified artist. We want to attribute this to Mr. Toll but we don’t think this is his work. (photo © Jaime Rojo)

Jarus for Art Untied Us in Kiev. Ukraine. (photo © Iryna Kanishcheva)

“This mural depicts a woman sitting at the window sill and reaching outwards. Turning the wall into a window is a metaphor for opening your mind and heart towards new ideas and concepts. The woman is in a red dress because I felt it would compositionally fit into the area of the wall and surrounding buildings.”-Jarus

Jarus for Art Untied Us in Kiev. Ukraine. (photo © Iryna Kanishcheva)

El sol 25 (photo © Jaime Rojo)

Spy33 (photo © Jaime Rojo)

Wonderpuss Octopus (photo © Jaime Rojo)

Unidentified artist. Looks a lot like JMR work but we don’t think it is his. (photo © Jaime Rojo)

Untitled. Boots on the NYC Subway. March, 2017. Manhattan, NYC. (photo © Jaime Rojo)

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