All posts tagged: Knarf

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

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An embarrassment of riches in so many ways, the Wynwood Street Art and mural scene is outrageously sexy, flashy, ugly, posey, pretty, proliferate and quizzically content-free. The annual outdoor urban art visual carnival that accompanies Art Basel in Miami is full of hi/low expectation and spectacle, and it confidently delivers on both.

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1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Long-limbed and shimmery sleek women are often working the sidewalks like runways, the men are carefully posing/not posing/posing with open shirts and genial braggadocio, and there are thousands, more likely millions of selfies taken in front of painted walls.

International art fans are mixing with skater kids and hip hop heads and egg-headed social scientists and teenage marching bands and they are all gawking and interacting with loquacious mamacitas and bearded lumbersexuals; this is not your average clambake.

Sometimes it is just weird; flourescence mixed with plaid, shot-callers and violins, strollers and stillettos, an undertone of aggression and sexual tension, salt-of-the-earth with self-admiring clubbers, perfect skin and aerosol painted hands, a whiff of weed and a sense of wonder waiting to be discovered.

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Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

While there was a parade of 40 or so citizens and activists carrying signs and handing out flyers down the street to protest the oil pipelines taking sacred lands from native tribes and polluting natural water supplies, the thousands of art fans flooding the Wynwood neighborhood of Miami would have been hard pressed to find any Street Art talking about those topics.

Ironically the political shockwaves this year in Miami seemed to emanate from behind doors at the fair with Sam Durant’s “End White Supremacy” piece that many interpreted as a direct response to the election of a president whose followers include radical organizations that champion white supremacy. Alas, the piece was made in 2008, and although its hand-style emulates the hit and run scrawl of some graffiti on the street, it was a thoughtfully executed piece constructed as an illuminated sign.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

With one very notable exception, the enormous and frightful mural featuring Donald Trump as Heath Ledger’s Joker wielding a knife at the neck of the Statue of Liberty with the screaming headline “Come On… What the Hell Do You Have to Lose?” by 12 artists for The Bushwick Collective/Mana Urban Arts Project, the professionalization of Street Artists and their murals may be steering the paintings in Wynwood away from in-your-face activism.

Granted, no one is thinking that commercially branded ventures that actually pay artists to paint will encourage the outright expression of social or political opinions – that may challenge or frighten potential customers and investors. Hotel lobbies need murals, sport cars need decorative painting, beer cans need labels. A number of liquor and lifestyle companies have invited artists here over the last few years and paid them to make their special events and products visually appealing, but little else.

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David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The newly refurbished Hard Rock stadium a few miles north of Miami features huge mural installations by international Street Artists that are curated by Goldman Global Arts, a division of Goldman Properties, the same real estate organization that has brought artists from around the world to the Wynwood Walls compound and featured their fine art canvasses in gallery expositions since the late 2000s. The pieces are opus works in an unusual setting and now sports fans are going to be up close and personal with some of the bigger names in Street Art right now.

It would be hypocritical for anyone to expect that these artists should accept commercial work and yet disrespect guidelines about the content. Similarly, expecting artists not to seek commercial opportunities for fear of “selling out” is arrogant and unrealistic and often the convenient provenance of privileged youth who dabble in “slumming” as a rebellious lifestyle. Later they are bankers.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Even so, where’s the anger right now? Why didn’t you see a lot of furious diatribes, challenges to power, and mockery of small-minded thinking on the street in Wynwood – and what would it take for Street Art to embrace its power to affect social and political change?

Just posing the question here now, again – as the topics of impending fascism, the increasing acts of racism, anti-Semitism, homophobia, corruption, oligarchy, state-corporatism, and a systematic eroding of respect for our institutions – all came up in conversations at bars, art openings, panel discussions, and roof parties.

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Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The murals you see here are often technically superb and their themes, while muted, may address some of the larger themes affecting society, but one wonders if there is an internalized censorship that we have accepted.

These images are admittedly of a modest percentage of the hundreds of legal murals and illegally dashed-off pieces we saw this week, but that’s only because we have edited for our individual aesthetics, not because of content. Also admittedly, as people in the arts, we are exhausted from the recent election and all it portends, and we were happy for some glorious eye candy to salve the psychic wounds – so maybe we were selectively seeing what we wanted to.

Probably not too much though.

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

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Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

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Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

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Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)


 Our week’s coverage on BSA:

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).


This article is also published on The Huffington Post.

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BSA Images Of The Week: 12.06.15

BSA Images Of The Week: 12.06.15

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A wild week in world geopolitics, terror, social crisis – interpret them as you may through the prism of art collecting and fandom – as Miami Art Basel and the Wynwood District were bursting with high prices, high emotions, high celebrity-counts, and people who appeared to be high almost all the time. There were also heavy rains, big name music performances, custom designed cocktails, luxury brands, brand fusions, and sponsored walls and events everywhere. Also a stabbing.

Once we can sort through the best photos we’ll definitely share some of the great work with you this week.

Meanwhile, Street Artists continue to create in cities elsewhere and while Miami is celebrating brands, logos and luxury, on the other side of the ocean Brandalism completed a 600 kiosk takeover in Paris this week skewering all of the above and the undue influence corporations are having in writing environmental/trade laws. On the aesthetic tip we’ve recently made a mental note that photo-realism is now reaching a critical mass. So there you are.

Here’s our weekly interview with the street, this week featuring A Pill NYC, Bifido, Buff Monster, Cash4, Dan Witz, Fuzeillear, Invader, Jordan Seiler, Knarf, LikMi, Luca Ladda, Østrem, Otto Schade, Persue, Pøbel, Rahmi Rajah, Sean9Lugo, Sipros, and Skount.

Top Image: Sipros for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Sipros for The Bushwick Collective (photo © Jaime Rojo)

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A portrait of Biggie Smalls. This was probably ripped from the ad campaign and affixed to this phone box. We call this re-porpoising and we consider it to be Street Art. (photo © Jaime Rojo)

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Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

These two pieces are part of the NUART collection of murals painted for previous editions of the festival. They are not freshly painted but we wanted to publish them as they are calling our attention to a topic that is current and urgent and addressed by world leaders in Paris for the COP21 Climate Summit 2015 as well as dozens of Street Artists with the #brandalism campaign.

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Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

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A Pill NYC (photo © Jaime Rojo)

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Jordan Seiler ad take over in the NYC Subway. (photo © Jaime Rojo)

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Luca Ledda for Festival Concreto in Fortaleza, Brazil. (photo © Luca Ledda)

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Luca Ledda for Festival Concreto in Fortaleza, Brazil. (photo © Luca Ledda)

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Dan Witz. Natural History series. (photo © Jaime Rojo)

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Dan Witz. Natural History series. (photo © Jaime Rojo)

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Cash4 (photo © Jaime Rojo)

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Bifido in Napoli, Italy. (photo © Bifido)

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Sean9Lugo (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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One cool thing about this piece: The plaid pattern was done by hand with gaffers’ tape – it isn’t freehand painted or stenciled or printed. It’s a 3D piece, including the silvery collar portion. There was a tag and a code at the collar but it was too faded for us to read. From what we could read the tag is #IywIkr (photo © Jaime Rojo)

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Space Invader. (photo © Jaime Rojo)

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Otto Schade AKA OSCH in London. (photo © Rahmi Rajah)

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Persue (photo © Jaime Rojo)

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Knarf in Miami. (photo © Knarf)

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Skount surprised us with this abstract piece in Gold Coast, Australia – not the style he typically does. (photo © Skount)

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Skount and Fuzeillear at Maroochydore, Sunshine Coast, Australia. (photo © Skount)

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LikMi (photo © Jaime Rojo)

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Untitled. Staten Island – NYC Harbor. November 2015. (photo © Jaime Rojo)

 

 

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Hot KNARF Pushes a Graffuturist Organic Edge in BK

Hot KNARF Pushes a Graffuturist Organic Edge in BK

Currently in Miami painting by a bus stop in the midst of the Wynwood storm, Austrian Knarf brought his sketchbook to life with characteristic wit and rhythm in Brooklyn last week on a large wall in Bushwick. The echo of lines and patterns may recall Japanese prints and the organic rippling of water on the shore or radio waves.

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Knarf (photo © Jaime Rojo)

The hand-rendered extemporaneous quality of his blocking and texts keep you in the moment, the movements imperfect, the unveiling of sophisticated forms and palette a surprise. His is a studied interconnected biology and geology, shapes and abstractions, the foundational elements in black and white with a selected primary geometric form to make the contrast surge. With shout outs to Jes, Jaime, and his own Irga Irga Crew ((Mik Shida, Fresh Max, Mafia_Tabak) the bio and morphic dance into a third dimension here, bisected by a diagonal bar of aerosoled green, keeping it geometric and pushing Knarf right out onto a newer edge of the graffuture.

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Knarf (photo © Jaime Rojo)

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Knarf (photo © Jaime Rojo)

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Knarf (photo © Jaime Rojo)

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Knarf (photo © Jaime Rojo)

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Knarf (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien Issue #3: Erotik Edition

Ein Wandblatt Aus Wien Issue #3: Erotik Edition

Who says zines died with the printing press? The Internet may have completely redefined how we communicate but the appetite for hand made independent publications has only strengthened in recent years, especially as major publishers have consolidated and changed their strategies to safe titles and topics just to stay alive.

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

We’re always happy to see hand-made publications, especially when they are made by artists and collectives. For their 3rd edition, Ein Wandblatt Aus Wien have decided their theme is “Erotik”. With multiple contributions from fellow graffitti / Street Artists, you can see a few recurring themes amongst the figurative pieces. Included are some three dimensional pieces and many shots of favorite artworks on the street, which will apparently conjure erotik type feelings for certain folks.

The release party was at Urban Spree in Berlin and was a throbbing success with the handmade, artist-driven book/zine sold out.

Links to all the participating artists at the end.

 

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

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Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015. (photo © Jaime Rojo)

 

To order a copy of Issue Nr. 3 of  Ein Wandblatt Aus Wien: Erotik Edition click HERE

screenprinted + handmade Hardcover

and includes works by :

p a n t  (ub)
T O M E K (pal)
GERMES gang
2 5 0 1
Moderne Jazz CREW
GRAPHIC SURGERY
108
BASIK
CT
JAMY
EUGOR & UROD
FRESHMAX
TURBOSAFARY
Giorgio Bartocci
Retro23
MAFIA / TABAK
alberonero
BURN-bjoern
s h i d a
K N A R F

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Images Of The Week: 09.28.14

BSA Images Of The Week: 09.28.14

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Here’s our weekly interview with the street, this week featuring Bikismo, Cera, Conor Harrington, indie184, Knarf, London Kaye, Nemo, NemO’s, Pyramid Oracle, Sheryo, Stikki Peaches, The Yok, Troy Lovegates, UNO, and Wolfe Work.

Brooklyn-Street-Art-Nuart-Mcity-2014-Screen-Shot-2014-09-27-at-5.34Scroll to the end to see the brand new video of M-City stencilling atop a sea vessel during his Nordic oceanic installation off the coast of Stavanger. Also, check out the blowing winds on the mic at the beginning.

Top Image >> Bikismo’s new mural for the New York Street Gallery sends mixed messages brought during the fog of war, an age in which we currently live. (photo © Jaime Rojo)

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London Kaye rather trapped behind a fence (photo © Jaime Rojo)

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NemO’S “Arrow-d Signal ” New piece in Piacenza, Italy. (photo © NemO’S)

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Conor Harrington in town for his pop-up with Lazarides did this mural for The L.I.S.A. Project. (photo © Jaime Rojo)

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Troy Lovegates in Chicago for Pawn Works. (photo © Pawn Works)

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NEMO and the undercover carrot (photo © Jaime Rojo)

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UNO taking the pig out for a stroll in this new piece in Rome, Italy. (photo © UNO)

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Slim shady and The Yok and Sheryo (photo © Jaime Rojo)

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Sometimes my mind gets so muddled and confluszed and I can’t straight think. CERA in Philadelphia. (photo © CERA)

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CERA in Philadelphia. (photo © CERA)

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Dude, you seen my wheels? Wolfe Work (photo © Jaime Rojo)

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No regrets!  Okay, maybe one. Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Knarf in Vienna, Austria for Inoperable Galley. (photo © Knarf)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches collaboration with Indie184. (photo © Jaime Rojo)

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Untitled. SOHO, NYC. September 2014. (photo © Jaime Rojo)

M-City and Nuart present Ocean Art

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 07.13.14

BSA Images Of The Week: 07.13.14

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Apparently there is another spectacular sporting event that’s got everyone captivated today and for a couple hours it will be easy to get a cronut or a seat on the subway because people will be worshipping flat screens inside a dark sports bar on the Lord’s Day. We recommend you jog right over to the High Line because it’s free and will likely be a little more commodious than usual. You can lounge while listening to a sleek waterfall, stroll arm in arm with your beloved, gaze upon the urban-wild landscaping and even catch a new billboard high-jacking that might make you crack a  smile.

The billboard space is great if reserved for Art On The High Line, but has been recently replaced by straight up garishly banal advertising, sort of marring the beauty of this big public works project whose spirit is better served when it steers clear of commercial messaging. This week sometime a few buckets of yellow paint were used to selectively buff the message to create a new one. A bit of genius goes a long way sometimes, doesn’t it? Although, for all we know, it’s a clever way to draw attention to the original ad, since you can still read it.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, bunny M, Bust Art, Cera, Damon, Gazoo, Gum Shoe, Kid Monkey, Knarf, Labrona, LMNOPI, Low Bros, Miriam Castillo, Mr. Prvrt, Pyramid Oracle, Sweet Toof, Trentino, UD, Urban Spree, Vexta, Wing, and Zaria.

Top Image >> Unknown artist billboard takeover. Please help us ID the artist. Is it Posterboy perhaps? (photo © Jaime Rojo)

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Summer fashions can get quite skimpy in July in New York. Gum Shoe (photo © Jaime Rojo)

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Vexta (photo © Jaime Rojo)

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Knarf new mural in Poland. (photo © Knarf)

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LMNOPI (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Low Bros mural for Urban Spree. Berlin, Germany. 2014 (photo © Phillipp Barth)

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Kid Monkey for The Bushwick Collective (photo © Jaime Rojo)

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Cera. Hand painted portrait. (photo © Jaime Rojo)

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bunny M (photo © Jaime Rojo)

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Damon (photo © Jaime Rojo)

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Labrona new piece in Montreal, Canada. (photo © Labrona)

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UD (photo © Jaime Rojo)

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Zaria and Bust Art new piece in Amsterdam. (photo © Bust Art)

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Gazoo (photo © Jaime Rojo)

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When Lavinia jumped, unknowingly she left behind her feet. (photo © Jaime Rojo)

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An unknown artist’s sculpture of a face with tree branch below and existing and previously published WING glass hummingbird.  (photo © Jaime Rojo)

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Alice Pasquini new mural in Trentino, Italy. (photo © Jessica Stewart)

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Sweet Toof (photo © Jaime Rojo)

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Mr. PRVRT (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Miriam Castillo (photo © Jaime Rojo)

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Untitled. Lower Manhattan engulfed by fog.  (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Film Friday: 01.10.14

BSA Film Friday: 01.10.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Vhils x Pixel Pancho in Lisbon
2. How Nosm in Lisbon
3. NEKST FOREVER from Pose & Revok in Detroit
4. Knarf, Mafia and Fresh Max “3500” in Vienna
5. Bisser in London “Last Breath I” at Blackfriars Cafe

BSA Special Feature: Lisbon Double Feature from Underdogs
Pixel Pancho x Vhils
and How Nosm

Two beautiful videos in a row this week from the platform called Underdogs. “Underdogs is an international working platform based in Lisbon, Portugal that aims at creating space within the contemporary art scene for artists connected with the new languages of urban visual culture.” Since one of the original organizers is Street Artist Vhils, it makes sense that these two videos capture that additional essence of the experience of art making, the discipline, the dedication, the drive.  The camera work, editing, and story telling are fresh and above par here.

Pixel Pancho and Vhils for Underdogs. Lisbon 2013

How & Nosm for Underdogs. Lisbon 2013

NEKST FOREVER from The Seventh Letter: Pose & Revok

With baritone narration from Pose about the impact of one guy on many, this video relates the level of respect the late graffiti artist Nekst had among his peers. Together with Revok and other members of the MSK crew you’ll see them knock out one of the biggest tributes yet in Detroit.

 

Knarf, Mafia and Fresh Max “3500” in Vienna

KNARF, MAFIA and FRESH MAX spent the last 3 months working on a 3500 square meter wall complex near Vienna. Here is a brief overview of their process. They will also be releasing a book on the 24th documenting the project, sketches, and images of the entire painted building.

 

Bisser in London “Last Breath I” at Blackfriars Cafe

A local cafe of 35 years is going to be torn down with the entire building it has been housed in Southwark (South-London). Artist Bisser did an installation,  a “one-off beautification” last month to say goodbye to the place. As it turns out, an entire project has been spawned to create more work by more artists in the building before it is slated for demolition. This video is the first of the series for “The Last Breath Project”

More about the project here: lastbreathproject.co.uk

 

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Images Of The Week: 10.06.13

Images Of The Week: 10.06.13

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New York was rattled by uncertainty and worry this week as all eyes turned to Washington to witness the forced governmental shutdown that was prompted by a undeniably deep resentment toward the governed. How dare the people try to protect their health and pocketbook against the vulturish free market – one that has left tens of millions of our neighbors without medical care? As a collective punishment we are now nervously marking one week without a working government.

Launched parallel with the shutdown was the startup of a new Street Art/digital campaign by a global patron saint of the 2000s repositioning on New York streets in the 2010s. Through a website about his own secret/public spraying, Banksy is creating a sort of funhouse reinvention; A winking campaign of digital manipulation of friends and detractors alike.  Circumspect humor and treasure hunts have triggered a bit of a circus – and we are willingly parlaying the details and conjecture across social media with hashtags and photos and exclamation points.  Reviews of the work itself range from tepid to thrilled  but the sugary buzz of near daily revelations have given these events a feeling of an October surprise. If the brand can sustain interest for the the entire announced “residency” of one month it will indeed be an accomplishment, as New Yorkers are voracious consumers of culture and attention spans mimic that of the tsetse fly.

Here’s our weekly interview with the street, this week featuring B.D. White, Banksy, Blind Eye Factory, Cost, Specter, Holymafia, Judith Supine, Knarf, Mike Shine, Nychos, and Zed1.

Top image > Judith Supine (photo © Jaime Rojo)

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Judith Supine. Detail. (photo © Jaime Rojo)

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Judith Supine (photo © Jaime Rojo)

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Judith Supine (photo © Jaime Rojo)

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Zed1 (photo © Jaime Rojo)

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Zed1. Detail. (photo © Jaime Rojo)

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Specter in Rome.  (photo © Lorenzo Gallito/Blind Eye Factory)

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B.D. White (photo © Jaime Rojo)

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The Ghost of Banksy. (photo © Jaime Rojo)

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Banksy (photo © Jaime Rojo)

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Banksy (photo © Jaime Rojo)

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Banksy (photo © Jaime Rojo)

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Banksy (photo © Jaime Rojo)

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COST (photo © Jaime Rojo)

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Nychos in San Francisco. (photo © Brock Brake)

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Mike Shine in San Francisco (photo © Brock Brake)

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Knarf and Holymafia in Vienna (photo © Knarf)

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Knarf  in Vienna. (photo © Knarf)

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Untitled. Brooklyn, NYC. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week 09.02.12

Here’s our weekly interview with the street, this week featuring Cassius Fouler, Cruz, Dan Witz, Distort, Don John, Faust, GR170, Hellbent, Knarf, Leon Reid IV, Lumpenpack Crew, Meer Sau, Noah Sparkes, Rae, Ryan Doyle, Sobekicis, Sofia Maldonado, Swoon, and Toven from places like Brooklyn, Baltimore, Copenhagen, Vienna, Austria and Croatia.

Special shout out to photographers Meer Sau, Henrik Haven, and our own Jaime Rojo for getting all these great exclusive shots for BSA readers.

Sofia Maldonado (photo © Jaime Rojo)

Artist Unkonwn (photo © Jaime Rojo)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Meersau from Lumpenpack Crew. Knarf taking a piss in Croatia. (photo © Meer Sau)

Rae (photo © Jaime Rojo)

Sobekcis in Copenhagen (photo © Henrik Haven)

Gr170 in Søllerødgade on the North Side of Copenhagen for Galore Festival. Stay tuned for more coverage of the Galore Festival coming this week. (photo © Henrik Haven)

Distort (photo © Jaime Rojo)

Toven in Baltimore (photo © Toven)

Artist Unknown (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Dan Witz. Detail. (photo © Jaime Rojo)

Cruz in Milan (photo © Federico Cruz)

Artist Unknown (photo © Jaime Rojo)

The Brooklyn Shelflife Project by Showpaper created for BAMArts 2012 and curated by Andrew H. Shirley included five sculptures that will serve as “kiosks” for Showpaper. Finally three of the pieces, shown above, were installed outside the Brooklyn Academy of Music as they were originally intended. From left to right: Swoon and Ryan Doyle, Leon Reid IV and Noah Sparkes, Cassius Fouler and Faust. Click here to see our coverage of this show as it was being installed back in June. (photo © Jaime Rojo)

The Swoon and Ryan Doyle piece being admired and contemplated for peeing upon. (photo © Jaime Rojo)

Is this a quartet of pop heroes? Artist Unknown (photo © Jaime Rojo)

Don John in Copenhagen (photo © Don John)

Artist Unknown (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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