All posts tagged: Kenor1

BSA Images Of The Week: 11.19.17 : Barcelona Special

BSA Images Of The Week: 11.19.17 : Barcelona Special

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Barcelona this week was a tale of many opinions, passionately expressed, even hammered home. Geographically at the epicenter of a fight for/against the secession of Catalonia this fall, the conversations about everything from futbol to Guaudi to tourists can take on great enthusiasm.  Although, no one argues about tapas. Tapas are just always good.

The organic Street Art scene in the city that was famous during the early 2000s has been calmed as a result of a crackdown on illegal works, but some still exists in pockets of stencils and stickers and one-off paintings. The legal stuff, or ‘permissioned’ murals, are more likely what you will find in the central city, with a little more illegal stuff as you move away from the center to Sant Feliu de Llobregat or L’Hospitalet de Llobregat,

In general the Barcelona scene feels alive, vibrant, varied; and the quality of execution can be quite high. There is also an elusive feeling of magic and history infused within the integrated street scene and a healthy amount of socio-political critique – a swirling mix of illegal murals, commissioned murals, and controlled chaos in the artist compounds. Our sincere thanks to our hosts on the streets this week, especially Fernando and Esteban.

Here’s our weekly interview with the streets, this week featuring 1Up, Axe Colours, Escif, Hosh, Kenor1, Kwets1, Mina Hamada, Pantonio, Rice, and Zosen.

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Escif at La Escocesa. Barcelona. (photo © Jaime Rojo)

Axe Colours. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Zosen and Mina Hamada. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Hosh. Contorno Urbano.12 + 1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kenor1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

1UP Crew. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Bombers. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1 . Kaligrafics. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Street Artist and muralist Kwets1 spent three months working on two monumental murals on two tunnel walls right across from each other in the immigrants friendly, working class town of Hospitalet de Llobregat in Barcelona. The obvious theme of the mural is nature, conservation and climate change. The underpass is located right next to a river that attracts a plethora of exotic birds that use as a sanctuary and a rest stop as they migrate south during the winter season. We were actually witness to several large parrots flying from tree to tree while we were there.

The artist says that he took his inspiration directly from the nature story, and the human one of immigration here as well.

The other source was the human immigrant stories in this town. In the late 60’s and 70’s the immigration to the town was from several regions of rural Spain, with agrarian families who left farmlands and came to Barcelona seeking job opportunities in the large manufacturing companies that had established themselves in Barcelona. Many of those original immigrants eventually left the town to retire within Spain or to other European countries – leaving room for a new wave of immigration coming from several parts of Africa and Central and South America.

Presently Hospitalet is a vibrant community of old and new residents, and these murals capture the feeling of colorful, tumultuous, exiting and difficult change.

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Untitled. Mine is bigger than yours. Barcelona, Spain. (photo © Jaime Rojo)

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BCN Transit Walls Festival during La Mercè in Barcelona

BCN Transit Walls Festival during La Mercè in Barcelona

Cultural organizations and lifestyle brands often pool together their resources and coordinate events to capitalize on foot traffic. It’s like punk kids organizing a skate event – with bands, djs, graffiti jams, tattooing… You can catch some air, catch a great show, catch a tag, and hopefully catch secret kisses behind some old rusty freight train all on one perfect Saturday.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

During the La Mercè Festival in Barcelona in September the organizers for “BCN Transit Walls” brought to life a former ‘hall of fame’ stretch of wall and captured the attention of a lot of folks who were in town for the concerts, fireworks, drummer parades, wine festivals, projections, human acrobat towers – and many other events marking the end of the summer. Organizers brought many artists together to paint live on the wall at Passeig de Circumval·lació; the incredibly long wall that surrounds the Barcelona Zoo at the edge of the Estació de França train tracks.

Lluis Olive Bulbena was there with his camera and he shares some of the walls here with BSA readers.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal . Lucas Milart. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Lucas Milart . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Uriginal . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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SPOGO. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Aleix Gordo. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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BToy. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

The Spanish Street Artist Hyuro again features the uncovered breast of a female form in her public mural.

The news here in Barcelona is that it is not news.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Four years ago at a mural festival in Atlanta, Georgia the Argentinian artist was embroiled in a local “controversy” for painting a mural that depicted the nude female form. The monochromatic film-frame presentation across a long wall showed the incremental metaphorical shedding of wolves clothing to that of a human, then back to a wolf – or something like that. It’s open to your interpretation and not painstakingly explained by the artist, as is often the case.

Most viewers didn’t find it to be an eroticized presentation and some thought it had religious undertones actually. Alexandra Parrish, a principal organizer of the mural explained to the Huffington Post at that time that it was “a portrait of transformation, the mural reflects the teachings of the church.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Regardless, the high-minded Atlantans who rallied to have that painting destroyed could only see that the mural presented naked lady parts parading in public, which could potentially light loins afire. Presumably none of those people were in attendance with more than 50,000 Beyonce fans this September at Atlanta’s Georgia Dome, since it was essentially two hours of women strutting in high heels and highly revealing, even erotically inspired, costumes across enormous screens for everyone in attendance, including children, to ogle.

Here in Barcelona Hyuro doesn’t report any negative commentary coming her way for this mural painted with BCN Transit Walls in conjunction with La Mercè, Barcelona’s largest cultural, musical arts and communities festival. Named after the Virgin of Grace (Mare de Déu de la Mercè), the patron saint of the Archdiocese of Barcelona, you may think that the vision of a bared breast may cause a firestorm here.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Like many of her public pieces the Hyuro’s mural is a series of frames that collectively can create a sense of motion when viewed in quick succession. This series depicts a woman opening her garments to expose her breast and give it to her nursing infant.

These are not erotic images but in a society that again is increasingly equating women’s worth with their their physical appearance and sexual availability, devaluing their intellects, and otherwise objectifying and sexualizing them in media and advertising imagery, a simple loving and nurturing act like this can be perversely, stunningly, misinterpreted.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

We often say that Street Art and Public Art are a mirror; a reflection of a society back to itself. Our extensive experience observing art in the streets has taught us that certain images are allowed by the greater culture to stay up while others are destroyed quickly. It is a fair measuring device for the opinions, mores, political leanings, and popular tastes of a locality.

Spanish passersby at this transit hub do not appear to find objection with this mural, but Hyuro might have to think twice about a mural like this in many American cities, where reports of shaming and bullying of breastfeeding mothers are still common.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Not surprisingly perhaps, the candidate for the highest office in the US this year whom has not been a mother reportedly told an attorney that she was “disgusting” for requesting a break to breast-pump milk for her baby. She also may have been “nasty“.

Whether the female form is entirely sexualized in your mind or not, for the record, US federal law permits breastfeeding in any public area where you happen to be when your baby gets hungry and laws in cities like New York actually permit women to be topless in public at any time. It may take a while for popular tastes in art to reflect this in certain areas, and when it comes to legal mural festivals visiting artists are always wise to consider the audience.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

 


 

Our sincere thanks to photographer Lluis Olive Bulbena for sharing his images with BSA readers.

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