All posts tagged: Jonathan Levine Gallery

Good Day for B-ball in BK with WK.

Don’t veg with komputor all day!  Get outside!  Full court press!

Shoot some hoops with WK Interact and if you are in the neighborhood, catch his new work at Jonathan Levine, still up until Saturday (the 25th).

This video is from a few minutes ago, but it is so hot – showing the movement and violent splashes of paint that Mr. Interact is all about.  Oh, yeah, and there is that Kobe guy on it too.

Jonathan Levine Gallery

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On with the (Street Art) Show !

Action!  That’s what is happening in the street art scene in New York,

despite the wretched economy and artists losing their dayjobs, and galleries of all types dreaming up new innovative ways to stay afloat, the street art keeps coming.

In one week only (the week we lost Michael Jackson) we hit only a few of the events going on that featured street artists – we’re considering rollerskates and interns at this point – and even if you can’t afford it, you feel rich!  Plus the refreshments are usually free… just don’t take it on the street or you get a ticket.

Welcome to the new Brooklynite Pop Up Shop in the East Village (photo Steven P. Harrington)
Welcome to the new Brooklynite Pop Up Shop in the East Village. The main gallery remains in Bed Stuy, where Ray and Hope hope it will stay! (photo Steven P. Harrington)

New Specter Print at Brooklynite  (photo Steven P. Harrington)
New Specter Print at Brooklynite – he did 8 versions of this, and they are much more impressive in person (photo Steven P. Harrington)

Zbiok and Remed, Various and Gould at Brooklynite  (photo Steven P. Harrington)
Zbiok and Remed, Various and Gould at Brooklynite (photo Steven P. Harrington)

Cool Aiko pieces at Brooklynite  (photo Steven P. Harrington)
Cool Aiko pieces on cupboard doors at Brooklynite (photo Steven P. Harrington)

Michael in the Headlines  (photo Steven P. Harrington)
Michael in the Headlines (photo Steven P. Harrington)

A tribute by a fan in the crowd outside the Apollo Theatre in Harlem on Friday  (photo Steven P. Harrington)
Hundreds of fans crowded together to dance and shout and shake their bodies down to the ground outside the Apollo Theatre in Harlem on Friday (photo Steven P. Harrington)

Imminent Disaster at Ad Hoc  (photo Steven P. Harrington)
Imminent Disaster at Ad Hoc – sorry no good pics from Gaia – you can check our interview with them a couple days back (photo Steven P. Harrington)

Bishop 203 at Eastern District  (photo Steven P. Harrington)
An impressive number of new canvas pieces by Bishop 203 at Eastern District (photo Steven P. Harrington)

Dennis McNett (McMutt) at Eastern District  (photo Steven P. Harrington)
Ever cheerful Dennis McNett (McMutt) at Eastern District (photo Steven P. Harrington)

The crowd at Eastern District  (photo Steven P. Harrington)
The crowd at Eastern District (photo Steven P. Harrington)

Dick Chicken at Eastern District  (photo Steven P. Harrington)
The captions are the funny part. But no closeups here, sorry. Dick Chicken at Eastern District (photo Steven P. Harrington)

Can you name these 4 album covers? Invader at Jonathan Levine  (photo Steven P. Harrington)
Can you name these 4 album covers? Invader at Jonathan Levine (photo Steven P. Harrington)

WK Interact wall sculpture  (photo Steven P. Harrington)
WK Interact wall sculpture at Jonathan Levine Gallery (photo Steven P. Harrington)

Vixen with cougar by WK Interact (courtesy Jonathan Levine) (photo Steven P. Harrington)
Vixen with cougar by WK Interact (courtesy Jonathan Levine) (photo Steven P. Harrington)

WK Interact courtesy Jonathan Levine Gallery  (photo Steven P. Harrington)
WK Interact courtesy Jonathan Levine Gallery (photo Steven P. Harrington)

With friends like these (WK Interact at Jonathan Levine Gallery)  (photo Steven P. Harrington)
A series of new portraits of WK’s friends adorned the gallery – with friends like these… (WK Interact at Jonathan Levine Gallery) (photo Steven P. Harrington)

A blur in motion, WK Interact at Jonathan Levine  (photo Steven P. Harrington)
A blur in motion, WK Interact signs fresh copies of the new Drago volume about him at Jonathan Levine (photo Steven P. Harrington)

Skewville's donated piece at the fundraiser for North Brooklyn Public Art Coalition in Greenpoint (photo Steven P. Harrington)
Skewville’s donated piece at the fundraiser for NbPAC (North Brooklyn Public Art Coalition) in Greenpoint  (photo Steven P. Harrington)

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W.K. Interact: Artist Talk

BOOK SIGNING and ARTIST TALK with Q&A

W.K. Interact will be in attendance for this special speaking engagement with an exclusive presentation about his new exhibition of work. WK will be available for Q&A and will also sign copies of his newly released book, published by DRAGO.

The publishing house and trend bureau known as Drago is a portal into the international mindset that is fueled by the ideas and values of the current generation. The worldwide creative evolution that Drago has sparked is based on the thoughts and actions of these avant-garde thinkers. It acts as the gatekeeper of a new youth movement that Drago has coined, “S.I.C: System of Independent Culture” in contrast to the “System of Official Culture.” As a cultural symposium, Drago creates and presents forums for exchange by remixing pop culture and undiscovered trends. It is from these creative platforms the that the lifestyle revolution that began on the street and over the internet will continue to expand and evolve. Drago represents the mainstream of minorities, where under is over and over is under.

Drago’s current project is the 36 Chambers Series. Within the next three years Drago is to produce thirty-six books that are dedicated to the work of thirty-six artists. The title of the project is inspired by the martial arts classic Enter the 36 Chambers of Shaolin. Like the 36 Chambers of Shaolin’s monastery, each of the thirty-six books represents a room for each artist to exhibit his or her artistic strength. The artists are confined to the use of only black, white, and a single color of their choice, yet this limited palette also serves as tool for creative liberation. The images that result are a pure impression, a powerful image without distraction, that mixes tradition and innovation.

The first twelve books have already been published and together they are known as the Bronze Series, including artists like Ivory Serra, Mike Giant, Pax Paloscia, and TV Boy. The thirteenth book 2.5 New York Street Life is the first of the Silver Series and is dedicated to the work of WK Interact. Other artists from the second collection include Logan Hicks and Nick Walker and an upcoming edition for the New York and Paris based artists JonOne and his wife and photographer Mai Lucas.

Drago is working in association with the Jonathan LeVine Gallery in New York who will inaugurate an exhibition of WK Interact in June 2009. Jonathan LeVine opened his gallery in Chelsea in 2005 after four years of operating as the Tin Man Alley Gallery in Philadelphia and New Hope, Pennsylvania. Jonathan LeVine acts as proprietor and curator of the gallery and focuses on a genre of work that is influenced by illustration, graffiti art, and pop culture images and exhibits a variety of celebrated, controversial, and unknown artists.

WK Interact is a French born artist who now lives and works in New York City. He made his first trip to the United States when he was eighteen and was instantly struck with an affinity for New York. Within only a few short years WK made the decision to leave his Provencal village and return to the City at the age of twenty-one. From there he began to grace New York’s urban landscape with his ferociously innovative, hand-painted, black and white figures.

WK’s creation of the figure in motion serves as a synonym to the haste and frenzied pace of the New Yorker lifestyle. His images are as forceful and energetic as a tornado and just like a force majeure these figures leave a lasting impression on anyone who have happened across their paths. The subjects are vigorous and unyielding in their action, yet despite their powerful motion and strength of presence there remains something eerie, an ephemeral quality, that is almost ghost-like.

WK demonstrates the ability to capture the most pertinent moment of the figures’ gesture and it is that specific aptitude which translates for the viewer what logically is a transient moment into an interminable memory.

WK  interact
Creative Commons License photo credit: unusualimage

WK Interact Graffiti on a wall in New York
Creative Commons License photo credit: Aaron_M

The “canvas” for each image is carefully chosen with the intention to optimize the synergy between the location, the artwork, and the passersby. Each figure is life size or larger, not only to interact with its viewers, but to engage the given location, generate a response, and make an impact. These flash moments in time are from the perspective of someone who sees life from 360 degrees at all time and now WK has given New Yorkers the opportunity to see more, from more angles, even if we can’t slow down.

WK’s figures have their own stories to tell, but nuances of the narratives are added, subtracted, and transformed by the tales told by the streets and walls on which they now live. Each space has been molded by those who have walked down those streets and touched those walls. Each location contributes another level of vitality to the subject and just as the space’s history redefines the image, the image in turn redefines the space.

WK Interact has shown extensively in galleries and his work can be seen on the streets of Lower Manhattan and Brooklyn. While he has received great public renown and worked with some of today’s greatest street artists, he continues to place public pieces that are socially provoking and visually magnificent.

Location:

Jonathan LeVine Gallery
Street:
529 West 20th street, 9th fl
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Invader Covers the Beatles and the Clash

Technology has an integral effect on contemporary culture – and it’s changes continue to change us individually – the new stuff always sucks us in.  Remember radical new Friendster a few years ago and how your actual friend Clyde Fromage was nearly wetting himself because he had all these virtual friends on the computer and you thought he was raving mad and a shallow idiot? Did you just check Twitter twice during the previous sentence?

LOL!

A lot of today’s street artists grew up with video games around and they have a romantic nostalgia for the 8-bit characters of the “early” age of joysticks and chords and 2-color screens. For example Matt Siren bases his ghost-girl on his formative years with Pac Man.
The little orange ghost girls were greatly influenced by Pac Man. "Skinny Drip" by Matt Siren and Lee Holin (for "Street Crush" show)

The little orange ghost girls were greatly influenced by Pac Man. "Skinny Drip" by Matt Siren and Lee Holin (for "Street Crush" show curated by Brooklyn Street Art)

Reaching back to that same nostalgic simplicity, the street artist Invader references the 1978 Atari video game that featured Space Invaders.  The pointillism of his countryman Seurat a hundred years earlier was updated by Invader when he began putting mosaics up in the streets of Paris in the late 1990s. The irony lies in the unique choice of medium – the tile; as old as fire urns, at once mass-produced and hand-hewn, makes up the “bit”.
This month Invader will be showing his new work, and his choice of medium is again unusual, but not out of character.  The Rubik’s Cube was a mind-stumping 3-d mechanical puzzle invented in 1974 that became a “hot” toy for kids around the same time as the Space Invader video game.  You can see pretty quickly why this toy is a turn-on to an artist like Invader.  In the video below, Invader pays homage to famous covers of vinyl album, a technology that has since been digitized too.
Top 10, Invaders first solo show in the U.S. opens June 27 at Jonathan Levine,

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Invader at Jonathan Levine Gallery

Space Invader

Space target by Space Invader (courtesy Jonathan Levine Gallery)

Space target by Space Invader (courtesy Jonathan Levine Gallery)

A Solo Exhibition
Jun 27 thru Jul 25, 2009
Opening Reception – Saturday, June 27th 7pm-9pm

TOP IO
Invader
Solo Exhibition
June 27—July 25, 2009

Opening Reception: Saturday, June 27, 7pm—9pm

Jonathan LeVine Gallery is pleased to present Top 10, a solo exhibition of new works by the Parisian street artist known as Invader. Returning to the gallery for his first solo show in New York, Top 10 marks a highly anticipated event for this internationally celebrated artist. Known for using mosaic tiles to re-create popular characters from vintage 8-bit video games (such as Space Invaders and Pac-Man) on the streets of cities around the world, the artist’s individual mosaics are carefully cataloged after placement in context to their surrounding environment. Yet, since the project has grown on a global-scale, each piece also carries considerable significance from a larger perspective—populating what is now a worldwide installation that stretches across the planet. Invader’s mosaics can be found on the streets of over 40 cities, on all five (inhabitable) continents. Like the game, his mission is literally an invasion of space.

MORE INVADER HERE

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Doze Green at Jonathan Levine Gallery

Doze Green

N.O.O.N.

Boriken Detail by Doze Green (courtesy Jonathan Levine Gallery)

Boriken Detail by Doze Green (courtesy Jonathan Levine Gallery)

Opening reception – Saturday, October 18th 7pm-9pm

Jonathan Levine Gallery

October 18, 2008 through November 15, 2008

NEW YORK, NY (September 30, 2008) — Jonathan LeVine Gallery is pleased to announce N.O.O.N., a solo exhibition of new works by Doze Green. The artist returns for his second solo show at the gallery, having created a new series of original charcoal drawings and mixed media paintings on canvas and wood panel. Using a variety of materials such as ink, gouache, metallic pigments, and collage, Doze Green speaks in a creative voice from the collective consciousness, applying a symbolist approach to metaphysical concepts. Often compared to Basquiat, his urban background and involvement in the early hip-hop graffiti movement of NYC in the late 70’s, early 80’s, led him to transition from creating art in the streets and subways into the gallery setting.

In N.O.O.N., Doze Green’s signature style of figurative abstraction and use of letterforms remain prominent, yet the organic cubist quality of his images has evolved. The high-contrast fluid line work characteristic of earlier paintings is now rendered in a fuller, more tonal palette, complemented by the introduction of an element not seen in his work previously—layers of collaged imagery. The artist’s genealogy inspires many of the themes he explores, his aesthetic influences include a mixture of ancient civilizations and indigenous cultures, including his own Afro-Caribbean roots. His totem-like human and animal figures are conceptually based on various polytheistic deities. These divinities represent sentinels, the guardians of universal truths. Immortal warriors warning mankind of dangers society has manifested, looming on the horizon and threatening to destroy us.

The show title, N.O.O.N., stands for No One Observes Nibiru. This references the planet X prophecy of a cataclysmic cosmic shift occurring in the year 2012, causing dramatic effects to life on earth. Also a prominent year in the Mayan and Hopi calendars, 2012 marks the end of our current solar cycle, signifying transition into a new age. Inspired by these theories, there is a transitional quality to the artwork. Movement, migration and transformation of form combine to form enigmatically kinetic narratives. Portals and beams of energy, layered over collaged media clippings, surround Green’s figures which echo social diaspora of the past, yet also seem to be preparing for a futuristic voyage of sorts—a survivalist evacuation plan for the great escape from doomsday.

ABOUT THE ARTIST
A New York City native, Doze Green began painting the streets and bombing subways in 1974. He joined the infamous Rock Steady Crew in 1977, as one of the original members during the birth of hip-hop, b-boy break dancing and graffiti writing culture. The Crew danced at galleries and art exhibitions in Soho and the Lower East Side throughout the early 80s. They were an integral part of New York City’s developing underground scene. Graffiti and later forms of street art have since spread into what has become very much a global movement, and Doze Green has evolved into a well-respected fine artist, whose work can be found in public and private collections, worldwide.

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