All posts tagged: Jana & Js

BSA Images Of The Week: 08.26.18 / Moscow Special

BSA Images Of The Week: 08.26.18 / Moscow Special

BSA-Images-Week-Jan2015

It’s part of the fascinating world that you inhabit when you follow street art – you have no idea what you will discover in any city at any time because of it’s LIVE daily evolutionary personality. Here in Moscow we don’t see so much of the improvisational extra-legal type of works that characterize cities like Rio or Berlin or Paris, but we have been seeing a bunch of familiar international names in the last few days. Here are some shots of stuff we’ve found – much of it that you will also recognize – along with some great local Moscow stuff.

We’ll bring you more of the scene at the Artmossphere Biennale this week as artists and curators like us are arriving right now at the Winzavod Center for Contemporary Art.  We’ve already seen Faith XLVII, FAUST, Adele, Martha Cooper, CaneMorto, Cedar Lewisohn … As the lounge singers say, “We’ll be here all week folks”. Don’t forget to tip your waitress.

Here’s our weekly interview with the streets, this week featuring 0331c, Ben Eine, C215, Felipe Pantone, Haculla, Interenzni Kazki, Jan & JS, Losaer, N888K, Neue, Stasdobry, The RUS Crew, Theo Lopez, Tristan Eaton, Vasya, and WK Interact.

Our top image: Interezni Kazki (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

WK Interact (photo © Jaime Rojo)

 

The RUS Crew (photo © Jaime Rojo)

The RUS Crew (photo © Jaime Rojo)

N888K (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Haculla (photo © Jaime Rojo)

Theo Lopez (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

NEUE (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

0331c (photo © Jaime Rojo)

Vasya (photo © Jaime Rojo)

Felipe Pantone (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

LOSER (photo © Jaime Rojo)

Tristan Eaton (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

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URVANITY 2018: 3 Days in Madrid

URVANITY 2018: 3 Days in Madrid

Today we go to the Urvanity New Contemporary Art Fair in Madrid to see some art inside and outside the fair and to hear about some of the programming happening there, courtesy of Fernando Alcalá Losa.


URVANITY New Contemporary Art Fair 2018

Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

The 2nd edition of Urvanity New Contemporary International Art Fair was our main focus of interest. With an exciting program including some of the most interesting galleries and artists from all over the world, 4 walls being produced in different areas of the Spanish capital and a more than attractive set of talks and lectures, we knew that we were going to make our weekend. But, of course, there was going to be more, much more…

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY ONE: Galleries

After sleeping a few hours, I started my little marathon outside the new Urvanity headquarters in the beautiful ME Madrid María Victoria Hotel for attending a round table about ‘Women in the cultural industry beyond feminist clichés’. With Alberto Aguilar from Urvanity moderating, I was excited to see what journalist Belén Palanco, gallerist Consuelo Durán and artist and friend Anna Taratiel had to say about all this arty world ‘dominated’ by men in these times when initiatives like La Caja de Pandora are rebelling against sexual abuse and the heteropatriarchy hegemony in the art world and fighting for visibility, justice and equality in working conditions and salaries.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Artists like Nuria Mora and Animalitoland, Sergio Bang, from Swinton & Grant Gallery, and Diana Prieto from MadridStreetArtProject were in the audience. Issues like education, quotes, discrimination, the toughness of being a female street artist, being out or inside the system, some critics to the female clichés and personal experiences were brought into the table. Being a heterosexual cis male, I don’t know if I’m the right person to say this, but I missed a more radical speech about the whole scenario and the role of women about making the necessary changes for reaching the place and conditions that they deserve.

Apart from this, Juncal Roig, Urvanity’s communication manager, had prepared a little gift with fellow artist Antonyo Marest. Last year, Marest had painted 4 walls in a nice courtyard inside the Hotel, so we did a small private shooting with the artist. It was fun, because we had to access the place through a window in one of the rooms. As Antonio said, imagine how ‘easy’ it was to move 6-floor wall scaffolding through that small ‘hole’. Watch out for Marest USA tour coming soon in the next months.

 

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

‘The Impact of Urban Creativity in Cities’, a talk, as I said before, by Contorno Urbano founders, was next. Ninoska’s and Esteban’s explanations about some of their most important projects and about how to work with students, neighbors, the local authorities and the artists themselves really got my attention, although I was already aware about the details of their work. The never ending growing 12+1 project and, of course, the soon to come ‘Mural Salut Wall’ by Escif were some of the top hits of the lecture, including the announce of the International Tortilla Competition held this last weekend at Sant Feliu de Llobregat’s La Salut square as a part of Escif art residence in the city. Hyper fun 3rd grade by the artist that caused lots of laughs between the audience. Looking forward to see what Escif will create in the next months here.

 

Long but full of experiences day. Beer time and back to our place where a bunch of young adults were waiting for us celebrating Miriam’s (our host) birthday, singing songs with ukuleles at 2am and drinking bourbon. Fuck me: I’m getting old…

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY TWO: The day of Walls.

Good morning Vietnam! Slept 4 hours, dizzy head (if you can’t fight the enemy, join him) and García in groundhog mode on. I was starting to feel kind of nervous, as I hadn’t seen a wall yet, so I had a mission going on. Being lucky enough to know one of the best hosts that you can find in Madrid, I met Guillermo, from Madridstreetartproject ‘MSAP’, had some quick breakfast and began walking by. Guille was one of the people taking care of the production duties of the Urvanity walls. A veteran actor in the local scene, his way of seeing and understanding the urban landscape is outstanding.

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

I had to leave Cranio’s wall for Sunday due to ‘logistic’ reasons. But, I was so glad to have the chance to shoot with Alexey Luka, as I had seen some photos about the WIP of his mural and I was loving it. After a small talk with the artist and the ‘formal’ presentations, I began shooting from the ground while Guille was struggling with drivers trying to not have them parking besides the crane.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then a little magical episode took place when Javier, a neighbor living in the building opposite to Luka’s wall, offered himself to give us access to the rooftop. Nicest human being ever, Javier told me that he was a military pilot and a great photography aficionado. It’s always surprising to me how people that don’t know you at all trust in you and open their houses to strangers like us, offering all the possible help because they are liking the project and/or the artists’ work.

Alexey’s wall was being a tough one to deal with. Guille, Rocío and the rest of the production team had to treat the wall twice with some special products because dust and sand were getting out from it. They lost 2 days because of this, but when I arrived there, everything had been solved and the artist was working hard. After dealing with a couple of issues, we head to the next wall… Before, I would love to say some words about Rocío here. We have just met maybe twice during all these years.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Working and collaborating with MSAP, Mula Fest and Asalto among others, it’s always interesting to listen to her clever thoughts and knowledge about the whole scene, how she approaches the tours that she guides in Madrid and get to know a little bit more about the kind of person that everyone would love to have in their teams. You can check Rocio’s blog here.

Maybe Jan Kaláb’s wall was the most popular one during the whole weekend. Pedestrians were loving the mix of nice colors and soft shapes – so selfies, stories and boomerangs were spreading as flu. I just tried to include some human traffic in the photo. Maybe I have a thing with old ladies… Just maybe…

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

Xavier Eltono’s talk was one of my top moments of the whole trip. Although I follow his career since years ago, I hadn’t got any deep thoughts about his work. After I heard what he had to say about his art and about how he connect his studio work with the skin of the cities where he had intervened, I understood a lot of things regarding his philosophy and the way he interacts with the city.

Another thing that got my attention during his lecture was the fact of how many respected artists were attending the talk. Names like Zosen, Mina Hamada, Aryz, Rocblackblock, Daniel Muñoz SAN, Kenor, Anna Taratiel, Suso33, Aleix Gordo, Vermibus…were there showing respect for Eltono’s art and explanations. The academic world was also represented nicely with awesome Fernando Figueroa and Elena Gayo.

Xavier Eltono. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Xavier told me by email that this talk had been very important for him, so I asked him why: ‘I’m used to give talks, I do a couple every year and I actually really enjoy it. Doing it in Madrid though was a very different exercise. Even if I’m not Spanish, I became an artist in Madrid, this is the city where everything started for me. Talking about my work in this city was very challenging to me because I knew a lot of friends and a lot of artists I admire would be listening to me. It’s very easy to talk about your work in front of an anonymous crowd but in front of people you know and you care about is totally different! I was very nervous, but, according to the feedback I received after the talk, it looks like no one noticed it!!!

Tina Ziegler of Moniker Art. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then, the main dish of the menu took place. ‘The Art Conference, by Urvanity’, hosted by Doug Gillen, from Fifth Wall TV and featuring some of the most important managers/curators/creative directors/promoters in the biz was meant to be the grand finale of Urvanity’s Saturday program. Tina Ziegler, Director of Moniker Art fair, Yasha Young, Creative Director of Urban Nation Museum, and Anna Dimitrova, Director of Montana Gallery, were adding some more girl power to the place.

Yasha Young of Urban Nation Berlin. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

FER: One of the most interesting things about the fair this year was the Talks Program. I couldn’t go to all of them because I would need to clone myself for attending everything, but was it intentional for you to enhance this side of the event? Do you think that these talks and lectures are useful for attracting a potential audience or are they more focused on an indoor point of view for people inside the art world? Why the 2 talks were the role and presence of women was more significant were moderated by a guy with a penis?

Sergio Sancho: For us the talk program it is a fundamental base within the fair. It is something that we want to keep on and give more importance and visibility. We think that the best way to understand this movement it’s from inside, giving voice and visibility to the main characters. About the moderator you are talking we think the gender its irrelevant. This year we wanted to give more visibility to women in a world where there is such an inequality and it has been casual that in the case of The Art Conference the moderator that Tina used it’s always a man and in the case of the talks opening program it has been Alberto the leader and we think it was the suitable person to do so.

 

Esteban Marin and Ninoska of Contorno Urbano Foundation. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

An impressive example of power, clear minds, commitment and, above all, tough work during several years in a penis based industry, these 3 forces of nature explained to us the main points of their careers, their way of working, their ethics, spoke about good practices and loyalty, some episodes about dealing with male chauvinism attitudes and how to get through all this without stepping forward.

Antonyo Marest. Madrid, Spain. February 2018. (photo © Fer Alcalá)

After personally meeting Ampparito and chatting a little bit with Octavi Serra and some other guys from Cúmul we ended the day talking and drinking beer in a relaxed atmosphere at some ‘Manolo’ bar in Madrid. Time to breathe, smile and relax.

DAY THREE: The art fair day.

And Sunday arrived. Keeping the military discipline of the whole weekend, woke up early, had some bad coffee while planning the morning and started my 3kms walk to check Cranio´s wall out. Sunday is ‘rastro’ day in Madrid, so some streets and squares of the area were flood with people that you had to avoid while trying not to kill yourself watching the screen of your mobile phone as it was compulsory for me to check the map and my old time friend Kini González was helping me out getting some invitations for colleagues.

Once of the few times that I was moving my head up, I almost crashed with some familiar guy. Rafa appeared suddenly in front of me with his eternal smile in the face. A friend from Barcelona, it had been years since we had seen each other, so it was a funny and nice coincidence to meet by chance 624kms away from our hometown. We continue our walk together speaking about life, anarchy, music and veganism and, at the same time, Guille was telling me the last news about Cranio´s work as we were all pendant of the keys of the crane for the final shot.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

As I was seeing that this wasn’t happening in the next few hours, I changed my plans and went to Luka’s wall as I wanted to take some photos from the crane. There it goes… Say bye to Rafa, put my stuff together and we went up for capturing some details.

As we were saying in Madrid, there’s a poker of photos that you should take while capturing, if possible, the whole process of painting a big mural: shots from the ground, shots from other buildings and rooftops, shots from the crane and the final shot. If you get decent photos from all these angles, you will come back home with a smile on your face… I missed Luka’s final photo, by the way, as he finished his work on Monday.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Once we had arrived to Urvanity’s headquarters I started to check all the artwork that galleries like Montana, SC, Ink and Movement, Stolen Space, Fousion, Plastic Murs, Swinton & Grant, Station 16, Ruarts or Pretty Portal were exhibiting. I liked to see some personal faves like Enric Sant, Isaac Cordal, Sixe, SAN, Herakut, Deih, Hyuro, She One, Dilka Bear, Kofie, Jaune, L’Atlas, Stikki Peaches, Anna Taratiel or Guy Denning, having in mind that you don’t always have the chance to admire all these people’s work in one place at the same time. I also enjoyed to discover other great artists that were kind of new for me like Gregory Watin, Marc C. Woehr, Solomostry, Spazuk, Jaime Molina or Morik Marat.

I also spoke with some of the gallerists who were quite happy about the sales and the whole experience in general. Okuda almost did a sold out, Taratiel sold her bigger piece for Durán gallery, veteran Henry Chalfant and Enric Sant were also selling for Adda & Taxie. Vicente, from Plastic Murs, was much happier with the sales this year than he was in 2017 after seeing how Deih and, above all, Vinz had been successful during the fair. Dilka Bear for Fousion gallery also saw how some of her works were going to some collector’s homes.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

It was also interesting for me to know that Kofie ‘papers’ in Swinton & Grant had been sold even before than the fair officially started. Classic names of the scene like Gripface, Stikki Peaches, GR170 or Belin also sold in this year edition. On the opposite hand, Olivier, from Vroom & Varossieau, which exhibited one of the most powerful group of artists in the fair, told me that his sales had been better last year, maybe because of his high prices. As we say in Spain: ‘nunca llueve a gusto de todos’ (something like: not everyone likes when it rains).

I spent my last minutes at COAM trying to find Sergio, Juncal and Victoria from Urvanity’s team without success, as I wanted to say bye and thank them for the treat that they gave to us during the whole weekend. I really like when you get the chance of meeting personally people that you have spoken with by email and that you have interacted with on the social media, as it happened this time with Sergio and Victoria.

Okuda. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

So, this was it. We couldn’t leave Madrid without having a couple (a couple…yeah, right…) of vermouths with some old time friends and colleagues, feeling sad because of the ones that we missed and thinking about all the great moments and experiences that we had lived during the weekend.

Thanks A LOT to all of you who we spent some time with during those 3 crazy days, specially to Sergio, Juncal and Victoria, Miriam for sharing her home with us, Guille, Diana & Rocío for being there as always, Lara, Soledad and Rebekah, at Espacio SOLO, for being such great hosts and, of course, Audrey García for breathing and existing. ‘til next time Madrid…

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Jaune. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Daniel Muñoz AKA SAN. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Guy Denning. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Augustin Kofie. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Herakut. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Hyuro. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Spok. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Henry Chalfant. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Isaac Cordal. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

JAZ. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Stikki Peaches. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Deih. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

URVANITY ART MADRID 2018

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Amsterdam Dances with Graffuturism and Stencil Masters

Amsterdam Dances with Graffuturism and Stencil Masters

Amsterdam rocked the decks this month to celebrate urban contemporary art and street art in the Netherlands with visual and music based events giving artists many platforms to shine.

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BustArt and Fake for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

Graffuturism, a term and movement coined a handful of years ago to describe an intersection of graffiti, street art, and abstract geometry continues to stake out new territory and here were gallery and street exhibitions proffering some of the current practitioners whose work could be described as such.

The 5th Urban Art Festival Amsterdam featured their own collection of Graffuturists from Europe, the United States, and South America including Poesia, the unofficial founder of Graffuturism in a show of works on canvas, prints, drawings on paper, murals and site-specific abstract installations.

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BustArt for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

Running concurrently was a Stencil Masters show featuring some of the top knife-wielding artists known on the street today along with a few senior early proponents. The diverse program of gallery, street installations and DJs courtesy of the ADE (Amsterdam Dance Event) helped further contextualize the art forms for a wider audience of fans.

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Fake for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

Stencil Masters exhibition
ABOVE (usa) – BTOY (es) – BUSTART (ch) – C215 (fr) – CANVAZ (irl) – CZARNOBYL (de) – E.L.K. (au) – FAKE (nl) – HUGO KAAGMAN (nl) – IVES.ONE (nl) – JANA & JS (de) – JAUNE (be) – LIJNE (nl) – MANDO MARIE (usa) – NAFIR (iran) – ORTICANOODLES (it) – OTTO SCHADE (uk) – PIPSQUEAK WAS HERE (nl) – STF (fr) – TANKPETROL (uk) – TERA ONE (de)

Graffuturism exhibition
BLAQK BLAQK (gr) – CORN79 (it) – GRAPHIC SURGERY (nl) – KENOR (es) – LABUENA YLAMALA (es) – MICK LA ROCK (nl) – OKUDA (es) – OVNI (es) – POESIA (usa) – POETA (ar) – SKOUNT & GWION / TVBdesign (es) – VESOD (it) – WOW123 (de) – X-O / THE LOST OBJECT (nl / usa)

 

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Fake for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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XO for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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Skount for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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Markus Gnusius for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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C215 for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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Jana & JS for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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LABUENA YLAMALA for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

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Lijne and TerraOne for Urban Art Festival Amsterdam. (photo © courtesy of UAFA)

To learn more please go to www.urbanartfestival.com

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Lille Biennale: Update with Jana & JS, Psykoze, Nuria Mora, Baba Jung

Lille Biennale: Update with Jana & JS, Psykoze, Nuria Mora, Baba Jung

The Biennale of Urban Art in Lille, in the north of France continues at a relaxed pace with new pieces including a new window pane reflective moment by the French-Austrian stencil couplt Jana & JS. Also included are new walls by Baba Jung, Nuria Mora, and Psykoze were completed these last two weeks. Here we have new shots for BSA readers courtesy Aline Mairet.

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Jana & JS (photo Aline Mairet)

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Jana & JS (photo Aline Mairet)

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Jana & JS (photo Aline Mairet)

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Psykoze (photo © Aline Mairet)

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Nuria Mora (photo © Aline Mairet)

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Nuria Mora. Detail. (photo © Aline Mairet)

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Baba Jung (photo © Aline Mairet)

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Baba Jung (photo © Aline Mairet)

Hell’o Monster and M-City at the Urban Art Biennale in Lille, France

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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The 2014 BSA Year in Images (VIDEO)

The 2014 BSA Year in Images (VIDEO)

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

Brooklyn-Street-Art-Images-of-Year-2014-Jaime-Rojo-740-Screen-Shot-2014-12-16-at-9.55

Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at BrooklynStreetArt.com , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world. 

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Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.

 

Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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Jana & JS & Baby Makes Three, First Time Stenciling in New York

Jana & JS & Baby Makes Three, First Time Stenciling in New York

Street Art / Photography artist couple Jana & JS came to New York for the first time and hung around Brooklyn for the second half of March. Somehow you might say they brought a touch of romance to dirty BK streets.

Even with a baby in tow the duo could be seen taking turns with the ladder and the aerosol cans on one of the almost-spring sunny days we had last week. The two are from Austria and France and have a serious fan following in the Street Art scene because of the quality of their stencil work, and because they’ve managed to work their own images into their many pieces throughout Europe.

Now you can add Brooklyn to that list.

As we said in our Paris Street Art piece last November, this is a marriage made for the street.

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Jana & JS for The Bushwick Collective. A Family who paints together, stays together…(photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. (photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. (photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. (photo © Jaime Rojo)

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Jana & JS for The Bushwick Collective. Detail. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Eye on London Street Art : Spencer Elzey in Europe

Eye on London Street Art : Spencer Elzey in Europe

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For the first week-long “residency” on BSA, Spencer Elzey has been sharing his experiences and Street Art photos from his recent trip to Europe. Today we finish with London, a polished and presentable collection of some of the current scene from the streets.

The city has long played host to a rolling panoply of urban art and artists and is a prime example of the professionalization of the practice featuring a greater absorption into the culture and economy at large with galleries, museums, shops, and paid tour guides all joining in. The upshot is you will see some of the best examples of talent and it may at times seem all quite combed over and generally safe for a general audience.  Not that there isn’t dynamism and risk taking, and you will still find unsanctioned work to be seen inside and outside of the tourist hotspots.

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Sweet Toof and Roa (photo © Spencer Elzey)

Hosting the Olympics last year brought a self cleansing of much of the organically grown graffiti and Street Art, and the chilling effect of living in an electronically surveilled society with cameras nearly everywhere will undoubtedly be sited to when historians look at the nature of art on the streets from this era.

“London had a lot of Street Art but it felt more corporate and organized for the masses,” says Elzey of his time walking through Shoreditch, Brick Lane, Hackney, Bethnal Green, and Camden. “In the week that I was there I walked by around five Street Art tours.”

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Sweet Toof (photo © Spencer Elzey)

“Most of London’s street art is confined to these places – The other areas that I explored around London all seemed pretty clean. This may have been due to the fact that there are security cameras everywhere,” he says. An international first world city, London usually is a destination for the international “circuit” of Street Artists whose names tend to reappear on lists of the various street/graffiti/urban art festivals that now pop up in global cities from Lima to Łódź and Living Walls to Nuart to Upfest and the recently ended FAME.

As with any art form that begins as transgressive and underground and evolves to be adopted by the dominant culture, at times the whole scene begins to resemble the commercial and institutional interests it once mocked or attempted to subvert. “London is great but felt more catered to the bigger players and had the most street art in commissioned form (by the various Street Art organizations), which is good to see some amazing work but cheapens the art a little,” he says.

In the images he shares with BSA readers today you can see the really strong work that is throughout those neighborhoods as many of the artists consider strongly what they will do – and it results in some quite striking pieces. As always, you want to keep an eye on London. Surely it will keep an eye on you.

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Miss Van and B. Schu (photo © Spencer Elzey)

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Otto Schade (photo © Spencer Elzey)

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Otto Schade (photo © Spencer Elzey)

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Otto Schade (photo © Spencer Elzey)

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Otto Schade (photo © Spencer Elzey)

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Shok 1 (photo © Spencer Elzey)

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Gnasher (photo © Spencer Elzey)

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Alexis Diaz (photo © Spencer Elzey)

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Ben Eine (photo © Spencer Elzey)

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Cranio (photo © Spencer Elzey)

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Cranio (photo © Spencer Elzey)

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Cranio (photo © Spencer Elzey)

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Cranio (photo © Spencer Elzey)

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For The Love Of Dog (photo © Spencer Elzey)

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Banksy (photo © Spencer Elzey)

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A sculptural installation by D*Face (photo © Spencer Elzey)

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ROA (photo © Spencer Elzey)

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Swoon (photo © Spencer Elzey)

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Guy Denning (photo © Spencer Elzey)

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Urban Solid (photo © Spencer Elzey)

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Sokaruno (photo © Spencer Elzey)

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Vinie and Reaone (photo © Spencer Elzey)

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Anthony Lister (photo © Spencer Elzey)

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Finabarr DAC (photo © Spencer Elzey)

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Phlegm (photo © Spencer Elzey)

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Faith 47 (photo © Spencer Elzey)

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El Mac (photo © Spencer Elzey)

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Conor Harrington (photo © Spencer Elzey)

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Conor Harrington (photo © Spencer Elzey)

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Klone (photo © Spencer Elzey)

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Dal East (photo © Spencer Elzey)

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Dscreete (photo © Spencer Elzey)

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Insa (photo © Spencer Elzey)

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Martin Ron (photo © Spencer Elzey)

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Jana & JS (photo © Spencer Elzey)

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Christian Nagel (photo © Spencer Elzey)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Paris Street Art : Spencer Elzey in Europe

Paris Street Art : Spencer Elzey in Europe

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As we continue our one week residency on BSA for Street Art fan Spencey Elzey, he takes you to Paris to see what is happening on the street there right now. If you were to try to characterize the nature of the work, you may say that it favors illustration, a clean defined line, and a purposeful classical aesthetic.

For years we have associated the romantic city and it’s historical culture and architecture with Street Artists like the stencil pioneers Blek Le Rat and Jef Aerosol, along with Miss Tic, Invader, FKDL, Fred Chevaliar, C215, and Alice Pasquini, to name just a few.  Spencer finds some of those artists’ work and and he shares some others here with you too. Naturally, because we don’t cover this city regularly, locals will surely tell you that some of these pieces are a couple of years old, but for an American tourist in Paris, it all looks new from here!

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Jana & Js. Detail. (photo © Spencer Elzey)

“It did feel like there was some form of respect for the older architecture, especially in Paris,” says Spencer when comparing his observations of Paris, Berlin, and London.  “While all three cities are old (especially compared to NYC), Paris feels the oldest and there seems to be certain buildings or doors that remained untouched.” Maybe that’s why we always think Paris is romantic. Also, Edith Piaf.

Speaking of romance we begin the image survey with two current giants on the Paris scene Jana und JS, who are a collaborating Street Art couple who basically bonded over their mutual love for shooting images. Advocates of photography on the street, you will find they’ve also an affinity for spray paint and stencils and their subject often is themselves. It’s rather a marriage made for the street. You can read a full interview with them here on Street Art Paris.

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Jana & Js. Detail. (photo © Spencer Elzey)

“Walking around Paris I also found myself looking up a lot more as compared to other cities; while this was mostly due to the fact that I was looking out for the 100’s of Space Invader pieces, there were lots of other pieces stuck to the walls up high. I thought it was also notable that the walls within the metro tunnels between stations were covered with graffiti in Paris.”

“Paris has street art defined to a few areas specifically,” explains Elzey, “including some of the murals in the 13th arrondissement that were put together by Galerie Itinerrance, a few areas up around Belleville, and areas throughout Le Marais, which includes sections of the 3rd and 4th arrondissements.”

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Jana & Js. Detail. (photo © Spencer Elzey)

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Jana & Js. Detail. (photo © Spencer Elzey)

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Jana & Js. (photo © Spencer Elzey)

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C215 (photo © Spencer Elzey)

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Finabarr DAC (photo © Spencer Elzey)

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ETHOS (photo © Spencer Elzey)

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Ella & Pitr. Detail. (photo © Spencer Elzey)

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Clet Abraham (photo © Spencer Elzey)

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A large wall by the Chilean Street Artist Inti (photo © Spencer Elzey)

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Shadeek (photo © Spencer Elzey)

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Alexis Diaz (photo © Spencer Elzey)

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Shepard Fairey (photo © Spencer Elzey)

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RERO (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Invader (photo © Spencer Elzey)

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Not Invader. Megamatt. (photo © Spencer Elzey)

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Daco (photo © Spencer Elzey)

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Bristolian Nick Walker has a heart (photo © Spencer Elzey)

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Tona and Alias (photo © Spencer Elzey)

 

 

 

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Stencils of the Week 10.30.10

Stencil-Top-5

As chosen by Samantha Longhi of Stencil History X

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Sr. X “Zombies” (Photo © Sr. X)

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Zhe 155 (Photo © Zhe 155)

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Ender “Artémis à l’arc (et à la flèche à ventouse)” (Photo © Ender)

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Andrea Michaelsson/Btoy (Photo © Andrea Michalesson)

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Jana & Js (Photo © Jana & Js)

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To see more  of  Sr. X work click here:

To see more of SHE 155 work click here:

To see more of Ender work click here:

To see more of Andrea Michaelsson/Btoy work click here:

To see more of Jana and Js work click here:

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