All posts tagged: Jaime Rojo

Faile Debuts “Endless” Solo Show & Artists Talk w/ BSA at GGA in Miami

Faile Debuts “Endless” Solo Show & Artists Talk w/ BSA at GGA in Miami

The opportunity to be inspired by visual culture is indeed endless on the street, which explains the 22-year career of Brooklyn’s Faile, the street art duo who has parlayed their practice into prints, collage, video, sculpture, paintings, NFT’s, galleries, and museums.

Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)

As they keep the momentum from a new direction they pioneered last year at Magda Danysz in Paris, the Patricks continue their endless exploration of icons; pop, punk, and religious. Now, perhaps even more impressively, the artists are applying the model of collage to painted techniques, textures, proportions, even dimensions, for their new show at Goldman Global Arts Gallery at Wynwood Walls in the Wynwood District of Miami.

Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)

Now considered a cornerstone of the nextgen of street art that turned the century, the duo has never stopped innovating or experimenting with ways to flatten the hierarchy of imagery – perhaps predicting the modern age. Whether the source or storyline is authentic or artificial is of little difference – if the image and the technique resonate, it’s worthy of re-mixing, endlessly.

Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)

In “Endless”, we see that it is not just images that need recombining, it’s techniques of art-making do as well. New forms of borrowing and recontextualization means that canvasses may feature references to Warhol’s last screenprinting methods of the 80s happily alongside photorealistic fruit and juicy lips, 2-D cartoon cut-outs, and gradient fills and fonts from your favorite 80s music tour t-shirt.

Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)

It’s true, this work honors the skewed norms of modern heroes of deconstruction – Richard Hamilton, Jacques Villeglé, even Kanye West – but Faile’s unique fluidity and mastery among different media again are challenging you to reach further. In an era when thousands of daily images overwhelm your social feed and respected institutions transform before your eyes in cheerful and sometimes discomfiting ways, this exhibition appears very contemporary.

Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)
Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)
Faile. Detail. Faile Endless. Goldman Global Arts Gallery. Wynwood, Miami. (photo © Jaime Rojo)

Join BSA and Faile LIVE onstage Wednesday, December 1st to talk about “ENDLESS”. See you there!

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BSA Images Of The Week: 11.28.21

BSA Images Of The Week: 11.28.21

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Welcome to BSA Images of the Week. Hope you had a good Thanksgiving and are hopeful for the upcoming holiday season. There are Canadians selling Christmas pines in the neighborhood already – there is no time for you to digest that turkey, you turkey. Also, prices are up 10%-30% on trees this year. Speaking of which, the official Rockefeller Center tree lighting is Wednesday to see the 79-foot tall tree from upstate Oneonta set alight. That event, like so many events in NYC, is completely free.

But we know that times are tough for a lot of New Yorkers – and people elsewhere – and it can really put a damper on your holiday enthusiasm. In fact, according to a recent study by Deloitte, a record number of Americans (11.5%) won’t be buying anything for Christmas this year. – almost double last year’s number. Money is tight, bro. Even the Dollar Tree Store has announced its raising prices to $1.25.

And as you have undoubtedly heard, New York is in a State of Emergency as of Friday since the new governor declared it – ahead of an expected surge of illnesses due to the Omnicron variant of Covid that may overwhelm our hospitals. It’s not here yet but Gov. Kathy Hochul says “It’s coming.”

Grab a mask, do the right thing. We love ya.

This week we’re headed to the Miami Art Week – and we hope to see you there. We’ll interview Brooklyn Street Artists Faile onstage at Wynwood Walls Wednesday if you want to make sure to say hello. We’re excited to see a new slate of graffiti and street art and mural work – and have heard of some surprise installations sure to garner attention. Not that Miami is about garnering attention…

Our interview with the street today includes ASAP, Cramcept, De Grupo, Duster, Huckleberry Fuck Up, Marycula, Modomatic, Nat At Art, Pear, Sam Crew, Soli, Ultramarine Dream, and Wild Boys.

Unidentified artist in Berlin. (photo © Jaime Rojo)
Sam Crew in Berlin. (photo © Jaime Rojo)
Sam Crew in Berlin. (photo © Jaime Rojo)
Duster and other unidentified artists put up a handful of stencils outside the unpermitted Banksy exhibition in NYC. (photo © Jaime Rojo)
De Grupo, Pear, Wild Boys, ASAP (photo © Jaime Rojo)
Huckleberry Fuck Up in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Marycula in Berlin. (photo © Jaime Rojo)
Marycula in Berlin. (photo © Jaime Rojo)
Marycula in Berlin. (photo © Jaime Rojo)
Modomatic (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Ultramarine Dream in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Soli in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Nat At Art in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Cramcept (photo © Jaime Rojo)
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Guerrilla Spam Creates “Usable Monument” to Teach About Seizing Land

Guerrilla Spam Creates “Usable Monument” to Teach About Seizing Land

The structure is not intended to be just admired, but it invites people to come in, walk, sit and play on it.

Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)

The Turin-based illustrator Guerrilla Spam began in Firenz in 2010 and has since travelled to do large scale murals and posters and installations across Italy and into places like Bruxelles, Bristol and Berlin. They like to refer to their work as “a spontaneous, unauthorized form of resistance and protest in urban spaces” – which reminds you of the rebellious ethos of graffiti writers blended with the consciousness of designers and activists eager to evolve society forward. In this case, topics range from education, the penal system, and immigration, among others.

For this “usable monument” in Santa Croce di Magliano, Guerilla Spam is aiming to share people’s  history, specifically the uprising of those here who fought to claim their land in 1955.

Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrottta)

“The day laborers of Santa Croce di Magliano,” says Guerilla Spam, “supported by the women (who lined up in front of the police), by trade unionists and communist leaders, succeeded in obtaining the reallocation of the land. The memory of this event is imprinted in the writings, drawings, and colors of the monument (the colors remind of the ones of the countryside).”

Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)

Bright and optically entertaining, the game is welcoming and accessible, bringing with it the possibility of edification through education. Unusual for unsanctioned public art, normal for those who seize public space for free speech. “Even a passer-by can undertake this path,” says Guerilla Spam, “which looks like a game, but is actually a march towards the awareness of man’s rights”

Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)
Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)
Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)
Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, Italy. (photo © Francesca Perrotta)
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BSA Film Friday: 11.26.21

BSA Film Friday: 11.26.21

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Nadia Vadori-Gauthier / Une minute de danse par jour / Danse 2504
2. Os Gemeos: Secrets – Ep. 04

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BSA Special Feature: Nadia Vadori-Gauthier in an Autumnal Dance

As if a response to the excesses of many Thanksgiving celebrations yesterday, here is dancer and performer Nadia Vadori-Guathier with a new autumnal “minute de danse” to inspire us all to get off the couch and at least go for a walk – or a dance, or fall to the ground in a pile of leaves.

Nadia Vadori-Gauthier / Une minute de danse par jour / Danse 2504

OsGemeos: Segredos – Ep. 04

And now, Back to Skool with OSGEMEOS in Episode 4 of their new series.

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Happy Thanksgiving 2021

Happy Thanksgiving 2021

We take this moment to wish you and your family and friends a Happy Thanksgiving today.

Thanksgiving is an American holiday, yet as a practice in life, everyone eventually knows that it is necessary to find gratitude, a way to see and appreciate those people, events, lessons that have led and guided, and cared for us.

It’s a short life, and we are thankful to BSA readers throughout the world for your support over the years.

Manhattan, NYC. (photo © Jaime Rojo)
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Criola Paints “Black Girl Magic” in Las Vegas

Criola Paints “Black Girl Magic” in Las Vegas

 “Nature, colors, spirituality, self-knowledge, beauty and the power of black women and ancestral matrix cultures,” says Criola about the things that inspire her.

The Brazilian muralist is in downtown Las Vegas to paint a bold diptych called “Black Girl Magic,” for the 3-day Life is Beautiful Festival.

Criola. “Black Girl Magic”. Justkids. Las Vegas, Nevada. (photo © Justkids Art)

She says she’s happy to pursue aesthetically pleasing projects while being aware that there is always the burden of the past that has formed this Afro Brazilian woman from “a matriarchal family of black women who were forced to be strong and resistant because of structural racism since the colonization of my country.” The portrait that looms above people walking through town here is elegant and proud and full of splendid ideas that pop around her head, like so many cosmically exploding afro-puffs.

Criola. “Black Girl Magic”. Justkids. Las Vegas, Nevada. (photo © Justkids Art)

Criola says she gravitates toward painting black women “to exalt and represent, in a positive way, an aesthetic that should be positioned in a place of honor and appreciation. It also means being a protagonist in the evolution process of my individual consciousness, and collective consciousness, which involves the use of my power and artistic exploration games to deconstruct systems of oppression that are still very much present in Brazil.”

Criola. “Black Girl Magic”. Justkids. Las Vegas, Nevada. (photo © Justkids Art)
Criola. “Black Girl Magic”. Justkids. Las Vegas, Nevada. (photo © Justkids Art)
Criola. “Black Girl Magic”. Justkids. Las Vegas, Nevada. (photo © Justkids Art)

Criola is invited to Life is Beautiful by the women-led curator group Justkids.

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Miami Art Week Begins and Wynwood Has “Agents Of Change”

Miami Art Week Begins and Wynwood Has “Agents Of Change”

Miami awakens from a Covid-19 stupor this year with a bonified Art Week, featuring associated fairs and events like Wynwood Walls that are activated by the Art Basel behemoth. Some of the high-profile organizers of yesteryear may be on the ropes this time but you are sure to see many of your favorite and familiar art dealers, drug dealers, street artists, graffiti writers, djs, taco sellers, and lucite stiletto slide-ons. Cold weather birds love to fly here for the art fairs and a quick suntan and a Pina Colada just after Thanksgiving every year – it’s equal parts breezily laid back and sketchy and only slightly hedonistic, the gritty-glam blocks of Wynwood know how to keep it real, unless it was silicone to start with.

Futura. Wynwood Walls. Wynwood, Miami. (photo © Jaime Rojo)

We’ve heard some solid talents are going to be in the neighborhood, of their own volition or by invitation, as is usually the case. Wynwood Walls is offering 11 artists painting the outdoor space and the Brooklyn art duo Faile mounting a large indoor exhibition of new works that are sure to shock and thrill new fans and those who have watched them from street to museum in and elsewhere in between in their 22 years as visual alchemists. We’re also interviewing them live onstage at Wynwood Walls Wednesday December 1st at 7 pm. We’d love to see you there and talk with you so please stop by and say hello!

Dan Kitchener. Wynwood Walls. Wynwood, Miami. (photo © Jaime Rojo)

With a theme of “Agents of Change” Wynwood Walls is bringing AIKO (Japan), Diogo “Addfuel” Machado (Portugal), Bordalo ii (Portugal), David Flores (United States), Scott Froschauer (United States), Joe Iurato (United States), KAI (United States), Kayla Mahaffey (United States), Mantra (France), Ernesto Maranje (Cuba), Greg Mike (United States), Farid Rueda (Mexico), and for the first time, Wynwood Walls will open one wall to a local artist in an “Open Call” competition. 

VHILS. Wynwood Walls. Wynwood, Miami. (photo © Jaime Rojo)

Wynwood Walls/Goldman Properties Event Schedule to Date

  • Beginning Monday, November 22 – Sunday, November 28, 2021
    • Wynwood Walls Begins Art Week Live Installations 
      • Monday, November 22nd – Wednesday, November 24th: 11am – 10pm
      • Friday, November 26th – Sunday, November 28th: 10:00am – 10:00pm
  • Monday, November 29, 2021
    • Unveiling Event and Wynwood Walls Opening Party | Invitation only
  • Wednesday, December 1, 2021 
    • 7 – 8pm – Artist Talk l FAILE talks to Brooklyn Street Art (BSA)
      Open to the public, included in Wynwood Walls Admission 
  • Thursday, December 2, 2021 
    • 3 – 5pm – KAI unveils sculpture in collaboration with Odell Beckham Jr.  l Open to the public, included in Wynwood Walls Admission 
  • Friday, December 3, 2021
    • 4 – 7pm – Superplastic Activation & Kranky Art Competition l Open to the public, included in Wynwood Walls Admission 
  • Miami Art Week – Tuesday, November 30 to Sunday, December 5, 2021
    • 9am – 10pm – Walls will be open Tuesday, November 30th – Sunday, December 5th
    • Daily DJ set at the Wynwood Walls Tuesday – Thursday 2:30 – 7:30pm, Friday – Sunday  3:30 – 8:30pm 
DEIH. Wynwood Walls. Wynwood, Miami. (photo © Jaime Rojo)
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SpY: AI and “Data” For Light Show at LUZMADRID

SpY: AI and “Data” For Light Show at LUZMADRID

Every time you hear “artificial intelligence” you think of Becky Thompson from you 9th –grade Earth Science class. Admit it.

But this is an entirely different interpretation of artificial intelligence from SpY.

SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)

Madrid public artist appears to be on a winning streak this fall, thanks perhaps to so many detailed plans he laid during lockdown with COVID. This night light show called “DATA”, which he did for the International Festival of Light called LUZMADRID this fall maximizes a slim slice of the urban nighttime view, and he intends it to be an immersive audio-visual experience.

We’re excited to hear about Spain’s first light festival – and we have a little friendly advice: Don’t let the advertisers take it over the curatorial decisions because before you know it they’ll be project toothpaste tubes up this alley. No one will listen to us, but we feel better saying it.

SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)

DATA, says SpY, “offers a reflection on the rapid and widespread inclusion of algorithms in numerous aspects of our lives. In this audio-visual work, digital abstraction is used to explore and interpret how predictive tools operated through algorithms and artificial intelligence are highly beneficial in terms of aspects such as communication, research, and medicine, but can also lead us to lose some of our freedoms if they are not used ethically.”

Which was precisely what you would have guessed, right?

SpY tells us that he wanted to explore new tools like holographic fabrics to alter the graphics, saying that they somehow appeared “weightless”. He created a 15-meter high screen made from this fabric and installed it in one of the smaller streets, embuing the experience with something magic, and possibly otherworldly for the audience on the street.

SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)
SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)
SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)
SpY. “Data”. LuzMadrid. International Festival of Light 2021. Madrid, Spain. (photo © Ruben P. Bescos)
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BSA Images Of The Week: 11.21.21

BSA Images Of The Week: 11.21.21

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Welcome to BSA Images of the Week! Coming up Thursday is Thanksgiving. What are you thankful for? We’re thankful for you and the indomitable spirit of New York.

It looks like many New Yorkers who abandoned us last year are thankful to be moving back into our fabulous and gritty city. You see, we knew you would all come crawling back. Real New Yorkers, on the other hand, stayed right here and persevered alongside one another, showing solidarity in hard times, because we may be a little too loud or cantankerous, but we can handle shit. Also, for those of us who are poor or low income, we didn’t have the option of going anywhere else, frankly – we were just trying to get by day by day as we lost jobs, lost family members, lost our homes, listened to ambulances speeding past our windows every hour. We largely stayed indoors for months – except when we were marching for equal rights and justice for all. So, welcome back to the fair-weather New Yorkers. Sadly, a certain number of people in our real estate industry are taking advantage, jacking up rents – in some cases by 70%.

This week we saw Norwegian artist Dot Dot Dot putting up new work in a number of spots around the city – and we have some shots of his new work. One, in particular, seemed prescient in view of further polarization caused by the verdict in the Kyle Rittenhouse case on Thursday. He uses the power of words – lifted from the Pledge of Allegiance that school kids across the country say. It’s always great to see how artists evolve personally and develop their practice, skills, and vocabulary.

It was also great to go to celebrate the monograph book release of photographer Janette Beckman (Rebel: From Punk to Dior (Drago)) this week at Fotografiska New York. Celebrated for her excellent timing on the subcultural scenes of punk in the early 1980s and the burgeoning Hip Hop scene of the 1980s and 1990s, her photographs are the first images that spring to mind for many when you say names like LL Cool J, Salt N Pepa, Public Enemy, Andre 3000. Run DMC, Boy George, the Clash, the Sex Pistols. Celebrity-driven photography that also captured rebels before they mainstreamed, her images are sincerely stylish without preening, enormous stars before they exploded – a few shades closer to documentary work than strictly for the style pages. It was great to see her being celebrated by a room full of New York/London homies from music (Def Jam, Tommy Boy), publishing (Paper, The Face) – as well as graffiti specifically, Hip-Hop culture more generally. Fun times!

Our interview with the street today includes Adam Fujita, Billy Barnacles, DotDotDot, and Mok.

DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
DotDotDot (photo © Jaime Rojo)
Adam Fujita (photo © Jaime Rojo)
2021 Graffiti (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Billy Barnacles (photo © Jaime Rojo)
MOK (photo © Jaime Rojo)
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Monopol Covers “Martha Cooper: Taking Pictures”

Monopol Covers “Martha Cooper: Taking Pictures”

We’re pleased today to show you the new article about our exhibition and book “Martha Cooper: Taking Pictures” at Urban Nation – this one from the German Monopol magazine.


“Her voice on the phone is friendly and warm. But Martha Cooper, this is clear, does not want to be bored. Naturally not,” begins journalist Silke Hohmann in her article for Monopol.

Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine

“Otherwise she would not have climbed on a motorcycle in 1965 to ride from Thailand to England at the age of 22. Otherwise, she would not have moved to Tokyo as a young woman to explore and photograph a legendary and discrete tattoo scene and one of its masters at work. Otherwise, she would not become the first female photographer at the New York Post in the 1970s where she photographed life in the urban wasteland. Cooper’s photographs of Breakdancers from the 1980s are the first published pictures of a then still unknown dance form, essential for the emergence of Hip Hop culture.”

Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
Martha Cooper: Taking Pictures. Urban Nation Museum Berlin. Monopol Magazine
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BSA Film Friday: 11.19.21

BSA Film Friday: 11.19.21

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Monumental Shadows: Rethinking Colonial Heritage
2. Os Gemeos: Secrets – Ep. 03

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BSA Special Feature: Monumental Shadows: Rethinking Colonial Heritage

Last month we covered this Berlin-based project addressing the staining effect of colonialism and racism on everything we see and the structures that we interact with and are formed by today in so-called Western culture. To see the documentary progression of the project and hear the voices of those who executed it is powerful – and instructive.

“We have to deal with people who feel entitled to exclude other people from participation, from conversation, from civil rights, from society, from history,” say Various and Gould.

Brilliant pieces and campaigns like this that require so much time and energy and resources are carefully planned and considered, and quietly have the opportunity and potential to change hearts and minds – even to alter the course of history.

Read more about the project here: Various & Gould Tackle Racism and Colonialism in Berlin with “Monumental Shadows”

OSGEMEOS: SEGREDOS – Ep. 3

“It’s nice that the story isn’t made from one point of view. There are many accounts, and from various elements,” says artist Soberana Ziza, and you suddenly realize that this is the very dynamic that makes this series by OSGEMEOS about Hip Hop so ardently insistent on grabbing your attention, and communicating the steely core of a culture born from our common streets.

There are many voices that make a scene, and not only the loudest ones, and that is an important quality that gives such resonance to this scene over time, wherever it grows. Here we get a brief look at the inherent misogyny evidenced in society generally, and therefore in the culture of Hip Hop specifically.

Are we surprised? “What place is not hostile to women,?” asks Soberana Ziza.

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Berlin’s OKSE 126 Brings His CMYK DOTS Campaign to Walls in 103 Cities

Berlin’s OKSE 126 Brings His CMYK DOTS Campaign to Walls in 103 Cities

Wading and wandering through the late autumn sunlight dappling the graffiti and street art near Alexanderplatz in Berlin, we noticed periodic dotting of the wall above the chaotic visual fray at eye level.

CMYK Dots. Berlin. (photo © Jaime Rojo)

The four dots are a clear, crisp distillation of color that every graphic designer since the print age is well familiar with: CMYK. Expressed in 3-D sculpture dots with a variety of techniques and glued to the wall above us, we were reminded foften during our walk that all colors are a combination of these four.

CMYK Dots. Berlin. (photo © Jaime Rojo)

A one-person mission by Berlin graffiti writer and street artist OKSE 126, the CMYK Dots campaign has traveled across many German and European cities and actually has a map for you to track them down. In addition to prodigious dots on the street, he’s started a line of clothing and art products and has shown his work in galleries like Berlin’s Urban Spree and this month at Hamburg’s Urban Shit Gallery “URBAN ART EDITION 2021” group show. The street art project, which OKSE 126 refers to as a modern technique of pointillism, has exceeded his goals, totaling 1,113 dots, 104 cities, and 16 countries.

CMYK Dots collaboration with Nat At Art. Berlin. (photo © Jaime Rojo)
CMYK Dots. Berlin. (photo © Jaime Rojo)
CMYK Dots. Berlin. (photo © Jaime Rojo)
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