All posts tagged: Jaime Rojo

Pixel Pancho in Bushwick

Pixel Pancho in Bushwick

International Street Artists have made Bushwick a destination for legal murals for a few years because they know that if they keep it clean they are in for a whale of a wall while the neighborhood undergoes it’s metamorphosis.

Pixel Pancho doesn’t get to Brooklyn too often, but when he does he’s been making a splash and people don’t forget very soon. Not that you should let go and get big head now, Pix.

The Torino-based Pancho was on a few cherry lifts here last week and we thought you’d like to see this one on the side of a restaurant that he entitled “Dude, Where’s My Whale?” Not quite the robotic milieu he is typically seen doing, this one makes a facade a bit Rubiks cubist, and looks like someone has a geranium in the cranium.

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“The Pier” Online Premiere on BSA Film Friday 06.06.14

“The Pier” Online Premiere on BSA Film Friday 06.06.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

BSA Special Feature: World Premier
“The Pier” (Piren)

Today BSA brings you the online release of “The Pier”, by Erik Vestman and Nils Petter Löfstedt, who have presented it at packed documentary events and exhibitions around Europe but it has never been presented online until today, which we do proudly.

The half hour film tells the story of two artists discovering a hidden space under a pier near the ocean and their distinctly D.I.Y. approach to getting their hands dirty and creating something genuinely new. “We wanted to make the room perfect – like a classy room in an apartment – but in a dirty dark hole underground,” says Petter when describing the secret project that took the guys about six months of ferrying materials and tools back and forth to the spot on bicycle. Why, you might ask? “There was no obvious purpose. Otherwise all rooms have a purpose, usually – toilet, office, living room. But this was just a room, underground, for everybody to do what they wished with.”

Löfstedt and Vestman have been experimenting with the concept of public/private in some of their other conceptual works over the last few years; precisely replacing stone tiles in public areas with photographic works of friends and rats, for example, and “re-purposing” a downtown commercial kiosk into a rural field outside of the city for uses more fitting the agrarian way of life.

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“Everything can be changed. Everything can be turned into poetry,” they like to say, and with this same philosophy you can best assess many artworks works on the street – sanctioned and guerilla style – and judge how successful at writing poetry an artist has been when engaging the public.

Is it possible to find poetry in all public spaces? Petter says possibly, “Guess there is poetry everywhere. The only thing is to have time to see it.”

Documenting their project of transformation with film and photography, they also left journals for visitors to write in, collecting observations, some negative, most positive.

But the under-pavement construction wasn’t originally going to become a film. “When we found the empty, dirty space under the pier we had no plans except making something great out of it,” Erik tells us. “After quite some time when we finally started building we also started documenting what we were doing. But we had no plan of making a film or a book until far into the process.”

Brooklyn-Street-Art-copyright-Nils-Petter-Lofstedt-The_pier_2Was it all glamour? “It was horrible and fantastic to build the room. I got a nosebleed, there were these tics… I think we both had dreams about moving stones and gravel and paint that didn’t dry in the moist air of the sea. However we were totally absorbed by what we were doing.”

The “secret” spot became known because of its ingenious appropriation of a nether space – not quite public but not entirely private. The transformative effect of their carpentry and industry deliberately plumbed psychological boundaries about the built environment, as well as its purpose. By physically crossing the precipice into and out of the space a visitor pierced a veil of typical expectations, interacting with an inspired project that literally causes one to see their world differently.

Welcome to “The Pier”.

 

 

Original title: Piren
English Title: The Pier
Genre: Documentary
Director: Nils Petter Löfstedt
Production: Stavro Filmproduktion AB in coproduction with SVT and Film i Skåne
Length: 28 minutes
Photo: Nils Petter Löfstedt
Editing: Johan Löfstedt
Music: Carl Johan Lundberg / Vit Päls
Producer: Patrik Axén
Sound design: Robert Sörling
First grade: Simon Möller
Final grade: Erik & Nils Petter
Graphics: Erika Nyström

www.thepier.se

 

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Alice Pasquini e Una Donna, Memorie Urbane 2014

Alice Pasquini e Una Donna, Memorie Urbane 2014

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“I just finished my latest wall in Itri, Italy for the Memorie Urbane Festival,” says Alice Pasquini about her new piece here on BSA.  The engagement with the community is one of the fascinating aspects of public art, and sometimes an artist can be surprised by the comments and conversations sparked by their work – and who they meet on the street.

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

Inspired by the neo-realist 1960 film ‘La Ciociara’ (Two Women) directed by Vittorio De Sica, the artist creates a portrait of its star, Sophia Loren, which she painted over two days. During that time she really understood the importance of context.

“I was visited by elderly residents of the town, many of whom remember when the filming took place and shared their stories.  One woman, now in her late 80s, had a small role in the film and explained that with the fee she was paid, she was able to support her family of five children,” says Pasquini.

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

 

Ernest Zacharevic “Toy Mafia” Memorie Urbane Festival 2014

Etnik and Millo Memorie Urbane Festical 2014

Martin Whatson, David De La Mano, Pablo Herrero and E1000 Memorie Urbane Festival 2014

Opiemme Memorie Urbane Festival 2014

 

Click HERE for more Memorie Urbane Information

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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India’s First Street Art Fest and the Largest Ghandi Portrait Ever

India’s First Street Art Fest and the Largest Ghandi Portrait Ever

“St.ART Dehli 2014” Hosts 60 Artists

As Street Art continues to go global here in the twenty-teens, today we bring you images showing that Dehli has become one of the latest cities to showcase it. In what is billed as India’s very first Street Art festival the south Delhi neighborhood of Shahpur Jat hosted a collection of international and local artists this spring to paint murals while a public who is not quite acquainted with public art asked many questions.

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Hendrik ECB Beikirch and ANPU take shots of their collaborative portrait of Mahatma Ghandi. / St.ART Delhi 2014 (photo © Akshat Nauriyal)

Working out of the newly rustic indoor venue “Social Space” in the trendy neighborhood of Hauz Khas Village (HKV), the St. ART Delhi effort was a combination of a gallery exhibition and a street art festival that invited 60 or so international and Indian artists earlier this year to create public works.

Overseen by co-founders Hanif Kureshi and Arjun Bahl and curated by Italian Giulia Ambrogi, the festival was possible with the help of a collection of artists, professionals, art school students, and friends who  joined with the Goethe-Institut and the Italian and Polish cultural institutes in Delhi. With volunteers, supplies, and a lot of community outreach, the event organizers were able to bring the artists and help get walls for them-  an effort which took about a year and a half of serious planning to bring to fruition.

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Artez. St.ART Delhi 2014 (photo © Akshat Nauriyal)

In an underdeveloped area undergoing the same gentrification found in edgy parts of large cities around the globe, the artists found that the long term residents sometimes resisted the change but eventually embraced it, if tentatively at times.

“Pondering was what we had to do for much of the day as the locals were still getting accustomed to strange folks painting their walls and generally made life a bit difficult for the artists and the crew,” writes Siddhant Mehta on the blog of the festival’s site when describing the cautious reaction of folks when seeing painters and scaffolding.

Some residents even requested images of religious iconography before any artworks were created, while some artists entertained requests for cartoon characters or children’s games to be incorporated in their murals.

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Sé Cordeiro. St.ART Delhi 2014 (photo © Akshat Nauriyal)

Co-founder and typography designer Kureshi freely admits it was an easy non-controversial choice when deciding on the portrait that went up on the police building. “After 2 months, we finished around 75 pieces around Delhi including the tallest one on the Delhi Police Headquarters,” says Mr. Bahl as he describes the tallest portrait of Mahatma Ghandi anywhere which covers a 150’ x 38’ – a collaboration between Indian painter Anpu Varkey and German street artist ECB.

Of the 60 artists who participated, many were from India, which may have contributed to a sense of cultural balance in the mural collection created in the neighborhood. Whether is was TOFU from Germany, M-City from Poland, or Alina from Denmark, many of the artists reported that small crowds gathered to watch and, with time, offered gifts such as peanuts or a cup of chai to their foreign guests.

As the global Street Art scene continues to open its arms wider it is promising to see that a new public art festival like this has begun in such a grand way in a brand new location. It is also heartening to see planners who take into account the preferences of the neighbors, and who act with a sense of goodwill when offering public art for arts sake.

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Harsh Raman. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Okuda. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Andy Yeng and Tofu. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tofu. Detail. St.ART Delhi 2014 (photo © Jayant Parashar)

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Tona. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Foe. St.ART Delhi 2014 (photo © Enrico Fabian)

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Foe. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Mattia Lullini. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alina Vergnano. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alina Vergnano. St.ART Delhi 2014 (photo © Pranav Mahajan)

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Bond. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alias. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alias. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Ranjit Dhaiya. St.ART Delhi 2014 (photo © Akshat Nauriyal)

BSA extends our thanks to Thanish Thomas for his diligence in getting these images to us and to Hanif Kureshi, Arjun Bahl, Giulia Ambrogiall, Mridula Garg, Akshat Nauriyal, and the entire team at St.ART Delhi 2014.  Click HERE to learn more about St.ART Delhi 2014.

 

 

St.ART Delhi Street Art Festival Part II

 

 The Tallest Mural of India – Mahatma Ghandi at St.ART Delhi

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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Opiemme X Moby Dick X Museum of Urban Art (Italy)

Opiemme X Moby Dick X Museum of Urban Art (Italy)

There has been some excited talk in the last couple of weeks here about the announcement of a new urban art museum in New Jersey associated with Mana Contemporary – some even saying that it is the first of its kind. No doubt it will be a first in many categories but when we heard the name MANA associated with an urban museum we also thought of MURo (Museo di Urban Art di Roma) and then of MAU.

The Museum of Urban Art in Turin Italy is called Museo d’Arte Urbana and it has a director and a board, has programmed and placed countless works in public spaces since the mid 1990s, and is reportedly securing a large permanent location in that city as well.  In fact, many have had this lust for combining the street with museums, and everyone does it differently.

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Opiemme. Torino, Italy 2014. (photo © Opiemme)

“It’s a really particular reality,” says Opiemme this week of the MAU program that just brought him to Torino, as the city is natively referred to. “There’s a block called Campidoglio where MAU took over beginning in 1995,” the Street Artist says about what is essentially a mural arts program that has brought public artists and artworks to the street in a curated fashion. Successfully, you might add, from the citizens point of view.

“Actually I never painted in a place where people were so happy to have me there,” he says of the new 50 square meter text based whale based on Melville’s Moby Dick. Installed over a weekend in May where Corso Tassoni meets Via Cibrario, the text comes from the book, is entitled “Ahab’s Whale”, and according to Opieme, it questions who is the bigger monster – the whale or the captain’s obsession.

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

As the street scene shape-shifts once again and we have moved into a period at the moment where there is a booming mural scene washing over us – one that many would not have predicted – it is worthwhile to speculate what form and format an “urban art” museum would/could/should take and which masters are to be served?

But before pulling our whaling boats up alongside this enterprise and harpooning it with a list of programming demands — hold your fire! Perhaps we’ll need to acknowledge that we’re going to need a number of these museums worldwide, and each can find their particular focus without presuming to be everything to every one.  That would be quite impossible.

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

As usual, we are still content with the museum of the streets, the gallery of the self-selecting, curated by will, happenstance, the elements, and the audience who determines how long it is on exhibit.

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Opiemme. Torino, Italy 2014. (photo © Opiemme)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

For more information on the Museo d’Arte Urbana please click HERE.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Etnik in Pisa for Indoor/Outdoor, 25 Years After Haring (Italy)

Etnik in Pisa for Indoor/Outdoor, 25 Years After Haring (Italy)

Marking a quarter century since Keith Haring created his mural on the back wall of the Servi di Maria convent beside the Church of S. Antonio in 1989, the city of Pisa began Indoor Outdoor – Arte Urbana a Pisa last month with the first murals of the festival installed on the 24th and 25th of May. In June the second part of the project will be an indoor exhibition of the seven artists who participated in the outdoor murals, including Etnik, who is from Vinci, about an hours drive from Pisa.

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

Here we see Etnik on a wall not far from the entrance of the airport exploding his geometric forms across a colorful waving wash of space. The former graffiti writer has moved from the letter form to the geometric form and was at Memorie Urbane a little earlier in the year with a similar context and technique; first blocking in the colors and then tracing with aerosol the quadrilaterals and their couplings and groupings, building the isometric foundations from below, allowing them to float in space, free to interact with 3-D and 2-D forms passing by.

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

Participating in Indoor Outdoor are Francesco Barbieri, Lineapiatta (Daniel Tozzi and Massimo), Scaramucci, Aris, Etnik, Soap The Wizard, Giorgio Bartocci, and Frangisuono Cisanello. For more information please visit http://www.indooroutdoor.it/

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Images Of The Week: 06.01.14

Images Of The Week: 06.01.14

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BOS, Bushwick Collective, Juicy Fest, RedHook Studio Tours, Northside Festival, Welling Court… BK and QNS are bombed with artists in June – and today’s throwdown in Bushwick is just one tab on the 12-pack to pop and spray all over your friends on a hot summer day. When it comes to street art we’re in this new legal mural phase right now and when you head out to Bushwick Open Studios today you will see freshly painted and in-process walls. Don’t worry, we’re still seeing a lot of uncensored freewheeling self-selecting artistic installations of the unsanctioned variety – and that sector is alive and well.  See you out in the street!

Here our weekly interview with the street, this week featuring

Adam Fujita, BustArt, Cb23, Chris Dyer, Dain, Dasic, Don Rimx, Ethos, FoxxFace, Jerk Face, Labrona, Meca, Meer Sau, Milo, Muro, Osch, Princess Hijab, QRST, Ricardo Cabret and Son, Sem, Skewville, Stinkfish, Stovington 23, Txemy, Vexta, Zaira

Top Image >> Dasic for the Juicy Art Festival. (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Adam Fujita for The Bushwick Collective. (photo © Jaime Rojo)

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Princess Hijab has a new installation in the Paris Metro (photo © Adrien Chretien)

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Princess Hijab. Detail of the above installation. Paris, France. (photo © Adrien Chretien)

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Are you feeling this felt lava lamp? Milo calls what she does Graffeltti. (photo © Jaime Rojo)

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Osch new installation in London’s Brick Lane. (photo © Massimo Filippi)

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Dain (photo © Jaime Rojo)

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Sem (photo © Jaime Rojo)

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Ethos new piece in Sao Paulo, Brazil. (photo © Claudio Ethos)

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QRST (photo © Jaime Rojo)

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Don Rimx, Ricardo Cabret and Son for the Juicy Art Festival. (photo © Jaime Rojo)

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Labrona new indoor mural in Montreal, Canada. (photo © Labrona)

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Vexta for The Bushwick Collective. (photo © Jaime Rojo)

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Stovington23 new corporate takeover in Eastbourne, UK. (photo © Stovington23)

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BustArt and Zaira new stencil work in Amsterdam. (photo © Bustart/Zaira)

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BustArt and Zaira new stencil work in Amsterdam. (photo © Bustart/Zaira)

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Muro . Txemy . Stinkfish . Meca . Done for the Juicy Art Festival. (photo © Jaime Rojo)

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Meer Sau in Salzburg, Austria. (photo © Meer Sau)

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Jerk Face completed his Tom and Jerry piece in Williamsburg. (photo © Jaime Rojo)

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cb23 and Foxx Face collaboration. (photo © Jaime Rojo)

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Chris Dyer in Denver, Colorado. (photo © Jaime Rojo)

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Untitled. Greenpoint, Brooklyn. (photo © Jaime Rojo)

If you are lucky enough to be in NYC this Sunday, get out of the house and head over to East Williamsburg and Bushwick. You’d have the chance to see many of these murals in person and perhaps and artist or two while applying the final touches to his or her wall. Click HERE for more info on The Bushwick Collective block party taking place today. And HERE for the Juicy Art Fest which is not happening until June 5, 6 and 7 but artists are currently busy at work on their murals and it is only a short walk between the two.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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OWB2 : Open Walls Baltimore 2 Winding Up (VIDEO)

OWB2 : Open Walls Baltimore 2 Winding Up (VIDEO)

Two years after Baltimore opened its walls to Street Art, the street artist Gaia has again summoned artists this spring and summer to regale walls with murals throughout the up and coming neighborhood it was meant to help develop and revitalize, the Station North Arts & Entertainment District. From March through June this year fifteen artists from hometown Baltimore, Philadelphia, New York, Europe and South America were slated to come through and hit big walls.

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Escif. Open Walls Baltimore 2014 (photo © M Holden Warren)

With the majority of the original works still remaining from the first phase, the new walls OWB2 were scheduled for Lesser Gonzalez Alvarez, Betsy Casanas, El Decerter, ECB, Escif, Gaia, LNY, Logan Hicks, Santtu Mustonen, Nanook, Ozmo, D’Metrius (DJ) Rice, Ernest Shaw Jr., Katey Truhn & Jessie Unterhalter, Zbiok, and the Urban Playground Team.

Thematically derived in many cases from local history and figures and culture, the publicly/privately funded mural program is complemented by a series of free performances and workshops throughout the duration of this year’s installations.

Here are some recent images of walls being completed thanks to Martha Cooper and M Holden Warren. Back in April we also published a selection of images from OWB from photographer Geoff Hargadon.

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Escif. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Santtu. Open Walls Baltimore 2014 (photo © Martha Cooper)

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Santtu. Open Walls Baltimore 2014 (photo © Martha Cooper)

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Gaia. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Gaia. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Ozmo. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Ozmo. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Nanook. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Nanook. Open Walls Baltimore 2014 (photo courtesy © OWB)

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Logan Hicks. Open Walls Baltimore 2014 (photo © M Holden Warren)

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Logan Hicks. Open Walls Baltimore 2014 (photo © M Holden Warren)

 

 

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BSA Film Friday: 05.30.14

BSA Film Friday: 05.30.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1.”Cast A Shadow”- Hiroyasu Tsuri (TWO ONE)
2. Spring Fling/ Rural Mural (Scotland)
3. The Pony Thief (Denmark)
4.Puddles Swings from the “Chandelier”

BSA Special Feature:
“Cast A Shadow”- Hiroyasu Tsuri (TWO ONE)

Visual storytelling and psychological portraiture here by film maker Michael Danischewski as he conjures the interior/exterior of Japanese graffiti/fine artist TWO ONE.

How the innerworld manifests – whether in sculpture, mural, or quickly rendered on a corrugated pulldown gate in the commercial district, Cast a Shadow  remains enigmatic and bouyant, occupying a layer between the conscious and subconscious.

 

Spring Fling/ Rural Mural (Scotland)

A further integration, a further erosion, a further foundation. Urban is meeting rural increasingly, if still tentatively, and in the process these artists and others like them are engaging a new audience and beginning conversations about what we may more comfortably refer to as Contemporary Art.

Last month artists were paired off for and event called Spring Fling Rural Mural in South West Scotland to create new works on architecture in the rural areas – barns, farm buildings, substations.

The film by Fraser Denholm and Richard Watson gives a broad and specific overview of the events and a number of the organizers, artists, and new works.

 

The Pony Thief (Denmark)

According to Wikipedia, “Horse theft was very common throughout the world prior to widespread car ownership. Punishments were often severe for horse theft, with several cultures pronouncing the sentence of death upon actual or presumed thieves.”

Aren’t they nice in Denmark? The artist tracked down the three meter high pink pony that had disappeared. See how it all ends up.

 

Puddles Swings from the “Chandelier”

Awww, let’s have a pity party for poor Puddles. Except that he is an emotive and stunning performer with a gorgeous golden voice. Poor Puddles.

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BSA Picks for Bushwick Open Studios 2014

BSA Picks for Bushwick Open Studios 2014

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So Summer is officially here and with it comes Bushwick Open Studios (BOS) – in fact close to 600 venues are opening their doors for the next 3 days and you are encouraged to just wander the streets or to be strategic about it.

As always, the arts and culture festival is hosted by the volunteer organization Arts in Bushwick (AiB) and as always BSA has an eclectic collection of a few highlights we think you’ll like. They are not in any particular order and they are not all related to Street Art, but yo, isn’t everything related to Schtreet Aht in Bushwick?

BAnner-Brooklyn-Street-Art-BOS-PICKS-LOGO1. Maps N Mimosas at Norte Maar
2. Art Brooklyn
3. Bushwick Smushwick
4. blokactivity: A People’s History
5. Exit Room Group Show and Art Battles
6. Meg Hitchcock
7. Secret Project Robot Renaissance Faire
8. “Vacancy” with Pufferella in the Factory Fresh Penthouse
9. The Bushwick Collective Block Party and Art Show

 

Norte Maar for Collaborative Projects in the Arts

Yes, there’s the launch party on Friday but the place to get your bearings will be Maps-N-Mimosas on Saturday morning with Norte Maar, who we want to shout out.

In their seventh year at BOS, Norte Maar has been a unique and steady force in the evolution of the arts scene in Bushwick. Free of the posturing characterized by round-tables and panels, Norte Maar dove into its programming by involving the public and the neighbors, showing leadership and piquing curiosity thanks to co-founder/ Director Jason Andrew.  A myriad of cultural programs have unfolded, each with a strong commitment to collaboration and inclusiveness.

For BOS 2014 Norte Maar is giving you a chance to explore your voyeuristic side by opening his private collection of art comprised of local Bushwick artists, including drawing, mixed media, painting, photography, and sculpture. And yes, Jason will likely welcome you at the door with a mimosa. GO!

Norte Maar
83 Wyckoff Ave., 1B
Brooklyn, NY 11237

 

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Art Brooklyn

Mighty Tanaka Gallery owner Alex Emmart will be in residence for this pop-up and a handful of the names associated with Street Art in the late 00s and some new friends too.  Guest artists include JM Rizzi, Chris RWK (Robots Will Kill), Rubin415, Reginald Pean with Kristin Maher and Karina Herrera, Brandon from Greatest Hits Gallery. The event will have free refreshments.

2 St. Nicholas Ave., 2nd floor
Brooklyn, NY 11221

Friday May 30, 12-6pm
Saturday May 31, 12pm-6pm
Sunday June 1, 12pm-6pm

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Bushwick Smushwick

A collection of drawing, mixed media, painting, photography, sculpture, and some street artists thrown in for spice with Skewville, Jon Burgerman, Allison Sommers, Vahge, QRST, Rachel O’Donnell, Lev Sloujitel, Caroline Harrison, Alden Stover, Megan Watters, Daniel Mitchell, Peter Striffolino, Herm, Ariel Hellwitz, Alex Feld, Sasha Braginsky, Dane LaChiusa, Glenn Friedel, Chip Moeser, Hsin Wang, Ben Ripley, Ryan Ford, and Ronit Zvi.

Bob Jefferson
308 Jefferson St.
Brooklyn, NY 11237

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blokactivity: A People’s History

blokactivity: A People’s History is an art event that limits itself to just one block in Bushwick and the change that it has undergone in the last two decades. Curated by Clare Stack and photographer Brenda Kenneally, this is the story of their neighborhood, their culture, their love for their home, and they have created this show with other local artists to bring the block and it’s history to life for BOS 2014. The photos alone are a rare eye-opening opportunity to appreciate life in Bushwick  and to provide insight into how things have changed.

“There will be a display of personal photographs and stories belonging to people who are either long time residents/grew up in the area or those who have made it their home more recently. Some of these images will be displayed on a wall-sized map of the block, drawn especially for the show by Victor Llanos and Hannah Lichtenstein. There is an interactive component for those who want to share their own stories. This show also includes many original works by local artists including video pieces by Kevin Little and C. Stack, collage by Zak Vreeland, photography by Oriana Fine.”

rare form studio/ pop-up gallery
1102 Broadway, 3rd Floor
Brooklyn, NY 11221

Friday May 30, 4p.m.- 7p.m. (event at none)
Saturday May 31, 12pm-7pm (event at tba)
Sunday June 1, 12pm-6pm (event at none)

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Exit Room

This experimental show space that has provided opportunity to Street Artists in the last year will host Art Battles, a group show of about 20 artists, live painting and video projects.

270 Meserole St., Ground Floor
Brooklyn, NY 11206

Friday May 30, 2pm-8pm
Saturday May 31, 2pm-8pm

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Meg Hitchcock

Artist Meg Hitchcock has been building her text-based practice for a while in Bushwick and her astounding works on paper using letters cut from sacred texts will be on display as well as some older pieces.  By separating the text from its original moorings, she finds that these spiritually infused symbols are set free to rearrange themselves across walls and re-present rather decoratively, rhythmically, organically.  Formerly evangelical, now she is simply angelical.

698 Hart St., Ground Floor
Brooklyn, NY 11221

Saturday May 31, 12pm-7pm

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Secret Project Robot Renaissance Faire

A not-for-profit artist run art space that moved from Williamsburg to Bushwick a few years ago, Secret Project Robot is celebrating its 10 year of introducing new artists to new opportunity and new audiences. For Bushwick Open Studios they are converting the outdoor garden into an artist’s made installation of a Renaissance Faire. It will be “Fully equipped with outdoor stage, artist made goods, beautiful masks and decorations that have come to define both the aesthetic of a renaissance faire and the hand-made feel of Secret Project Robot.”

Featuring work by Raul De NIeves, Thomas DeLaney, Chris Uphues, Erik Zajaceskowski, Rachel Nelson, Cameron Michel, Vashti Windish, Korey Helburst, Dave Kadden, Alexandra Drewschin, Greg Fox, Zachary Lehrhoff, Eli Lehrhoff, Poison Dartz, Ovary Reaction, Barry London, and Kid Mi.

Secret Project Robot
389 Melrose St.
Brooklyn, NY 11237

Friday May 30, 7pm-11pm
Saturday May 31, 12pm-9pm
Sunday June 1, 12pm-9pm

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Vacancy

Not part of the BOS 2014 slate of events, Street Artist/fine artist Pufferella nonetheless belongs in Bushwick. One half of the duo that brought Factory Fresh to Flushing Ave in the late 00s, Pufferella invites you to the Penthouse, where you have always secretly wanted to go. Her most recent hand sewn artworks will be on display.

Factory Fresh Penthouse,
1053 Flushing Avenue, 1 Flight Up
Brooklyn, NY 11237

Saturday, May 31st & Sunday, June 1st, noon-6pm

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THE BUSHWICK COLLECTIVE BLOCK PARTY AND ART SHOW

After all the darting in and out of studios for three days you are invited to stay outside in the more democratically available Street Art environs of The Bushwick Collective Block Party on Sunday. Not really a BOS event and not really a collective, Joe Ficalora is really Bushwick, so get your facts straight knucklehead.

There will be live Street Art, food trucks, a beer tent, bands, DJ’s, giveaways and raffles. In addition there is an art show featuring Bleck Le Rat, Solus, Rubin415, Chris Stain, Dan Witz, Zimad, Jerk Face, Joe Iurato, Sexer, Beau Stanton, Atom and FKDL.

Sunday June 1st 11:00 am – 7:00 pm
Troutman Street between Wyckoff and St. Nicholas
Brooklyn, NYC

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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San Francisco Survey : Street Art and Graffiti

San Francisco Survey : Street Art and Graffiti

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness,” so says Charles Dickens in the opening paragraph of A Tale of Two Cities, and who can’t believe it is true that he was speaking of today? Whether you are Darnay or Carton, that books two protagonists, this is the prism through which you will see the twin beasts of wisdom and foolishness in all the writings on the walls in our cities.

Easily dismissed for decades by the classists as the uncouth scribblings of the unschooled, the graffiti that persisted throughout train yards and tunnels and cities globally also developed and deepened, expanded and metamorphosed. Once simply seen as outright rebellion, the language around the graffiti scene has  transformed, and with reason. Today sometimes clumsily grouped under the moniker “street art” or “urban art” graffiti and its family gets a second view, and a third; while academia and theorists and philosophers grapple to come to terms with a language they didn’t create, cannot compose in, but endeavor to learn.

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Reyes (photo © Brock Brake)

Meanwhile it is collected, traded, reproduced, emulated and imitated. For its part, new generations of freewheeling graffiti and its practitioners and celebrants continue unabated; uncommissioned, un-permissioned, and despite ever more apoplectic attempts by municipalities and technologies to silence it, it continues to speak.  Further confounding, some of its denizens have taken up arms and laid in the same bed with that most benign and good-willed pillar of public art, the legal mural.

Today we go to San Francisco, one of our most pricey cities, to see what the aerosol writers are saying currently. With new shots that capture part of this moment by photographer Brock Brake, we see that the language of the street and even the row house have become as multitudinous as the dominant culture and as perplexing as it is sometimes powerful. Or not. Are these the best of times?

“..in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only,” says Dickens.

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Niels Shoe Meulman. Detail of ‘ununhappy times’, a larger piece by the calligraffitist. (photo © Brock Brake)

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“Familia” by Reyes (photo © Brock Brake)

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Nekst . Jade (photo © Brock Brake)

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A tribute to a deceased and well loved graffiti writer named Nekst by Steel (photo © Brock Brake)

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Steel MSK (photo © Brock Brake)

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Andrew Schoultz. Detail (photo © Brock Brake)

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Andrew Schoultz (photo © Brock Brake)

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Andrew Schoultz RIP Jade. (photo © Brock Brake)

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Toro (photo © Brock Brake)

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Atomik (photo © Brock Brake)

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Treas (photo © Brock Brake)

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Steel . MSK . d30 (photo © Brock Brake)

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d30 Crew (photo © Brock Brake)

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Ich (photo © Brock Brake)

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Jurne . Amanda Lynn . Mags (photo © Brock Brake)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article was also published on The Huffington Post

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Hot Tea Lights Memorial Luminaries About Loss on Library Steps

Hot Tea Lights Memorial Luminaries About Loss on Library Steps

Site Specific Installation at NY Public Library for New Yorkers

On a recent evening in mid-town Hot Tea lit a candle for those we’ve lost. 180 of them actually.

A conceptual public art piece on the steps of the Mid Manhattan Library, the Street Artist who is known for tagging isometrically with yarn on fences summoned a bevy of volunteers to share the memory of someone they lost by writing a remembrance on the back of a brown paper bag and joining in a collective open ceremony to lift the spirit, lighten the load.

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Hot Tea (photo © Jaime Rojo)

“I wanted to depict the grand stairs of the library at night with 180 bags dimly lit by tea lights,” says the soft spoken Minneapolis based Street Artist who has successfully installed his non-destructive public works around the city while people walk by. Perhaps because of the gravity of the theme of loss, the volunteers worked quietly and with certitude filling paper sacks with sand and candles and carefully lighting them while tourists bought fluorescent propeller toys for their kids from sidewalk entrepreneurs and people posed alongside the marble lions named “Patience” and “Fortitude”.

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Hot Tea (photo © Jaime Rojo)

After the luminaries were lit a faint Hot Tea pattern could be discerned across the new façade atop six risers, but mostly it was a warm flickering glow on a breeze-free late spring eve. Participants and passersby posed in front of the temporary holy place, a photographer with a drone recorded the scene from 20 feet above and tourists held up their multitudes of tablets and phones to record. Finally Hot Tea invited mourners and others to gather arms around shoulders to say a prayer and pass strength to one another. People were encouraged to take a hand-scribed bag that remembered someone else with them.

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

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Hot Tea (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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