All posts tagged: Jaime Rojo

Dan Witz’s “Breathing Room” Installs Meditating Figures in 10 London Phone Booths

Dan Witz’s “Breathing Room” Installs Meditating Figures in 10 London Phone Booths

“It was an insane install,” says Dan Witz of his London phone booth, “probably one of the most challenging of my career.”

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

The New York Street Artist who began working anonymously putting art on the streets in the late 1970s is sometimes given to hyperbole, but when you see the map of the ground he covered in the city in search of the right homes for his “Breathing Room” guerilla installations, you think he may be hewing to the truth. He’s also got the timing and delivery of a Catskills comedian when describing his efforts to put up these new people deep inside a spiritual practice.

“All 10 of the pieces are up and scattered nicely around greater London,” he says wide-eyed and nearly out of breath as if he had just finished running an interventionist art marathon. “Greater is the word. That place is huge. Vast. Endless. And it seems like I’ve seen every scruffy inch of it now.”

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

“Take my wife, please!” He didn’t actually say that one. Besides, Dan’s wife Tiffaney is the linchpin who helped him realize this project, putting together the video and Kickstarter page that raised money to bring him from New York to glue these paintings to the iconic red phone booths.

As it turns out, these quietly meditating illusionistic figures were measured and created for a size of booth that has fallen into disuse – a fact that he may have liked to know before painted these in his Brooklyn studio. There are two sizes of phone booths in London, Dan tells us; the K2 and the K6.

“The one that I measured for, the K2, is the older, rare and widely dispersed one. Apparently there are only a couple of hundred of them in use at remote and largely undisclosed locations. But, through the deep research skills of Mark Clack of Wood Street Walls  and my ever intrepid wife Tiffaney, we were able to locate enough K2’s for me to put my paintings on.”

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

Witz’s newest work is meant as a response to the terrorist attacks in many cities that have hurt many people psychologically and stirred an atmosphere of fear – now he hopes to encourage a place for people to create “breathing room” for reflection. He has dealt directly with darker issues before, particularly a well-documented street art campaign a couple of years ago in Frankfurt, Germany, of figures caught just behind dark windows and metal grates. It is a guerrilla style he has honed over years to subtly draw attention and unnerve a passerby, perhaps into action.

For that campaign a nearby QR code could be scanned and followed to the Amnesty International campaign in support of political prisoners. Here he hopes to spark individual acts of hope, with these serene images radiating an optimism and focus on more peaceful matters.

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

Mr. Witz says that the whole experience tracking down and installing in London phonebooths was challenging, and fun and rewarding as well. “Fortunately I had the foresight to rent a motorcycle and I figured out how to mount my phone with Google maps on the handlebars,” he says.

“I’m not sure how I would have done any of this without that. But don’t even get me started on how crazy it was to drive on the left side of the road for the first time in my life,” then adds somewhat conspiratorially, “Don’t tell Tiffaney but there were some close calls.”

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

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Dan Witz. “Breathing Room” London, July 2016. (photo © Dan Witz)

 

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INO “Instability” in Kiev

INO “Instability” in Kiev

The frank pop symbolism and dark sarcasm of artists like Banksy and the early punk graphics of albums and ‘zines has reached into the monumental public murals of today and this new one of a ballerina balancing on a lit bomb is an apt example. Idealized beauty teetering upon disaster is an image that you’ll understand quickly. Certainly everyone has experienced this feeling at one point in life, if not many points.

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INO. Work in progress for ArtUnitedUs in Kiev, Ukraine. (photo © INO)

Greek artist INO may have familiarity with “Instability”, the name of the piece, which could easily apply to economic matters in that country. The symbolism of paintings will of course be interpreted by the viewer, as ever, and instability often applies to our politics, our trade relations, our warring countries and cities, immigration of refugees, access to clean food and water, our shifting environment, even our our banking systems. Ukraine itself has suffered the crisis of war and division in recent years as well, so this mural may evoke emotions which people in Kiev can relate to.

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INO. Work in progress for ArtUnitedUs in Kiev, Ukraine. (photo © INO)

The monochrome figure, split across the middle and slightly shifted to one side, is a common treatment of the subject by INO, as is the accented splash of a bright hue that rides across the composition as different layer. This blue divination of the sky appears to be melting the celestial sphere and dripping downward into the main piece.

Sponsored by the arts organization called ArtUnitedUS, the new mural is 48 meters above the ground and the group says it is the largest that INO has ever created.

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INO. Detail. For ArtUnitedUs in Kiev, Ukraine. (photo © INO)

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INO. Detail. For ArtUnitedUs in Kiev, Ukraine. (photo © INO)

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INO. Detail. For ArtUnitedUs in Kiev, Ukraine. (photo © INO)

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INO for ArtUnitedUs in Kiev, Ukraine. (photo © INO)

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INO for ArtUnitedUs in Kiev, Ukraine. (photo © INO)

 

Our sincere thank you to co-founders/curators of Art United Us; Geo Leros, Iryna Kanishcheva, and Waone Interesni Kazki for sharing the project with BSA readers.

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Dot Dot Dot Creates ‘Analogram’ as a Concrete Status Update in Norway

Dot Dot Dot Creates ‘Analogram’ as a Concrete Status Update in Norway

Some walls just lend themselves perfectly to a piece, don’t they?

This arching-forward piece reminded Oslo-based DOT DOT DOT of the bending of a filmstrip and called to mind the continuous updating of images that people feel compelled to do right now in the “always on” social media world.

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

The single image is DOT DOT DOT’s strength: Not overly cluttered or a complex composition, and rarely a direct in-your-face confrontation. But the intention is there, and the layers of implication are as well. Here the analogy is the status of a person (or the social image of the person) is dependent upon a constant self-report. This new piece in Kristiansand, Norway is telling you that his current status is sunnily “Okay”.

On the topic of social media “sharing” DOT DOT DOT tells us his critique of this evolutionary moment; His actual phsyical art and the expectations he feels from a connected digital life lead him here with a piece called ‘Analogram’

“So this is what is expected as social behavior from us : always be out there and feed the people with content and information all the time. Social media keeps putting the pressure up and often creative work is now measured by how fast the progress or by the way you reveal your activity,” he says.

“The social media scene and the activities that come with it has escalated almost like a stock market or marketing view, the focus has shifted and often it is no longer about just making art for art.”

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

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DOT DOT DOT in Kristiansand, Norway for KRS Gadekunstlaug. July 2016. (photo © @Ardcon)

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BSA Images Of The Week: 07.31.16

BSA Images Of The Week: 07.31.16

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This week we bring you fresh stuff from Berlin where the final Project M/10 was debuted with a collection of artists curated by Instagrafite and we had an opportunity to ride the streets looking for interesting art, to avoid getting swept away by a sudden massive flood, and to visit Urban Spree for some great prints and paintings, and even to hang out in a boxing club for days with a cluster of curators.

Our special thanks to Yasha Young and the entire UN Team for their UNflagging support as we collectively are bringing a new institution that recognizes a wide swath of history and influences forward. More to come…

Here’s our weekly interview with the street, this week featuring A Squid Called Sebastian, Anarkia, Axel Void, Hop Louie, JAZ, Marshal Arts, Mindaugas Bonanu, Nafir, Olek, Panmela Castro, RoboSexi, Roxi, Speto, Uriginal, and Various & Gould.

Our top image: Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Panmela Castro AKA Anarkia. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Various & Gould. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

New interventional pieces of objects in clear resin from the Polish duo Robosexi in collaboration with Polish/Brooklyner artist OLEK placed IN the streets of Berlin this week. An anagram of their first names Roxi and Sebo, the duo say their “Time Capsules” are an effort to freeze the truth about this time and people today. They say that they also do performances and video art in addition to these installations, but this week they are in town with OLEK for PM/10 at Urban Nation.

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Olek in collaboration with Robosexi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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A selfie gun from Hamburg based stencillist Marshal Arts. Berlin, Germany. One source tells us the title is “How to Take a Great Selfie.” (photo © Jaime Rojo)

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Uriginal in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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Nafir is having some rather explosive ideas lately. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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A Squid Called Sebastian in conjunction with Urban Nation Museum For Urban Contemporary Art. Project M/10. Berlin, Germany. (photo © Jaime Rojo)

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An unidentified artist’s painting of these two amorous lovers appears under the train tracks that lead across Oberbaum Bridge (German: Oberbaumbrücke), a double-deck bridge crossing Berlin’s River Spree. (photo © Jaime Rojo)

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Axel Void. Detail. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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A new sculpture by Franco JAZ Fasoli commands the center exhibition space at Project M/10, which opened last evening in Berlin. Urban Nation Museum For Urban Contemporary Art. Curated by Instagrafite.(photo © Jaime Rojo)

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Beards and man buns are the default fashion accessory for men who would like to give an air of hipness at this moment. Arguably however, they are probably considered mainstream. Hop Louie. Berlin, Germany. (photo © Jaime Rojo)

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Speto. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

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Roxi. Urban Nation Museum For Urban Contemporary Art. Project M/10. Curated by Instagrafite. Berlin, Germany. (photo © Jaime Rojo)

brooklyn-sreet-art-jaime-rojo-berlin-07-31-16-webAlleged ties between US Republican Presidential candidate Donald Trump and Russian President Vladimer Putin made it to the street via Lithuanian artist Mindaugas Bonanu and this week on the cover of Frankfurter Allgemeine. Although the German newspaper doesn’t credit the creator of this image (which happens a LOT with street art), we can tell you that the significance of the image is directly tied to Berlin Wall art history. As writer and art critic Carlo McCormick notes in a recent PAPER magazine portfolio of Trump-related art, this piece refers to ” a famous fraternal kiss in 1979 between Russian leader Leonid Brezhnev and his East German counterpart Erich Honecker that gained fame as a painting by Dmitri Vrubel on the Berlin Wall.”

Untitled. Berlin, Germany. (photo © Jaime Rojo)

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Apolo Torres In São Paulo, Brazil for #EducationIsNotACrime

Apolo Torres In São Paulo, Brazil for #EducationIsNotACrime

Education should not be out of reach. Without it people are captives, especially when technology and resources are kept just beyond your grasp. Bluntly stated, keeping entire populations and countries uneducated plays directly into the hands of those who would manipulate them.

Knowledge is power.

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

Street Artist Apolo Torres is an important player in Brazilian contemporary muralism and here he brings São Paulo on board with London, New York, Toronto, Sydney and Cape Town for an initiative called #EducationIsNotACrime.

Begun in 2014 by filmmaker and Newsweek journalist Maziar Bahari, the campaign continues to expand in defense of a universal right to education.

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

In these exclusive photos Torres is seen scaling a tower to depict a girl whose reaching for a cloud of books, not quite clamping her small hand around one. Wrapped around her feet is a serpent, representing those who would prefer to keep her ignorant.

A father of two young girls himself, the topic is close to Torres’ home and heart, which is why he is excited about the conversations he will spark by doing this huge mural, which he tells us took more than 200 liters of paint. “It is essential that it dialogues with the place and the people who walk by and see the work. Public artworks have a huge potential to raise relevant issues to society,” he says in a press release.

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Diego Cagnato)

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Apolo Torres for #NotACrime in São Paulo, Brazil. (photo © Apolo Torres)

 

Torres’ mural “Education is not a Crime” is produced by Da Terra Productions and was approved by the Urban Landscape Protection Committee (CPPU).

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BSA Film Friday: 07.29.16

BSA Film Friday: 07.29.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. STARE: Sans Titre
2. EMISSIONS: ANDRECO
3. ABCDEF Style Writing. Part I
4. ABCDEF Style Writing. Part II

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BSA Special Feature: STARE: Sans Titre

Quick cuts and overlays, tracing outlines and abstracts floating in color washes are set to a popping beat by Toast Dawg in this new video by Craeon to set the stage for Stare. In the game for 20 years since starting with Montreal’s NME crew, the writer is also an abstract geometrist as well. Extra points for the hoisting of a title tag with a “SOLD” red dot next to it.

 

 

EMISSIONS: ANDRECO

The second site-specific artwork of a series called “Climate” by Bologna based Andreco – the first was his initial installation at the UN COP21 climate change conference in Paris last fall, here the artist/geologist spreads it long and wide to show the impact of pollution on cities and our air quality.

In a statement he released with the project Andreco says he once again is depicting the relationship between man and nature with “an intense criticism about anthropogenic pollution generated by of the use of fossil fuels.”

Created on posters over a multi-block distance for the CHEAP festival in Bologna, Italy, he is telling the story of emissions “This thickening process increase more and more billboard after billboard: from fine dust (PM10) scattered into the air to their precipitation on earth until it gets to the mountain and gradually ends in a completely black poster,” he says.

 

 

ABCDEF Style Writing. Part I

And now a two-part series on one man’s pursuit of stylewriting his tag in multiple ways. Edutainment.

ABCDEF Style Writing. Part II

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Ganzeer’s Graphic Novel Imagines a “Solar Grid”

Ganzeer’s Graphic Novel Imagines a “Solar Grid”

The Solar Grid is a serialized sci-fi graphic novel in 9 parts by Ganzeer, the Egyptian Street Artist whose work on the streets during the Arab Spring caused him to fear for his safety, escaping to the US and in the process garnering press.

His work as an artist or course continues and this summer he is promoting his illustrated vision of a future based on his observations of the present wholesale consolidation and hoarding of planetary resources and the accompanying interruptions in our fundamental natural systems.

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Ganzeer. The Solar Grid. Photo still from the video.

“The concept of the Aswan dam is controlling a central natural resource. I figured if I was to apply it to the whole planet, that resource is obviously the sun. That’s what we see in the future with the two kids. As the sun sets, the solar grid automatically turns on and turns off as soon as the sun rises again,” he tells David Batty in The Guardian, as he describes the story that unfolds in chapters.

The next chapter is released in August, which is also when the list of artists participating in Magic City in Dresden will be released. We can happily tell you the Ganzeer is one of the them.

Learn more about The Solar Grid HERE.

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Ganzeer. The Solar Grid. Photo still from the video.

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Ganzeer. The Solar Grid. Photo still from the video.

Ganzeer: The Solar Grid. Trailer

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Pixel Pancho Soars into Future Past with UN One Wall Project

Pixel Pancho Soars into Future Past with UN One Wall Project

A quick shot from photographer Nika Kramer here in Berlin from Italy’s PixelPancho as part of the One Wall project in Tegel series. Part of the Urban Nation initiative, the new mural dips into is a memory of future past, as is his custom, and a stunning addition to the collection of works the group has brought so far to these neighborhoods.

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Pixel Pancho. One Wall Project. Art Park Tegel Series. UrbanNation Museum For Urban Contemporay Art. Berlin. (photo © Nika Kramer)

BSA is excited to be here is Berlin with UN for the final installment of Project M – a wide ranging and inclusive series of installations from many curators and artists over the past three years, seeding the ground for the new Urban Nation Museum for Urban Contemporary Art, opening Mid 2017. This week you will see new works from Faith 47, JAZ (Franco Fasoli), 2501, Axel Void, Speto, Panmela Castro (Anarkia), Olek, Nunca, and Robosexi – and surely a few more – as Marina Bortoluzzi and Marcelo Pimentel of Instagrafite curate PM/10.

We’ll see you at the opening hopefully! Please come by, we’d love to meet you!

 

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Strøk Windmilling in the Windy City of Hsinchu 新竹市 (Taiwan)

Strøk Windmilling in the Windy City of Hsinchu 新竹市 (Taiwan)

You know how to do windmills right?

Here Norway’s Strok brings them to a wall at Hsinchu International Land Art Festival in this Taiwanese city known for being very windy. He’s been experimenting with perspectives and angles on the figure and here he brings the classic bboy move to the wall to defy gravity and fly through the air.

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Strøk. Hsinchu International Land Art Festival. Taiwan. July 2016. (photo © Strøk)

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Strøk. Hsinchu International Land Art Festival. Taiwan. July 2016. (photo © Strøk)

Strøk had some help from a lift operator while painting who had to take a break periodically to check on a very fine feathered friend. “He rescued a small baby sparrow that had fallen out of its nest during the recent typhoon,”  Strøk says of his new friend. “He kept it in a nest in a basket inside his operator hut and was feeding it at regular intervals.”

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Strøk. Hsinchu International Land Art Festival. Taiwan. July 2016. (photo © Strøk)

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It is Now Cool to Paint A School Building in Torino.

It is Now Cool to Paint A School Building in Torino.

Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus

Somewhere along the way it has become normal for kids to paint on their school building.

It may be further evidence that the mural movement inspired by the Street Art movement which was inspired by the lawless chaos of graffiti is making art on school buildings cool again. Schools are typically resistant to any artistic incursion to their bland facades.

But there is a sea-change in opinion about public art thanks to the hoodlums who have been re-claiming public space for art all these years, including graffiti writers, D.I.Y. kids, punks, art school students and thoughtful incisive academics. In fact it was students who helped paint this school – something kids are traditionally suspended from school for doing.

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

“The power of the students’ suggestions as well as the inspiring functionalism of the Bauhaus gave birth to the project for the building’s facade – this allowed a harmonic dialog with the rationalist architecture that characterizes the building,” say the organizers, Il Cerchio e Le Gocce, a cultural association, founded in Torino in 2001.

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

They say on their website that their work is rooted in underground culture, street art and graffiti-writing. Over the last years they have brought many artists to legal walls in Torino including Aryz, Blu, Etnik, Satone, Zedz, Erosie and Dare.

One commenter on Street Art Tourino’s instagram was not impressed however: “honestly I would have expected more, and certainly other colors, bolder (such as purple, yellow, orange etc. ..) would have made the most eye-catching exterior …”.

Nothing that couldn’t be fixed by a few throwups and bubble tags, right?

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita, Torino. Italy. (photo © Livio Ninni)

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

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Il Cerchio e Le Gocce in collaboration with Fondazione Contrada Onlus. Liceo Regina Margherita. Torino, Italy. (photo © Livio Ninni)

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Dot Dot Dot & David De La Mano: Solstice in Bodø, Norway

Dot Dot Dot & David De La Mano: Solstice in Bodø, Norway

Because you just can’t get enough warfare, return with us now to the land of the Vikings…

DOTDOTDOT just collaborated with David de la Mano for an ellipses full of battling silhouetted Norsemen way up north, where the sun does not even go down this time of year. “The sun and the moon effect us there in every way in our daily life,” says DOTDOTDOT, so they call this one “Solstice”

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DOT DOT DOT . David De La Mano for UpNorth Festival. Bodø, Norway. July 2016. (photo © UpNorth Festival)

UpNorth festival in the town of BODO says “The goal for the festival is to present high quality art for the public – in environments you wouldn´t normally expect to find this type of artistic expression.” That’s true, this city of 50,000  just above the Arctic Circle is not the first place we think of for piecing and bombing and putting up a stencil.

50,000? I think that’s how many people were at the bar last night. Seemed like it anyway.

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DOT DOT DOT . David De La Mano for UpNorth Festival. Bodø, Norway. July 2016. (photo © Sigur Anders)

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DOT DOT DOT . David De La Mano for UpNorth Festival. Bodø, Norway. July 2016. (photo © @ardcon)

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DOT DOT DOT . David De La Mano for UpNorth Festival. Bodø, Norway. July 2016. (photo © @ardcon)

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DOT DOT DOT . David De La Mano for UpNorth Festival. Bodø, Norway. July 2016. (photo © @ardcon)

 

UPNORTH FESTIVAL
FB: https://www.facebook.com/UpNorth-Festival-850104968376828
IG: @upnorthfestival

 

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BSA Film Friday: 07.22.16

BSA Film Friday: 07.22.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Oh Joy! KUT Collective
2. EMPRESS BY YZ at New Exhibition in Beijing on Street Art
3. 3D Selfie Exhibition by Brain-Mash

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BSA Special Feature: Oh Joy! KUT Collective

Oh those cat tails, waiving around in the country breeze. The mechanism of plant pollination has fascinated most of us since we were children chasing dandelions as they spread their seeds across the via fluffy light messenger. It’s the same way that genetically modified crops travel to nearby farmers fields and transform our food supply into Frankenfood eventually, thanks to big agribusiness.

But this sharply made video distills the joy of the flying cattail plant and brings it to the city in a big way. For you who always strive for finding magic in the simplest of forms and you who knows how to observe the magic that is constantly around us.

 

 

 

EMPRESS BY YZ at New Exhibition in Beijing on Street Art

Street Artist/ fine artist YZ was invited at the STREET ART: A global view at the CAFA Museum in Beijing – and here she is in action creating her piece for it.

 

Art From The Streets
The History of Street Art – from New York to Beijing)

The “Art From The Streets” show runs from July 1 to August 24 at the 3B exhibition hall in the Art Museum of Central Academy of Fine Arts. It is jointly organized by the Department of Mural Painting Department of CAFA and the CAFA Art Museum, in cooperation with the Magda Danysz Gallery.

Street artists from Brazil, China, France, Italy, Portugal, Senegal, the US, and the UK   will be on hand to show us their works. The opening ceremony will feature a live painting performance. This exhibition is an important archive exhibition of street art, where the audience can gain a better understanding of the history and development of street art.

Academic Advisor: Fan Di’an
Academic Director: Su Xinping
Curators: Tang Hui, Magda Danysz

Time of opening ceremony:   3:00pm,July 1st , 2016
Duration: July 1st, 2016~ August 24th, 2016
Place: 3B exhibition Hall, CAFA Art Museum
Opening time of museum: 9:30~17:30, Tuesday~Saturday (ticket sales till 17:00)
Address: No.8, South Street of Huajiadi, Chaoyang District, Beijing

Exhibition curated by Magda Danysz.

3D Exhibition Part 2 by Brain Mash

It’s all depending on your perspective of course, and Siberia based Brain-Mash creates brain-melting illusory paintings in these videos of preparation for a 3-D “Selfie Exhibition”.  A team of artists and designers with background in graffiti, Brain-Mash also does commercial work together. This 3-D work requires a rare set of skills, and frankly it would be cool to see more of this kind of stuff on the street that is not selling stuff. Obviously when done right, it is amazingly engaging.

 

 

3D Exhibition Part 3 by Brain Mash

 

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