All posts tagged: Jaime Rojo

BSA Images Of The Week: 11.17.19 / Dispatch From Berlin

BSA Images Of The Week: 11.17.19 / Dispatch From Berlin

With Roger Stone found guilty on all 7 counts this week in the US, Donny Tinyhands appears to have more associates in prison than John Gotti did. During his own impeachment hearings this week the occupant of the Oval Office actually LIVE-tweeted his harassment of a witness while she testified – that’s a new record for this record-breaking lawless period we live in, seemingly displaying corruption and contempt for our systems of law at the highest offices of the land.

Meanwhile citizens are in the streets all over the world this fall – fighting for democratic movements, economic fairness, civil rights – in Iran, Hong Kong, Iraq, Guinea, Ecuador, Venezuela, Haiti, Paris, Barcelona, Lebanon , and Chile. The last one popped up on a U-bahn train this week when we were in Berlin, and it was interesting to note the cross-national solidarity in a graffiti piece – or at least that’s how we interpreted it. By the way, the Chilean government bowed to the voice of the people this week, so we celebrate them as well.

Here’s our weekly interview with the street, this week from Berlin, and this time featuring Stohead, Christian Bohmer, CTO, David De La Mano, Equipe Fatale, Emmanuel Jarus, Francisco Bosoletti, Fatal, Feser, Herakut, HRVB, Weird Crew, Marina Zumi, Marycula, Mimi the Clown, Nafir, Peus, Señor Schnu, sp.38 and Stefan Ways.

Fuerza Chile. Berlin 2019 (photo © Jaime Rojo)
Born To Die In Berlin. Berlin 2019 (photo © Jaime Rojo)
Berlin Kidz. Berlin 2019 (photo © Jaime Rojo)
Berlin Kidz. Berlin 2019 (photo © Jaime Rojo)
Feser. Berlin 2019 (photo © Jaime Rojo)
Stohead at Urban Spree. Berlin 2019 (photo © Jaime Rojo)
David De La Mano. (detail) Urban Nation. Berlin 2019 (photo © Jaime Rojo)
Unidentifed artist. Berlin 2019 (photo © Jaime Rojo)
Equipe Fatale. Berlin 2019 (photo © Jaime Rojo)
CTO for Urban Nation. Berlin 2019 (photo © Jaime Rojo)
FRANCISCO BOSOLETTI & Young Jarus for Urban Nation. Berlin 2019 (photo © Jaime Rojo)
Fatal with sp.38. Berlin 2019 (photo © Jaime Rojo)
Fatal. Berlin 2019 (photo © Jaime Rojo)
Mimi The Clown. Berlin 2019 (photo © Jaime Rojo)
HRVB / Weird Crew. Berlin 2019 (photo © Jaime Rojo)
Christian Bohmer for Urban Nation. Berlin 2019 (photo © Jaime Rojo)
Marina Zumi at Urban Spree. Berlin 2019 (photo © Jaime Rojo)
Herakut. Berlin 2019 (photo © Jaime Rojo)
Marycula for Urban Spree. Berlin 2019 (photo © Jaime Rojo)
Stefan Ways for Urban Spree. Berlin 2019 (photo © Jaime Rojo)
Senor Schnu. Berlin 2019 (photo © Jaime Rojo)
Peus. Berlin 2019 (photo © Jaime Rojo)
Nafir. Berlin 2019 (photo © Jaime Rojo)
Nafir for Urban Nation. Berlin 2019 (photo © Jaime Rojo)
MP. Berlin 2019 (photo © Jaime Rojo)
Untitled. Berlin, November 2019 (photo © Jaime Rojo)
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LMNOPI, Native Peoples, Climate Change, and NYC Streets

LMNOPI, Native Peoples, Climate Change, and NYC Streets

November has been “Native American Heritage Month” since 1990 and ironically the growing right-wing extremism of the intervening decades appears to have further erased our collective knowledge of native peoples – so it’s the perfect time to find this new campaign on the streets of New York by Street Artist LMNOPI.

LMNOPI (photo © Jaime Rojo)

A self-started campaign similar to many done by the artist in the last decade, this one is more closely in alignment with the rights of indigenous people. These new wheat-pasted works are in Manhattan and Brooklyn – the large ones hand-made and one of a kind, the smaller ones mostly silkscreen prints.

On a Bushwick door you’ll encounter a member of Dongria Kondh, an Indigenous tribe that lives in the Nayamgiri mountains of eastern India, the artist tells us.

“They’ve been living on that mountain since the beginning of time as far as they know and in fact believe the mountain is God and it gave birth to them, millenniums ago. They are still living a simple sustenance lifestyle gathering food and medicine from the forest. Making their shelters from the forest. They have fiercely resisted a corporation called Vedanta who wishes to mine their mountain for Bauxite; to make aluminum.”

LMNOPI (photo © Jaime Rojo)

Nakoa Wolf Momoa is the image of the young fella making a hand signal – which is actually a symbol of Mauna Kea, a sacred site for the Kanaka ‘Oiwi (Native Hawaiian). Multinationals have disregarded the Mauna Kea and have built telescopes on their native lands and are now laying plans to build a large one there.

LMNOPI (photo © Jaime Rojo)

“Building this telescope would violate ‘free, prior and informed consent’,” says the Street Artist, “as laid out by the United Nations in regard to Indigenous Communities worldwide.”

“There has been an encampment; a blockade of the road that leads to the summit for many months now.”

In one sense of modern New York movie/rap-lyric lore, you assume that Brooklyn is soaked with blood. Truthfully, the origins of the borough is less about mobsters and more about invasion. most people don’t talk about the native peoples who first lived here, like this portrait framed inside a bricked window in Bushwick.  

LMNOPI (photo © Jaime Rojo)

“He’s a reminder to all who pass here that the land here was stolen from the original inhabitants,” says the artist. In fact it was the Lenape people who lived in the area known as the Canarsee. Lenapehoking was the name of the entire region in and around NYC before the Dutch colonized it (ed. note: I write this as I sit in Amsterdam).  

LMNOPI tells us,“Many of the main roads that exist now, like Bushwick Avenue, for example, were built on top of Native trails. It’s good to acknowledge these things and to think about them as we go about our days.”

LMNOPI (photo © Jaime Rojo)

LMNOPI says there are 228 stickers made to highlight the plight of immigrant kids at the border at the hands of US officials. LMNOPI (photo © Jaime Rojo)

Finally we have Greta Thunberg, the teenage climate activist who has received so much international attention in the last year or so. “She has managed to mobilize literally millions of youth and adults worldwide to demand action on the climate crisis,” says th artist. “She represents a marginalized community of people on the spectrum of autism. She calls it her ‘super power’.” 

LMNOPI (photo © Jaime Rojo)
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BSA Film Friday: 11.15.19

BSA Film Friday: 11.15.19

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Graffiti on the Berlin U Bahn 1
2. SWOON’S “CICADA” Opened at Deitch Projects
3. Hedof & Joren Joshua. Parees Fest 2019

BSA Special Feature: Phone video of Berlin trains this week.

What fun to see the graffiti rolling by on Berlin train tracks this week – Jaime Rojo shot these pieces and strung them together — all in slow motion so you can appreciate it more.

Graffiti on the Berlin U Bahn 1

Graffiti on the Berlin U Bahn 2

SWOON’S “CICADA” Opened at Deitch Projects

We just wanted to share with you the news about Swoon’s new show at Deitch – We’re sad to miss the opening of but happy to see this video on her Instagram and a recent interview with her on Street Art News.

Hedof & Joren Joshua. Parees Fest 2019

Parees Fest this year produced some great murals and full video interviews with their artist-guest. Here you can listen to Hedof and Joren Joshua as they complete their collaborative work and describe the process.

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finDAC Shines as Poseidia Rises In Berlin

finDAC Shines as Poseidia Rises In Berlin

Atlantis didn’t arise, as the prophetic clairvoyant Edgar Cayce said it would, but Poseidia certainly did only six months ago here on a Berlin street thanks to Irish Street Artist and fine artist finDAC.

finDAC for Urban Nation Berlin 2019. (photo © Jaime Rojo)

By appropriation and inspiration, her manner and fashion may think she comes forth from the Pacific, this masked muse named Low Flying Angel, but in fact she’s closer to the Atlantic here on the River Bülowstraße. In any case the artist continues his expertise and evolution in rendering the richness of fabrication, volume and subtle textures on his  street figures that you may wonder if this is canvas.

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Train Spotting in Berlin, Brought to U3 by 1UP

Train Spotting in Berlin, Brought to U3 by 1UP

What visit to Berlin is complete without a train adorned with a 1UP piece?

1UP Crew in Berlin. (photo © Jaime Rojo)

Chased since 2003, this anonymous amorphous and acrobatic aerosol crew has a rock -steady habit of getting up and staying up in unusual spots and while waiting for the U3 in Warschaurer station this one rolled in. The bright canary U-Bahn has nary a graffiti piece, so we were surprised to see this for a minute, before it rolled away.

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Fallen Angels in Berlin

Fallen Angels in Berlin

Urban Nation’s fallen angels looked appropriate as this weekend Berlin commemorated the 30th anniversary of the fall of the wall.

Outings Project for Urban Nation Museum Berlin. (photo © Jaime Rojo)

A Renaissance image recurring in those dark tumultuous paintings, Abrahamic religions have used the term “fallen angels” to describe those sinning angels who are cast out of heaven. These particular ostracized beauties are unnamed by Julien de Casabianca of the Outings Project who wheatpasted these to precipitate alongside the Bulowstrasse in the Schöneberg district. While orange and red and yellow leaves fell and swirled through the air of Berlin streets the crisp air and sunlight made this dark scene less harrowing, even hopeful.

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BSA Images Of The Week: 11.10.19

BSA Images Of The Week: 11.10.19

Welcome to BSA Images of the Week, baked fresh daily for you from New York, infused naturally with a gritty melange of international flavors. In this city, global IS local.

Here’s our weekly interview with the street, this time featuring Adam Fu, Aine, Cekis, Cole Ridge, HOACS, HOXXOH, Jeremy Novy, Lik Mi, Low Bros, Phetus88, Soten, Such, Tito Ferrars, and Trace.

Top banner Tito Ferrera (photo © Jaime Rojo)

Tito Ferrara for The Bushwick Collective. (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
HOACS . SUCH (photo © Jaime Rojo)
HOACS (photo © Jaime Rojo)
SUCH (photo © Jaime Rojo)
TRACE (photo © Jaime Rojo)
NOVY (photo © Jaime Rojo)
Lik Mi (photo © Jaime Rojo)
Caty Wooley (photo © Jaime Rojo)
AJ Lavilla (photo © Jaime Rojo)
AINE (photo © Jaime Rojo)
Nelson Cekis (photo © Jaime Rojo)
Phetus88 (photo © Jaime Rojo)
Low Bros (photo © Jaime Rojo)
HOXXOH for The Bushwick Collective. (photo © Jaime Rojo)
Cole Ridge (photo © Jaime Rojo)
SOTEN (photo © Jaime Rojo)
HOACS (photo © Jaime Rojo)
Untitled. Brooklyn, NY. November 2019. (photo © Jaime Rojo)
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Evoca1 and Rudy Daniels on the side of Methodist Towers in Erie, PA

Evoca1 and Rudy Daniels on the side of Methodist Towers in Erie, PA

Murals are making inroads into communities once again in ways that are meaningful and constructive, not only decorative.

Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo courtesy of Iryna Kanishcheva)

An outgrowth of the illegal graffiti and Street Art movements, this new mural renaissance has once again engaged with the community rather than functioning as a means of protest or defiance. In our minds, art can serve many important roles in the communication of principles, ideas, values – and each expression in public space contains an opportunity for better, stronger, connections among community members.

Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo © Bryan Geary)

Here in Erie, Pennsylvania a senior member of the community has been given an honor by Dominican born artist, muralist & designer EVOCA1, who painted a soaring portrait of Rudy Daniels on the side of Methodist Towers, where he lives. Blind since age 20 from a gunshot wound, the 71 year old has been a positive and familiar fixture on area streets and sidewalks and businesses for quite some time.

Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo courtesy of Iryna Kanishcheva)

A project endorsed by the mayor, with local artists assisting with the mural using materials purchased in the community, honoring a neighborhood member? Here is one sincerely positive outcome to a global mural movement that grew into something quite positive.

A shout out to curator Iryna Kanishcheva, organizer Patrick Fischer, and Erie Arts & Culture for making this project happen.

Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo courtesy of Iryna Kanishcheva)
Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo courtesy of Iryna Kanishcheva)
Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo © Bryan Geary)
Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo © Bryan Geary)
Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo courtesy of Iryna Kanishcheva)
Evoca1. Rudy Daniels. Erie, PA. October 2019. (photo © Bryan Geary)

Recent stories with EVOCA1 on BSA:

“Além da Rua” Festival Sails the Sea by the Port of Pecém, Brazil

EVOCA1 Addresses Addiction in Providence, RI

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BSA Film Friday: 11.08.19

BSA Film Friday: 11.08.19

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “AfroGrafiteiras” featuring Andrea Bak
2. Magda Cwik / Hotel 128 / Street Art City in France. Via After Hours Project
3. INDECLINE Presents: The Bird Box
4. INDECLINE Presents: Trumpster Fire
5. Mura Masa – Deal Wiv It with slowthai

BSA Special Feature: “AfroGrafiteiras” featuring Andrea Bak

AfroGrafiteiras is an urban art training project focused on the expression and promotion of the leading role of Afro-Brazilian women in activity since 2015.

Here in Episode 6 we get to see the bright mind of Andrea Bak as she talks about this Rio-based program that examines identity, society, tradition, and empowerment through the aerosol can.

To learn more about the #AfroGrafiteiras project visit www.redenami.com

Magda Cwik / Hotel 128 / Street Art City in France. Via After Hours Project

Check into the abandoned Hotel 128 in Lurcy-Lévis, France and you’ll find a stunning array of portals to worlds customized by Street Artists. Here’s the latest one, Room 108, painted by Magda Cwik.

INDECLINE Presents: The Bird Box

A quick commercial or not? Hacking the consumer system by re-cycling a new scooter craze into something useful for the homeless, who are now legion in LA? Either way it’s INDECLINE, who will literally tell you anything as long as you keep watching.

INDECLINE Presents: Trumpster Fire

You see the dumpster with Trump’s face on it, and you know what’s next. Thank you for completing the visual allegory that many have imagined.

Mura Masa – Deal Wiv It with slowthai

And now something new from the “No-Hope” generation. Back with his friend Slowthai, it’s a pop-locky-pock-marked-futility-fueled screed leading us into the weekend. Also, there is hope here.

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Post Royalty Fígols: Post-Graffiti at the Count’s Castle in the Pyrenees

Post Royalty Fígols: Post-Graffiti at the Count’s Castle in the Pyrenees


“Have you taken down the names for your paper yet?” she asked me. “Stay by my side and I will dictate them to you: the Count and Countess of Caralt, the Marquess of Palmerola, the Count of Fígols, the Marquess of Alella, the …

~ A Barcelona Heiress, By Sergio Vila-Sanjuán


Isabel Rabassa. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)

In the decade before the Spanish Civil War, Barcelona was on the verge of boiling over, and perhaps this castle in the Pyrenees mountains to the south was at its height of glory thanks to workers in its coal mines. The Count of Figols and his family enjoyed the view from the tower while the miners, some as young as 14 years old, kept toiling about 13 kilometers away – until they revolted in 1932.


SM172. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)

“The mining company, the greater part of which was owned by Liverpool-born José Enrique de Olano y Loyzaga, First Count of Figols, prohibited union organization and paid its workforce in tokens redeemable only in the company stores.”

Revolution and the State: Anarchism in the Spanish Civil War, 1936-1939, by Danny Evans.


SM172. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)

Today you can hashtag Figols (#figols) on social media and you can see the tower (Torre del Compte de Fígols) and wander through the ruins of the castle (Castillo Conde de Fígols) – and discover new graffiti pieces and paintings throughout the rooms. That’s what photographer Lluis Olive Bulbena did last week when he went to check out some fresh stuff he heard was painted here about 120 km north of Barcelona. We thank him for sharing his images with BSA readers from the castle of the Count of Figols.

The Count of Figols: “José Enrique de Olano y Loyzaga, basc però nascut el 1858 a Liverpool, va ser el promotor de Carbones Berga S.A., adquirida l’any 1893” – from Directa
SM172. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
SM172. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Isabel Rabassa. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Isabel Rabassa. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Isabel Rabassa. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Isabel Rabassa. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Paulo Consentino. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Ives One. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Sebastiene Waknine. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Sebastiene Waknine. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Sebastiene Waknine. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Rubicon. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
a FASE. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Unidentified artist. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Juanjo Surace. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Gerson Ruiz. Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
Castillo Conde de Figols. Catalonia, Spain. (photo © Lluis Olive Bulbena)
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JACE in Grigny, France Brings the “Gouzou”

JACE in Grigny, France Brings the “Gouzou”

“Gouzou” are on the loose in Grigny, thanks to their creator, French graffiti writer and muralist JACE.

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

A children-friendly installation in a city that needs some love, the artist who began as a graffiti writer in 1989 here brings his famous faceless characters called the “Gouzou” to pop out of the box buildings and water the flowers of growth here.

JACE says he’s been painting this character since the early 90s and they are complex, despite their appearance. “The “Gouzou” is an anthropomorphic character, cheerful and endearing but not without a touch of malice,” says his bio, “Soft and delicate, he can be just as impertinent and teasing!”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

This new community mural is in a housing estate in the district called “La Grande Borne”, or perhaps, “The Great Frontier”, but over time its reputation has become somewhat tarnished due to high unemployment, lack of economic opportunity, and probably systemic racism.

The Wiki entry says “Built as a 1960s social utopia with winding coloured buildings, it was intended to become an ideal dormitory town. With 11,000 inhabitants, it has become a by-word for poverty, drug dealing, arms trafficking, youth criminality and attacks on police, as well as arson attacks on public buildings.”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

In a 2015 article in Le Parisien even the Socialist MP Malek Boutih has said about La Grande Borne, “A city where officials, including elected officials, make a pact with evil, thugs, offenders, corruption.” (translated with Google)

Maybe JACE’s Gouzou will bring a positive influence on the neighborhood? At least that’s what the mural program “Wall Street Festival” has in mind.

“Bringing culture to working-class neighborhoods is like a duty for me,” says organizer and founder Gautier Jourdain. “This is where the works are most important.”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
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Elbi Elem Creates “MERCAR” at Circular Festival in Madrid

Elbi Elem Creates “MERCAR” at Circular Festival in Madrid

Not your typical mural festival, Circular asks you to recycle your art materials to create your new piece.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

Occurring on the outer rim of Madrid, this collection of thinkers and conceptualists challenge almost every concept of the sad digression called the “mural festival” today – with the sincere focus of bringing the practice back to the community and creating work in the context of it.

Artist Elbi Elem tells us that she and Sue975, Aida Gómez, Octavi Serra, Clemens Behr, Brad Downey and Marina Fernandez were living and working in this barrio in the southern part of Madrid for two weeks. Rather than “parachuting” in and immediately putting up a mural that has nothing to do with the city, she tells us that it was important to spend a week to get to know the barrio and the people.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

“Then we chose a location and got the materials,” she says of the recycled items with which she built this sculpture. “It is metal and mostly tubes and plastics that were found in abandoned places and waste from some factory of the industrial area that we were in – like plastics that had been used for signs or skylights.”

Officially running from October 1-20, Circular says that the entire concept is meant to reconsider the role of urban art in a city and to return its scope and proportions away from the enormous expanses we have been seeing on the sides of skyscrapers to something that is more, well, human scale. In addition to supporting themes such as sustainability and scale, organizers say they’re less interested in being a tool for gentrification or revitalizing areas for tourism, and more interested in bringing art to neighbors.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

“By taking the festival to this area of southern Madrid, we contribute to the decentralization of culture in the city, to the democratization of art and to bringing it closer to all types of audiences,” they say in a description of goals.

For Elem’s sculpture, which she calls a “floating art installation”, she welded the metal and tried to use colors that are natural to this human-made environment.

“At the same time the colors I used were also the same as the surroundings, being integrated with the landscape,” she says.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)

“I decided to work under this long-roofed area at the entrance of the main market. I liked the environment and the background and it was easy to hang the piece. I loved that place because you could see a lot of movement of people going to shop and it was interesting seeing their reactions,” she adds, “mostly of surprise.”

“Festival Circular” in San Cristobal de los Angeles, Madrid, is curated by Madrid Street Art Project.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
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