All posts tagged: Invader

Repetition and Icons: Fairey, Hirst, and Invader in Dialogue at “Triple Trouble”

Repetition and Icons: Fairey, Hirst, and Invader in Dialogue at “Triple Trouble”

A new show brings together three artists whose work has created instantly recognizable visual systems that rely on repetition, symbols, and cultural icons. While two are rooted in unsanctioned work in public space and the third is identified with the gallery and market system, all three have generated debates about art’s role in mass culture and have extended their practices into new contexts through collaboration.

Shepard Fairey (US) began in the late 1980s with his Obey Giant sticker campaign and became widely known for his 2008 Hope poster for Barack Obama. His work blends graphic design, propaganda aesthetics, and pop culture, often described as politically engaged and connected to punk and DIY culture. Fairey maintains a long-standing commitment to public space through posters, murals, and interventions, while also working in galleries and commercial arenas worldwide.

Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)

Invader (France) began in the late 1990s and is known for his prolific and, some would say criptic, ceramic mosaic “invasions” of pixelated characters installed on city walls. His work is described as playful, systematic, and grounded in both nostalgia and the strategies of street art, with thousands of pieces spread worldwide with a marketing panache that rivals the other two show men here. Invader’s practice is fundamentally based in unsanctioned public interventions, making urban space his primary exhibition surface.

Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)

Damien Hirst (UK) rose to prominence in the late 1980s and 1990s as part of the so-called Young British Artists, a term that is evergreen and could easily be applied today or any day, but that is a different story. His work spans installation, painting, and sculpture, often addressing themes of mortality, spectacle, and the value of art in the market. Overlapping his show mates practices, Hirst has created large-scale outdoor sculptures and commissioned public displays, but unlike Fairey and Invader, his practice is not rooted in unsanctioned public space and is primarily mediated through institutions and collectors.

Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)

Triple Trouble underscores both the divergence and overlap in the practices of Fairey, Hirst, and Invader. Fairey and Invader bring decades of direct engagement with unsanctioned public space, and Hirst’s influence has been shaped through institutional and market frameworks, yet all three employ systems of repetition and iconic imagery that reach wide audiences. By staging collaborative works one may examine the point where street culture, contemporary art, and mass media converge. Conceptually the theme stretches each to meet the other, and in the process, clears new ground for experimentation – while illustrating the individual practice in stronger relief

Newport Street Gallery in London, in association with HENI, presents Triple Trouble (10 October 2025 – 29 March 2026), an exhibition of new collaborative works by Shepard Fairey, Damien Hirst, and Invader.

Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © Prudence Cuming Associates Ltd)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)
Shepard Fairey. Damien Hirst. Invader. Triple Trouble. Newport Street Gallery. London. (photo © courtesy Invader)

Exhibition Details:

Title: Triple Trouble

Dates: 10 October 2025 – 29 March 2026

Location: Newport Street Gallery, London

Opening hours: Tuesday – Sunday, 10 am-6 pm

Address: Newport Street Gallery, Newport Street, London

SE11 6AJ

Admission: Free

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BSA Speaks About Art On “All of It” WNYC Program With Alison Stewart

BSA Speaks About Art On “All of It” WNYC Program With Alison Stewart

By request: The Images from the Interview

In honor of the radio station WNYC’s 100th birthday, Alison Stewart’s “All Of It” program is celebrating 100 pieces of art in New York City. Each month, Alison speaks with an expert in the art world about their 10 favorites. This month, Alison talked to Jaime Rojo and Steven P. Harrington, co-founders of Brooklyn Street Art, about 10 pieces of art in the streets that they think all New Yorkers would like to know about. 

Since it was a radio show, it was impossible to show, only to tell. BSA fans have written to ask us for pictures of the pieces discussed, so here they are!

The list is unscientific and offers a wide selection of art styles and disciplines in New York’s public sphere. Please don’t take it as an indicator of importance or value; rather, take it as a casual survey of things you may see around town.

In the order that they were discussed:

INVADER

Invader. Apple Mosaic. 14th Street, NYC. 2015. (photo © Jaime Rojo)

ROA

ROA. Bird Mural. Albert’s Garden. East Village, NYC. 13 E 2nd Street. 2011. (photo © Jaime Rojo)

SKEWVILLE

Skewville. DOGS hanging from wires. Various locations and dates. Bushwick, NYC. (photo © Jaime Rojo)

BANKSY

Banksy. Hammer Boy. 79th Street. UWS, October, 2013. (photo © Jaime Rojo)

Floyd Sapp and SPECTER

Specter. Yusef Hawkins. First painted in 1989 by artist Floyd Sapp, in 2011, the street artist Specter refurbished the faded piece and added his stylistic signature. Fulton St. and Verona Pl. Bedford-Stuyvesant. Restored twice since in 2016 and 2024. (photo © Jaime Rojo)
Specter. Yusef Hawkins. Restored in 2016. (photo © Jaime Rojo)
Specter. Yusef Hawkins. Restored in 2024. (photo © Jaime Rojo)

FAILE

Faile. Love me, Love me not. Transmitter Park in Greenpoint. Climate Week, 2016. (photo © Jaime Rojo)

OWEN DIPPIE

Owen Dippie. Radiant Madonna. Detail. The Bushwick Collective. Bushwick, Brooklyn. 2015. (photo © Jaime Rojo)
Owen Dippie. Radiant Madonna. The Bushwick Collective. Bushwick, Brooklyn. 2015. (photo © Jaime Rojo)

OS GEMEOS

Os Gemeos. 14th Street, Manhattan. 2017. (photo © Jaime Rojo)
Os Gemeos. 14th Street, Manhattan. 2017. (photo © Jaime Rojo)

FRED TOMASELLI

Fred Tomaselli. Wild Things. 2024 MTA 14 Street Station Complex. (photo © Jaime Rojo)
Fred Tomaselli. Wild Things. Detail. 2024 MTA 14 Street Station Complex. (photo © Jaime Rojo)
Fred Tomaselli. Wild Things. 2024 MTA 14 Street Station Complex. (photo © Jaime Rojo)

DAN WITZ & OLEK

Dan Witz & Olek. Williamsburg and Bushwick. 2015. (photo © Jaime Rojo)
Dan Witz & Olek. Williamsburg and Bushwick. 2015. (photo © Jaime Rojo)

LISTEN TO STEVE AND JAIME INTERVIEW WITH ALISON STEWART ON “ALL OF IT” BELOW:

ALL OF IT with Alison Stewart. (photo courtesy of All Of It / WNYC)
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BSA Images Of The Week: 09.15.24 / Dispatch From Berlin

BSA Images Of The Week: 09.15.24 / Dispatch From Berlin

Welcome to BSA’s Images of the Week!

Culturally, artistically, and socially, Berlin never stops thrilling, surprising, and offering fresh perspectives. Though artists continue to discuss the rising cost of living and the slow disappearance of key clubs and cultural hubs, there’s still an undeniable fervor for new art and new participants are still shaking things up.

Witness the crowded museum and long lines of youth and middle-aged people, as well as some octogenarians at the Urban Nation opening here called “Love Letters to the City,” which is the main reason we’re here for a few days. The speeches, the beer, the energy, the high-quality installations and the questions they pose, the street fair with parkour and bBoys and bGirlz, rappers, kids tagging their names in aerosol at an open class, the exhibition boxing matches… It was a legit, diverse program, free of corporate overload, and with real talk on gentrification, the environment, and social and financial inequality. Once again, it proves that when art institutions take risks, they can give street art, graffiti, and urban art the respect they deserve.

While the debate still pops up about whether museums should even host street art and graffiti, there are smart and sharp pros teaming up with artists to push the conversation forward, broaden the topics, and bring more people into the mix. In the end, they’re archiving a small slice of this massive, chaotic global art movement – so future generations can get a glimpse of it, reflect on it, and maybe even get inspired.

While right-wing movements are reshaping politics here, leading to stricter border policies and longer lines at the airport, Berlin remains fiercely committed to its ragged, rebellious spirit of protecting individual liberties and free expression. The ironies are hard to miss: just two blocks from the Bulow Street Fair, a family-friendly block-long event celebrating what is officially illegal art on the street and political concerns may dominate conversations, Berlin hosts Folsom Europe, the largest festival for leather and fetish enthusiasts, raging freely for four days with five stages and a “puppy parade”. It’s a vivid contrast—on one hand, they’re tightening borders, and on the other, this is a celebration of personal freedom.

Also, it’s more entertaining than a boring football match. Thousands of (mostly) men parade down Fuggerstraße in neighboring Nollendorfstraße, stomping through the streets in various ensembles—militaristic oppressor, master and servant, or dog and owner themes. Regardless, most will be at brunch with hangovers the next morning. If a drunken one gets disorderly, the police are advised not to threaten with handcuffs. The festival attire may range from severe, almost fascist looks to outfits with a more playful fierceness, like brightly colored hazmat suits or firefighter uniforms. At the lower end of the fetish festival fashion spectrum are the guys who just threw on a leather vest or a pair of Doc Martens—and the “bought it at the mall” crowd are in one-piece leather or rubber jumpsuits with Hoxo sneakers, like race car drivers heading to the grocery store.

At Folsom, you can pick up everything from whips, paddles, original artwork, and adult toys to bratwurst, pretzels, beer, French fries (pommes), and meat skewers. There are also plenty of vegan and vegetarian options available. What’s most remarkable and admirable about the tough, perpetually unimpressed Berliners is that they’ve seen it all before and hardly take note. They go about their business—picking up Saturday groceries, maybe a bunch of flowers, or fetching their kid from Taekwondo class. They take their dog to the park to enjoy the sunny, chilly September weather. Everyday folks in the neighborhood wait patiently at the crosswalk, alongside a cluster of muscular men with mustaches and leather, sometimes greeting one another, but mostly unfazed by each other’s presence.

The current street art and graffiti—what’s been sprayed or pasted up recently—never fails to impress, even when you’re not entirely sure what it’s about. We’re happy to be here and to share some of it with you.

Here is our weekly interview with the streets, this week featuring Invader, 1Up Crew, Hera, Pobel, Nat At Art, One Truth, Natrix, Roffle, LAYD, T Tan Box, Rise, Petite Agite, Maxim, and PZE.

HERA. Detail. (photo © Jaime Rojo)
HERA. Detail. (photo © Jaime Rojo)
1UP Crew (photo © Jaime Rojo)
Unidentified artist. (photo © Jaime Rojo)
T Tan Box (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
JAYD (photo © Jaime Rojo)
ROFFFE (photo © Jaime Rojo)
Natrix (photo © Jaime Rojo)
Nat At Art for Urban Nation Museum Berlin. (photo © Jaime Rojo)
PZE (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
MAXIM. Detail. (photo © Jaime Rojo)
Maxim (photo © Jaime Rojo)
Pobel (photo © Jaime Rojo)
One Truth (photo © Jaime Rojo)
Unidentified artist (can’t read the signature) (photo © Jaime Rojo)
Petite Agite (photo © Jaime Rojo)
Rise (photo © Jaime Rojo)
Untitled. Berlin. September, 2024. (photo © Jaime Rojo)
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BSA Images Of The Week: 09.17.23/Los Angeles

BSA Images Of The Week: 09.17.23/Los Angeles

Welcome to BSA Images of the Week!

This week, we found ourselves amidst the vibrant energy of Los Angeles, uncovering hidden gems and reconnecting with old friends. One highlight was a visit to Roger Gastman’s dynamic ‘Beyond the Streets’ gallery, which celebrated its first year with a captivating show featuring Tim Conlon, HuskMitNavn, and Pose. A thrilling moment was when we had the privilege of moderating a panel that featured the artistic brilliance of Layer Cake’s duo – Patrick Hartl and Christian Hundertmark (C100), the iconic Chaz Bojórquez, recognized as the godfather of graffiti and the epitome of California Chicano artistry, and our host, the ever-passionate artist and activist, Shepard Fairey. The venue buzzed with artists and connoisseurs, each directly or deeply ingrained in the world of art in the streets. And as LA’s streets echoed with the spirit of Mexican Independence Day, the youthful beats of Mexican music star Peso Pluma serenaded us from passing cars. Truly, a week to remember.

Here is our weekly interview with the street: this week featuring Shepard Fairey, Vhils, Invader, Keith Haring, Nychos, El Mac, Add Fuel, Praxis, Hueman, Estevan Oriol, Hijack, Tempt, David Howler, Loks Angeles, Kook, Madre, and Downtown Daniel.

Downtown Daniel was inspired by a photograph by Estevan Oriol in Los Angeles. (photo © Jaime Rojo)

El Mac in Los Angeles. (photo © Jaime Rojo)
El Mac in Los Angeles. (photo © Jaime Rojo)
Shepard Fairey in Los Angeles. (photo © Jaime Rojo)
Shepard Fairey and Vhils collaboration in Los Angeles. (photo © Jaime Rojo)
Shepard Fairey and Vhils collaboration in Los Angeles. (photo © Jaime Rojo)
Shepard Fairey and Vhils collaboration in Los Angeles. (photo © Jaime Rojo)
Shepard Fairey and Vhils collaboration in Los Angeles. (photo © Jaime Rojo)
Invader in Los Angeles. (photo © Jaime Rojo)
Invader in Los Angeles. (photo © Jaime Rojo)
Invader in Los Angeles. (photo © Jaime Rojo)
Tempt in Los Angeles. (photo © Jaime Rojo)
Madre in Los Angeles. (photo © Jaime Rojo)
Hijack in Los Angeles. (photo © Jaime Rojo)
Praxis in Los Angeles. (photo © Jaime Rojo)
KOOK in Los Angeles. (photo © Jaime Rojo)
Loks Angeles (photo © Jaime Rojo)
Keith Haring in Los Angeles. (photo © Jaime Rojo)
Nychos in Los Angeles. (photo © Jaime Rojo)
Nychos in Los Angeles. (photo © Jaime Rojo)
Nychos in Los Angeles. (photo © Jaime Rojo)
Nychos in Los Angeles. (photo © Jaime Rojo)
Unidentified artist in Los Angeles. (photo © Jaime Rojo)
Add Fuel in Los Angeles. (photo © Jaime Rojo)
Hueman in Los Angeles. (photo © Jaime Rojo)
David Howler in Los Angeles. (photo © Jaime Rojo)
Untitled. Echo Park, Los Angeles, CA. (photo © Jaime Rojo)
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Invader “4000” Opens in Paris with Exhibition and Mosaic Encyclopedia

Invader “4000” Opens in Paris with Exhibition and Mosaic Encyclopedia

Infusing meaning into numbers is one way to identify benchmarks, recognizing that time takes us forward regardless of our intentions. For street artist Space Invader, the act of recording and cataloging his two-decade Space Invaders project “is very much an ongoing meta-work, constantly expanding and transforming.”

Marking that passage of time and his seemingly indefatigable dedication to it around the world, the artist releases “4000”, his new book – and accompanying exhibition – that celebrates the completion of 4,000 installed mosaics.

So committed he has been to installing his work on the street since beginning at the end of the previous century, he now says his ‘invasions’ are more than an organized string of occurrences across the urban face of our cities in multiple continents. “More than just a simple artistic practice, my Space Invaders project has been a huge part of my life for over twenty years,” he says. “Some might even call it a lifestyle.”

Invader is pleased to have his first Parisian solo show since 2011 at Over The Influence Gallery. Opening this past weekend, the show runs until January 22, 2023 – and because of the popularity of this enigmatic street artist, you’ll need to book a ticket to see it.

True fans of his art will want to find the works they are familiar with in their city, pawing through the pages to learn its corresponding number, which Invader has devotedly recorded during his two decades of invasions. 4,000 mosaics across five continents is ambitious enough, but it is astounding to think that the artist also created meticulous documentation from 1998-2021 – resulting in what is, in his own words, “a true encyclopedia.”

Invader. Bilbao, Spain. (photo © Jaime Rojo)
Invader. Hong Kong. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)
Invader. Brooklyn, NY. (photo © Jaime Rojo)
Invader. Brooklyn, NY. (photo © Jaime Rojo)
Invader. Brooklyn, NY. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)
Invader. Manhattan, NY. (photo © Jaime Rojo)

4000

Invader

2 Rue Des Saussaies
Paris 75008
Open: Tuesday– Saturday, 11AM – 7PM

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BSA Images Of The Week: 07.17.22

BSA Images Of The Week: 07.17.22

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Welcome to BSA Images of the Week!

From throw-ups to tags, banal to topical, paste-ups to high-gloss murals, the New York pays you back in grit and passion when you keep your eyes open. This summer the heat is on – and you really only need shorts, a tee-shirt, and comfy footwear to get lost in this city that is speaking to you at all hours and pouring poetic discourse into your head and heart. As hard as it may be sometimes, we are always thankful to be in a city full of people and artists that inspire daily.

Here’s our weekly interview with the street, this week featuring: Invader, Elle, Goog, Urban Russian Doll NYC, Homesick, King Baby, Miss 17, Cramcept, You Are Not Alone, Rambo, Dense, Beep Beep, Red Eye Mob, Crypto Compadres, and Dominator.

You Are Not Alone (photo © Jaime Rojo)
Vanilla Cool Dance (photo © Jaime Rojo)
Urban Russian Doll (photo © Jaime Rojo)
Homesick (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Dominator (photo © Jaime Rojo)
Elle (photo © Jaime Rojo)
Elle (photo © Jaime Rojo)
Crypto Compadres (photo © Jaime Rojo)
Red Eye Mob! (photo © Jaime Rojo)
Cramcept (photo © Jaime Rojo)
Beep Beep (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Dense (photo © Jaime Rojo)
Goog (photo © Jaime Rojo)
Rambo (photo © Jaime Rojo)
Miss 17 (photo © Jaime Rojo)
King Baby (photo © Jaime Rojo)
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BSA Film Friday: 07.08.22

BSA Film Friday: 07.08.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Invader: Invasion Potosi, Mission 4000
2. A VHILS Reel edited by Jose Pando Lucas/Solid Dogma
3. Os Gemeos: “El dibujo es el alma de todo proceso” (Drawing is the soul of every process)

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BSA Special Feature: Invader: Invasion Potosi, Mission 4000

Llamas, demons, Scoopy Doo, the Clash.

The French Invader, with his Western symbols painted with tiles takes you to Potosi, one of the highest cities in the world. “Located in Bolivia at 4000m above sea level it was a perfect place to install the 4000th space invader,” says the artist.

Invader installs his 4000 space invader in Potosi, Bolivia.

A VHILS Reel edited by Jose Pando Lucas/Solid Dogma

Os Gemeos: “El dibujo es el alma de todo proceso” (Drawing is the soul of every process). Via Domestika.

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Invader is the “Rubikcubist” at MIMA in Brussels

Invader is the “Rubikcubist” at MIMA in Brussels

Remember those paint-by-numbers kits that Mrs. Measley used to keep on the top shelf of her hallway closet next to a couple of handmade quilts and a moth-eaten cardigan? During the winter months, the lady who lived in the apartment upstairs used to have one on her kitchen table by the window for some lovely afternoon painting – filling in the appropriate shape with the color corresponding to the number printed inside the form. Somehow you knew what the picture was when she was finished, but it was easier to see if you stepped back a few feet and sort of blurred your vision.

Invader. RUBIK SELF-PORTRAIT WITH CUBE, 2005. (photo © Invader)

You may want to use that skill when viewing the new Invader show in Brussels opening this month at MIMA, the Millennium Iconoclast Museum of Art. The French street artist is known for creating popular characters in the style of vintage 8-bit video games on walls in cities around the world. It is an early video game reference that is nostalgic for a particular age group of people who long for those simpler times before streaming surveillance and facial recognition.

Invader. RUBIK INGRES (Making of), 2006. (photo © Invader)

A few years ago, the artist created his digital reference for his rounded square pointillism called Rubikcubism. Presented as a feat achieved by manipulating the popular kid’s toy from the 1980s, the artist recreates famous artworks and movie scenes as ‘canvases.’  The obliqueness of the image recognition also echoes the anonymity of the street artist, who steadfastly hides behind the Invader name after a few decades of illegal installations of tiles stuck high above the street.

With “Invader Rubikcubist” the museum is bracing for a hugely successful summer show with the exhibition featuring the first sculptures presented from the series and a few special new sections like Rubik Bad Men, devoted to the figure of the villain, and Rubik Masterpieces, an homage to masterpieces of art history.

Invader. RLRI, 2010. (photo © Invader)
Invader. RUBIK SCARFACE MACHINE GUN, 2007. (photo © Invader)
Invader. RUBIK ROCK’N ROLL ANIMAL, 2011. (photo © Invader)
Invader. RUBIK SELF-PORTRAIT WITH CUBES, 2011. (photo © Invader)

INVADER RUBIKCUBIST
​24 June 2022 > 08 January 2023
​MIMA
39-41, Quai du Hainaut
​1080 Brussels

For more information and details click HERE

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Paris Dispatch 2 : C215 and the Guys on the Street

Paris Dispatch 2 : C215 and the Guys on the Street

We return today to the streets of Paris for Dispatch 2 with Norwegian photographer Tor Staale Moen, who tells us that the streets are alive with stencils and aerosol paintings as much as ever. Our first Paris report a couple of days ago focused on the presentation of the female form and energy by street artist in this city. Today, it’s time for the guys.

Here we begin with one of the country’s most well-known stencil masters, C215. His portraits of unknown street dwellers, as well as important historical figures, have graced walls, mailboxes… even national postal stamps. Here C215 honors the memory of a French son of a Polish immigrant to France during the second world war, Samuel Émile Adoner (known as Milo Adoner). Deported with 7 members of his family by convoy in 1942 from the Drancy camp to Auschwitz, he was the only one to survive the Holocaust- along with an older sister who was not deported. With the help of activists and historians and artists like C215, the street can be a platform for the open exchange of ideas – and histories.

C215 (photo © Tor Staale Moen)
Jef Aerosol (photo © Tor Staale Moen)
Zabou (photo © Tor Staale Moen)
Carrasco (photo © Tor Staale Moen)
Saucelab (photo © Tor Staale Moen)
Jace Ticot (photo © Tor Staale Moen)
We are crediting this work to an unidentified artist. The work itself is signed but we can’t decode the signature. (photo © Tor Staale Moen)
Falco (photo © Tor Staale Moen)
13bis (photo © Tor Staale Moen)
Kurt Cobain rocking in the phone booth. D7606 (photo © Tor Staale Moen)
NO (photo © Tor Staale Moen)
A vintage Invader (photo © Tor Staale Moen)
Invader (photo © Tor Staale Moen)
Invader (photo © Tor Staale Moen)
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BSA Images Of The Week: 03.21.21

BSA Images Of The Week: 03.21.21

Nowruz Mubarak! Happy Persian New Year to all the New York neighbors who celebrate it. Also, Happy Spring! Did you think it would never arrive? Already the birds are chirping in the trees, and the crocus is popping up from beneath the garbage and dog crap. That guy who lives downstairs named Manny and his brother are washing their car on the curb while blasting a mix from Marley Marl & Red Alert at top volume for the block to enjoy. All the while, there is a colorful parade of young bucks and shorties who are strutting around the neighborhood with big eyes and a burning flame of hope in their hearts.

Another reason Brooklyn is feeling hopeful is the announcement Friday by Chuck Schumer saying that New York is to get 1.6 million COVID shots every week thanks to a ‘vaccine supercharge.’ One year after the sounds of ambulances filled the air and refrigerator trucks became mobile morgues on Brooklyn streets, people are eagerly running to pharmacies and Yankee Stadium and Citi Field to get the shot.

New Yorkers are also taking to the streets to protest Anti-Asian discrimination and violence locally and nationally. Many point to Trump’s use of the term “Chinese Virus” repeatedly in the last year as a direct causal relationship to increased acts of prejudice. But once again, New Yorkers know how to re-enforce the message: “United we stand, divided we fall.” As a New Yorker and as a person, it makes you feel proud.

Finally, street art is popping off in all kinds of stylistic and thematic directions this week – from the secular American saint, Dolly Parton, posed as a vaccine nurse by SacSix, to Sticker Maul’s Priority Mail collages, to Winston Tseng’s subtle and damning phone booth campaign of Walmart and McDonald’s workers who represent our formerly middle-class neighbors who are paid so little that they actually qualify for food stamps.

So here’s our weekly interview with the street, this time featuring: Almost Over Keep Smiling, City Kitty, D7606, Damien Mitchell, Ethan Minsker, Invader, LET, Matt Siren, Mort Art, NET, Rambo, Raw Raffle, Royce Bannon, SacSix, Sara Lynne Leo, Sticker Maul, Tram, Voxx Romana, and Winston Tseng.

SacSix (photo © Jaime Rojo)
Damien Mitchell (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Almost Over Keep Smiling (photo © Jaime Rojo)
Tram (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Sticker Maul (photo © Jaime Rojo)
Sticker Maul (photo © Jaime Rojo)
Rambo (photo © Jaime Rojo)
Mort Art (photo © Jaime Rojo)
A Cat called LET (photo © Jaime Rojo)
Ethan Minsker (photo © Jaime Rojo)
Matt Siren . Royce Bannon (photo © Jaime Rojo)
Raw Raffe (photo © Jaime Rojo)
City Kitty. Vox Romana. D7606 (photo © Jaime Rojo)
Daniel Mastrion (photo © Jaime Rojo)
Untitled. Manhattan, NYC. March 2021.(photo © Jaime Rojo)
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BSA Film Friday: 03.19.21

BSA Film Friday: 03.19.21

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Invader: Djerba Invasion
2. Vhils Mounts “Haze” in Cincinnati
3. Okuda Takes Victory Lap of His Art/Life Accomplishments in 2020

BSA Special Feature: Invader: Djerba Invasion

A short film today from French street artist Invader on the island of Djerba. Previously painted by many international street artists a few years ago with the help of artist, businessman, and gallery owner Mehdi Ben Cheikh, here the adventures of the digital tile artist are documented along with his own observations translated into English. Few women appear on the streets or on the screen, but you’ll find many men approving of the context-appropriate pieces he affixes across cities of the island. All this art is sure to become part of a treasure map for tourists to discover street art.

Invader: Djerba Invasion



Vhils Mounts “Haze” in Cincinnati

in 2020 Vhils had a solo show “Haze” at the Cincinnati Contemporary Art Center. Filmmaker José Pando Lucas captured the process of the installation and Vhils’ technique in vivid detail.



Okuda Takes Victory Lap of His Art/Life Accomplishments in 2020

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BSA Images Of The Week: 11.22.20

BSA Images Of The Week: 11.22.20

Mint. Surf. Mirf. Smurf.

Good to see Mint and Surf on the streets again here in NYC. We wondered where they had gone.

Wishing all of you a Happy Thanksgiving this week, whether you are alone or with family, cooking a turkey or baking a pie, spraying a tag or slapping a sticker, collecting art or collecting bills. We hope that we can all count some blessings this week. Please stay safe from the Covid-19.

Here is our weekly interview with the streets, this week featuring Butterfly Mush, Dragon 99, Eye Sticker, Fours Crew, Graff Art Kings, HOACS, Invader, Michael Conroy, Mint & Serf, Mr. Can Do, No Sleep, Only Jesus NYC, Rawraffe, Roachi, Shniz, Shorty, Smells, and Surface of Beauty.

Mint & Serf / Mirf (photo © Jaime Rojo)
Surface Of Beauty (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Roachi / Fours Crew (photo © Jaime Rojo)
Hoacs, Roachi, Mr. Can Do. Fours Crew (photo © Jaime Rojo)
Smells (photo © Jaime Rojo)
Rawraffe (photo © Jaime Rojo)
Street art proselytizing with this sticker campaign. Only Jesus NYC (photo © Jaime Rojo)
Only Jesus NYC (photo © Jaime Rojo)
Eye Sticker, Graff Art Kings. (photo © Jaime Rojo)
No Sleep (photo © Jaime Rojo)
Fuck Fuck Fuck Shit…exactly. (photo © Jaime Rojo)
Shorty. (photo © Jaime Rojo)
Thats the schnizzle. Shniz (photo © Jaime Rojo)
A tribute to Shorty RIP. (photo © Jaime Rojo)
Dragon99 for The Bushwick Collective. (photo © Jaime Rojo)
Butterfly Mush pondering her options… (photo © Jaime Rojo)
Michael Conroy (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
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