The era of fractured attention spans, heightened emotions, and ravaged hierarchical systems for ordering institutions, beliefs, and the truth is ripe for examination and dissection – even if it takes a looking glass to see it.
The anonymous art-activist thinkers at INDECLINE have spawned many interventions in the last decade in public space – intricate and smartly storied at times, obvious and deliberately provocative at others.
For Easter, we appreciate how they cleverly hopped between the pagan practices adapted to Christianity – namely the signs of spring and fertility – and the surrealist White Rabbit of Louis Carroll and the magical beliefs of so-called Q-Anon.
And why not?
For children and adults of many generations, it has been an un-rewarding exercise to parse the bloody crucifixion of Christ who rises from the dead – combined with the story of a human-sized rabbit who breaks into your home at night to leave a colorful woven basket of decorated eggs, jelly beans, and bunnies made of chocolate. This all makes as much sense as the Q-Anon theories alleging that a secret cabal of Satan-worshipping, cannibalisticpedophiles who operate a global child sex-trafficking ring was plotting against former U.S. President Donald Trump while he was in office.
So while Washington DC is supposedly ringed in high-security apparatus since the capital riots, INDECLINE decided to hop through several parks – Garfield Park, Stanton Park, Lovejoy Park, Meridian Hill Park, Rose Park, Logan Circle, Kalorama Park, and Farragut Square – spreading their cheerful and colorful egg-hunt for presumably confused kids and parents to discover yesterday morning while Christians the world over proclaimed “He Is Risen.”
They also hung customized banners that mimicked the kind that may accompany a typical “Egg Hunt” on soft green lawns across parks nationally, subvertising an event sponsored by Q-Anon – filling eggs with packets of cleverly designed Qool-Aid.
An INDECLINE spokesperson says they chose Qanon as the focal point of this series of interactive, engaging public art installations precisely because of the wayward thinking that is necessary to support its evolving theories – and the many dangers of manipulation that are now at play.
“As far as conspiracies go,” they say in a statement, “QAnon has blazed a remarkable and confounding trail into the era of information, organizing itself as an interactive game where adherents are encouraged to become participants, crowdsourcing the narrative through a patchwork of YouTube tutorials and Facebook rants. Supposedly, Q, and insider, is leaving a trail of breadcrumbs for them to follow (originally across Reddit, then into the Chans), and as they collect enough, they are supposed to ‘bake’ them into a full-fledged narrative.”
As the military has gamified the hell of war for a generation of young men, today GenZ is gamifying the stock and currency markets and blockchain gallerists are gamifying art with NFTs, so why not gamify the disinformation industry that distracts us from the Rich v. Everybody battle that is firmly afoot in the 21st century? INDECLINE admits that “the gamified nature of the QAnon conspiracy is really the appeal.” What could possibly go wrong?
Billboard message subversion dates back to at least The Billboard Liberation Front and The Guerrilla Girls undercover antics of the 1970s and 1980s mangling commercial messages to expose their underside or to call out hypocrisy. Later artists like Ron English did scores of billboard “takeovers” that focused on fast food and cereal brands and their links to obesity and diabetes.
Despite an assumed increase in surveillance these days, it is surprising how many artists still get up every year on these high-profile slabs to re-engineer their message, or to put up an entirely new message altogether.
In that tradition, the activist art collective who call themselves INDECLINE say they recently took over a rather plain billboard ad-space from Christian Aid Ministries on Interstate 22 West in Byhalia, Mississippi – re-configuring their message into one they would presumably abhor. Indecline states that the new work offering Planned Parenthood services is “in direct response to lawmakers throughout the South who continue their attempts to overturn Roe v. Wade.”
In a modern twist on this story of detournement, the anonymous crew says they plan to convert the imagery of the vandalized billboard into an NFT. For profit? No, they say they plan to auction it off and give the proceeds to the Planned Parenthood Action Fund.
And this stuff didn’t just start in 2017. Regardless which millionaire is in or has been in the White House or which millionaires are in the presidents cabinet or which millionaire is telling you what the news is on CNBCFOXMSABCBS, your neighbors’ collective standard of living has been going down for decades and even life expectancy is going backward.
Identity politics will not put food in the cupboard or give you healthcare.
We badly need reconciliation with each other. If we keep fighting each other we are more easily divided, and conquered. And the next demagogue will be far more competent. Now with a new president-elect, America has a lot of work as we head into the Greater Depression.
When it comes to street art New York’s streets always tell us what time it is.
Here is our weekly interview with the streets, this week featuring Baston714, BKFoxx, Buff Monster, Consume Art, Dylan Egon, Go Paint the World, Indecline, NNR, Peachee Blue, Pure Genius, Matt Siren, Tony DePew, and Timothy Goodman.
Director Colin M. Day is probably having a riotous one right now because his new film debuts on Rolling Stone today; as The Art of Protest takes you through a landscape of dissent and resistance and guerilla-style art installation.
Focused primarily on behind-the-scenes antics and laudatory reviews of the in-your-face and theatrical performances of the anonymous Indecline Collective, whose various works have appeared here for over a decade, you’re challenged to separate the constructive from the destructive. To add nuance, as the university types are likely to say today, Day smartly broadens the scope to help put provocative actions of these artist/activists into a greater context of political protest in its myriad creative forms over the last half-century. As usual, history helps us understand this moment, and to seize it.
Offering insights and interviews from activist artists of many stripes and disciplines, including Nadya Tolokonnikova, Jello Biafra, Shepard Fairey, and Igor Vamos of The Yes Men, you’ll quickly understand that the struggle for most of these artists is a principled one, whether articulated in a shocking tenor or a puzzling subversive one. In addition to art on the street from Fairey, it is good to see many artists we have featured here multiple times such as ROA, Bordallo II, Cleon Peterson, Monica Canilao, Blek le Rat, Ron English, and Jesse Hazlip. Each has a distinctly different style, yet a very similar determination to use their art as an extension of speech. In a sea of discord and disinformation, these strident voices come through clearly.
“The days of passively making art for arts’ sake ended a long time ago,” says musician Moby, and the film drives the message home in each one of its 45 minutes.
Directed by Colin M. Day (Saving Banksy), the film premieres on RollingStone.com on Tuesday, October 13th at 9:00am EST.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town? 2. Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020 3. INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.
BSA Special Feature: Visit a Sea Side Town with Doug Gillen
You can’t really send out a gilded invitation to your cousin Gentrification to come visit and be surprised when his emotionally draining wife and video-game playing snot-nosed kids are in the car with him. When you use words like “platform” to describe art-washing of a town, and your organization has a “brand director”, there won’t be much surprise when the moneyed professionals complain that music at the curated-bar across the street is keeping their new baby awake at night.
Doug at Fifth Wall is more surreptitiously stealthy than ever, gradually upping his stealthy-stealthitude as he lets this story basically tell itself while posing as a merely curious art-fan.
The story is literally everywhere you look right now, and apolitical, non-confrontational Street Art and murals are almost always intercedent. A small town is sucked dry after decades of neo-liberal economics and back-room political deals, leaving a godless lot feeling listless and depressed without prospects for the future. Broad strokes, but you’ve undoubtedly heard the concept proffered by real estate investors that comes next.
“Yes there’s a commercial side to it but there is also very much a community element to what we’ve been doing,” says one male voice as the camera scans some run-down architecture with good bones and historical character. They’ve been buying up properties and “introducing a new independent concept into them”.
You predict what comes in this chapter; small portions of fussy food, art galleries, street art, vinyl!, kooky cafes with drip coffee and cold brew, clever grandma-anti-fashion fashion, artisanal cheeses, greater police presence and the occasional night-time social cleansing of hardscrabble types pushed into other neighborhoods.
Next step, edgy
lifestyle brands will need some quirky space to set up shop.
trying to keep the big boys out of our little part of town.”
“2020 is a year calling out for change,” says Doug in his wrap-up, but he knows this particular model is not at all new. It’s still a reaction to the devastation, and we all seem to be trapped in it. Even so, this can be a kind of rejuvenation that many small towns would ache for and there is reason to think that the formula can be configured to be more just to those who will get displaced – if you’re dedicated to it.
And your cousin Gentrification could be cool to hang out with, even if his very classy wife gently insults your wife and the décor of your home and the food you eat and the music you listen to.
Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?
Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020
Lidia Cao paints a portrait of Dolores Medio, the Spanish writer, teacher, and journalist for the Parees Festival in Spain in this short video by Titi Muñoz.
INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.
600 decommissioned weapons were
combed over and refashioned by Las Vegas based artist David Fay into this
semi-kinectic sculpture that recalls Rodin’s “The Thinker”. In an America that
is fascinated by weapons, at least in movies and television, this sculpture may
make people think, or not.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Plain Brutality Again: Jacob Blake. 2. INDECLINE: Get Dead – Pepper Spray 3. Shepard Fairey: Arts Vote 2020
BSA Special Feature: Plain Brutality Again: Jacob Blake
The violence against black people continues. The latest shooting of a black American citizen by the police took place in Kenosha, Wisconsin where a police officer shot Jacob Blake on Sunday.
Mr. Blake, a father, a son, a brother, and uncle, was shot seven times by the police as he leaned into the driver’s seat of his car resulting in Mr. Blake being paralyzed and unable to walk and under intensive care at the hospital. Yet he is being handcuffed to his bed. Mr. Blake was not carrying a weapon.
Are we only to add his name to the endless list of black and brown people brutalized and killed? Here we post a recent short film that examines this moment in American history as well as through the lens of system racism.
Voices from the Black Lives Matters Protests ( A short film) Vanity Fair
INDECLINE: Get Dead – Pepper Spray
An amalgam of blinding rage and graffiti, anti-authoritarian self-destructive vandalism melded into a demand for the end of state-sponsored violence played out to a raspy-voiced tirade and gutter-crunch guitars and drums. Many of society’s contradictions are here on display for all to see.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Indecline “The Art of Protest” Trailer
BSA Special Feature: Indecline “The Art of Protest” Trailer
Directed by Colin M. Day (“Saving Banksy”) and produced by INDECLINE, the film is an inspirational call to action, featuring the worlds leading activist artists and musicians, assembled for the first time to discuss what some consider to be the vital importance of resistance art in the era of Donald J. Trump.
The streets are alive with street art and pointed political protest. NYC citizens are joining the cities and communities across the country who are demonstrating furiously over the newest examples of systemic, latent, and explicit racism and police brutality that have characterized our society for so long. Of course it’s just one fire that has been waiting to spark as economic conditions run parallel with social inequity. In the face of sky-high unemployment, unpaid rents, increasing food insecurity, a “rescue” program that gave the store to the rich, and the ever-growing gap between hyper-rich and the chronically poor/ newly poor, the summer here looks like it could be torrid.
We won’t need or see a large number of street art festivals for a while. This show of politically/socially inspired artworks and text messages is probably just warming up on the streets and you can imagine that artists won’t find it appealing to be sitting on panels and pontificating about the genesis of mark-making, the original roots of punk anarchy, or how they are incorporating being woke or inter-sectionalism into their “street practice”. The creative class, however you define it, has suffered a huge blow and many are out of work, and patience. Based on what we have been witnessing here these past few weeks, you may predict that the more aesthetically inclined will seize the opportunity to make art for the city, on the city.
Here’s our weekly interview with the streets, this week featuring 1UP Crew, Adam Fujita, Almost Over Keep Smiling, Billy Barnacles, Combo-CK, Denis Ouch, Indecline, Jason Naylor, Lunge Box, Matt Siren, Mr. Toll, and Woof Original.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. “AfroGrafiteiras” featuring Andrea Bak 2. Magda Cwik / Hotel 128 / Street Art City in France. Via After Hours Project 3. INDECLINE Presents: The Bird Box 4. INDECLINE Presents: Trumpster Fire 5. Mura Masa – Deal Wiv It with slowthai
BSA Special Feature: “AfroGrafiteiras” featuring Andrea Bak
AfroGrafiteiras is an urban art training project focused on the expression and promotion of the leading role of Afro-Brazilian women in activity since 2015.
Here in Episode 6 we get to see the bright mind of Andrea Bak as she talks about this Rio-based program that examines identity, society, tradition, and empowerment through the aerosol can.
To learn more about the #AfroGrafiteiras project visit www.redenami.com
Magda Cwik / Hotel 128 / Street Art City in France. Via After Hours Project
Check into the abandoned Hotel
128 in Lurcy-Lévis, France and you’ll find a stunning array of portals to
worlds customized by Street Artists. Here’s the latest one, Room 108, painted
by Magda Cwik.
INDECLINE Presents: The Bird Box
A quick commercial or not? Hacking the consumer system by re-cycling a new scooter craze into something useful for the homeless, who are now legion in LA? Either way it’s INDECLINE, who will literally tell you anything as long as you keep watching.
INDECLINE Presents: Trumpster Fire
You see the dumpster with Trump’s face on it, and you know what’s next. Thank you for completing the visual allegory that many have imagined.
Mura Masa – Deal Wiv It with slowthai
And now something new from the “No-Hope” generation. Back with his friend Slowthai, it’s a pop-locky-pock-marked-futility-fueled screed leading us into the weekend. Also, there is hope here.
You got furious at us sometimes this year. Or rather, you were mad at artists whose work pissed you off. Thanks for the emails though bro. We still love you of course sister.
Without a doubt the polarized atmosphere in social/economic/geopolitical matters worldwide in 2018 was increasingly reflected in the graffiti and Street Art pieces and projects that we wrote stories about. Loving it or hating it, often BSA readers were motivated to share the story on social media for discussion and to write directly to us to take issue, or even to chide us for “being political”.
Let’s be clear. Art has always been and will always be “political”. We tend to think that the artwork that we agree with is not political because it is expressing our values, opinions, and worldview.
So that’s why you propelled stories about a clandestine Trump cemetery installation by InDecline onto the list this year. That’s why Winston Tseng’s inflammatory campaign against a certain kind of Trump supporter on NYC trashcans proved to be so provocative and offensive to so many people, while others crowed support.
The topic of free speech under fire also attracted high interest for Fer Acala’s story of artists and rappers who took over a Spanish former prison to protest restrictive recent federal laws aimed at protest in that country.
But BSA readers also love the spectacle, the vast animated murals, the scintillating stories behind the art and the artist; the connection that communities and festivals create with art in the public sphere – or in abandoned factories, as it were. The biggest splash this year was the over-the-top creation of and the fiery destruction of an art sculpture at the Falles de València celebration in Spain by Street Artist Okuda. You loved the tantalizing images by Martha Cooper, and somehow everyone relishes the idea of building and constructing a large, colorful, inspiring piece of art and then lighting it on fire in the public square – propelling that story to the top of the BSA list in Top Stories in 2018
Box trucks are a favorite canvas for many graffiti writers in big cities and have become a right of passage for new artists who want the experience of painting on a smooth rectangular surface that becomes a rolling billboard through the streets advertising your name, making you truly “All City”.
When in French Polynesia a few weeks ago with the ONO’U festival, a number of artists were given the significant gift of a large truck or school/commuter bus on which to create a mural, a message, a bubble tag.
Together on the islands of Raiatea and Bora Bora there were about 10 of these long and low autobuses that became sudden celebrities in the sparsely travelled streets, debuted as some of them were in Raitea, when painted live at an all night party for the public.
The Painted Buses of Raiatea and Bora Bora. Continue reading HERE
Ajo Samaritans describe themselves and their mission on their website like this; “Samaritans are people of faith and conscience who are responding directly, practically, and passionately to the crisis at the US/ Mexico border. We are a diverse group of volunteers around Ajo that are united in our desire to relieve suffering among our brothers and sisters and to honor human dignity. Prompted by the mounting deaths among border crossers, we came together to provide food and water, and emergency medical assistance to people crossing the Sonoran Desert.”
Destroying Desert Water Bottles; Chip Thomas New Work in AJO, Arizona. Continue reading HERE
A current survey today from the streets in Copenhagen thanks to a couple of BSA fans and friends who share with readers their recent finds in one of the world’s happiest places, according to the 2018 World Happiness Report. Apparently it is also a good place for gay birds to come out of the closet.
With a storied history of graffiti bombing of the red trains that goes back many years, possibly generations, Copenhagen has long been a treasured destination for graffiti writers.
Now you will also find murals and installations illegally and legally by local and international Street artists – and the iconic full sides of buildings here are subtly transforming the public face of the city.
Copenhagen Diary: A Street Surevey of The Moment. Continue reading HERE
So INDECLINE picked a swell morning to debut their long-planned and complicated site-specific installation at this golf-course in New Jersey.
“INDECLINE felt is necessary to commemorate some of the victims,” they say. “The dates on the headstones correspond to some of the highlights of Trump’s first year in office.” You may remember some of these milestones on the tombstones, you may have to Google others.
The saddest death for us all year has been the civility and respect of Americans toward one another – as those hard working families who are just scraping by are being skillfully manipulated through sophisticated PR / media campaigns into thinking that they are the only real uber-patriots and to hate the wrong people. Most importantly they are fighting and voting against themselves without realizing it.
“Grave New World” Trump Cemetery. Continue reading HERE
Borondo. Utsira. Utsira, Norway. Summer 2018. (photo courtesy of the organizers)
Today we revisit Utsira, the tiny island in Norway that has hosted a few Street Artists over the last couple of years, like Ella & Pitr and Icy & Sot. This year the fine artist and Street Artist Gonzalo Borondo blended into the hills and the forest and the lapping waves, making his spirit dissipate into the community and into a boat.
“There’s a strong sense of community,” he says as he reflects on the metaphor he has chosen to represent his time here on an island of only 420 people, “There is a mutual support among citizens and a common feeling of enjoying the same unique condition.”
Borondo Finds Community on The Island of Utsira in Norway. Continue reading HERE
Equally gifted in the heavier handmade artisanal crafts of porcelain and ceramic as she is with aerosol, Nespoon did installations of both this month during the Emergence Festival in Sicily (Valverde + Catania. The seventh year of this international festival for public art, Nespoon shared the roster with American Gaia and Sicilian Ligama from March 10-26 creating works related to the city and its stories. In many respects these new works appear integral, interventions that belong there, may have been there a long time without you noticing; a sort of netting that holds the skin of the city together.
Nespoon Casts a Lace Net Across a Sicilian Wall. Continue reading HERE
One of the direct actions organized by the platform for fighting against Partido Popular’s civil rights oppression was to film a video clip featuring some of the most renowned lyricists on the scene as Frank T, Elphomega, Los Chikos del Maíz, La Ira, Rapsusklei, and César Strawberry, among others, at the old La Modelo prison. The location is an accurate metaphorical scenario when you are seeing that your liberty is being cut off thanks to laws like ‘Ley Mordaza’.
The song ‘Los Borbones son unos ladrones’, which alludes directly to the Spanish monarchy, includes some excerpts from some of the songs created by rappers serving a prison sentence. The video clip for the song, which you can watch at the end of this article, has become viral and almost all media outlets in the country are speaking about this big shout-out in the name of freedom.
No Callarem. La Modelo Prision. Barcelona. Continue reading HERE
Highlighting collective efforts that advance events during war and the tales of heroism, butchery, resistance, intrigue, and subterfuge that are braided into historical retelling, three Italian Street Artists commemorated citizen resistance and a Nazi massacre in a lengthy mural for the Penneli Ribelli Festival this month in Bologna.
At the center of the story is the resistance by everyday Italians of various ages, genders, and social classes, a movement known as the Italian resistance and the Italian Partisans, or Partigiani. The icon of the festival is a wolf in honor of the Partisan who led the group, Mario Musolesi, whose nickname was “Lupo”, or “Wolf”.
NemO’s, Ericailcane and Andrea Casciu Ride a Tandem Resistance. Continue reading HERE
We knew that these two talented and powerful personalities would compliment each other stunningly and that’s why we encouraged them two years ago to do a doc. A short term one was the original plan. But the two hit it off so well and when you are looking at a five decade career like Ms. Cooper’s and you have the dogged determination to do her story justice, Ms. Miles tells us that even an hour and a half film feels like its just getting started.
Now “Martha” the movie is at a unique juncture in the project and YOU may be able to participate; Selina and the team are looking for any original footage you may want to show them – and it may be used in the documentary.
“Martha” The Movie. Selina Miles Most Ambitious Project To Date. Continue reading HERE
After 25 years writing graffiti, DavidL has found his own way of working. It’s funny because one of the inherent issues about graffiti and street art is visibility. All the trains, the bombing, the tagging…it’s all about being noticed, being every f-ing where. It has been like this since day one (Taki 183, Terror161, 1UP…you know how it works).
But for David it’s not like that anymore.
Maybe it’s a sign of the days that we are living with social media, communication 2.0, etcetera. It’s obvious that if you have certain skills managing all this and a little bit of talent, plus a pinch of good taste, you can reach a global audience and show your work to the entire world even when you are concentrating the majority of your creations in a secret location.
DavidL, Through The Lens of Fer Alcala. Continue reading HERE
This week we have a selection of the UPEART festivals’ two previous editions of murals – which we were lucky to see this week after driving across the country in an old VW Bora.
We hit 8 cities and drove along the border with Russia through some of the most picturesque forests and farmlands that you’ll likely see just to collect images of the murals that this Finnish mural festival has produced with close consultation with Fins in these neighborhoods. A logistical challenge to accomplish, we marvel at how this widespread program is achieved – undoubtedly due to the passion of director Jorgos Fanaris and his insatiable curiosity for discovering talents and giving them a platform for expression.
When I was asked how to name the exhibition few weeks ago, I merged the words “vandalism“ and “Wandel“ (the German word for “Change“). That’s how Wandelism (or Changeism) was born and how it started transforming itself into an exhibition, which is truly accepting, embracing and living CHANGE.
On the grounds of a former car repair shop that is soon to be demolished, one can literally feel the constant movement and transformation of the urban fabric we all live in. Everything changes. Constantly. Change is evolution. Change is progress. Change is also the DNA of the art represented in the Wandelism show.
“Wandelism” Brings Wild Change For One Week in Berlin. Continue reading HERE
With a goal of 20 new murals by ’21 (20x21EUG), the city began in 2016 to invite a slew of international Street Artists, some locally known ones, and a famous graffiti/Street Art photographer to participate in their ongoing visual festival.
A lively city that is bustling with the newly blooming marijuana industry and finding an endless array of ways to celebrate it, Eugene has been so welcoming that many artists will report that feeling quite at home painting in this permissively bohemian and chill atmosphere.
“At the end of the day when one is towing the line of being provocative, you may cross that line in some people’s mind but I think if one is not trying to find that line then the work is not going to make any impact”.
Winston Tseng has probably been crossing that line, pissing off some people and making others laugh for a few years now. He appears to consider it an honor, and possibly a responsibility. Relatively new on the Street Art scene the commercial artist and art director has also created his 2-D characters on canvasses and skate decks that depict the abridged characteristics of a typecast to play with the emotions and opinions of passersby.
Winston Tseng: Street Provocatour Brings “Trash” Campaing to NYC. Continue reading HERE
Yes, Street Art is ephemeral, but OKUDA San Miguel just set it on fire!
During the annual Falles de València celebration, it’s normal for artworks to be destroyed publicly in about 500 locations throughout the city and in surrounding towns. Part of a spring tradition for València, Spain monuments (falles) are burned in a celebration that includes parades, brass bands, costumes, dinners, and the traditional paella dish.
This year the first Street Artist to make a sculpture in the traditional commemoration of Saint Joseph is the un-traditional OKUDA, creating his multi-color multi-planed optic centerpiece.
Okuda Sculpture Engulfed in Flames in Valéncia. Continue reading HERE
We wish to express our most heartfelt gratitude to the writers and photographers who contributed to BSA and collaborated with us throughout the year. We are most grateful for your trust in us and for your continued support.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. INDECLINE Billboard “Clown” Takeover
2. FACTORY OF KAOZ
3. Vegan Flava: A million years lost in a moment. Trollhättan, Sweden
4. “ARTinfect IV – The PFAFF Project” in Kaiserslautern, Germany
BSA Special Feature: INDECLINE Billboard “Clown” Takeover
In Los Angeles the activist Street Art posse named INDECLINE overtook a billboard recently to grab attention of those whom they are afraid are being slowly lulled by the circus of distraction and Tweets that make America Hate Again.
FACTORY OF KAOZ
We had the opportunity to experience some Liepzig Kaoz this week inside a factory that lays abandoned, yet full of opportunity for graffiti and Street Artists who explore its many rooms and stairs and broken windows. For Kaoz it is nearly a portfolio of his works, as well as a stage for fashion shoots, a set for photo projects. Join him as he shows you around the place, and watch your step.
Vegan Flava: A Million Years Lost in a Moment. Trollhättan, Sweden.
The briefest video here from a familiar Stockholm face as we see this piece from Vegan Flava in Trollhättan that he says is meant to address the norms of what to eat and consume in our culture; norms that are quickly destroying in a relative moment the Earth that took a million years to get to this point. He tells us that he believes we need to shift our thoughts and practices to value nature and animals.
“Ecocide is the crime of all time. It is destabilizing the world as people will have to flee from environmental disasters or conflicts concerning natural resources. The dominant culture is lethal to every aspect of this planet. Giving rights to nature and animals similar to human rights would enable to juridically protect ecosystems from collapse, freshwater from pollution, forests from destruction and animals from extinction.”
“ARTinfect IV – The PFAFF Project”
A roll-call video of participants from the Pfaff Project featuring fantasy, gothic, illustration-based, graffiti and Street Art inside an ex-urban spot now converted for a rolling display of fresh works in Kaiserslautern, a city in southwest Germany located in the Bundesland of Rhineland-Palentinate.
Here you can catch shots of artists like Zeso, Bustart, Serge, Pollo7, Meret, Snare79, DRÜ Egg, Chromeo, and ENDO.
An ingenious pop-up installation of politically charged art and performance arrived at a Trump hotel in Manhattan yesterday and departed just as fast, with the anonymous Street Art troupe INDECLINE declaring the exhibition “The People’s Prison”.
The clandestine and complex staging inside the belly of the commercial beast was completely legal and very temporary, leaving behind a pristine suite for the next guests to enjoy, but the interim concrete prison was darkly lit and gave off a cool, dank aura.
Open for invited guests for only a short window of time, the full-scale mise en scene gave a sordid and dark view of present and past politics and power, featuring the leader of the free world in a chandeliered prison with McDonald’s fast food wrappers and live rats at his feet.
The seated central performer stares out between the bars at the vertical red and white bars of American flags hung as canvasses with new paintings by invited artists like Street Artists Ann Lewis aka GILF!, LMNOPI, and Jesse Hazlip, and studio artists like dark pop queen Molly Crabapple and the multi-disciplinary Panik Collective.
While you take in the completely temporary scene, helpful but quiet INDECLINE members in black ski masks shuffle furtively in your periphery, ready to answer questions or preemptively admonish you not to touch anything. In a time of repeated accusations of “fake news”, demagoguery and disinformation, this real-life fabrication of a dire prison reality is jarring when mounted as it is inside another garishly shiny hotel fabrication of reality.
Each painting is a portrait of an outspoken historian, linguist, political scientist, academic, activist, or philosopher of some renown – a group of current and past thinkers and speakers who collectively would blow the roof off a building with their common sense and de/constructively radical ideas.
But these ideas from people like Noam Chompsky, Betty Friedan, Howard Zinn, Erica Garner, and Edward Snowden rarely make it into the White House or are given voice by the infotainment screen media or newspapers. “History is bigger than any given season, and historically, the greatest heroes have stood for something deeper than politics,” say the artists of INDECLINE in a statement.
“Our biggest concerns is that we, as American citizens – but also on an even deeper level, as Global Citizens – not forget that we are all stranded here on this rock together, and that the greatest crime committed by President Trump is his attempt to profit from and exacerbate the kind of divisiveness that safeguards a true and natural democracy, one that attempts to protect all of its members equally, not draw lines that become margins where those least-represented financially can be quietly swept away.”
As you have come to expect from this inventive and risk-taking troupe, the execution and attention to detail here is as impressive as the sentiments are powerful. This time the location of their intervention is integral to the message.
We interviewed INDECLINE to understand more about “The People’s Prison”
BSA:You chose a number of influential thinkers and philosophers to highlight in a place where they probably wouldn’t even be recognized. Have the wheels completely come off the cart?
INDECLINE: Some of these celebrated figures will most certainly be recognizable here in America and abroad. We did specifically choose a handful of lesser known activists and freedom fighter, but that was simply to shine the light on their efforts and educate the masses to their existence and fighting spirit.
BSA:Some say that Trump the man is a Trojan Horse to get these insidious ideas inside the halls of power. Is this project a trojan horse of a different color?
INDECLINE: We would agree with that wholeheartedly. Trump is certainly a Trojan Horse. However, he has waged a war with millions of creative and fearless soldiers who risk everything to practice radical thinking, provocative protest techniques, poetic dissidence and subterfuge. The war started a longtime ago and INDECLINE believe it will be the people, not the powerful who will stand victorious.
The second half of this two-part exhibition will replicate “The People’s Prison” in a Pasadena art gallery next month with the sales benefiting a range of organizations from the Native American Rights Fund to the Southern Poverty Law Center. Organizers say part two of this coast to coast show will open April 11.
More details after the video at the end of this posting.