All posts tagged: Icy and Sot

A Sudden Secret Street Art House Party in Manhattan

A Sudden Secret Street Art House Party in Manhattan

It’s a House Party Y’all!

With studio apartments in Manhattan now hitting nearly 3K a month the closest thing most Milennials will ever get to a house party in Gotham will be snagging a VCR tape of the Kid ‘n Play danceoff movie at their parents stoop sale.  Last week during the “polar vortex” cold freeze some lucky invitees did get access to a secret house party in a dilapidated building on the Lower East Side for 2 hours however. There wasn’t much heat, no DJ, and your flask of Jack Daniels substituted as the bar, but if you made it in you scored a free condensed Street Artist show that is as rare as a New Jack Swing hit these days.

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A subtle beam of light from Heaven (or Kevin) above Hanksy. (photo © Jaime Rojo)

A little more than 40 (mostly) Street Artists brought the four floor former tenement building to life one last time before it will be destroyed – and they did it almost entirely in secret over the course of a week.  Just how secret this event was is debatable considering the multitude of blog posts and photos of it that appeared in the days following but in the Internet age, news about stuff like this goes viral no matter what.

All tolled, the varied collection of participants was a cross-section; a blurry screenshot of Street Artists on the New York scene along with a few graff writers, taggers, sticker slappers, painters, illustrators, aerosol experts, installationists, art school students, and visitors to the big city who happened to be around at the right time.  Also, a couple of pyros.

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A collaborative wall for “Surplus Candy” (photo © Jaime Rojo)

While this sort of artist takeover of an abandoned house or building is increasingly occurring in bankrupt cities and neighborhoods in America and Europe where no one wants to live except the creative types, you don’t find this unruly and freewheeling expression much in the increasingly scrubbed and mall-like playground for the rich in Manhattan.

Similarly, producers of large Street Art/Urban Art events in global cities can deliver murals that make you salivate and on a scale that dwarfs this “event” thanks to corporate underwriters and shills for sneakers/sodas/urban-themed tampons these days, but few can truthfully rival the unpolished impromptu spirit of a semi-secret House Party jam session. For one week during installations and on opening night it was like the ghost of New York’s downtown 1970s-80s Bohemia was coming back to the island in all it’s imperfectness to remind everyone of Manhattan’s former greatness as a petri dish for experimentation and discovery.

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Icy & Sot (photo © Jaime Rojo)

Considering the huge increase in sanctioned walls over the last two years in New York, this work looks surprisingly alive, and is just the sort of balm needed for the raw nerves of anarchists everywhere who have bemoaned the polished soul-deadening mural painting of late. Even if some of this looks sort of slap-dash and ragged in spots, and it does, it also gives off an air of being authentic and in-the-moment.

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Icy & Sot (photo © Jaime Rojo)

Notably, the ratio of penis, breast, and defacation-related themes was higher than your average art show but as you know, there is an audience for every artist, even the ones gravitating to bathroom humor as creative wellspring.  Judging by the few hundred images floating around on Flickr and elsewhere, this pop-up was a hit for the people.

Given the growing number of artists communities that have blossomed outside of Manhattan, this could have been one of its last jams for Street Art.  Yo! That’s my jam!

And now please step aside as we build another luxury condo.

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Trap (photo © Jaime Rojo)

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ASVP (photo © Jaime Rojo)

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Tony DePew (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Sonni (photo © Jaime Rojo)

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Royce Bannon at work on his installation. (photo © Jaime Rojo)

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Royce Bannon (photo © Jaime Rojo)

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LNY (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Rusell King (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Col Wallnuts (photo © Jaime Rojo)

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Cosbe (photo © Jaime Rojo)

 

This show, “Surplus Candy” was organized by Hanksy, and is now closed.

A near complete artist list includes:

Alice Mizrachi/AM, ASVP, BD White, Bishop203, CB23, Cernesto, Col Wallnuts, Cosbe, Dee Dee, Dick Mama, Drippings, Edapt,   EKG, El Sol 25, Elizabeth Glaessner, Elle, Enzo and Nio, Foxxface, GILF!, Hanksy, Icy and Sot, Left Handed Wave, Lunar New Year, Magda Love, Martha Cooper,  Mata Ruda, Moustache Man, Mr. Toll, Mr. Two Three, Mrs. Big Stuff, NDA, Never, Nicolas Holiber, Royce Bannon, Russell King, Sonni, Tako, Tone Tank, Tony Depew, Trap, UR New York, Vulpes Vulpes, Wizard Skull, and Wretched Beast.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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A Dying Breed Presents: “Detention” Pop-Up Art Show (Manhattan, NYC)

Detention

A Dying Breed art collective Presents: Detention.

Featuring:
Sen 2
Zimer
See One
Rimx
Chris RWK
Veng RWK
Bishop 203
ND’A
Icy an Sot
Cern
Dice the God
Pun 18
Fibs

Schools out but we didnt pay attention to the teacher and drew pictures in class… and on the walls too. Now we’re all in detention. Lucky for us we have some friends joining us for this pop-up graffiti/ street art show!

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Images of the Week: 02.03.13

Here’s our weekly interview with the street, this week featuring Astrodub, Bast, Cash4, Droid, Edapt, Enzo & Nio, Hot Tea, Icy & Sot, Kram, Kremen, Pablo Mustafa, Spur, Stikman, and UFO 907.

Top image > Icy and Sot go Commando (photo © Jaime Rojo)

Kremen. Detail. (photo © Jaime Rojo)

Kremen big Cat. With other cats on the roof top Cash4 and Droid. (photo © Jaime Rojo)

UFO 907 (photo © Jaime Rojo)

Stikman camouflages against the city predators. (photo © Jaime Rojo)

Kram at 5Pointz Queens. (photo © Jaime Rojo)

Pablo Mustafa at 5PTZ has a bone to pick with PS1. (photo © Jaime Rojo)

Spud (photo © Jaime Rojo)

Hot Tea re-did his tag on this fence before he left for warmer climates. (photo © Jaime Rojo)

Enzo & Nio drive home a point. (photo © Jaime Rojo)

Bast goes over himself again. (photo © Jaime Rojo)

Astrodub (photo © Jaime Rojo)

Edapt (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled. Park Slope 2012 (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Carlo McCormick at Nuart 2012

One of the best parts about a celebration of Street Art culture like Nuart in Norway is that there sometimes is an opportunity to speak with and listen to people who make it their mission to put it into context. New York art critic, curator, editor, and writer Carlo McCormick has an exhaustive knowledge and enthusiasm for the scene that evolved on Manhattan’s Lower East Side in the 1970s and 80s concurrently with the evolution of graffiti into a celebrated art form.  As Street Art continues apace, having perspective on some of its precursors is imperative and McCormick knows how to bring it alive.

An moment of elation with Carlo McCormick while he addresses the Nuart audience in his keynote presentation Re:mark. (image still © Nuart 2012)

To hang out with Carlo on the street is a joy because he can ground your current observations with his knowledge of their antecedents and yet become as equally appreciative of the new artists on todays’ scene whom he hasn’t heard of.  During this talk he gave this year at Nuart in a very conversational somewhat meandering unscripted way, Carlo reveals the mindset that is necessary to keep your eyes open and appreciative of the new stuff without feeling territorial or enslaved to the past. We appreciate him because he recognizes that the march of graffiti, street art, public art, and it’s ever splintering subsets is part of a greater evolutionary tale that began before us and will continue after us.

Carlo speaks about New York artist Haze and the distinct parallels between corporate branding with the practice of developing and distilling one’s tag for repetition on the street.  (image still © Nuart 2012)

Carlo at ease, conversing with you. (image still © Nuart 2012)

During his presentation McCormick dedicates a significant portion of his remarks to the historical practice of subverting advertising and official forms of messaging – referring to the Situationists, “détournement” and similar methods of playing with perception and turning it on it’s head. Here is an uncredited image from his presentation of a Times Square scene where artist Yoko Ono’s billboard toyed with the perceptions that the Vietnam war was inevitably unending while also alerting a compliant citizenry to it’s role in the matter. (image still © Nuart 2012)

“As I do my best as a really bad scholar to investigate this history of graffiti and mark-making – kind of prior to the official history – the greatest evidence that I find of stuff is in the real canon of fine art photography. Just about every famous photographer turned – I mean it’s not incidental – turned their attention to this illicit anonymous practice., ” Carlo McCormick at Nuart.

 

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Icy and Sot “Made in Iran” At the Openhouse Gallery (Manhattan, NYC)

Icy and Sot

 

ICY AND SOT: MADE IN IRAN
Klerkx Art Agency (Amsterdam, Holland) and Neverheard Inc. (Brooklyn, NY) are proud to announce: MADE IN IRAN, the highly anticipated New York debut of the young Iranian street artists (and brothers): ICY AND SOT.
MADE IN IRAN is a groundbreaking display of the internationally acclaimed street art duo, featuring new stencil works and site-specific installations. The exhibition will be open to the public from the 23rd to 25th of August at Openhouse, 379 Broome Street. An opening reception will be held on Thursday the 23rd of August from 6 to 9 PM with a live musical performance by the Iranian punk rock band Yellow Dogs  (facebook.com/theyellowdogs).
Hailing from the city of Tabriz in North West Iran, brothers ICY AND SOT continue on their creative crusade to traverse pre-conceived perceptions of traditional Iranian art’s brevity through their highly intricate yet striking stencil artworks. Despite Iran’s cultural flourishing since the 2009 uprisings in Tehran, creative visual expression is still a constant struggle for its’ artists and society today. It is an oppressive force that provokes the Iranian art scene to fluctuate between an inhibited elegance and raw underground energy. This ambiguity is reflected in the vulnerable yet hopeful deep-set imagery of ICY AND SOT’s street art.
Using western street art approaches, the artists’ polarized themes of love and hate, war and peace, and hope and despair are manifested into the spectral faces of the innocent.
ABOUT ICY AND SOT:
ICY (born 1985) and SOT (born 1991) are stencil artists, skaters, best friends and brothers from Tabriz, Iran. ICY AND SOT started their professional career in 2008. They have made paramount accomplishments in Iranian urban art culture, creating an international buzz by playing it anyway but safe. Their prolific stencil work can be seen on the streets of Paris, Turin, Sao Paolo, New York and many other international cities. The brothers have been featured in numerous exhibitions and publications throughout Iran, Europe, South America and the US. Following New York, MADE IN IRAN will be making its way over to Amsterdam, Berlin and Milan.
In conjunction with the exhibition, American Iranian musician Ali Eskandarian will be performing an acoustic set in the gallery’s garden on Saturday, August 24th at 5 PM.
Openhouse Gallery
379 Broome St.
NYC
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