All posts tagged: Egle Zvirblyte

BSA’s 15 Most Popular Murals of 2018: A “Social” Survey

BSA’s 15 Most Popular Murals of 2018: A “Social” Survey

There’s street cred, and then there’s social media credit. These are 15 of the latter, compiled by BSA by our own rigorous methodology.

Bears lead the pack! A monkey is here as well. Skulls and Biggie Smalls make it in again. Text wisdom also wins along with representations of the natural world like Pejac’s tree and Naomi Rag’s flower. And a rep for Game of Thrones and the horrors of Hitchcock as well – you knew popular culture would represent.

These are the top murals from 2018 via tabulations of our website, Instagram, Twitter, and two Facebook pages. In a thoroughly unscientific survey that calculates “likes” and “clicks” and “re-Tweets” and “impressions”, and every year we cannot predict which one’s are going to be popular, but sometimes you can guess. We don’t publish a lot of murals of cats, but if we did, they would probably win. Just guessing.

This year we’re drawn to the two written word pieces, likely because they are erudite and witty to some extent – and because it is good to see how smart BSA readers are. Brilliant, we say!

Welcome to your favorite murals of the year:


15 – Banksy.

A tribute. A plea. A denunciation. A well used example of the artist’s platform to bring awareness of the plight of artists who dare to set themselves free with their art. Depicted here is Ms. Zehra Doğan, an editor and journalist from Turkey. She is presently serving time in jail for painting Turkish flags on a painting showing destroyed buildings and posting the painting on Social Media. Marking the time with tick

Banksy. Free Zehra Doğan. NYC. Houston/Bowery Wall. March 2018. (photo © Jaime Rojo)

14 – Sonny Sundancer.

Sonny Sundancer finishes his final mural for his #totheboneproject , a grizzly titled “Standing Tall” looking out over Greenwich Village.

“Standing Tall” was done in conjunction with The L.I.S.A Project NYC. May 2018. (photo © Jaime Rojo)

13 – Axe Colours.

Axe Colours goes GOT and the question going into 2019 in many people’s minds is: Will she or won’t she?

The Mother of Dragons on the streets of Barcelona as interpreted by Axe Colours. This photo was taken on November 2017 but shared on Instagram on February of 2018. (photo © Jaime Rojo)

12 – Owen Dippie.

New Zealand artist Owen Dippie is known for pairing pop characters in his realistic large scale work. Here’s an odd couple of film director Hitchcock and Brooklyn rapper Biggie Smalls.

Pigeons, Ravens, Cigars, Mystery and Music on the streets of Brooklyn. September 2018. (photo © Jaime Rojo)

11 – Kobra.

Brazilian artist Kobra gave himself a residency in NYC this year with the goal of painting as many murals as time and available walls would permit him. He succeeded by painting 18 walls throughout NYC – mostly the top level easy to identify icons found on t-shirts, posters and postcards for decades here. One of his portraits of Amy Winehouse proved to be hugely popular.

Kobra. Amy Winehouse. Manhattan, October 2018. (photo © Jaime Rojo)

1o – Disordered.

Anxiety rings true when the giveaways to business interests for nearly four decades under both dominant parties have gradually placed folks like these in this neighborhood constantly in fear of missing the rent, the grocery bill, the car payment, the cost of providing for their kids. Disordered is right.

#DISORDERED. Done in Welling Court, Queens for Welling Court 2018. July 2018. (photo © Jaime Rojo)

9 – Kaos.

The KAOS Factory, colloquially named because the German graffiti artist by the same name has slowly taken it over with his work during the last few years, by default converting the former steam factory into his de facto “residency”.

KAOS. The Kaos Factory. Leipzig, Germany. October 2018. (photo © Jaime Rojo)

8 – Naomi Rag.

Not specifically a Street Artist, Naomi Rag crochets her favorite things and puts them up mainly on the Upper East Side of Manhattan. This simple rose on a school yard fence steadily garnered attention throughout the year – and reminded us of this song from the 1960s.

“There is a rose in Spanish Harlem
A red rose up in Spanish Harlem
It is a special one, it’s never seen the sun
It only comes out when the moon is on the run
And all the stars are gleaming
It’s growing in the street right up through the concrete
But soft and sweet and dreaming…”

Jerry Leiber & Phil Spector

Naomi Rag. Red Rose in Spanish Harlem. March 2018. (photo © Jaime Rojo)

7 – GlossBlack.

New York is a constant source of inspiration for countless artists of all disciplines who have made a home and hopefully a career in this dynamic city of endless serendipity and challenge. GlossBlack hit the mark with this tough and tumble tribute to the city.

GlossBlack in collaboration with Klughaus in Manhattan. March 2018. (photo © Jaime Rojo)

6 – Bordalo II.

Bordalo II has evolved a spectacular practice of creating street works from our refuse that shock and thrill many a passersby with his ingenuity and evocative image making – while raising our collective consciousness about our responsibility to the earth.

Bordalo II. Lisbon, Portugal. June 2018. (photo © Jaime Rojo)

4 – BKFoxx.

With a commercial eye toward the natural world and larger societal issues BKFoxx chooses subjects for their emotional impact and their ability to translates easily for an image-savvy audience whose endless hours of personal screen entertainment has produced an expectation for a big budget Hollywood and consumer culture slickness with high-production values.

BKFoxx in collaboration with JMZ Walls. Bushwick, Brooklyn. April 2018. (photo © Jaime Rojo)

3 – Terry Urban.

Inspiration to create flows from many rivers and tributaries. Many times that inspiration comes from a fellow artist as is the case here. Art is for everyone, and the street is more than ever a perfect place to see it.

Terry Urban channeling Basquiat in Manhattan. January 2018. (photo © Jaime Rojo)

3 – Egle Zvirblyte.

Egle’s feminism is abundantly clear on her work. A mixture of pop and riddles and unabashedly self assured.

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

2 – Pejac.

The Spaniard Pejac came for a few weeks to New York this spring and left this piece in Bushwick. The wall is a brick façade typical of many Brooklyn neighborhoods, but this one appears to have grown a tree this week. Perhaps he chose to paint this tree because the promise of spring had inspired him, or because this neighborhood remains industrial and could benefit from some more of nature’s influence. For us it’s all about context so it is good to see that a tree grows in Brooklyn.

Pejac. The Bushwick Collective. Brooklyn, NYC. March 2018. (photo © Jaime Rojo)

1 – Adrian Wilson

Just in under the wire and straight to number 1, this cleverly turned phrase and hooded ideogram is an ironic amalgam of Banksy and Warhol that hit the nerve of readers who are becoming acutely aware of us all slipping into a surveillance society. Also, it’s funny.

We only published this mural in December but the number of hits and comments across social media indicated that it resonates strongly across a wide demographic. Photographer, videographer, former gallery owner and infrequent Street Artist Adrian Wilson clearly is not shooting for anonymity.

Top image: Adrian Wilson plays with words to reflect our pop culture trolling both Warhol and Banksy. (photo © Jaime Rojo)

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BSA Images Of The Week: 05.06.18

BSA Images Of The Week: 05.06.18

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Alo, BustArt, Dmirworld, Egle Zvirblyte, Faith XLVII, Herakut, Jose Mendez, Kai, Myth, and Skewville.

Top Image: Faith XLVII “Ashes Moon” in China Town – the first of a 12 part series. Done in conjunction with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Skewville for Moniker Art Fair. Greenpoint, Brooklyn. TRAP on top. (photo © Jaime Rojo)

Skewville taking a phone call from his manager… (photo © Jaime Rojo)

Herakut for Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Unidentifed artist (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

BustArt…Cool Bus in the background. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Kai. Detail. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Lunge Box (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

ALO (photo © Jaime Rojo)

Dmirworld (photo © Jaime Rojo)

 

Untitled. Williamsburg, Brooklyn. May 2018. (photo © Jaime Rojo)

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Moniker Art Fair: Scenes From Behind The Scenes

Moniker Art Fair: Scenes From Behind The Scenes

“I try to make sure I’m presenting work from artists not necessarily because they’re popular,” Tina Ziegler told us a few weeks ago, “but because they are or have been influential and/or fundamental to urban & contemporary art’s growth.”

Herakut. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

That may explain why D*Face was nearly sprinting to his wall in Greenpoint yesterday while Egle Zvirblyte was mounting the brightly sexified animals  around the bar and the Skewville twins were sweating the details on their installation on a roll-down gate. Of course, since they are actual Brooklyn Street Artists the bros appeared as cool as the elevated JMZ train with the windows open.

For that matter, the action inside the exhibition spaces was also jamming, including Jasmine from Herakut, who was painting a passage in her distinctive handstyle across a booth here in this former merchant marine factory warehouse.

Hera of Herakut at work. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

It’s the first Moniker International Art Fair in Brooklyn for the next four days with 27 exhibitors, a number of “artist residencies”, live mural painting, music performances by Princess Nokia, a “Street Heroines” talk with documentary director Alexandra Henry and a 5 Pointz history presentation with Meres One.

As the preparations for Moniker’s debut in NYC got underway we visited the location and found an energetic team busy at work helping the many artists and the galleries who represent them transfixed with the task of setting up shop, build the installations and paint the walls outside. Here’s a peek for you.

Jose Mendez at work. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Jose Mendez. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

D*Face at work for Moniker Art Fair in collaboration with The L.I.S.A. Project NYC. Greenpoint, Brooklyn. (photo © Jaime Rojo)

D*Face at work for Moniker Art Fair in collaboration with The L.I.S.A. Project NYC. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Swoon. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

The amazing team at Swoon’s Heliotrope Foundation setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Skewville. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

ASVP setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Brusk. Detail. Jonathan LeVine Projects booth. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Derek Gores setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

MeresOne. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Bom.K Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Le Gran Jeu. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Tina Ziegler. Chief instigator. Fair engine. Founder. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Princess Nokia Putting Everybody in the Mood for Spring and Summer in Brooklyn


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Egle Zvirblyte x Moniker x BSA (interview)

Egle Zvirblyte x Moniker x BSA (interview)

In advance of Moniker in Brooklyn this May, we are interviewing some of the artists who are influenced both by street practice and fine art as the contemporary urban art category continues to evolve. Today, BSA is talking to Egle Zvirblyte.

A modern champion of voluptuous female sexuality in eye-popping technicolor, the Lithuanian illustrator, commercial artist, and muralist Egle Zvirblyte sets minds ablaze with a knowing smile courtesy her not-so-discreet organic shapes that please and play. Her Brooklyn visit while showing at Moniker will bring more graphic girl power to the street as well as the art fair.

A student of Film and Spatial Design in London, she has been creating her own 2-D graphic mindspace in cities like Melbourne, Bali, Tokyo and Barcelona – now splitting here time between London and Vilnius.

Egle Zvirblyte. “Mushroom Tamer” (image © the artist)

Brooklyn Street Art: How would you describe your work to someone who is seeing it for the first time?
Egle Zvirblyte: My work is bright, juicy, punch-your-face explosion. It’s funny and self-aware. I like to explore real and fictional human relationships with themselves and the surrounding universe.

BSA: What is your intersection with Brooklyn and it’s history of Street Art and graffiti?
Egle Zvirblyte: I come from an illustration background but I have been schooled in street art history by my ex-graffiti-writer boyfriend. I’m enjoying being a fresh-faced baby on the scene.

Egle Zvirblyte. “The Lovers” (photo courtesy of the artist)

BSA: What’s most important to you?
Egle Zvirblyte: To be able to create freely, to constantly grow as a person and as an artist, and to be excited about the future.

BSA: Are graffiti and Street Art allowed to change, or should there be a strict definitions they adhere to?
Egle Zvirblyte: I believe that like with any art, you should know your history, but be here to create a new one. Everything is a constant evolution, why try to stop it?

Egle Zvirblyte.  “Got Your Back” (photo courtesy from the artist)

BSA: Moniker says your work has been influential and/or fundamental to urban & contemporary art’s growth. Can you see their point?
Egle Zvirblyte: I’m not sure yet where I stand in the grand scheme of things, but I guess I do have a strong voice as a woman artist. Not that I’m trying to be loud or didactic, but that I’m creating irreverent work from very personal experience, staying as honest as I can. I think people relate to that.

BSA: Name one artist whose work you admire today.
Egle Zvirblyte: Gabriel Alcala

Egle Zvirblyte.  “Always True Never Sorry” (photo courtesy from the artist)


For more information please go to Moniker Art Fair HERE.

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