All posts tagged: consumerism

“Slaves ‘R’ Us” : Advertising, Propaganda, and SEBS in Lisbon

“Slaves ‘R’ Us” : Advertising, Propaganda, and SEBS in Lisbon

The power of advertising and propaganda is undisputed, whether it is for toothpaste or war. We are being acted upon daily by people who would like us to do (or not do) something.  Usually it is to give money for a product or service, but more than ever it is to stand by and allow bombs to fall or laws to be eroded.

Artists have been parodying the methods of advertisement and our willingness to be swayed by it almost since it began, perhaps as a way of alerting us of the deleterious effects of unthinking consumerism in general, or to give us the tools to comprehend and analyze the methods that are effectively driving our behavior.  Invariably, our actions as individuals, citizens, and consumers are all folded into the critique.

 
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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

But whether it is the illustrated stickers of Wacky Packages  or the cereal killers and billboard takeovers of Ron English, many artists have found that humor and irony are effective ways to sweeten the lampoon of advertisers and our complicity – a spoonful of sugar to help the medicine go down, as Mary Poppins sang.

Street Artist Mauro Carmelino, who writes SEBS as his moniker, recently completed an entire campaign of his own that questions many things we do and wonders if we are even aware of the lines between citizenry and consumerism we traverse these days.

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

Entitled “Slaves ‘R’ Us”, this series of handmade works are on the walls of Ajuda, a civil parish in the municipality of Lisbon, Portugal. Bright and simple designs that are cheerful enough, even if they belie a less pleasant series of questions for pondering.

“Democracy, the environment, freedom, security, employment and corporatism are all portrayed as products of a ‘Progress’ that seems to reach the expiration date,” he says as he describes the various elements in the campaign. In Carmelino’s view, our free will is seriously in question today.  “We look back to past societies and feel we came a long way. Did we? Are we free when all our lives can be crunched into zeros and ones, somewhere on a server in California?”

The work looks welcoming and cartoonish on these aged walls and buildings, and if the artists intentions are realized, his greater messages will have an affect on the mind of the viewer. It helps that some of the locations of the walls provides a bit of context, like the silo-shaped building that has a warning about cow milk, “Some of these are inspired by the personal stories of people or are somehow related to the intervened walls,” says the artist.

Special thanks to the artist for providing these exclusive photos for BSA readers.

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

 

 

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“The Wack Donald’s Project” and Mr OneTeas

“The Wack Donald’s Project” and Mr OneTeas

The actual street and the digital version of it are now intrinsically linked and often if you see new occurrences of street art it takes just a bit of searching online to find out more about the artist and what they are up to. This week we were surprised to find these posters that incorporate Ronald McDonald into their messaging, and to find out how they appear to be marketed just as thoroughly through social media online.

It’s all about the subtleties of course, and many street artists leave a breadcrumb of clues digitally to lead you to their work on the street or in the gallery or on a t-shirt.  And everyone is familiar with large “urban” brands that traverse the transgressive vibe through adroit social messaging that invariably leads to a product you may purchase. Nonetheless, sometimes it gets very confusing.

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Mr. OneTeas (photo © Jaime Rojo)

A French illustrator/painter/graphic designer from Nice who also has had shows in galleries in Monaco, Mr OneTeas is known to some as a graffiti artist who samples pop culture on his canvasses and appropriates commonly recognizable images of Hollywood names like Liz Taylor, Princess Grace, and Alfred Hitchcock. He also presents 80s television culture ironically (spotlighting Gary Coleman, Alf, Mr. T), inverts meanings with global brand logos, critiques consumerist culture, and interprets his subjects using the visual language of street art and the commercial finesse of artists such as Mr. Brainwash, for example.

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Mr. OneTeas (photo © Jaime Rojo)

That said, some people on the street here have been intrigued by these posters with the Mr OneTeas name on them which have popped up on street walls around Brooklyn appearing to skewer the fast food giant and consumerism – both because it has been a little while since we’ve seen a satirical bashing of a world brand on the street and because mroneteas appears to be so publicly documenting it on his Instagram and Facebook page.

If you consider the artist name as a brand (for the sake of argument), this is culture-jamming that is being re-jammed; a guerilla-advertising campaign-style series of postering that attacks a huge brand and is critical of consumerism which then employs common social media advertising techniques of promotion to get its message out. Is this still détournement?

In a brief email interview with the artist we learned that “The Wack Donald’s Project” began in 2011 when he first merged the Mona Lisa with Ronald McDonald. Influenced by the documentary “Supersize Me,” Mr OneTeas says that his illustrations began to equate the ubiquity of the friendly clown in the minds of children as something far more sinister than he originally thought.

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Mr. OneTeas (photo © Jaime Rojo)

“McDonald’s use Ronald the clown and they made him so friendly and attractive for the children customers,” he says. Describing the piece entitled, “Ronald’s Daughter / My Father Is A Terrorist,” the artist says, “Today we all are scared about terrorism, suspecting everybody around us, but no one is suspecting McDonalds to hurt us. We’ve been conditioned by it because we have grown up with it, and now if you’re looking at the Mc D restaurant world map, you will be surprised that they are everywhere.”

He says he started his campaign last month in Prague and this month he was in New York with five more posters. But the New York campaign was just a small one. “100 different Wack Donald’s characters are waiting to pop up, each one chosen for special reasons for different countries.” You can expect the social campaign will also follow the postering campaign closely because Mr OneTeas considers the fast food to be on par with tobacco. “On the cigarette packs in France you can read ‘Smoking Kills’. My thoughts are that I would like to make people realize that eating junk food can kill as well,” he says.

Guess we’ll just have to follow his Instagram to see how the campaign progresses.

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Mr. OneTeas (photo © Jaime Rojo)

 

Check out more on the artists Instagram page, which says “Mr OneTeas (ARTIST) Graffiti, Street Art, Recycler The Wack Donald’s Project… Oneteas@gmail.com http://www.facebook.com/Mr.OneTeas”

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post.

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