All posts tagged: Boris Niehaus

Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould

Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould

“Why do you glorify and duplicate these two criminals?! They shouldn’t have a monument at all. Next you’re doing Hitler?”

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

Various and Gould try to paraphrase some of the comments they received from passersby in a park near the town-hall in centrally located Berlin-Mitte while working on their latest project with a statue of the creators of Marxist theory. Some imagined they were glorifying, others alleged defamation.

“It’s a shame how you treat Marx and Engels!”

Truthfully, this new project in public space that literally copies a monument and then transfers it to another location didn’t have much to do with the capitalist system that creates/allows very rich and very poor people, but it certainly adds stories to the overall experience of Various and Gould.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

And while these inquisitive Street Artists/Public Artists conceptual project was meant to have an interactive element, they say they didn’t really expect the constant demand of observers to engage in conversation – even to explain and sometimes defend their project, while they constructed it.

“We had a focus on communication. We got into talks and discussions with passers-by, residents and tourists, while taking the paper casts. Discussions about monuments, art, cultural politics and so on,” says Various of the roughly month-long project that spanned April and May.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

They began working in one high-visibility park with the larger-than-life bronze images of the ancestors of the scientific communism Karl Marx and Friedrich Engels and ended with the figures at another park in the peripheral district of Hellersdorf three weeks later with papier mâché “skins” of them in colorful street advertisement posters.

“Most of the people coming by were very surprised, some in positive ways, some in negative,” says Gould. “Some people cheered, some people shouted at us – the later in fact for very different reasons.”

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. Original monument by sculptor Ludwig Engelhardt (photo © Boris Niehaus)

We often refer to Street Art and graffiti in terms of being “urban interventions”, active installations of artwork into the public sphere where usually no one was requesting its sudden, unannounced presence. Additionally these interventions are necessarily anonymous and done quickly when people are not around.

Various and Gould are studied and thoughtful in their preparations for their interventions and this project takes on additional significance due to the fact that they are interacting directly with another artists public art – a sort of cross generational unsolicited “collaboration” with sculptor Ludwig Engelhardt, who inaugurated his piece in 1986 and who passed away in 2001.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

Calling their project “City Skins” they did a sort of test run with public sculpture in 2015 without permission. This time they have permission from the Berlin Monuments Office, with certain caveats that seemed perfectly reasonable, like using materials and methods that did no damage to the original sculpture.

“The paper enclosed the monument without sticking to the bronze itself,” says Various, “and it was opened and removed without residues, like the skin of a fruit.” – which explains the project’s name “City Skins”.

After the duo took the paper cast back to a spacious workshop at an arboretum called “Baumschule Köpenick” they reassembled the figures and covered them with ornamentative guilloche – large abstractions of patterns lifted from currency – a subtle nod to the capitalist system and the figures represented.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

One may also draw a corrollary significance to the choice of paper as their art-making material.

“Now it is in the nature of the bronze that it is heavy, stiff and immovable. Congealed to shape. The question might arise whether bronze is the appropriate medium for honoring a genius,” says Jan Kage, an author, musician, moderator and curator from the art space “Schau Fenster” in a rough translation from German.

“The artist duo has chosen a completely different material. A much more transient one than bronze, a more flexible one, and above all one that Marx and Engels had also chosen to carry their ideas into the world: paper.”

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Frederic Leitzke)

On the day of the unveiling in a park with the new colorful skinned Marx and Engels, the verdant knoll atop which it sat was a challenge to climb for the some of the 100 or so visitors who came for a Sunday reception. The incline down toward the train station also proved an ideal place for kids to roll down and get dizzy – when they weren’t racing around the new temporary sculpture and trying to catch each other.

By now the duo have been compared to the French public artists Christo and Jeanne-Claude, who stay in the minds of a generation of Berlinians for their 1995 wrapping of the Reichstag, a vastly larger public art endeavor with a different set of goals. They say that they are also influenced by the artist duo “p.t.t.red” (paint the town red) and their subversive intervention in New York in 1996 where they turned the Statue of Liberty red by manipulating the spot lights so the monument was illuminated in red light at night.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Frederic Leitzke)

In fact Various and Gould did their first sculptural public interventions over a decade ago in New York. “In 2006 we were both part of a one-night pop-up group show in NYC  called “Stitch Project” on 9th Street,with Solovei, Albert Zuger, Tod Seelie and many more,” says Gould. They describe an antique cash register which Various delicately cast. Somehow themes lead back to money and our relationship to it.

“Monuments are projection screens of collective memory and witnesses of a time period,” they say in their conceptual description of the project. “They reflect history, zeitgeist and models of a social system. After political upheavals, they are frequently overthrown, toppled or buried. This is testament to them being supercharged with symbolic meaning.”

Given the responses of literally hundreds of people during the two public phases of City Skins, Various and Gould feel assured that Marx and Engels and their theories are as powerfully relevant in today’s world as they were in theirs – if in a new light.

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Various & Gould Studio)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Various & Gould Studio)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Various & Gould Studio)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Various & Gould Studio)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Boris Niehaus)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)

Various & Gould. “City Skins – Marx and Engels” Berlin, May 2017. (photo © Jaime Rojo)


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Various & Gould Tell a #PublicTale as Scavenger Hunt in Berlin

Various & Gould Tell a #PublicTale as Scavenger Hunt in Berlin

A new elaborate and inventive public art / scavenger hunt installation in Berlin brings you back inside the combined imaginations of Various & Gould, where you must trust them as they lead you along a colorfully quirky and storied path to find their next installment to continue the story. If art is truly a projection of your internal dialogue, Various & Gould must never sleep, or rather, they possible live in a dream-like state.

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

To follow this installation you merely need to stumble upon it on the street and follow the map with directions to the next location. Along the way you are given excerpts from a friendly and riddling tale written to accompany the illustrated collage scenes, which in themselves are each an installation. It helps if you have a sense of adventure, an inquisitive mind, and an afternoon to stroll. It probably also helps if you read and comprehend German, although V&G have thoughtfully translated this story by artist Polina Soloveichik into English.

Gould tells us that it was quite an undertaking to conceive of and create this #PublicTale in studio, and then they had to stick it all up. “It took us seven hours and loads of glue. We were totally exhausted, but happy, when we finished.” They have already been contacted by people who have completed the full hunt, and “So far the pieces and text posters are intact,” he says.

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

The outdoor exhibition is part of a project that V&G completed for BackJumps, a Berlin-based graffiti zine-turned-arts movement that is celebrating 21 years. As part of their new show BackJumps is hosting international and local artists and presenting a series of events this spring/summer that include workshops, lectures, and guided walks, among other activities. Various & Gould had conceived of this project as a public art component of the show and even though they had chosen their ideal locations for the collage illustrations……they confess that they had not actually secured permissions.

“We had chosen the specific spots beforehand and when we went wheat-pasting during day it happened; we encountered people at the locations!” says Various, explaining that they suddenly had doubts about being able to finish. Luckily, they were charming enough to persuade the owners to let them put up their corresponding chapter.

“Three times we had to ask spontaneously to see if it was okay to paste on the respective house/wall/gate, and – to our total surprise – all three times we were given the permission!!” It was a happy ending. Also, says Gould, it was an unusual experience for the duo, “Asking for permission is rather new to us.”

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

One more thing as a point of clarification, and hopefully without spoiling the story or confusing you, dear reader: an actual halted construction project is one of the sites of the art installation and its status as an unfinished project runs parallel to the project in the storyline. Also, the joke told within the story is never revealed, but we have learned that it is actually sprayed upon the wall of that same stalled project. It doesn’t really sound like a “joke” in English; it reads more as a pithy proverb. The text is high upon the side of a building is right next to the famous squat “Köpi”. You can see it also here and here.

Various and Gould have translated it for us.

„Die Grenze verläuft nicht zwischen den Völkern sondern zwischen oben und unten“

or “The border doesn’t run between the nations but between the top and the bottom (or the rich and the poor).

Enjoy this extensive documentation of #PublicTale and check out the hashtag on Instagram.

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Boris Niehaus)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Boris Niehaus)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Boris Niehaus)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Boris Niehaus)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Boris Niehaus)

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Various & Gould: Public Tale in collaboration with Polina Soloveichik. Berlin, 2015. (photo © Various & Gould)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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