All posts tagged: Andrea Casciu

NemO’s, Ericailcane and Andrea Casciu Ride a Tandem Resistance In Bologna, Italy.

NemO’s, Ericailcane and Andrea Casciu Ride a Tandem Resistance In Bologna, Italy.

Highlighting collective efforts that advance events during war and the tales of heroism, butchery, resistance, intrigue, and subterfuge that are braided into historical retelling, three Italian Street Artists commemorated citizen resistance and a Nazi massacre in a lengthy mural for the Penneli Ribelli Festival this month in Bologna.

Naked men share the elongated tandem bicycle with uniformed fighters, and each character contains details and symbology that point to events or qualities known to locals of a certain generation about the Marzabotto massacre that killed between 770 and 1,000 civilians, now presented to a new one in this city where these events took place.

Street Artist NemO’s tells us that this first edition of the Penneli Ribelli Festival is born in memory of the events that happened during the Second World War.

Ericailcane . NemO’s . Andrea Casciu for Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

At the center of the story is the resistance by everyday Italians of various ages, genders, and social classes, a movement known as the Italian resistance and the Italian Partisans, or Partigiani. The icon of the festival is a wolf in honor of the Partisan who led the group, Mario Musolesi, whose nickname was “Lupo”, or “Wolf”.

Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

“Here a big battle broke out between the Nazis and the Partigiani, who fought for the freedom of Italy,” he tells us. “This is one of the most important areas, because here was where the largest group of civilian Partigiani were killed by the Nazis as revenge.”

Nemo’s naked men, hapless and without even bicycle seats, appear unprepared for any battle, burdened and exposed. Andrea Casciu’s “uniformed” riders are prepared, comfortable, confident, even jubilant in the efforts forward – their red star and flags of resistance assuring victory.

Ericailcane. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

The three artists worked for twelve hours a day for four days on the side of the old Lama di Reno paper mill that closed in 2013. Locals of various ages stopped to inquire about the stretched bicycle and its meanings, and local news accounts say that many people in the neighborhood supported the artists work.

“The full presentation is meant as a symbol of the resistance,” says NemO’s, “in honor of the women who, with their bicycles, carried secret messages and food for the people hidden on the forest.

A badger at the head of the procession breaks apart traps of war that were meant to ensnare and disable, the kerchiefed animal even converting one into a stringed instrument to play.

Ericailcane. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

Ericailcane. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

NemO’s . Andrea Casciu. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

NemO’s. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

NemO’s. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

NemO’s. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

NemO’s. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

Andrea Casciu. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

Andrea Casciu. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

Andrea Casciu. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)

Andrea Casciu. Pennelli Ribelli Festival. Bologna, Italy. October 2018. (photo © NemO’s/Andrea Casciu)


For more information on the Pennelli Ribelli festival https://www.facebook.com/pennelliribellifestival/

Artists:

Andrea Casciu https://www.facebook.com/casciuandrea/

Nemo’s https://www.facebook.com/whoisnemos/

Ericailcane https://www.facebook.com/ericailcane/

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Barlo and Andrea Casciu and “The Dance” : Housing, Squatters, Art

Barlo and Andrea Casciu and “The Dance” : Housing, Squatters, Art

Barlo and Andrea Casciu did a summertime mural project in Bologna last week as a metaphorical commentary on machinations and struggles happening during the current housing crisis in Italy. It is an awkward, tormented series of movements in concert with and against partners entitled “The Dance”.

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

Not enough places are available for people to live so squatters have been taking over abandoned or unoccupied ones. The government has been passing legislation to widen options of affordable housing but restricting illegal takeovers. Add to this certain elements of anti-immigrants, racism and ongoing corrosive attacks on the social safety net, and you understand how tensions run high.

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

The figures in conflict here in the new mural symbolize the forces at odds – and a contested 9,000 square foot settlement from the political collective Làbas in the former Caserma Masini symbolizes all of it. The collaborative illustration itself is located in “Làbas centro sociale” (Labas Community Center) in “an occupied structure very active in community activities related to the housing emergency in Italy – in the city center of Bologna,” says Barlo.

No angry slogans, no marches, no eggs were thrown; It is good to see art being used to depict powerful struggles underway in the heart of a disputed space.

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

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Barlo . Andrea Casciu. Bologna, Italy. July 2015. (photo © Barlo)

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