All posts tagged: Add Fuel

Add Fuel and “OVERLAPANHA” in Viseu, Portugal

Add Fuel and “OVERLAPANHA” in Viseu, Portugal

Today we have a fresh look at a new piece by Portuguese Street Artist/muralist Add Fuel. Titled “OVERLAPANHA”, the freshly painted wall in Viseu is part of the Tons de Primavera Festival which just ran this weekend.

Typically Add Fuel studies the local craft of tile making and traditions that are honored in a region, as well as their significant histories, before beginning his sketches – and this new one is no different. The modern aspect of these traditional patterns in the “ripping away” illusion he creates, providing the illusion of seeing something hidden, perhaps gaining understanding of the present by studying the past.

Add Fuel. Tons de Primavera Festival 2017, Viseu, Portugal. (photo © Add Fuel)

different.

Here we find that one of the oldest established wine regions in the country (located in the Dão region) provides plenty of design inspiration and his patterning is revelatory. For those who know this precise work and Add Fuel’s native tile making influences, this blue and white tableau is a very classic and traditional Portuguese style.

“This is the result of an exploration on how two distinct quadrilateral shapes can inhabit in the same space and how this experience can be occupied by a semi-human component,” he says, “depicted as the romantic act of simply ‘holding’ ”.

Add Fuel.  Detail. Tons de Primavera Festival 2017, Viseu, Portugal. (photo © Add Fuel)

Add Fuel. Detail. Tons de Primavera Festival 2017, Viseu, Portugal. (photo © Add Fuel)



#addfuel #viseu #visitviseu #tonsdeprimavera #stencil #art #stencilart #urbanart #streetart #streetartportugal #portugal
@municipio_viseu @visitviseu
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BSA Images Of The Week: 04.23.17

BSA Images Of The Week: 04.23.17

BSA-Images-Week-Jan2015

Boom! There it is! This is springtime and there is a lot of new stuff popping up like tulips and out like cherry blossoms. If you didn’t get to the Martha Cooper opening at Steven Kasher gallery this week it is open during the week- a great cross section of her work during the last four decades or so. Additionally the Richard Hambleton film “Shadowman” debuted at the Tribeca Film Festival Friday night and is making a lot of waves and you can see works of his at Woodward Gallery right now.

Also this week a group of New York Street Artists officially are suing McDonalds for using their street work in long-form commercials without permission – a story we first brought to fore and we subsequently discussed – including giving one of the artists who was deeply affected a platform to speak. It remains to be seen who is directly responsible for this infringement but that doesn’t stop the fabulous loose talk and salacious assertions. Some people are lovin’ it.

Here’s our weekly interview with the streets, this week featuring: Add Fuel, C3, Cash4, D7606, Cope, Don Rimx, Hardened Lock, Hervé, Immaker, Isaac Cordal, Jaune, Julien De Casabianca, Lunge Box, Okuda, Order55, Phil, and Queen Andrea.

Top image: Collaboration with Add Fuel and Jaune (photo © Jaime Rojo)

Add Fuel and Jaune collaboration in Aberdeen, Scotland. Nuart Aberdeen 2017. (photo © Jaime Rojo)

Add Fuel and Jaune collaboration in Aberdeen, Scotland. Nuart Aberdeen 2017. (photo © Jaime Rojo)

Raf Urban (photo © Jaime Rojo)

#missingobama (photo © Jaime Rojo)

Raf Urban (photo © Jaime Rojo)

Don Rimx drops the can… (photo © Jaime Rojo)

Don Rimx (photo © Jaime Rojo)

Don Rimx (photo © Jaime Rojo)

Cope and Okuda collaboration. (photo © Jaime Rojo)

D7606 with Kafka is Famous in Aberdeen, Scotland. (photo © Jaime Rojo)

C3 in Aberdeen, Scotland. (photo © Jaime Rojo)

Hervé in Aberdeen, Scotland. (photo © Jaime Rojo)

Queen Andrea and Cash4 (photo © Jaime Rojo)

A stencil by an unidentified artist reminds us of Russian geometric modern art from the revolution. (photo © Jaime Rojo)

Isaac Cordal in Aberdeen, Scotland. Nuart Aberdeen 2017. (photo © Jaime Rojo)

Phil (photo © Jaime Rojo)

Hardened Lock (photo © Jaime Rojo)

Lunge Box . Imamaker (photo © Jaime Rojo)

Order55 (photo © Jaime Rojo)

Julien de Casabianca/Outings Project in Aberdeen, Scotland. Nuart Aberdeen 2017. (photo © Jaime Rojo)

Untitled. Spring 2017. Manhattan, NY. April 2017. (photo © Jaime Rojo)

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BSA Film Friday 04.21.17 – Vids from Nuart Aberdeen 2017

BSA Film Friday 04.21.17 – Vids from Nuart Aberdeen 2017

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. ADD FUEL – Nuart Aberdeen 2017
2. Alice Pasquini – Nuart Aberdeen 2017
3. Isaac Cordal – Nuart Aberdeen 2017
4. M-City in Aberdeen for Nuart 2017 via BrooklynStreetArt.com

bsa-film-friday-special-feature

BSA Special Features: Vids from Aberdeen

Doug Gillen from Fifth Wall TV shadowed artists at work in Aberdeen, Scotland last week and began a series of videos that give you an idea about their art and their individual approach to it. Today we have the first three freshly released from Nuart Aberdeen for your enjoyment.

ADD FUEL – Nuart Aberdeen 2017

So, how do you get the party started in Aberdeen? You Add Fuel!  The artists’ practice of tile making back home in Portugal is translated here by his study of local Scottish decorative motifs and tradition – with one layer tearing back to reveal another beneath it.

Alice Pasquini – Nuart Aberdeen 2017

Roman Street Artist Alice Pasquini has a color palette rather custom made for nautical scenes and seaside cities- and somehow brings a Mediterranean air of romance to this stormy Scottish city on the North Sea. Her figures and portraits seem to appear by surprise on small sections of doorways or corners of disused billboards – and this larger mural sized piece is rightly juxtaposed on Ship Row almost across from the Aberdeen Maritime Museum.Video by Doug Gillen/Fifth Wall TV.

Isaac Cordal – Nuart Aberdeen 2017

The Spanish Street Artist continued his indirect critique of corporate capitalists by installing his little grey-suited businessmen throughout the oil city that has been shaken by markets. For some reason, the scale makes the figures comic, and the context of the great wide world helps put these soldiers of white-collar shenanigans into a position of low impact. But we’re just kidding ourselves if we think they are inconsequential – they are the enablers of the machine. These are the human levers of the oligarchy who Isaac Cordal is perching on ledges, balancing on wires, placing on terraces staring intently at spreadsheets and stock numbers on their phones. Now his miniature worried men are perched all over Aberdeen. Can you spot them? Video by Doug Gillen/Fifth Wall TV

 

M-City for Nuart Aberdeen 2017. Video by BSA

Who would like to experience the slow ascent into the air on a cherry picker with M-City as you survey his new completed mural for Nuart Aberdeen? This short home made video by Jaime Rojo gives you a look at a street level perspective while travel mills around the freshly painted piece.

 

 


Many thanks to Doug/Fifth Wall for sharing his video work here with BSA readers. For for information about Fifth Wall please go HERE.

Twitter @FifthWallTV

https://www.instagram.com/fifthwalltv/

 

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Nuart Aberdeen 2017 Already Has Locals Saying “Haste Ye Back!”

Nuart Aberdeen 2017 Already Has Locals Saying “Haste Ye Back!”

The sky is still twilight blue above the streets of Aberdeen at 21:00 this time of year and as you walk the city’s edge on the beach of the North Sea the winds pick up with a chilly bluster. Of course, that’s just for this minute. In a half hour it may be a gentle warm caress, or you’ll be pelted with hail and sleet mercilessly. Locals like to say that this northern Scottish seaside city has 4 seasons in one day. During one Street Art tour that we gave for 350 Aberdeenians on the day before Easter, we cycled through those seasons, twice.

This is Nuart, the festival begun in Stavanger, Norway in 2001 by loveable bad boy and (some would argue) curatorial visionary Martyn Reed which invites Street Artists from around the world to partake in thoughtful aesthetic excursions on the street and in public space.

The cumulative success of Nuart’s indoor/outdoor programs is now well recorded and looked to as a model. Remarkably they have risen despite tensions that occur when commingling frameworks of illegality and institutional acceptance; including a relatively new academic rigor that is now investigating the family of practices called Urban Art, their absorption into the commercial market as contemporary art, the badass anti-establishment musings of jilted outcasts who want nothing of it, and a somewhat romantic notion of communicating with the public in a meaningful dialogue.

Jaune. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Ah, but this is the bumpy, potholed, slimy street along which counter-culture becomes culture and the marginalized becomes the mainstream  producing a modicum of nausea for all involved. While not explicitly aiming for legitimacy on these fronts, the Nuart Festival has gradually metamorphosed into a standard by which some others are judged, with reason.

Now for the first time Nuart exports its hard won and uniquely prickly formula in a perhaps more reserved manner to this new, old city which lies 500 kilometers across the North Sea in Scotland.

This is the stirring, storied North Sea known globally for the black oil lurking beneath it, and the two cities of Stavanger and Aberdeen have both been impacted greatly by the plunge of world-wide petroleum prices since the end of the last decade; a downturn described by London’s Telegraph as “vicious”.  We may have stumbled upon evidence of this during one of our walking tours when we remarked on the large number of people there who were interested in seeing the new artworks and one woman cracked with some sarcasm, “that’s because none of us has jobs.”

Jaune. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

And here we are with eleven international artists to ease the grayness of this historic and granite Gothic city by the sea where daffodils cover the meadow in Union Terrace Gardens and single malt whisky eases the sight of iron leg fetters in the 17th century prison museum called Tolbooth.

When it comes to Nuart Aberdeen the people whom we met are nearly exuberant in their responses, even awestruck by the appearance of this new art in their city. With the introduction of aerosol, brush paint, wheat-paste, stencils, miniature sculpture, and poetry to street walls, it is as if a hidden pent-up desire for art in the public sector has burst open, a geyser if you will.

“I think there are quite a lot of places now in Aberdeen that are quite plain. It’s like there are a lot of empty canvasses. It’s good to see something be done with them,” says Mark, who’s touring the new pieces through the streets with Julia, who’s originally from the capital Edinburgh. Map in hand, the couple appears to be about 30 and they say that while they’ve seen work like this in other cities, they’re glad to see something more youthful now appearing here in a historical seaport that boasts soaring, turreted and spired cathedrals and narrow stone streets.

Jaune. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

“I’ve been to Leipzig lots of times and there’s lots of sides of buildings,” says Mark, “they’re similar in size to these, with lots of murals in the city center, and it really kind of brightens the place up, makes it a lot more lively.”

“Welcome to a city investing it its city and its culture,” says Councilor George Adam, the Lord Provost, a prestigious post and an ancient office with its roots in the 13th century. During a reception with other members of the Aberdeen City Council and the local business improvement district (BID) named “Aberdeen Inspired,” Mr. Adams says that he is excited by Nuart and has received a lot of positive feedback as well.

Add Fuel. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Indeed, the reception from youth, middle aged and senior patrons at our 14 short-video film lecture and the sold-out screening of the premiere of “Finding Bansky” at the independent art theater Belmont Filmhouse was ardent, enthusiastic and full of inquiries afterward. The walking tours had more people than anyone had predicted, with a few people using canes and others pushed in strollers. It would appear that the worldwide Street Art phenomena had seemed frustratingly out of reach for some of the young people, who have been fascinated by it from afar. Seeing these works by international artists here in their city was like a jolt of electricity.

During an entertaining slide show by festival participant Julian De Casabianca at the Lecture Theatre at the Anatomy Museum Thursday night, the steeply angled seats held a full capacity crowd, with many sitting on the floor and steps. The somewhat inebriated and raucous artists and students in their twenties hooted and hollered and pounded on desks during the 50 minute lecture which included mobsters, murder, the Holocaust, stolen artworks, and Street Art – specifically the museum art images which De Casabianca has been wheat-pasting on public streets for all to see for the last decade or so called “The Outings Project.”

Add Fuel. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Martin Reed’s curation of the program is wise and the selections are contextual from the perspective that Nuart Aberdeen 2017 presents an array of disciplines from a solid thoughtful selection of perspectives, each attached to the history of graffiti and Street Art from their unique evolution of practices – as well as to the culture of Aberdeen.

Germany’s Herakut dominates one concave wall of Aberdeen Market overlooking “The Green” with their improvisational blending of illustration style portraiture, textual flourish, and symbols germane to the city. De Casabianca chose images form the Aberdeen Art Gallery of two children – haunting in a narrow street known by local folklore for ghosts of children who were sold as slaves to America in previous centuries.

Belgium’s Jaune peppers doorways and electrical boxes with multi-layer stencils of fluorescent-vested municipal workers in humorous scenarios. These are partnered in scale by small grey-suited and somber businessmen by Spain’s Isaac Cordal, which are hidden before your eyes and camouflage into the daily city until you discover one standing on a ledge, balancing on an electrical line, or sitting atop a CCTV camera.

 

Robert Montgomery. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Norway’s Martin Whatson has perhaps the most obvious reference to the locality, with a golfing figure swiping into a plume of colorful graffiti tags. With Donald Trump’s golf course only minutes away, the piece raises an immediate association with a guy who is heartily disliked here. The Street Artist named Add Fuel create an enormous tile-patterned wall that refers to local motifs and decorative artisans on a wall that can be seen easily by pedestrians looking from Aberdeen’s Union Bridge the largest single-span granite arch in the world. Italy’s Alice Pasquini brings imagery of the harbor into her figurative pieces and Norway’s Nipper works directly with local artists to compile gifts of art posted on clipboards around the city.

This is not to say that Reed is running from possible controversial material or opinion: Poland stencilist M-City is without doubt critiquing the oil industry with his oil barrels flying through the sky and tankers in the sea, the UK poet Robert Montgomery’s piece addresses topics like the definition of modernism, race, and social equality, and Australia’s Fintan Magee’s very large mural diptych obliquely references rising sea levels and man made environmental degradation.

Martin Whatson pays an homage to graffiti writers and taggers, from whom much of today’s Street Art and mural festivals evolved. “Luckily we got one of the local guys who came past,” says Aberdeen photographer and expert art blogger Jon Reid, “He left a tag in the bottom right hand side. So at least he managed to get a bit of ‘local’ in as well.” Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

In review of the successful event and the relatively young history of the Street Art movement as one that is continually in motion, a few points come to mind as worth mentioning: The first is the ongoing discussion of illegal graffiti and Street Art culture giving way to legal mural festivals that have as their aim some form of business improvement and/or gentrification in a city, particularly when a city previously persecuted and derided the organic and illegal artists who began the scene.

This situation is not specific to Aberdeen, but the concern probably will come up in conversations (including during panel discussions at Nuart) and at the very least it is an irony that art practices once reviled or verboten are now to some extent embraced as worthwhile because they can be economically advantageous. These are not direct relationships, but close ones certainly.

Isaac Cordal. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Similarly there have been a few so-called Street Art festivals in recent years where the primary driver is commercial brand-building and while they give opportunities to artists they somehow cheapen the dialogue between people. It is always ironic, if inevitable, when a subculture becomes more closely associated with mainstream culture, sometimes specifically because of its cache as being rebellious. The trick here would be to accommodate the activist voices in the program, and clearly Nuart aims to do so with panache.

An argument could be made that counters the quick-on-the-draw “selling out” charge that says true rebels are somehow abandoning their values by working for “the man”. From our perspective, we’re happy when artists are working, are treated fairly, and when people get to enjoy their work. Even in this second least affordable city in Scotland  where artist spaces are at a premium if not scarce altogether, it is a good development to see art on the walls outside and a public dialogue facilitated by art.

Isaac Cordal. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

This mural initiative will invariably jump-start two outcomes. One will be a renewed interest in the zone in which the art appears, driving foot traffic and, if all goes according to plan, new business initiatives and increased interest in the arts in general.

Secondly, it will spur an uptick in locally grown Street Art. We already witnessed it mushrooming overnight on surfaces during the days we were in the city and were pleased to learn of many local artists who have been looking for opportunities for exposure in addition to this one and last years’ “Painted Doors” project, which was spearheaded by Aberdeen artist Mary Butterworth. As this local scene continues to coalesce in public space, one hopes that the city will challenge itself to find healthy and proactive ways to support this organic scene as well.

Isaac Cordal. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Overall, the first year of Nuart Aberdeen has been hands-down successful by many standards, and talk of a 2018 program has already started popping up in discussions online and elsewhere. From what we could see and hear, the city is longing for more.

“We want you all back! You showed us what can be done!” says Dr. Fiona-Jane Brown, the author of “Hidden Aberdeen” and founder of Graft Theater Company in her comment on Facebook to the Nuart team.

“Haste ye back, loons and quinies!” says Morag Russell, another Facebook commenter as the Nuart artists, production team and assorted misfits say their final goodbyes in a posting.  The sentiment rings just as sweet at the song it comes from, like this version from Scotland’s legendary entertainer Andy Stewart.

Isaac Cordal. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Isaac Cordal. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Isaac Cordal. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Herakut. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Herakut. Detail. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Fintan Magee. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jon Reid)

Fintan Magee. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jon Reid)

M-City. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Alice Pasquini. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Alice Pasquini. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Julien de Casabianca. Outings Project. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Julien de Casabianca. Outings Project. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Nipper. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Nipper. This is an interactive piece where the public is invited to use the stencil. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Nipper. And an enthusiastic street art fan is accepting the invitation. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

The very supportive people of Aberdeen came out in huge numbers to all four of the official art tours. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)

Untitled. We began with pigeons…we must end with pigeons and spring love. Nuart Aberdeen 2017. Aberdeen, Scotland. April 2017. (photo © Jaime Rojo)


We would like to express our gratitude for the professionalism and support of the Nuart Team, to all the volunteers whose work and dedication made our work more efficient and our stay a lot more pleasant, to the team at Aberdeen Inspired and to the people of Aberdeen for being such gracious and generous hosts, and to all the artists whose work we love and admire and for your inspiration and talent. Thank you. We hope to meet again next year.

For more information on Nuart Aberdeen click HERE.


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Tours, Films, & Fight Night : Nuart x Aberdeen x BSA Dispatch 3

Tours, Films, & Fight Night : Nuart x Aberdeen x BSA Dispatch 3

“I have two questions,” said one smartly sweatered and coiffed lady of a certain age. She had grabbed an elbow as we waded through the 350-person tour that we were leading through Aberdeen streets with Jon Reid. “Who gave you all permission to paint your pictures on these walls?” she asked. “And number two: When and where did this whole movement begin?”

Martin Whatson (photo © Jaime Rojo)

Those seemed like relatively easy to answer questions, and they would have been if a small blue car didn’t start honking it’s little insistent horn at us, seeing as we were standing in the middle of the road with Mrs. Siddens. As it turns out, Mrs. Siddens didn’t just have two questions. She had 162.

But that is to be expected here in Aberdeen right now as Nuart has more or less popped open the magic Street Art lamp and the lively spirits are swirling up Jopps Lane camera-in-hand behind parking lots and mechanic shops, and other streets that locals rarely explore.

So here’s an aspect of the scene that we don’t interact with too much – the completely gob-smacked art fan who can’t believe their luck to be regaled with new art and artists. The big cities that have a history with graffiti and, later, street art – or just the plastic arts in general, are often blasé when encountering a new addition to the street, so easily spoiled us humans are.

Jaune. Need we say more? (photo © Jaime Rojo)

But here in Aberdeen – today it looked like there had been such a pent-up desire for any kind of public visual expression of art in the streets that it erupted inside the bottle and verily foamed and frothed out to these historied brick streets.– Like a top secret camera-armed terrorist cell suddenly activated; old, young, entire families… all fanned out across the streets to capture hundreds, thousands of images of M-City and Jaune and Nipper and Alice Mirachi and Martin Whatson and all of the crew.

Okay terrorist analogies are ham-handed, but its just like that!

Jaune (photo © Jaime Rojo)

Our BSA Film Friday LIVE event at the Belmont Filmhouse was a lot of fun, with engaged and aghast reactions to art interventions by artists like Kut Collective, Akay, and Vhils. Hawaiian born artist Hula’s portraits painted on ice rafts in the melting arctic cap amongst the Inuit people was the one that actually elicited gasps, with at least one woman crying.

Also Street Artist Fintan Magee left his wall early to come to the show and be our special guest presenter of his video about his mural made during his time with Syrian children who were confined to refugee camps in Amman, Jordan recently.

 

Add Fuel at work. (photo © Jaime Rojo)

Also, have we mentioned the Fight Night? A Nuart tradition worth preserving, with artists and experts of all ilks convening as small teams on the stage to debate two sides of an issue. Friday night in the “Underground”, a basement pub with wood and soldiered steel stools and deliberately dark lighting, the assembled clump of fans Street Art and beer gathered around the stage to hear a debate that pitted large murals against small interventions.

Among the sparring, personal insults, laughter, and flashes of Juanes leg’s vexing and tantalizing the crowd beneath his new his new plaid kilt, somehow the female panelists on each team landed some of the strongest arguments. – Alice Pasquini for the small interventions and Jasmine from Herakut presented thoughtful reasoned rationale while the men bandied about jokes referring to size and an inexplicable reference to baby pandas by Evan Pricco turned into a running joke. Ultimately, the “small interventions” team prevailed by the thinnest of margins over large murals in during the final audience vote.

Isaac Cordal (photo © Jaime Rojo)

So the panel discussions, on-stage interviews with artists, kids programs, tours and movie screenings continue today, with us introducing the debut of “Saving Banksy” and Nuart’s James Finucane introducing the 2011 mini-doc about Nuart and it’s early beginnings.

In an exciting development, there are some surprise Street Art pieces going up in the areas that the new formal interventions are going, suggesting that a seeding of the soil is producing local fruit. It is spring after all. Time for a renewal. Slàinte mhath!

Isaac Cordal (photo © Jaime Rojo)

Alice Pasquini. Process shot. (photo © Jaime Rojo)

Alice Pasquini at work. (photo © Jaime Rojo)

Alice Pasquini at work. (photo © Jaime Rojo)

This Nipper interactive piece provides all the tools a passerby needs to be a Street. (photo © Jaime Rojo)

Nipper an aspiring artist plays with interactive piece. (photo © Jaime Rojo)

Nipper (photo © Jaime Rojo)

Nipper (photo © Jaime Rojo)

Herakut. Detail. (photo © Jaime Rojo)

At the Fight Club/Pub Debate last night from left to right. Jasmin from Herakut, Pedro Soares Nieves, Sasha Bogojev, Alice Pasquini, Jaune and Evan Prico debating the merits of large murals vs small scale interventions. Pedro’s team argued in favor of murals and Evan’s team argued in favor of small interventions. (photo © Steven P. Harrington)

Almost 350 people showed up for the first ever street art tour in Aberdeen battling cold, rain and hail, sun and clowds all at once!. Here they admired the piece by Martin Whatson.  (photo © Jaime Rojo)

The crowds in front of Fintan Magee’s work in progress. (photo © Jaime Rojo)

The crowds in front of M-City’s mural. (photo © Jaime Rojo)

These intrepid art lovers who lasted throughout the entire tour were such troupers and they stood at the last mural by Add Fuel in the background braving the intense cold rain falling on them. (photo © Jaime Rojo)

 

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Nuart Aberdeen 2017: Full Roster of Artists Confirmed

Nuart Aberdeen 2017: Full Roster of Artists Confirmed

And then there were 11.

With yesterday’s official announcement that Norwegian artist Martin Whatson and Belgian artist Jaune will be participating this April at NUART / Aberdeen the full line up of artists has been announced. It’s 11 international artists from 10 different countries, sort of like a New York melting pot in Scotland over Easter Weekend. Nuart Aberdeen 2017, it’s on, and we’ll be there with you.

Here are some highlights of each artist courtesy the folks at Nuart.

“Leading the line up for Nuart Aberdeen is Scottish-born artist and Venice Biennale participant Robert Montgomery, whose text-based artworks come in the form of light installations, murals and temporary paste-ups.

Image courtesy of Nuart

Julien de Casabianca is founder of the global participatory art initiative Outings project, which embellishes the streets with portraits plucked from classical paintings. He’ll be raiding the archives and liberating characters from the prestigious collection of Aberdeen Art Gallery.

From BSA:

Julien De Casabianca, Angry Gods, and Hacking Disaster in Kathmandu

Image courtesy of Nuart

“Jasmin Siddiqui and Falk Lehmann AKA HERAKUT will be making the trip to Scotland. Widely regarded as leading lights of the global street art movement, we can’t wait to see what these two get up to in The Granite City!”

From BSA:

Herakut In Paris With A Message for the Kids About Magic

Image courtesy of Nuart

“Portugese visual artist and illustrator Add Fuel is known for producing optical illusions with painstaking attention to detail, Add Fuel’s interventions hint at the history and heritage that lies beneath our cities. We couldn’t think of anyone better to dig below the surface of The Granite City!”

Image courtesy of Nuart

 Transferring his participatory art project, Mission Directives, from Stavanger to Aberdeen this Spring is Bergen-based artist Nipper. Through utopian ideals of sharing, creativity and citizen-led communication in public space, Mission Directives questions who has the power and authority to communicate messages and create meaning in our shared spaces.”

Image courtesy of Nuart

“Born in 1985 in Lismore, Australia but of Scottish descent, Fintan Magee is considered one of the world’s leading figurative street artists. Following his blockbuster ‘rorschach’ inspired mural for Nuart Festival 2016 we can’t wait to see what Fintan has up his sleeve for Nuart Aberdeen!

From BSA:

Fintan Magee in Rome and Rising Tides Around Your Knees

Image courtesy of Nuart

“M-City is an artist and lecturer at the Academy of Art in Szczecin, Poland. A long-time collaborator of Nuart, M-City is best-known for his large-scale, industrial-themed murals, which involve piecing together hundreds of carefully cut stencils to create a coherent imagined cityscape. Always a joy to work with and guaranteed never to disappoint, we can’t wait to let him loose on Aberdeen’s walls!”

From BSA:

M-City Meets the Commercial Buff in Mexico City

Image courtesy of Nuart

“Alice Pasquini is a multimedia artist from Rome whose affectionate street art explores the brighter side of human relationships. Encompassing murals, paintings, and illustrations which tell stories about various acts of kindness and love, Pasquini leads a new breed of female street artist bringing some much-needed femininity to our public spaces.”

From BSA:

Australian Italian Museum Honors Immigration With Alice Pasquini Mural on Façade

Image courtesy of Nuart

Leading our penultimate artist announcement is Spanish sculptor and interventionist Isaac Cordal, whose small-scale installations capture the humour and absurdity of human existence. At just 25cm tall and hidden in multiple locations throughout the city, little by little Cordal’s characters transform the urban environment in its natural habitat.”

From BSA:

Nuart Day 1: Isaac Cordal Installs His Preoccupied Little Businessmen

Social Isolation, Isaac Cordal, and Neighbors (Sasiedzi) in Łódź

Massive Installation by Isaac Cordal in Nantes “Follow The Leaders”

JAUNE

Celebrating the unsung heroes of our everyday lives is Jaune, a stencil artist and urban interventionist from Brussels. Sanitation workers (Jaune’s ex-profession) are the protagonists in his humorous installations and paintings, which playfully draw on the paradox between the visible and the invisible in our cities. Jaune’s participation comes courtesy of our good friends at The Crystal Ship festival in Ostend, Belgium.

Martin Whatson

Image courtesy of Nuart

Completing this year’s artist line-up is a Nuart favourite and one of Norway’s leading stencil artists, Martin Whatson. Cleverly combining the aesthetics of abstract graffiti and stencil art, Martin Whatson’s distinctive urban scenes have brought him worldwide acclaim and an international band of fans and followers. We are greatly looking forward to seeing how he responds to the unique environment of Aberdeen!

 

For more info go to:

Website: http://www.nuartaberdeen.co.uk/

Instagram: http://www.instagram.com/nuartaberdeen

Facebook: http://www.facebook.com/nuartaberdeen

 

 

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Nuart 2016: ‘Post Street-Art’ and Our Changing Terminologies

Nuart 2016: ‘Post Street-Art’ and Our Changing Terminologies

For a considerable time now at BSA we’ve been discussing with authors, artists, academics, writers, historians, political scientists, sociologists, criminologists the topics of Street Art, graffiti, Urban Art, public art, and the milieu. Often considered is whether a piece or action is  illegal, legal, activist, aesthetic, mark-making, territory-marking, interventionist. With few exceptions, there are often exceptions when it comes to labeling works and the artists who make them.

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SPY. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

Perhaps with more emphasis than it merits, we regularly note that no point on our individual or societal timeline is static. The state of art and creative expression in the public sphere is one of continuous evolution along the continuum. From Villeglé and his ripping back of layers of street posters that revealed the colorful strata of public communications like a social scientist to Add Fuels’ surreal ripping back of the skin of buildings to reveal a decorative Trompe-l’œil Portuguese tiling, art of the streets has infinite through-lines that defy our ability to label them.

But we try.

Invariably, it pisses someone off. For the record, we’re okay with that.

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Henrik Uldalen. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

“Street Art” the term has had a number of definitions in common usage since at least the 1970s (probably earlier) that include things like handcrafts, jewelry, even the current ballyhoo, the mural. Today, because we’re all so much more enlightened and street-wise, we are convinced that no credible scholar of academia or the street would include a mural in the definition of Street Art, which must be illegal and (most likely) installed on-the-fly.

Recently Raphael Schacter made a claim to renaming a family of practices that moves beyond the confused state of labeling we are in to something with more clarity called “Intermural Art”. He says with his signature humor and cadence that “Street Art is a Period. Period.” – and that very soon, if not already, we are moving beyond that period.

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Jeff Gillette and Jaune collaboration. Pictured here is Jaune at work. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

Aside from the association that “intermural” has with both murals and with boys and girls playing dodge-ball in the school gymnasium (sorry that’s intramural), it somehow doesn’t capture a post Street Art period that is expanding to include so many practices and practitioners that it is altering things its path. But we get the point. Wait, did we just say “post Street Art”?

That’s what Martyn Reed at Nuart would like us to consider as a term that describes what he is illustrating with the curated installations this year for the festival in Norway. With a number of leaders of thought and letters doing some heavy lifting of street art antecedence and corollaries (and beer steins) at this annual festival over the last few years, it is with some careful consideration that he chooses his artists, and his terminology.

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Jeff Gillette . Jaune NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

According to the show description ‘Post-Street Art’, an inside exhibition that opened last Saturday and continues through October 16, is an expression that “has been adopted to describe artworks, artists and events that are “informed by” and “aware of” the strategies, forms and themes explored by Street Art but which couldn’t rightly be regarded as ‘Street Art’ or ‘Street Artists’ per se. The term could also be used to describe a new breed of studio practice-based street artist, whose interest in and knowledge of the contemporary art world often far supplants that of an engagement with the street.”

Yes and yes. Additionally, we have heard this studio-originated practice that is informed by street practice described as Urban Contemporary or more simply Urban Art. You may also wonder how the label intersects with Post Modern and Post-Graffiti, if at all. We will not turn over these little monsters to look at their stomachs just now. Instead, let’s see these new exclusive photos from Ian Cox and Tor Ståle Moen of some of the new installations at ‘Post-Street Art’ at Nuart 2016.

Participating artists include: Add Fuel (PT), Axel Void (ES), Eron (IT), Evol (DE), Fintan Magee (AU), Henrik Uldalen (NO), Hyuro (AR), Jaune (BE), Jeff Gillette (US), KennardPhillipps (UK), MTO (FR), Nipper (NO), Robert Montgomery (UK) and SpY (ES)

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Robert Montgomery. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Robert Montgomery. Process shot. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

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Evol and Add Fuel collaboration. Process shot. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

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Evol . Add Fuel. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Fintan Magee. Process shot. NUART 2016. Stavanger, Norway. September 2016. (photo © Ian Cox)

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Fintan Magee. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Nipper. NUART 2016. Stavanger, Norway. September 2016. (photo © James Finucane)

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Nipper. NUART 2016. Stavanger, Norway. September 2016. (photo © James Finucane)

 

EXHIBITION – ‘POST STREET-ART’
11 September – 16 October 2016
Opening hours: Wed – Fri 12:00 – 17:00 / Sat – Sun 11:00 – 16:00
Tou Scene Beer Halls, Kvitsøygata 25, 4014 Stavanger

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“ALIVE” at Nuart 2016: Spy, Robert Montgomery, Hyuro, Add Fuel and EVOL

“ALIVE” at Nuart 2016: Spy, Robert Montgomery, Hyuro, Add Fuel and EVOL

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For the ninth straight year, BSA brings Nuart to our readers – artists, academics, collectors, instructors, curators, fanboys /girls, photographers, organizers, all. Not sure who else has been covering this international Street-Art themed indoor/outdoor festival and forum as early and continuously as we have, but we’re happy to say that this Norwegian pocket of public art continues to hold its own among a suddenly bloated field of new festivals and events globally.

Many of the new murals and installations are complete or nearing completion, the panels and presentations at NUART PLUS are just ending, the new Nuart Gallery has opened with sales of Jeff Gillette’s new print and other fine art works, and the barbs and laughs of Fight Night has already begun to recede in the blurry haze.

Tonight the opening of Tou Scene unveils the new works by invited artists and participants of Nuart 2016 to celebrate their work and contributions to the conversations on the street and chart many of their routes into the fields of contemporary art and academia – or at least getting them more hits on social media.

Here are a few of the artists at work whom we haven’t gotten to in previous posts this week.

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SPY “ALIVE” at work on his mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

The Spanish artist SPY returns for a second facade this year at Nuart, this one playing off of its particular physical proximity to a reflective surface. Without saying so, it says that the ongoing examination and experimentation of public dialog with art and artists is very much in play today.

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Robert Montgomery ad takeover in Stavanger. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

London based conceptual wordsmith Robert Montgomery brings a poetic tenor to the Street Art conversation at Nuart with a couple of bus stop takeovers and the façade of new construction. Cryptically chosen passages resonate gently according to your interpretation: “The purpose of art is to touch the hearts of strangers without the trouble of having to meet them,” he has been quoted as saying. Wish we could have been there to hear Carlo McCormick speaking about Montgomery’s work and its relationship to the Situationists.

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Robert Montgomery ad takeover in Stavanger. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Robert Montgomery at work on his mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Robert Montgomery. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Add Fuel sorting out his stencil for his mural at NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Add Fuel rips off the dull beige exterior of this building to reveal a stunningly decorative tiled pattern beneath. Actually, here he is at work on his mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Add Fuel. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Hyuro at work on her mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Hyuro steps back to assess her progress. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Hyuro at work on his mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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Hyuro at work on his mural for NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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EVOL returns to Nuart a second time to inspect buildings he left around town previously and to do some new construction. Very exciting to see what he has in store for the Tou Scene exhibition opening this evening after the final NUART Plus panels are completed. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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EVOL. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

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EVOL. NUART 2016. Stavanger, Norway. September 2016. (photo © Tor Ståle Moen)

 

We wish to extend our most heartfelt thank you to our friend Tor for sharing his photos with us in exclusive for this year’s coverage of NUART 2016.

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Tour Paris 13 : Fluorescent & Towering Show Book

Tour Paris 13 : Fluorescent & Towering Show Book

Another book to tell you about today! Remember when BSA took you to Paris that time and we skipped the line and went into all the floors of this soon to be demolished building?

“The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.”

That is how we described it in November 2013 when Spencer took us on a whirlwind tour of TOUR 13.

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Tour Paris 13 (photo © Jaime Rojo)

Published last month this towering book with the page edges sprayed neon orange was released by Mehdi Ben Cheikh in French and English to commemorate the event, and seeing the installations this way is going to make you wish the place wasn’t destroyed. 500 new photos previously unpublished allows you to see the show as you travel from the cellar to the top floors.

You may wish you had more background on the artists and the context and clearly not all of the artistry is of similar quality but you will be satiated by the images and thankful that they were recorded during their brief duration. Published by Editions Albin Michel, in partnership with the Itinerrance Gallery, this show will continue to soar long after the dust has settled.

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Entes . Tour Paris 13 (photo © Jaime Rojo)

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Inti . Tour Paris 13 (photo © Jaime Rojo)

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Ethos .Tour Paris 13 (photo © Jaime Rojo)

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Seth .Tour Paris 13 (photo © Jaime Rojo)

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Moneyless .Tour Paris 13 (photo © Jaime Rojo)

Artists included in the Tour Paris 13 project:

108, 2MIL FAMILIA, A1ONE, ADD FUEL, AGL, AGOSTINO IACURCI, AMINE, ALEXÖNE, ARRAIANO, AWER, AZOOZ, BOM.K, BTOY, C215, CEKIS, CELESTE JAVA, CLET, COPE2, CORLEONE, DABRO, DADO, DAN23, DAVID WALKER, DEYAA, EIME, eL SEED, ENTES, ETHOS, ETNIK, FENX, FLIP, GAËL, GILBERT, GUY DENNING, HERBERT BAGLIONE, HOGRE, HOPNN, INDIE, INTI ANSA, INTI CASTRO, JAZ, JB ROCK, JÉRÔME GULON, JIMMY C, JOYS, JULIEN COLOMBIER, KAN, KATRE, KEITH HARING, KRUELLA, LEGZ, LEK, LE CYKLOP, LILIWENN, LOIOLA, LUDO, MAIS MENOS, MAR, MÁRIO BELÉM, MARKO, MARYAM, MATÉO GARCIA, MAZ, MONEYLESS, MOSKO, MP5, MYRE, NANO, NEBAY, NEMI “UHU”, NILKO, ORTICANOODLES, PANTÓNIO, PEETA, PHILIPPE BAUDELOCQUE, RAPTO, REA ONE, RODOLPHE CINTORINO, ROTI, SAILE, SAMBRE, SAMINA, SEAN HART, SÉBASTIEN PRESCHOUX, SENSO, SETH, SHAKA, SHOOF, SHUCK 2, SOWAT, SPAZM, SPETO, STeW, STINKFISH, SWOON, TELLA’S, TINHO, TORE, UNO, URIGINAL, VEXTA, VHILS, and WISIGN

 

Click HERE to read BSA’s coverage of this project before the building was demolished.

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Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

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The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.

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El Seed. La Tour Paris 13.  Exterior of the tower. (photo © Spencer Elzey)

“The La Tour Paris 13 experience was something that I’ll never forget,” Elzey recounts as he thinks of himself nearly running from apartment to apartment with camera in hand, each room a new discovery, many of them inspiring awe.

“I was on an adrenaline rush while I was inside since I only had an hour by myself before it opened to the public. It wasn’t until later in the morning when I looked back at all of my pictures that I was able to fully understand exactly how much art I just witnessed,” he says.

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Kan. La Tour Paris 13. Come in. (photo © Spencer Elzey)

Mehdi Ben Cheikh from Galerie Itinerrance, who curated the project La Tour Paris 13 gave permission to Elzey to get these shots for BSA before the crowds arrived and now he was snapping as many as possible.

Over the course of the year artists have devised specific paintings, sculptures, and installations inside the housing tower knowing that it would be exhibited for a month before being demolished. “The number of artists and the amount of space dedicated to this one exhibit is something that I don’t think will ever again be replicated,” he says.

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a1ONE. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

While touring former living rooms, bathrooms, and kitchens Elzey quickly discovered that aerosol and markers were not the only materials used by this global pool of street/graffiti/urban artists who came from far places like Brazil, Iran, US, Tunisia, and even Saudi Arabia in addition to many European countries.

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a1ONE. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

Some artists had staged new perspectives and environments by combining sculptural elements that married into their wall pieces, others like C215 cut into the floorboards to create a relief, still others worked in and around the decaying, partially destroyed infrastructure to create venues that slid into the fantasies of subconscious. “It was a free-for-all in a sense that once inside the apartment the artist had free reign to transform it however they wanted,” he says.

“What isn’t apparent in the pictures is how dark a lot of the rooms were. There were at least three rooms that were essentially dark with the exception of a little black light, while others were dimly lit by a solo lamp or fluorescent bulb. Sometimes you had to walk through holes in the walls to access further rooms.”

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Seth. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

In his images here you can see the variety of styles and influences that the artists brought to the game, each accepting that it was a one-time-only installation. Maybe this group wasn’t so hard to convince, since the very nature of art on the streets is ephemeral.

“Street Art on the street has an expiration date, but the exact amount of time in which it will stay up isn’t known,” says Elzey, “It can either be covered up by graffiti or another wheat-paste, it can be removed by the building owner, or it can just wither away from being exposed to the elements.”

La Tour Paris 13 brings to mind the multitude of urban explorers who regularly trek into abandoned and neglected places all over the world and leave their mark, activating previously moribund spaces with art, but no one has ever launched a show like this with such genuine quality or with this scope.

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Uriginal. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

“The closest thing that I can compare it to is 5 Pointz,” Elzey says of the grouping of buildings in New Yorks’ Long Island City that provided what was perhaps the original group show venue for urban art from the 1990s until yesterday.  In an ironic mirroring of events, 5 Pointz and its multitude of external paintings underwent “the buff” the night before last after running an every-changing show for about three decades.

The 5 Pointz factory buildings themselves are also slated for demolition and will make way for new condos. “We all knew that its days were extremely numbered,” he says sadly of what had become a New York cultural heritage icon to some and a holy place for graffiti writers and Street Artists and fans from around the world.

 

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Tellas. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

The true impact from the La Tour Paris 13 project and 5 Pointz may happen in the mind and heart of the artist and the art fan; perhaps the beauty of this exercise, however short lived, is that the public is being encouraged to re-imagine old buildings for new uses, to consider what else we can do with private and public space.

When that conversation takes place we often realize how the limits of creativity are determined in no small part by imagination.

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Sambre. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

While we keep tracking the routes and machinations of this first global people’s art movement that has evolved into  Street Art, we fully expect that we will continue to be surprised and inspired by the creative spirit and by artists.

For Spencer, this Tour was a lot more personal. “Having experienced something like this on such an immense scale and with a definitive end date made me feel like I was part of something special.”

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Stew. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Shoof. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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David Walker. Detail. Jimmy C in the background room. La Tour Paris 13.  (photo © Spencer Elzey)

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Guy Denning. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Katre. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Rea1. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Pantonio. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Jaz. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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C215. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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C215. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Belem. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Add Fuel. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Dado. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Bom K . Liliwenn. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Agostino Iacurci. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Entes. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Inti. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Dan 23. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Maz. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Hopnn. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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JB Rock. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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el Seed. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Cekis. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Nebay. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Ethos. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Mar. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Loiola. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Mosko. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Cope and Indi 184. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

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Ludo on the exterior with a view of the line to get in. Detail. La Tour Paris 13.  (photo © Spencer Elzey)

Visit La Tour Paris 13 site for a full set of photographs, details and a full experience of the project.

This article is also published on The Huffington Post.

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Artists participating include: 108 ( Italy) – 2mil (Brazil) – Add Fuel ( Portugal) – AGL ( France ) – Lacurci Agostino (Italy) – Alexone ( France ) – A1one (Iran) – Amin ( France ) – Aous (Saudi Arabia) – awer (Italy) – Azooz (Saudi Arabia) – Belem (Portugal) – BOM.K ( France ) – Btoy (Spain) – C215 ( France ) – Celeste Java ( France ) – Cope2 (USA) – Corleone (Portugal ) – Dabro (Tunisia) – Dado (Italy) – Dan23 ( France ) – David Walker (UK) – Eime (Portugal) – eL Seed ( Tunisia) – Ethos (Brazil) – Etnik (Italy) – Fenx ( France ) – Flip (Brazil) – Gael ( France ) – Gilbert ( France ) – Guy Denning (UK) – Herbert Baglione (Brazil) – Hogre (Italy) – Hopnn (Italy) – Indie 184 (USA) – Inti Ansa ( France ) – Inti Castro (Chile) – Jaz (Argentina) – JB Rock ( Italy) – Jimmy C ( Australia) – Samina Joao (Portugal) – Jonone (USA) – Joys (Italy) – Julien Colombier ( France ) – Kan ( France ) – Katre ( France ) – Kruella (Portugal) – Legz ( France ) – Lek ( France ) – Liliwenn ( France ) – Loyola (Brazil) – Ludo ( France ) – Mrs. Sanbor ( France ) – March (Portugal) – Marko93 ( France ) , Mario Belem (Portugal) – Maryam (Saudi Arabia) – Mateo Garcia Leon ( France ) – Maz (Saudi Arabia) – moneyless (Italy) – Mosko ( France ) – Mp5 (Italy) – Myra ( France ) – Nano (Chile) – Nebay ( France ) – Nemi Uhu ( France ) – Nilko ( France ) – Orticanoodles (Italy) – PANTONIO (Portugal) – Paulo Arraiano (Portugal) – Peeta (Italy) – Philippe Baudelocque ( France ) – Rapto (Brazil) – Rea 1 ( France ) – Rodolphe Cintorino ( France ) – Roti ( France ) – Sambre ( France ) – Sean Hart ( France ) – Sebastien Preschoux ( France ) – Senso (Italy) – Seth ( France ) – Shaka ( France ) – Shoof (Tunisia) – Shuck2 ( France ) – Sowat ( France ) – Spazm ( France ) – Speto (Brazil) – Stew ( France ) – Stinkfish (Mexico) – Sumo (Luxembourg) – Tellas (Italy) – Tinho (Brazil) – Tore ( France ) -Uno ( France ) – Uriginal (Spain) – Vexta (Australia) – Vhils (Portugal) – / Maismenos (Portugal).

 

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