All posts tagged: 44309 Street Art Gallery

BSA Images Of The Week: 02.21.16

BSA Images Of The Week: 02.21.16

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Happy Sunday! Evidently Donald Trump is the Anti-Christ! Full disclosure, we already sort of suspected this because he is also anti-immigrant, anti-Mexican, anti-woman, anti-humility and so many other anti-s. The question is, who is going to break the news to Michele Bachman?

Also, does this mean that Obama is not going to stroll right into the United Nations and declare himself king of the world? Maybe he’s planning to appoint himself the replacement of Anthony Scalia on the Supreme Court and he’s so busy planning it that he skipped the funeral!

And what role does Formation play in all of this?

Meanwhile here on the dirty garbage-strewn sidewalk we have our our weekly interview with the street, this week featuring Barlo, CitiCop, City Kitty, Crisp, Faith 47, Flood, Hueman, JR, Madsteez, Mr. Renaissance Style, Otto “Osch” Schade, Queen Andrea, Specter, Stikman,Tim Okamura,WRSPNSK, XORS, and Zhu Hai .

Our top image: Faith 47. Detail. (photo © Jaime Rojo)

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Faith 47 (photo © Jaime Rojo)

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Otto Osch Schade in Nairobi, Kenya. February, 2016. (photo © Urban Art International)

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Mr. Renaissance Style (photo © Jaime Rojo)

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Queen Andrea is hustling hard, girl! (photo © Jaime Rojo)

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City Kitty with friends. (photo © Jaime Rojo)

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Crisp (photo © Jaime Rojo)

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JR. From his Immigration series. (photo © Jaime Rojo)

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JR. The remnants of a larger installation from his Immigration series. (photo © Jaime Rojo)

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CitiCop merges banks and police and the force of the state. In school they called this fascism. (photo © Jaime Rojo)

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Barlo has two flaming cocks on the street in Zhu Hai, South China. February 2016. (photo © Barlo)

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Barlo. Zhu Hai, South China. February 2016. (photo © Barlo)

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Stikman (photo © Jaime Rojo)

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Specter ad take over in Chinatown. (photo © Jaime Rojo)

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Hueman (photo © Jaime Rojo)

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Madsteez draws inspiration from a movie poster. (photo © Jaime Rojo)

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XORS (photo © Jaime Rojo)

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WRSPNSK (photo © Jaime Rojo)

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Flood is trying to tell us something, but we’re evidently not cool enough to understand… (photo © Jaime Rojo)

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Tim Okamura at work at the Red Bird Space. (photo © Jaime Rojo)

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Untitled. Times Square, NYC. February 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 05.24.15

BSA Images Of The Week: 05.24.15

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New York is bittersweet as we are welcoming summer this weekend and remembering those who served and who were lost in war as well (Memorial Day); amidst a changing political atmosphere where the country is tentatively beginning to seriously debate whether the US should have gone to Iraq and Afghanistan.

So it’s also Fleet Week in New York, which means a lot of sailors and marines and Coast Guard personnel are carousing the tourist spots and bars – sort of a military spring break and a chance for the local girls and boys to yell out “Hey Sailor!” – and  flash some flirty eyes. It’s also big weekend for movies, barbecues, beers, burping, suntans, rummage sales, bike rides, and of course spray painting empty trailers in cluttered lots. That’s why we start this weeks pack with a new stallion just sprayed on a trailer in Williamsburg by Cern. He’s running wild with a great view of the cityscape behind him.

Also, Kiss Me I’m Irish!

So here’s our weekly interview with the street, this week featuring Cern, Christos Voutichtis, David De La Mano, Din din, Dont Fret, DourOne, Iraq Veterens Against the War, Kuma, Mata Ruda, Miishab, Musketon, Pablog H Harymbat, Rebel, Smells, Sweet Toof, Temo & Miel, and Urma.

Top image above by Cern (photo © Jaime Rojo)

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Cern (photo © Jaime Rojo)

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Iraq Veterans Against The War (photo © Jaime Rojo)

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Mata Ruda in Jersey City, NJ for Savage Habbit. (photo © Jaime Rojo)

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Mata Ruda in Jersey City, NJ for Savage Habbit. Detail. (photo © Jaime Rojo)

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Telmo & Miel new mural in Dortmund, Germany for 44309//Street Art Gallery. (photo © Courtesy of 44309 // Street Art Gallery)

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Smells . Sweet Toof (photo © Jaime Rojo)

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Musketon. It’s in the cloud… (photo © Jaime Rojo)

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DourOne new wall in Los Angeles, CA. (photo © Phil Sanchez)

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Artist Unknown. This has got to be one of the more elaborate ways we have seen to throw an insult. (photo © Jaime Rojo)

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Miishab (photo © Jaime Rojo)

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Dont Fret (photo © Jaime Rojo)

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David De La Mano and Pablo H Harymbat in Montevideo, Uruguay. (photo © Harymbat)

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David De La Mano and Pablo H Harymbat in Montevideo, Uruguay. (photo © Harymbat)

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KUMA (photo © Jaime Rojo)

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Din Din (photo © Jaime Rojo)

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Din Din (photo © Jaime Rojo)

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Rebel (photo © Jaime Rojo)

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Urma. New installation in Milan. (photo © Christos Voutichtis)

In case you thought that your uncle Ernie was the only one full of hot air, public artist creates this installation that attempts to capture the breath of the city. He tells us that in the end he decided his experiment was a good mix of architecture, Art, and postmodern French literature.

“I applied simple means to build parametric and temporary installations;

It is an open system, varying with steadily modifying environmental processes, but without completely changing its own structure.”

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Urma. New installation in Milan. Interior. (photo © Domenico Laterza)

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Untitled.  Manhattan fly over. (photo © Jaime Rojo)

 

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44309 Street Art Gallery Presents: Alice Pasquini “Déjà vu – Destiny” (Dortmund, Germany)

‘Déjà vu – Destiny’

ALICE PASQUINI – SOLO SHOW
23.03.2013 – 05.05.2013
Vernissage 23.03.2013 at 7 pm
44309 Street Art Gallery
gnadenort 11a – Dortmund, Germany

“One’s destination is never a place, but a new way of seeing things.” – Henry Miller

In the words of the historian Frederick Jackson Turner, while the European frontier is “a fortified boundary line running through densely populated lands,” the “American frontier is located just on the edge of open land expansion and conquest.” It is not a line at which one must stop, but is rather an area that invites you to enter a land not inhabited or colonized. Alice Pasquini, used to walking the paths littered with anonymous urban walls and customizing them with human stories, this time uses the message reflected in the extremes of the frontier myth to ‘humanize’ these conquered lands, myths that at the same time mean freedom and exploitation.

The overlap of her usual female figures, fragile and independent, on old maps that have degraded over time, creates a fascinating contrast between the wilderness intersected by carriage roads and rail tracks in search of conquest with expressions of young women in search of affirmation of one’s personality.

http://44309streetartgallery.net/deja-vu-destiny-by-alice-pasquini/

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