Chris Stain and Charles Bukowski  – “Persons of Interest”

Chris Stain and Charles Bukowski – “Persons of Interest”

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BSA is in Berlin this month to present a new show of 12 important Brooklyn Street Artists at the Urban Nation haus as part of Project M/7. PERSONS OF INTEREST brings to our sister city a diverse collection of artists who use many mediums and styles in the street art scene of Brooklyn. By way of tribute to the special relationship that artist communities in both cities have shared for decades, each artist has chosen to create a portrait of a Germany-based cultural influencer from the past or present, highlighting someone who has played a role in inspiring the artist in a meaningful way.
 
Today we talk to Chris Stain and ask him why he chose his person of interest, Charles Bukowski.

Street Artist Chris Stain picks German-born American poet, novelist, and short story writer Charles Bukowki as his Person of Interest and it’s not hard to tell why. In his stencils and projection paintings Stain has recalled the struggles of the working class in the US, a background similar to his own youth in Baltimore, Maryland. “I want to convey an authentic contemporary document that illustrates the triumph of the human spirit as experienced by those in underrepresented urban and rural environments,” he has said when describing his work.

Bukowski championed a grizzled hardscrabble unromantic depiction of everyday life that was informed by his own family dynamics upon moving to Los Angeles as a child with a funny accent and an abusive father. His stories gave an up-close view of ordinary lives of many of America’s poor, richly bleak with beauty in the ugliness, dread and drudgery – along with observations about coping mechanisms that could be self-destructive. In 1986 Time called Bukowski a “laureate of American lowlife”,[note]Wikipedia, Charles Bukowski[/note]  a typically dismissive and classist review of his work by mainstream press, but his multiple novels, short stories, and other writings were highly valued for giving voice to many fans who saw their own lives reflected in his art. He also showed that he had of a sense of tough humor.

“I guess the only time most people think about injustice is when it happens to them.” – from Ham on Rye

“If I bet on humanity, I’d never cash a ticket.”

“The problem with the world is that the intelligent people are full of doubts while the stupid one are full of confidence”.

“I do think that poetry is important though, if you don’t strive at it, if you don’t fill it full of stars and falseness.”

“I started reading the works of Charles Bukowski about 20 years ago,” says Chris Stain. “I can’t say I agree with all of his opinions but what keeps me returning to his books is his sheer honesty as he relates to the common people. Throughout his literary embellishments he maintains a certain amount of hope that I believe everyone can relate to as they traverse life’s pain and wonder. I feel honored to be able to create a portrait of this German born American poet in his homeland. “

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Chris Stain in Brooklyn (photo © Jaime Rojo)

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Chris Stain in Brooklyn (photo © Jaime Rojo)

Check out the Facebook page for PERSONS OF INTEREST

See Full Press Release HERE

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CAKE and Käthe Kollwitz, “Persons of Interest”

CAKE and Käthe Kollwitz, “Persons of Interest”

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BSA is in Berlin this month to present a new show of 12 important Brooklyn Street Artists at the Urban Nation haus as part of Project M/7.  PERSONS OF INTEREST brings to our sister city a diverse collection of artists who use many mediums and styles in the street art scene of Brooklyn. By way of tribute to the special relationship that artist communities in both cities have shared for decades, each artist has chosen to create a portrait of a Germany-based cultural influencer from the past or present, highlighting someone who has played a role in inspiring the artist in a meaningful way.
 
Today we talk to CAKE and ask her why she chose her person of interest, Käthe Kollwitz.

CAKE is preparing a portrait of Käthe Kollwitz, the German painter, printmaker, and sculptor whose work spoke to the harsh realities of the human condition. “The broad spectrum of her artistic work embraces both crucial aspects of life suffering per se, poverty and death, hunger and war,” said art dealer, collector and artist Hans Pels-Leusden, who founded the Käthe Kollwitz Museum in Berlin in 1986.

For CAKE, whose wheat-pasted paintings on New York streets since the late 2000s have spoken to her own observations on emotional and physical pain, addiction, and troubled family dynamics, Kollwitz is a natural kinship, a touchstone of humanity.

“I picked Käthe Kollwitz for so many reasons. She is an artist who gives to her subjects.  She gives dignity to the suffering in her work.  She takes the suffering, the hungry, the dying, the scared, and she gives them humanity, she gives them the gift of themselves again, despite the life circumstances they are in the middle of.

They are not presented as less than, and she has become an advocate for them. She wanted to give through her work – she wanted to help. She was completely dedicated to the work, and as an artist I connect with and value this deeply.

I look to Kollwitz to remind me that making work is a powerful way to connect to life, and to offer one’s self to service through making it. I cannot express enough the gratitude I have for this artist.  Some art has the ability to immediately bring you into the present moment, into your humanness, back into your soul, and when it does this, it is more crucial than just about anything I can think of.

Kollwitz’s work does this for me.  It breaks my heart and then heals it all at once.”

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A recent piece by Cake (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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Axel Void and DalEast In New Delhi for St+ART India 2015

Axel Void and DalEast In New Delhi for St+ART India 2015

Axel Void and DalEast are somehow brethren here in New Delhi at the 2015 edition of St+Art India, if not because of a shared style then because of a shared appreciation for things you cannot see – alchemists with an uncanny ability to reveal.

 

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Axel Void begins his mural. (photo © Pranav Mehta)

Today we have excellent shots of the new murals by both of these artists taken by photographers Pravan Mehta and Akshat Nauriyal, sure to make you step back a little and appreciate some people’s ability to re-cast a public space into something much more.

Axel helps us out here with a description for his mural in Azadpur Market entitled “जिं द गी” (life), part of his “Mediocre” series. It is a simple depiction of a still life, he says, ” One of the most frequently recurring themes in the history of classical painting.”

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Axel Void. Process shot. (photo © Akshat Nauriyal)

He says he was inspired by the Azadpur fruit and vegetable market, one of the (or possibly the) largest in Asia, where he was surrounded by people, cars, sounds of the metro, buyers, sellers, a family of monkeys, and goats, chickens, pigs, and cows. “The wall is painted over the Delhi Cold Storage and next to the Azadpur Mosque,” he says.

After the Axel Void piece you’ll see DalEast, who tends toward the philosophical and spiritual in his compositions of forms taking shape before you. DalEast takes a somewhat typical piece of architecture and transforms it with a flooding rush of birds flowing through an open arched doorway. It is a constellation of energy and life that flying at you when the curtain goes up, instantly metamorphosing a public space into a possibly sacred place.

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Axel Void. Process shot. (photo © Akshat Nauriyal)

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Axel Void. Process shot. (photo © Akshat Nauriyal)

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Axel Void (photo © Pranav Mehta)

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Axel Void. The finished mural on the wall of Asia’s largest fruit and vegetable markets. (photo © Pranav Mehta)

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DALeast. Process shot. (photo © Pranav Mehta)

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DALeast. Process shot. (photo © Pranav Mehta)

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DALeast. Process shot. (photo © Akshat Nauriyal)

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DALeast (photo © Akshat Nauriyal)

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DALeast. Process shot. (photo © Akshat Nauriyal)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Images Of The Week: 03.01.15

BSA Images Of The Week: 03.01.15

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Happy March! With the brutally frigid temperatures we had for the whole month of February it is no small wonder that we can still find fresh new pieces on the streets. Some are weeks old and others are days old — all are executed under bitterly cold conditions. Just ask the artists…if you catch them.

Here’s our weekly interview with the street, this week featuring Agni, Alex Seel, Alex 25, Bifido, Brown Boyz, Don Rimx, Eder Muniz AKA Calangoss, Foxx Face, LMNOPI, LNY, Clint Mario, Mata Ruda, McDemott & McGough, Mr. Prvrt, Osch,

Top Image >> LMNOPI. Boy holding a pigeon. (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Mr. PRVRT (photo © Jaime Rojo)

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Eder Muniz AKA Calangoss. (photo © Jaime Rojo)

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Alex25 (photo © Jaime Rojo)

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Agni (photo © Jaime Rojo)

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Agni (photo © Jaime Rojo)

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Bifido. New piece in Marseille, France. (photo © Bifido)

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McDermott & McGough collaborate on most of their projects in a varied range of disciplines such as painting, photography, movies, sculpture and the occasional piece of performance art. Add to that Street Art if you will. From their Facebook page, “From our recent tribute to the late Andy Warhol. In 1986, when were were living in Naples, we were inspired by the Italian tradition of posting posters to commemorate the recently deceased. After we returned to NY and were confronted with the untimely death of Warhol we decided to plaster to the East Village with commemorative posters in his honor. This year, since we find ourselves once again in Italy during the anniversary of his death, we had the poster reposted all over NYC. Look for them in Chelsea, LES, Williamsburg and Bushwick!” (photo © Jaime Rojo)

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Any takers? He is asking politely. Artist Unknown. (photo © Jaime Rojo)

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A well placed collab between Clint Mario and Foxx Face. (photo © Jaime Rojo)

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OSCH. New piece in Shoreditch, London. (photo © OSCH)

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Signed by Brown Boyz, the piece was executed by Don Rimx, Ricardo Cabret, LNY, Alex Seel and Mata Ruda. (photo © Jaime Rojo)

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Untitled. Central Park, NYC. Winter 2015 (photo © Jaime Rojo)

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AIKO in New Delhi for St+Art India 2015

AIKO in New Delhi for St+Art India 2015

New York Street Artist Aiko is cutting a new stencil in a dusty warehouse space with huge windows, but instead of being in an industrial neighborhood in Brooklyn, this time she’s in New Delhi. The new image of a woman and child and sword is not quite standard fare for the feisty streetwise Aiko, who has depicted scantily clad women in very sexualized scenes as a way of expressing power in the last few years. Perhaps bowing to local norms, the new Indian mural is much more modestly attired, yet still an image one will interpret as powerful.

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Aiko cutting the stencils at the studio in Delhi. (photo © Akshat Nauriyal)

Here for the 2015 edition of St+Art India, a mural festival featuring mainly Street Artists from around the world, the artist whose work has appeared on New York walls many times is here with the help of the Japan Foundation. With excellent assistants on the ground Aiko knocked out the first of many murals in India’s capital which we’ll be posting for BSA readers.

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Aiko at work on her wall with the help of assistants. (photo © Akshat Nauriyal)

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Aiko at work on her wall with the help of assistants. (photo © Pranav Mehta)

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Aiko at work on her wall with the help of assistants. (photo © Akshat Nauriyal)

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Aiko (photo © Akshat Nauriyal)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday: 02.27.15

BSA Film Friday: 02.27.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Banksy in Gaza: Vacation Promo
2. SOFLES Projection Mapping of His Mural in Melbourne
3.OLEK takes a Victory Lap Through 2014
4. Ben Eine Tags A Museum

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Banksy in Gaza: Vacation Promo

This new video from Banksy takes you on a grim tour of Gaza that is laced with sarcasm bordering on total cynicism. Released on his website Wednesday with a few photos from his trip, Banksy appears to have stenciled the last standing door in the ruins of a building. The anonymous UK Street Artist uses his art and satirical way with the language to make his point. “Gaza is often described as ‘the world’s largest open air prison’ because no-one is allowed to enter or leave. But that seems a bit unfair to prisons – they don’t have their electricity and drinking water cut off randomly almost every day,” he says on his page. His video says he climbed through tunnels to get there but maybe Banksy was in Tony Blair’s suitcase – the UN website says the former Prime Minister of the UK was there mid-month. “Gaza is a metaphor for all that is wrong,” wrote Mr. Tony Blair in an article after visiting Gaza on 14 February.

SOFLES Projection Mapping of His Mural in Melbourne

Selina Miles again directs and produces a film of Sofles at work that transcends the experience and gives you a sense of awe at his work, which truthfully is already often awesome. We’ve been a fan of and producer of events with projection mapping so we are glad to see a talented street artist use the technology in an effective way. The video begins innocently enough with some inking out an illustration on a canvas, then buffing of a wall in Melbourne. Later the sun goes down, and BAM!

OLEK takes a Victory Lap Through 2014

Expect to see Olek everywhere, we do!

 

Ben Eine Tags A Museum

London based street and graffiti artist Ben Eine knocked out a wall inside the Middlebury College Museum of Art as part of the upcoming exhibition OUTSIDE IN: ART OF THE STREET.

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“Big City Life Rome” Exclusive Shots of All the Walls

“Big City Life Rome” Exclusive Shots of All the Walls

The first thing you’ll notice is that all the walls are the same size. For “Big City Life Rome” all of the artists were given equally large walls for their murals, which is good because you avoid fights that way. We have seen a few festivals where there are heated discussions about which artists have what walls, how large or small they are, and where they are located. This sort of uniformity is rather unique in that way.

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Seth (photo courtesy © 999 Contemporary Gallery)

The second thing you may notice is that there are only men here. Even the children in photos on the website are male. There may be a couple of females on the Street Art scene here, but this is a male dominated game in Rome.

“Big City Life Rome” brings some of the names you are familiar with, and undoubtedly one or two of your favorites are represented here. Given the similar generous scale of the walls the artists have it is easier to make comparisons between the geometric minimalism of Moneyless, the calligraphic pulsating patterning of Domenico Romeo, and the metaphoric wrestling musclemen of Jaz. Each of these artists has a distinct voice and seeing them revealed over a the period of 7 week festival provides  you ample opportunity to appreciate them individually and as a group.

Our very special thanks to Stefano S. Antonelli, who curated this show for the 999 Contemporary Gallery, for sharing these exclusive images with BSA readers.

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig tracing the hand of his muse. (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

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Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

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Lek. Sowat. “Veni, Vidi, Vinci”  (photo courtesy © 999 Contemporary Gallery)

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA GIVEAWAY — Stikman 2015 Calendar !

BSA GIVEAWAY — Stikman 2015 Calendar !

You have seen the little character on walls, lampposts, the pavement, window sills, behind bars, peeling off windows, peeking through back alleys, climbing bridges and on gallery walls.

Wouldn’t you like to see him hanging from a picture hook on your kitchen?

Now is your opportunity!

It’s a BSA GIVEAWAY of the 2015 Stikman Calendar!

 

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Stikman (photo © Jaime Rojo)

Yes, it’s nearly March and only 10 months of the calendar will be useful but frankly, you are reading this on a cellphone that does everything but make pancakes for you, so most likely you won’t be laboriously planning your life writing notes on it to remember cousin Fred’s birthday or when to pay the milk man.

You’ll just be pleased to have your very own Stikman art to display proudly in your spacious home, even if our awkward little friend is being held in a bird cage and taunted by a raving beauty.

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Stikman. Detail. (photo © Jaime Rojo)

Here’s how you win. Be one of the 10 people who Instagram us a photo of a Stikman piece by tagging it @BKStreetArt #Stikman2015 by Friday 2/27 at 6 pm EST. You can even Regram if you like, but give credit to the photographer.

We’ll pick 10 of the best pics and our decision is final, so no hot tears on your cheeks if you don’t win. You know we love you just the same.

Start tagging! Good Luck!

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Stikman. Detail. (photo © Jaime Rojo)

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Do It Here: FRA Biancoshock X Erotik

Do It Here: FRA Biancoshock X Erotik

We’ve been fascinated by the conceptual work of the self-described “Urban Activist” Fra. Biancoshock recently. He appears to be in the midst of distilling some of the fundamental arguments of the street art scene, from a provocative perspective of course. His earnest examination of these arguments sheds a light on their nature and provides a spark for further discussions.

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A few weeks ago he stenciled the word “Toy” across a graffiti piece in the urban wild, and the genuine act contained the obvious insult as well as a meditation on its many implications about “rules” and history of the game. By committing the act of dissing purely as an academic exercise, he took us one step back from a simple act of rivalry to consider what it means to call someone a toy and to use a stencil to do it with.

Today he creates a piece for the viewer to consider another contested debate; Where does graffiti rightly belong, assuming it belongs anywhere? More to the point, is it correct to call a piece of work “graffiti” if it is made specifically to be hung in a gallery? Stripped of its illicit nature, is it actually graffiti when it is in the gallery? Further complicating the discussion, he uses a stencil for the inside piece, a technique many graffiti artists wouldn’t consider graffiti.

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Erotik . Fra Biancoshock. “Do It Here” CLICK ON IMAGE TO ENLARGE (Photo courtesy of © Fra Biancoshock)

For Fra. Biancoshock’s new project, in which he collaborated with one of the historically well known and celebrated Italian graffiti writers, Erotik, he fairly decisively tells us his opinion on definition and gives a pretty straightforward directive. Perhaps he is advocating that graffiti and street artists not show their work as fine art in a gallery setting at all.

“This is a provocative project that underlines the importance of clarifying what graffiti is, where it were born, and where is the natural place to create it,” he says. “The phrase is simple and immediate. Similarly the concept is simple: Do graffiti in the street, illegally, without sponsors, not on the canvases for exhibition spaces,” he says. In other words, you cannot make a work for the gallery and call it graffiti, and that is not where it belongs.

We think that’s what it means anyway.

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“PERSONS OF INTEREST” BSA in Berlin Curates NEW UN Project M/7

“PERSONS OF INTEREST” BSA in Berlin Curates NEW UN Project M/7

 

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PERSONS OF INTEREST Opens Project M/7 for Urban Nation (UN) in Berlin with 12 Brooklyn Artists on March 14, 2015, curated by Steven P. Harrington and Jaime Rojo.

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Urban Nation (UN) and Brooklyn Street Art (BSA) bring Brooklyn to Berlin with PERSONS OF INTEREST, a stunning portraiture show for Project M/7. New original artworks by a diverse collection of 12 important Brooklyn Street Artists will appear on the façade and in the windows of the future Urban Nation ‘Haus’. BSA and UN invite guests to a reception and a show with new works directly on the walls at the UN Pop Up Space.

The show will open at 7-22 pm (in Bülowstrasse 97) with a reception where guests will have the opportunity to meet the curators and artists in person.

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PERSONS OF INTEREST

Curated by Steven P. Harrington and Jaime Rojo,
authors, lecturers, and co-founders
of the influential and respected urban contemporary art site
Brooklyn Street Art (BSA) (BrooklynSteetArt.com).

Location: Bülowstrasse 7/ 97, 10783 Berlin, Germany

Dates: March 14 – June 15, 2015

Featuring new custom artworks by:

CAKE

CHRIS STAIN

DAIN

DON RIMX

EL SOL 25

ESTEBAN DEL VALLE

GAIA

ICY & SOT

NOHJCOLEY

SPECTER

SWOON

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#BSAPersonsOfInterest

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RULE-740-Persons-Interest-BSA-UN-March-2015-Logo

Persons-Interest-BSA-UN-SIMPLE-LogoGraffiti, Street Art, and the D.I.Y. scenes of Berlin and Brooklyn continue to be vital and PERSONS OF INTEREST honors the fertile environment that fosters the creative spirit in both cities.

Straight out of Brooklyn PERSONS OF INTEREST is a portraiture show in the street level windows of the future Urban Nation home in Berlin by a select group of important Brooklyn street artists who represent a cross section of styles and techniques seen on walls, in doorways, and everywhere else on the streets of Brooklyn (and NYC) during the last decade and a half.

Download the full Press Release here.

See images of artists other works and download them at bottom of this announcement.

FACEBOOK EVENT:https://www.facebook.com/events/918640218187013

#BSAPersonsOfInterest

CONTACT:

Please write to Inquiries@brooklynstreetart.com for interviews, images, or additional information.

Brooklyn Street Art Website
@BKStreetart on Instagram
@BKStreetart on Twitter
Brooklyn Street Art on Tumblr
BSA Fan page on Facebook
Celebrating 5 years of BSA on The Huffington Post

Urban Nation Website
@UrbanNationBerlin on Instagram
Urban Nation on Facebook

Thank you very much for your time and consideration.

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BSA Images Of The Week: 02.22.15

BSA Images Of The Week: 02.22.15

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Here’s our weekly interview with the street, this week featuring Ador, Antonie Trouve, Brain Alfred, Clint Mario, Daco, Delphine Carre, Dran, EZK, Hiss, Icy & Sot, M Chat, ME, Meer Sau, Phillip Vignal, and Sweet Toof.

Top Image >> A warm embrace during our coldest week of the winter. Icy & Sot for Centrifuge Project. (photo © Jaime Rojo)

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Sweet Toof for Woodward Project Space. (photo © Jaime Rojo)

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Dran. Detail of his installation at Pictures on Walls. London. (photo © Julie A)

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Dran. Detail of his installation at Pictures on Walls. London. (photo © Julie A)

For our full coverage of Dran’s show “Public Execution” click HERE.

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EZK in Paris. (photo © Geoff Hargadon)

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HISS (photo © Jaime Rojo)

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M Chat in Paris. (photo © Geoff Hargadon)

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Meer Sau in Paris. (photo © Meer Sau)

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Mark Samsonovich is finding new ways to get his work out onto the street. (photo © Jaime Rojo)

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Mark Samsonovich (photo © Jaime Rojo)

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Ador. New piece in the French country side. (photo © Ador)

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Phillippe Vignal in Paris. (photo © Geoff Hargadon)

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Brian Alfred (photo © Jaime Rojo)

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Clint Mario . Me . Ad Takeover in Manhattan. (photo © Jaime Rojo)

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Clint Mario . Me . Ad Takeover in Manhattan. (photo © Jaime Rojo)

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Daco in Paris. (photo © Geoff Hargadon)

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Antonie Trouve and Delphine Carre in Paris. (photo © Geoff Hargadon)

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Untitled. NYC. February 2015. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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DRAN Closes “Public Execution” in London, Finally Complete

DRAN Closes “Public Execution” in London, Finally Complete

Either it will have proved to be a master class or an exhibition in hubris, says Pictures on Walls in their framing of the empty-framed show in progress by Dran in London’s Soho. Public Execution is on display and in development before you as the artist continues to work on new illustrations directly on the walls, a gradual culmination of a show that began on February 5 as a reception with cheese and wine and a primarily empty white box gallery, save the hand-painted frames on walls and ceiling serving as place-holders. Even so, the frames are only suggested locations for his cartooning, as he proceeds to paint inside and outside their confines, eventually covering every surface.

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Dran (Photo © Butterfly)

While the concept is new to the gallery setting, it is analogous to the work of street artists creating outside the gallery doors, where any passerby can observe and frequently offer an opinion or pose a question. Here the artist has helpfully painted a suitably sour gallery assistant to stare you down if her eyes happen to divert from her Macbook for a second.

“Ideally located in Soho between a sex shop, a pub and a primary school, the show is evolving on a daily basis,” says photographer and street art culture observer Sandra AKA Butterfly, who brings these exclusive images of the humorous scenes that continue to spout from Dran’s imagination. By the time the show closes today, Public Execution will be complete and the gallery will be filled with new art works. “It’s actually a ‘reversed’ show,” says Butterfly. Along with her images today, we have great shots of the developing show by photographer Julie A.

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Dran (Photo © Butterfly)

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Dran (Photo © Butterfly)

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Dran (Photo © Butterfly)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Butterfly)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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A potential knockout from Dran (Photo © Butterfly)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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The piercing power of words. Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Butterfly)

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Dran (Photo © Julie A)

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Okay, are there any questions here? Dran (Photo © Butterfly)

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Dran (Photo © Julie A)

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Turn that frown upside down. Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

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Dran (Photo © Julie A)

 

We wish to thank Julie A and Butterfly for sharing their exclusive images and observations with BSA readers.

Read more about this show at Butterfly’s site HERE.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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This article was also published on The Huffington Post

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