Brooklyn Street Art | …loves you more every day.

Evan Pricco and Banksy : 15 for 2015

December 23, 2015 Artists

What are you celebrating this season? We’re celebrating BSA readers and fans with a holiday assorted chocolate box of 15 of the smartest and tastiest people we know. Each day until the new year we ask a guest to take a moment to reflect on 2015 and to tell us about one photograph that best captures the year for him or her. It’s our way of sharing the sweetness of the season and saying ‘thank you’ for inspiring us throughout the year.

Evan Pricco is the Editor-In-Chief and Web Editor of the leading international contemporary art magazine Juxtapoz, based in San Francisco. Now shooting straight out of Sausalito, Evan found that part of his job this year entailed traveling to Street Art festivals and art fairs, doing studio visits, interviewing people like Banksy and Takashi Murakami, and being a desk clerk at a Times Square newsstand that sold limited edition prints and books by artists – and of course inviting graffiti writers to tag it – while police chased after painted ladies and groping Cookie Monsters.

Weston-super-Mare, UK
October, 2015
Artist: Banksy
Photograph by Evan Pricco

It’s sort of an obvious pick, but I knew the moment I walked up on this installation/game/project at Dismaland that Banksy had really created something significant. It’s fitting of the world we live in right now, and months later, the way that many Americans and Grand Old Party have positioned themselves in regards to the refugee crisis.

And so you have these boats that float around a pool where you can drive them around for a few pence, with absolutely no goal in mind or place to land. All just an inevitable shit storm.

~ Evan Pricco

Katherine Brooks and EVER in El Barrio : 15 For 2015

December 22, 2015 Artists

Katherine Brooks is the Senior Arts & Culture Editor at the Huffington Post flagship in New York and is insatiably curious about daily developments inside and outside the art world. This inquisitive mind helps her to countenance diverse topics that fly across her desk with regularity from Burning Man to Bansky to Guerilla Girls to the New Whitney, Kim Gordan, Peaches and of course, Cats Taking Over Famous Western Artworks. One of our favorite pieces by Brooks this year is an extensive examination of gender and the fossilized academic and institutional thinking patterns that keep women marginalized in the art world in 2015 called Let’s Talk About ‘Women Artists’ And What This Term Means.

El Barrio, East Harlem, New York
October 2015
Artist: Ever in collaboration with Martha Cooper for Monument Art 2015
Photograph by Jaime Rojo

Not only did I feel captivated by the image painted on the side of this East Harlem building, I was struck by the way Jaime framed this photograph. The young man and kids in the mural peer up and over a seemingly endless landscape, while the boys playing basketball — highlighted in the foreground — appear protected by the art.

It’s always interesting to see the context within which a mural is constructed. This particular meeting of art and athletics seems to echo a greater aspect of public art: a desire to capture attention in unexpected places.

~ Katherine Brooks

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Butterfly and 100Taur at a French Monastary : 15 For 2015

December 21, 2015 Artists

Butterfly is the editor and founder of the French Street Art site called ButterflyArtNews and she is also an occasional contributor of photographs and observations on BSA. A voracious documenter of the Street Art scene around the world whose work has been published in books, magazines, and blogs, this year Butterfly co-curated a London show with two French artists, 100Taur and Hisham Echafaki. A highlight for 2015 was her comprehensive and personal coverage of Banksy’s Dismaland on her site, on BSA, and in a 30 minute documentary with Lars Pederson for the French / German TV Channel ARTE

Dominican Monastery, district of Toulouse Rangueil, France.
July 2015
Artist: 100Taur
Photograph by Butterfly

I selected this picture because of the unlikely collaboration between the two worlds – religion and street art – and they share a message of open mindedness and peace and it also recognizes street art as being as sacred as other art movements throughout history.

~ Butterfly

This mural was previously featured on BSA. More on this Mural HERE

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Sharon Matt Atkins and Faile in Times Square : 15 for 2015

December 20, 2015 Artists

Sharon Matt Atkins is Vice Director, Exhibitions and Collections Management at the Brooklyn Museum and has been responsible for organizing some amazing Street Art related shows in the last few years that brought the work of Street Artists to throngs of museum audiences. Matt Atkins organized the richly engaging FAILE: Savage/Sacred Young Minds this summer and the Stephen Powers: Coney Island Is Still Dreamland (To a Seagull) installation currently on display. These two exhibitions with deep roots in graffiti and Street Art followed on the 2014 heralded successes of Dr. Atkins, who also organized Swoon: Submerged Motherlands and the Brooklyn presentation of Ai Weiwei: According to What?

Times Square, New York City
August 17, 2015
Artist: Faile
Photograph by Sharon Matt Atkins

My pick for 2015 has to be FAILE-related! I had the great pleasure working with them on their Brooklyn Museum exhibition, FAILE: Savage/Sacred Young Minds, which was on view July 10th – October 4th (big thanks to BSA for making the introduction years ago!).

FAILE’s exhibition featured their Temple along with their collaboration with BÄST, The FAILE and BÄST Deluxx Fluxx Arcade. They also created new paintings and sculptures for the exhibition. As if this wasn’t enough to keep them busy, they also worked with Times Square Arts on Wishing on You, a monumental, hand-carved, painted, and interactive prayer wheel situated in the heart of Times Square.

On view to coincide with the Brooklyn Museum exhibition, this project created the perfect synergy between their indoor installations and their ongoing commitment to creating surprising and captivating experiences in our urban environment.

~ Sharon Matt Atkins

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Carlo McCormick, Lenin and Darth Vader : 15 For 2015

December 19, 2015 Artists

New York art juggernaut Carlo McCormick is a culture critic and curator at large, angling through the streets, galleries, museums, studios and vapor-filled back rooms of Gotham. He is the author of numerous books, monographs and catalogues on contemporary art and artists, and lectures and teaches at art symposia, festivals, universities and colleges. His writing has appeared in Effects : Magazine for New Art Theory, Aperture, Art in America, Art News, Artforum, Camera Austria, High Times, Spin , Tokion, Vice and other magazines. McCormick is Senior Editor of Paper magazine. He also is a cranky sage-like charmer whom we love and value for his insights and tirades.

Odessa, Ukraine
October 2015
Artist Oleksandr Milov
Photograph credit Dumskaya.net

As a culture of amnesiacs and liars we are always rewriting history to suit the present. This sculpture, by Oleksandr Milov, seems to capture the perversity and violence by which the past is continuously undone.

I don’t know much about this artist except that he does stuff that people who go to Burning Man think looks cool, and I have no idea who took the photographs, it was just one of those things that briefly became a meme in that screen of perpetual distraction we call the news. Though no doubt an intervention it would be hard to call this street art for it is really public sculpture- a radical defacement legitimized by the passing of a law in April by the Ukrainian Parliament banning Communist propaganda and symbols.

This becomes a rather ambitious and expensive program for a country that has already been looted by thugs and is currently fighting a war against Russian aggressions, especially considering that most things there are still named after some Soviet tyrant and most every public space seemingly has its own Lenin statue. Activists there have been addressing this unwanted Lenin population already, toppling statues, repainting them in the national colors of the Ukraine, and even covering them in a vyshyvanka, the traditional Ukrainian shirt.

Milov’s transformation however, a transference from one oppressor to another, merely trades one set of lies for another, those of the great American myth factory. Each is equally virulent, both before and after here are personifications of evil where their malevolent force must be measured not simply by might but by culture’s willingness to fully believe in their falsehood.

As the worst kind of public art we need to understand what monuments are: a kind of memorial, a way of representing memory in perpetuity. As we tend to this spectacle of public memory, Milov touches upon a rare strain that runs through this mundane legacy of forgotten heroes, a way of remembering the worst without the sentimentality of the lost (as in those monuments to wars and natural disasters) but with the epic monumentality of posterity by which the rich and powerful seek the eternal through bronze.

This past summer I came across a truly wonderful monument in Denmark put up in 1664 to a national traitor named Corfitz. It was a quite ugly large stone with the most remarkable inscription “To His Eternal Shame, Disgrace and Infamy.” This to me offers a viable path away from the morbid mediocrity of insipid monuments to historical irrelevance that seemingly choke town squares and parks around the world, a way to register our place on this planet as a kind of Monumental Shame.

~ Carlo McCormick

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Jonathan LeVine and his Buddy Evan : 15 for 2015

December 18, 2015 Artists

Jonathan LeVine has been director since 2005 of Jonathan LeVine Gallery, an essential venue for Street Art and Pop Surrealism that brings a steady parade of mind-bending talent and shows to the heart of Manhattan’s Chelsea art district. Independently curating exhibitions at punk and alternative rock venues in the 1990s probably helped prepare Jonathan to deftly straddle the competing influences of counterculture, activism, and commercialism at play today; which he does with a frankly sharp wit and a still-marveling true appreciation for art and the artist.

Chelsea, Manhattan, NYC
October 16, 2015
Photograph by Jonathan LeVine

This is a photo I took of my good buddy Evan Pricco who also happens to be the editor of Juxtapoz. Evan and I were walking back to my gallery from the West Village where we had dinner when we stumbled across this little fellow.

I don’t often take photos of street art but I liked this one piece in particular because it was kind of inconspicuous. It reminded me of the old New York where I would run into some quick graffiti like doodle or street intervention that would kind of pop up and surprise me and make me laugh.

Nowadays with street art/mural art run amok all over the world I feel like it’s all a bit forced on me. This piece felt authentic and it was nice to discover it with Evan. For me this photo captures a meaningful moment in NYC and reminds me of a fun night of feeling connected through the exchange of interesting conversation and ideas. These types of moments don’t come as often as they used to in this constantly changing city.

~ Jonathan Levine

Alison Young and Vermibus : 15 For 2015

December 17, 2015 Artists

Alison Young is a Professor at the University of Melbourne, an expert in Cultural Criminology, winner of many academic awards, and author of a number of Street Art related books, including her most recent Street Art, Public City: Law, Crime and the Urban Imagination. In it she considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalized. Alison is also a simply indispensible source for many who are studying the intersections of art, culture, law, and urban space.

London, United Kingdom
20 September 2015.
Photograph by Mark Rigney

2015 was a year in which arguments about whether street art can still be considered in any way radical became ever more intense. At times, it seemed like the answer was obvious: when the sides of New York subway cars were used to advertise a ‘street art reality tv show’, many assumed that street art had lost any radical edge it might have had. Other examples were less clear cut. Some argued that muralism is making our streetscapes bland, as local neighbourhood character gets replaced by a uniform aesthetic in cities around the world; for others, the presence of a striking and skillful mural is a vast improvement and a source of community pride.

For me, one of the most exciting examples of street art’s radical potential is found in the work of ‘subvertisers’ like Jordan Seiler, or the various artists working with Brandalism, who used techniques of street art and subvertising to take over 600 advertising panels in Paris before the UN COP21 Climate Conference at the end of November.

Another such artist is the Berlin-based Vermibus, who travelled to various cities hosting a Fashion Week in September and October 2015. He replaced advertisements with his own hand-painted images of women designed to make people think critically about the fashion and cosmetics ads conventionally displayed in public space.

I was fortunate enough to meet Vermibus in London, and watched him install these two pieces in the bus shelter outside Harrods department store – in broad daylight, with hundreds of people walking back and forth along the street, in a clear demonstration of the ways in which ‘street art’ can still be deeply politicized.

~Alison Young

BSA “Images of the Year” for 2015 : New Video

December 16, 2015 Artists

Was 2015 the “Year of the Mural”?

A lot of people thought so, and the rise of commercial festivals and commissioned public/private mural programs probably brought more artists to more walls than in recent history. Judging from the In Box, 2016 is going to break more records. Enormous, polished, fully realized and presented, murals can hold a special role in a community and transform a neighborhood, even a city.

But they are not the “organic” Street Art that draws us into the dark in-between places in a city, or at its margins.

We keep our eyes open for the small, one-off, idiosyncratic, uncommissioned, weirdo work as well, as it can carry clues about the culture and reveal a sage or silly solo voice. It also just reinforces the feeling that the street is still home to an autonomous free-for-all of ideas and opinions and wandering passions. For us it is still fascinating to seek out and discover the one-of-a-kind small wheatpastes, stencils, sculptures, ad takeovers, collages, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

The main image above is from a vinyl subway advertisement that was high-jacked and we published it in February of this year on our Images of the Week posting. It’s small, personal, and very effective as you can see someone suspiciously similar to Batman is jumping out of the mouth of someone looking awfully similar to Hedwig of “Angry Inch” fame.

Of the 10,000 or so images photographer Jaime Rojo took in 2015, here are a selection 140+ of the best images from his travels through streets looking for unpermissioned and sanctioned art.

Brooklyn Street Art 2015 Images of the Year by Jaime Rojo

Brooklyn Street Art 2015 Images of the Year by Jaime Rojo includes the following artists;

365xlos43, Amanda Marie, Andreas Englund, Augustine Kofie, Bisser, Boijeot, Renauld, Bordaloli, Brittany, BunnyM, Case Maclaim, Casg, Cash4, CDRE, Clet, Cost, Curve, Dain, Dal East, Dan Budnik, Dan Witz, David Walker, DeeDee, Dennis McNett, Don Rimx, Ricardo Cabret, LNY, Alex Seel, Mata Ruda, Don’t Fret, Dot Dot Dot, ECB, El Mac, El Sol25, Ella & Pitr, Eric Simmons, Enest Zacharevic, Martha Cooper, Martin Whatson, Ever, Faile, Faith47, Findac, Futura, Gaia, Gilf!, Hanksy, Hellbent, Hot Tea, How & Nosm, Icy and Sot, Inti, Invader, Isaac Cordal, James Bullough, Janet Dickson, Jef Aerosol, Jilly Ballistic, Joe Iurato, John Fekner, Le Diamantaire, Li Hill, LMNOPI, London Kaye, Low Brow, Marina Capdevilla, Miss Van, Mr. Prvrt, Mr. Toll, Myth, Nafir, Nemos, Never Crew, Nick Walker, Nina Pandolofo, Old Broads, Oldy, Ollio, Os Gemeos, Owen Dippie, Paper Skaters, Pet Bird, Kashink, Smells, Cash4, PichiAvo, Pixel Pancho, QRST, ROA, Ron English, Rubin415, Saner, Sean 9 Lugo, Shai Dahan, Shepard Fairey, Sheryo & The Yok, Sinned, Sipros, Skewville, Slikor, Smells, Sweet Toof, Snowden, Edward Snowden, Andrew Tider, Jeff Greenspan, Specter, Stray Ones, Sweet Toof, Swil, Willow, Swoon, The Outings Project, Toney De Pew, Tristan Eaton, Various & Gould, Vermibus, Wane, Wk Interact

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This article is also published on The Huffington Post

BSA Top Stories As Picked by You from BSA and HuffPost in 2015

December 15, 2015 Artists

You picked them!

Last week you saw the Top Murals and the Top Videos. Today here are our Top Stories of 2015.

BSA readers told us by your direct comments and online sharing – that you love our coverage of Street Art festivals: 8 of the top 15 postings in ’15 were about them.

The rest of the most popular stories can be described as being about powerful personalities and consequential work on the street that is not simply visually impactful but is backed by a story that runs deeper.

Following are your top 15 postings from the year on BSA and our articles on The Huffington Post along with an excerpt from the original posting.

NO. 15

A Mexican Mural ‘Manifesto,’ Blackened Flags And Censorship (March 04 2015)

Erica il Cane (photo © Fifty24Mex)

“Striking and massive murals by international street artists have been populating the walls of Mexico City for the last five years thanks to the emergence of a global Street Art scene, a rise in mural festivals, and the country’s tradition of institutional support for murals that further a socio-political mission. There hasn’t been much of the latter lately, however, and it is doubtful that a new politically charged mural campaign underway in certain central neighborhoods is likely to receive tax dollars for the paint and ladders.

Without sighting a specific ill to address, the new mural initiative named “Manifesto” is challenging a select group of local and international street artists to express their opinions on weighty and topical matters through murals, “using art as a social tool to propose, reflect and inform.” Among possible topics that might be addressed, the manifesto for “Manifesto” says, are increasing poverty, glorified materialism, the exhausting of natural resources, a fraying social web, and a dysfunctional justice system.”

More…

NO. 14

Malik and ‘Note’ Bring 17 Street Artists To A Swiss Prison (November 04, 2015)

(photo © Malik)

“Initiated by Aarau-based graffiti/street/fine artist Malik in May of 2012, the project eventually corralled 17 street artists, all but one from Switzerland, to enter the confines of the new high security Lenzburg Prison to paint murals on exterior walls, courtyards, hallways, and common areas.

‘I was looking for a new challenge and a new and exciting project where I could show my art,’ says Malik and while the 18 month project originated with his vision of getting a nice wall for himself, quickly the project grew far beyond his expectations to become an educational, sociological meditation on the penal system, the appropriate role of art within it, and our collective humanity.”

More…

NO. 13

The Coney Art Walls: First Three Completed and Summer Begins (May 27, 2015)

Kave (photo © Jaime Rojo)

“Instead of being hunted down for catching a tag or bubble-lettered throw-up, a couple dozen graffiti/street art painters are invited to hit up Coney Island this summer — and since we’ve just marked the unofficial first weekend of summer in New York — we’re bringing you the first three freshly completed pieces.

Part of “Coney Art Walls”, the muralists began taking the train out to this seaside paved paradise that is re-inventing itself once again, this time courtesy of art curator Jeffrey Deitch.”

More…

NO. 12

50 Years From Selma, Jetsonorama and Equality in Brooklyn (June 27, 2015)

Jetsonorama (photo © Jaime Rojo)

“From Selma to Ferguson, Birmingham to Charleston, Jimmie Lee Jackson to Michael Brown, Street Artist Jetsonorama is crossing the country from Arizona to New York and a half-century of America’s struggle with our legacy of racism and injustice.

As marches have continued across the country in cities like Ferguson, Oakland, Baltimore, New York, Dallas and Cleveland in the past year addressing issues such as police brutality and racism, the south is taking down confederate flags on state houses and the US is mourning another mass shooting.

Now as Americans everywhere are pulling out and waving the stars and stripes to celebrate freedom, this new powerful installation on a Brooklyn wall reminds us of what New York poet Emma Lazarus said, ‘Until we are all free, we are none of us free.’ ”

More…

NO. 11

Gender, Caste, And Crochet: OLEK Transforms A Shelter In Delhi (March 25, 2015)

Olek (photo © Street Art India)

” ‘It felt like I gave a birth to an oversize baby without any pain killers. I had to pull the black magic to make it happen. Physically and emotionally drained. Was it worth it? Absolutely YES,’ she types onto her Facebook page to let friends and fans know that she has finished the seven-day marathon of crocheting and directing a full team of volunteers and St+Art Delhi organizers. Triumphant, she stands atop the woman’s shelter, a one story structure of corrugated metal and concrete 40-feet long and 8-feet high, with a fist in the air, a symbol of celebration as well as a show of solidarity with the sisterhood of those who helped her make it and those will seek refuge here when other options have been exhausted.”

More…

NO. 10

A Tidal Wave of Lodz Reborn: ‘Lodz Murals’ Distinguishes a Polish City (October 28, 2015)

Alexis Diaz (photo © Maciej Stempij)

“Now I don’t want to create any new festival, any new brand — just want to keep the name as simple as possible,” he says of Lodz Murals, an ongoing program that functions year round rather than focusing specifically on a short-term festival. With all responsibilities for organizing, promoting, and working with city and private business under one roof, Michał says that his vision is to create the same sort of iconic image of Lodz with murals as Paris with the Eiffel Tower.

“I would like that people on the global scale would think of Lodz as a city with exceptional public art,” he says grandly while acknowledging that public art shines in many other cities as well. “When you are thinking about public art, one of the first places that you will see in your mind’s eye is Lodz. Of course, comparing the mural project to the one of the most important “pearls” of modern architecture is pure overstatement, but I would like to create this type of mechanism, this type of association.”

More…

NO. 9

WALL\THERAPY 2015: Surrealism and the Fantastic (July 29, 2015)

Never Crew (photo © Jaime Rojo)

“We don’t know for sure if it was our current funhouse mirror atmosphere that drove the Wall\Therapy festival in Rochester, NY to choose this years’ themes. It may simply be a way of organizing artists whose work reflects these notions back to us and to illuminate one specific growing trend in street culture and murals.

Surely Magritte, Dali and Ernst would be very pleased by the uptick of modern surrealists and practitioners of the bizarre, fantastical, and dream-like in galleries, in the public sphere, and throughout popular culture in recent years.”

More…

NO. 8

NUART 2015 Roundup: A Laboratory on the Street (September 12, 2015)

Ella & Pitr (photo © Jaime Rojo)

“As we mark the halfway point of this decade and see the institutional discussions of Street Art taking form while academics try to place it in the canon of art-making and decide upon the nature of its impact, they do it with the knowledge that gallery shows, museum exhibitions, high-profile auctions, individual collecting, lifestyle marketers, and public festivals of many configurations and aspirations are already embracing its relevance. No one can possibly gauge this story in all of its complexity but some will capture its spirit. Being on the street helps.

One way to get a pulse on the present is to attend shows like Nuart and witness the diverse stratagems that artists are using to engage their audiences and judge if they are successful at realizing their intentions. With a deliberately mixed bag of thinkers, feelers, documentors, aesthetes, and pranksters culled together for your edification, this show stokes the discussions.”

More…

NO. 7

Coney Art Walls: 30 Reasons to Go to Coney Island This Summer (June 24, 2015)

Daze (photo © Jaime Rojo)

“The gates are open to the new public/private art project called “Coney Art Walls,” and today, you can have a look at all 30 or so of the new pieces by a respectable range of artists spanning four decades and a helluva lot of New York street culture history. We’ve been lucky to see a lot of the action as it happened over the last five weeks and the range is impressive. These are not casual, incidental choices of players lacking serious resumes or street/gallery cred, but the average observer or unknowing critic may not recognize it.”

More…

NO. 6

Barcelona: “Open Walls” Mural Festival and Conference 2015 (November 11, 2015)

RocBlackBlock (photo © Fernando Alcalá Losa)

“Barcelona was known as a city at the epicenter of a bustling lively organic street art scene in the mid 2000s. Today that has greatly been cracked down upon by authorities, but the Spanish city now boasts a mural festival called Open Walls, which celebrated its third edition last month with public works spanning a great number of influences and styles. Of course there is still plenty of autonomous, non-comissioned street art to be seen as well.”

More…

NO. 5

Basquiat’s Rarely Seen Notebooks Open At The Brooklyn Museum (April 01, 2015)

Basquiat (photo © Jaime Rojo)

“In ‘Basquiat: The Unknown Notebooks,’ now running at the Brooklyn Museum until August 23, the genius of his fragmenting logic is revealed as a direct relationship between his private journals and his prolific and personally published aerosol missives on the streets of Manhattan’s Soho and Lower East Side neighborhoods in the late 1970s and 1980s.

These notebooks were for capturing ideas and concepts, preparing them, transmuting them, revising them, pounding them into refrains. In the same way his text (and glyphic) pieces on the street were not necessarily finished products each time; imparted on the run and often in haste, these unpolished missives didn’t require such preciousness.”

More…

NO. 4

Borås ‘No Limit’ 2015: Graffiti Tags, Murals, Greco-Roman Antiquities (September 17, 2015)

Pichi & Avo (photo © Jaime Rojo)

“This is No Limit, the second installation of murals done primarily by street artists in Borås, a pristine and pleasant city about 45 minutes east of Gothenberg. With the leadership of artist Shai Dahan and organizers Stina Hallhagen and Anders Khil the local tourism office works year round to promote this festival and the quality of the pieces are top notch due to the careful choices of international big names and up-and-comers.

In addition to this diversity, the scale is varied with massive walls like those by the Chilean Inti and Poland’s Robert Proch, and more personal-sized installations in surprise locations around town by American illustration artist David Zinn and New Jersey’s sculptural stencilist Joe Iurato.”

More…

NO. 3

Street Art Sancocho: ArteSano Project Brings Dominican Flavor (January 08, 2015)

Mario Ramirez (photo © Tots Films)

“It could be the name influencing our perception, but in one way or another it looks like these artists are chosen for their down-to-earth hand hewn approach. Sometimes decorative, sometimes storytelling, there are familiar themes and motifs that play well to their local audience as well as the virtual gawker.

Even with two dozen artists, it isn’t bloated: no logos or product tie-ins or DJs or high flying scissor lifts scaling massive multi-story walls with abstract surrealism, hyper photo-realism or dark pop human/animal/robot hybrids here – yet. Well, we take that back on the surrealism score; Pixel Pancho is here with a brood of chickens bobbing their industrial mesh necks atop fired tile bodices, hunting and pecking their way toward the beach, and Miami artist duo 2alas & Hox created a portrait of a boy with a partial mask overlay that calls to mind cyborgs (and Sten & Lex). But here in the loungey bare-foot tropical DR coastal area, even Pixel Pancho mutes the hues toward sun-bleached pastels, more easily complimenting their surroundings.”

More…

NO. 2

Renaissance Masters, Keith Haring and Ninja Turtles in Brooklyn Streets (July 15, 2015)

“And so it made sense last week when Dippie skillfully merged imagery spanning five centuries, two continents, and two distinctly different art movements. Call it a measured miracle, a ratherish revelation that Dippie completed a deftly realized mashup of Raphael and Keith Haring, with the Madonna del Granduca holding Haring’s icon-symbol that is variously referred to as ‘Radiant Baby,’ ‘Radiant Child,’ and ‘Radiant Christ.’ ”

More…

NO. 1

YZ and Her ‘Amazone’ Warrior Women On Senegalese Walls (January 14, 2015)

“French Street Artist YZ Yseult has begun her own campaign to pay tribute to the fierce female fighters of the 19th Century West African country of Dahomey, who are more commonly referred to as Amazons. A startling narrative of female power not often heard today for some, but as YZ is researching her own history as a descendent from slaves, her portraits reflect a personal impetus to tell these stories with a new force. She has named this series of strong warriors on the street ‘Amazone’.”

More…

1300 Metal Bars in Lodz: Cekas Creates Sculptural “Silence” on a Wall

December 14, 2015 Artists

The mercurial role of light and shadow continually vex the Street Artist as no two days are the same, sometimes no two hours. If you are a photographer or a fan, your experience of the work outside will be subject to weather, lighting, and wiseguys who want to buff or diss someones work. These elements are part of the game and you might as well get used to it.

This fall in Lodz, Poland the urban art organizer Michal Biezynski chose the Wroclaw-based artists Cekas (Lukasz Berger) to more fully play with the elements with his sculptural installation of 1300 metal bars protruding at different lengths perpendicular to a wall.

“The installation is permanent and it’s playing with the light and the sunbeams,” Biezynski tells us, “The everyday cycle of the sun creates a dynamic character and the “drawings” made of the shadows are directly related to the time of the day and the season of the year. Apart from that, the installation also works at night with the light of the moon.”

A graduate of the Sculpture Department of the Academy of Fine Arts in Wroclaw, Cekas favors experimentation – something not uncommon in graffiti, Street Art, and mural-making. As he watches the sun trace across the sky overhead and sees the configuration of the shadows produce new forms and patterning, he talks about the meaning of “Silence,” the name of the installation.

“The installation is an answer to the communication between the modern man and the reality around him,” he says, explaining that our individual an cumulative actions are “producing noise, which at times may seem inaudible, but it is still present.” So each one of those small metal bars (which cumulatively weigh more than 500 kg) is a contributor to a collective sound – in this case a sort of visual noise, if you will.

Michal says “Silence” (spelled in the Polish “Cisza”) is a great departure from the mural program he has fostered over the last few years that has drawn nearly 50 artists to walls around the city, and it has piqued his interest in what else may be possible when programming art for the public sphere. “I would like to implement new things in Lodz’s urban tissue – modern sculptures and installations. What’s more, in the framework of my work in Lodz Event Centre, I want to renounce the festival form – I want to convert it more into an all year round public art program.” That’s the sound of someone thinking for new ways for art to engage the public; another curious evolution of the Lodz festival that grew from graffiti and Street Art, casting his goals in a different light.

To learn more about Lodz Murals click HERE
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BSA Images Of The Week: 12.13.15

December 13, 2015 Artists, BSA Images Of The Week

As the snow birds flew back to NYC this week from their Miami art debauchery with dark circles under their eyes and paint under their nails we tossed them right back in the roiling red & white mash of SantaCon in the streets, 2 more politicians going to jail, and the alleged hunk-hiring Bronx priest resigning from his parish. You can really feel the spirit of Christmas and Hannukah all around.

BSA was proud to co-sponsor the talk with DAZE, LEE Quinones, and Jane Dickson for the special reception at DAZE’s “The City is My Muse” show currently on exhibit at the Museum of the City of New York, hosted by Sean Corcoran. The three are vital to the historical thread that reaches back to NY’s earliest graff days and it was evident from seeing their newest works as they each presented them on screen that they refuse to be nostalgic about the city – but prefer to be on top of it. Case in point was Lee’s opening the following night that showcased his new mural on the ceiling at the Indigo Hotel – his Sistine Chapel if you will.

P.S. We’ll be at MCNY with DAZE March 2 – mark your calendar.

Invader finished his 42 piece wave of tile installations in New York, according to reports, Banksy struck out with political pieces addressing immigration and xenophobia (videos at end of this posting), and Gilf! wrapped the façade of a Williamsburg bar with “gentrification in progress” tape to mark its death by market forces. As artists continue to grapple with socio/political events, the art of the street keeps mutating forward.

Side note: “Images of the Week” takes a hiatus for the next few weeks thanks to special Holiday programming. It returns in 2016.

Here’s our weekly interview with the street, this week featuring Banksy, Bunny M, City Kitty, Cost, Daze, Dee Dee, Gilf!, Invader, Jaye Moon, Jordan Seiler, KET, Labrona, Lee Quinones, Lex56, Mint&Serf, Never, Pet Bird, Read, Sipros, Specter, Wing, and WK Interact.

Specter was in France last month with FKDL and Upian, among others. Here are some examples of paintings and ad takeovers in Paris as well as an abandoned factory called La Rodia in Besancon. The Brooklyn based artist tells us that “It was a trying time to be there but supporting my friends and creating some colorful distractions was more important.”

Detail of Lee Quinones’ inventive ode to New York at a newly opened hotel in the LES. The artist, who grew up in the hood was commissioned to paint on the ceiling of the hotel’s reception room a map of the neighborhood to which he attached painted “poloroid” portraits (sourced from previously existing photographs) who lived and played on those streets “Between Two Bridges”. (photo © Jaime Rojo)

Daze standing in front of a portrait of him taken decades ago. This piece is currently being exhibited at Chris “Daze” Ellis: The City is My Muse at the Museum Of The City of New York. (photo © Jaime Rojo)
Tom Warren with Christopher “Daze” Ellis
Portrait of Daze with Tags, 1983, Acrylic on Gelatin silver print

Never created this memorial to Peter Caroll AKA Pet Bird, who passed away suddenly in September. We love you Peter…and you too Never. (photo © Jaime Rojo)

From The Guardian:
“Street artist Banksy has painted a depiction of Apple founder Steve Jobs on a wall in a migrant and refugee camp in France known as the Calais ‘Jungle’. The artist, who has never revealed his identity, released a rare public statement challenging the perception that migrants and refugees from Syria are a drain on Western economies, UK media reported”

Monkey Bird Crew in Lille, France and Their Largest Monkey/Bird Stencil

December 12, 2015 Artists

The Bordeaux-based Street Art duo Monkey Bird Crew were in the northern French capital Lille in November to create their largest mural ever and today we have some exclusive shots of the enormous piece from the natural stencilists as they scaled the bricked wall and sprayed the new work.

Phototographer Aline Mairet tells us “This collaborative work was realized as part of the major cultural event called “Renaissance” (by Lille3000) and was built with the contribution and participation of the neighborhoods residents.”

It’s standard practice for Edouard and David to portray their chosen avatars of monkey and a bird – of many varieties – in a composition that shows their reliance on one another. Aline says that she sees the their inspiration as being derived “principally from sacred or lyrical works such as illuminated manuscripts, stained glass, and architectural ornamentation – as well as Japanese prints and fantastic illustrations from the ‘Arts and Crafts’ period.”

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