Brooklyn Street Art | …loves you more every day.

Borondo and Agostino Iacurci at St+ART India 2016

February 9, 2016 Artists

St+art India is coming on strongly this year with their Delhi festival of Street Artists and related talents meeting at the Inland Container Depot (ICD) and creating works on shipping containers. A walk-through installation that uses 100 shipping containers as canvasses and sculpture, approximately 25 national and international artists are painting here during the month of February.

Borondo for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Included in this years’ program are assorted walls in the newly created Lodhi Arts District which lies between Khanna Market and Meherchand Market. Now back in Rome, Italy after their visit to the ongoing events, Lorenzo Gallitto and Giorgio Base of Blind Eye Factory tell us, “India was incredible! We really enjoyed it! “

The guys also share with BSA readers these fresh new exclusive photos of walls by their countrymen, Agostino Iacurci and Gonzalo Borondo. Distinctly different styles, they are two of the real talents on the scene whose work we continue to keep our eye on.

Borondo for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Our most sincere thanks to BSA Contributors Lorenzo and Giorgio at BlindEyeFactory.com for sharing their photos with BSA readers. Stay tuned for a full photo essay of this year’s edition of St+ART India with more photos from these gentlemen.

New Kashink, Swiz, and Stesi in Paris for “Art Azoï”

February 8, 2016 Artists

The Paris based cultural project named Art Azoï brings emerging and established Street Artists and contemporary artists to develop mural ideas on public walls – and has been doing it for about five years. They have a few programs of permanent and rotating murals and endeavor to initiate exhibitions and workshops for the artists to more closely interact with the community in the area of Paris that they operate in.

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Today we have a look at three new artist installations that are facilitated by Art Azoï. Our special thanks to photographer Alex Parrish for sharing images from this project with BSA readers

First we see that Kashink was on the terrace of the “centre d’animation Ken Saro Wiwa” with one of her signature poppy four-eyed monsters with a feminine prowess. Yo, “protect ya neck!”

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Swiz brought his geometry to this long wall located on the busy rue de Ménilmontant, a wall that has been previously hit by Sunset, RERO, Ella&Pitr and Augustine Kofie.

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Stesi was invited to begin the 2016 program in January with his piece on the 40 meter long surface along Rue des Pyrénées, located in the 20th arrondisement. He uses his signature abstract style and stippling spray technique that recalls some graffiti letter forms as well as more organic ones.

Stesi at Square Henri-Karcher in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

BSA Images Of The Week: 02.07.16

February 7, 2016 Artists, BSA Images Of The Week

Here’s our weekly interview with the street, this week featuring 92, Alice Mizrachi, Bifido, Dubois Does Not Speak French, El Sol 25, Futura, Jick, JR, Klops, Rubin415, Specter, and Tara McPherson.

Our top image: Tara McPherson is not usually someone whose work you see on the street but here it is… (photo © Jaime Rojo)

Tara McPherson (photo © Jaime Rojo)

JR (photo © Jaime Rojo)

Artist Unknown or is this mural an advert? Actually, the latter. The Guggenheim uses this ten-point motivational sign to advertise the restrospective of Swiss artists Peter Fischli and David Weiss. According to the artists the original sign was found in a factory in Thailand. (photo © Jaime Rojo)

Specter advert take over on the NYC Subway. (photo © Jaime Rojo)

Specter does an abstract billboard take over in Brooklyn. (photo © Jaime Rojo)

Specter billboard take over in Dayton, Ohio. (photo © Specter)

El Sol 25 (photo © Jaime Rojo)

Klops for The Bushwick Collective illuminates the concentration of 90% of the media in the hands of 6 companies. In 1983 there were 50. (photo © Jaime Rojo)

Bifido in Caserta, Italy. (photo © Bifido)

Bifido in Italy creates this surrealist animation with flying garbage. (photo © Bifido)

Dubois DNSF (full name Dubois Does Not Speak French) for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

The sky poem along the top reads: That Morning / Everything / Remember? / Made of SKY / The hardpress of Avenues / Your hands / My day a checklist mingling with a cosmos / We have been in love / Since the invention of gazing at stars / I still whisper “We one day / will have to party”/

Rubin415 (photo © Jaime Rojo)

Jick for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

Alice Mizrachi for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

Futura dissed. This is Futura’s Houston/Bowery wall in Manhattan which we published as he was painting it. Honestly! Actually, now that you see the choice of black on grey and white on black, you may even say this is a collaboration. (photo © Jaime Rojo)

92. Apparently in fact there is no respect; Neither for the masters nor for the emerging artists. (photo © Jaime Rojo)

Untitled. Playground. Brooklyn, NY. February 2016. (photo © Jaime Rojo)

NeverCrew in Delhi: “See Through / See Beyond” Tells Story of Alienation

February 6, 2016 Artists

Switzerland‘s NeverCrew just completed two murals at the end of January for St+Art India in New Delhi that are connected thematically, though separated by a few kilometers. That geographical distance is intended to indicate time and loss of memory, they say, as the conceptual bases for “See Through / See Beyond” speaks to the loss of identity that colonized societies experience as their roots slowly fade over time.

brooklyn-street-art-NEVERCREW-Delhi-2016-web-5

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

In this case, the story is linked to the British Empire imposing upon the Indians but it could just as easily apply to any displacement of a culture’s roots and history.

“The man finds himself with no history, unable to distinguish the outlines of his surroundings, without memories that make him aware and without reference points that make him conscious of his actual position,” says Pablo, one of the two members of NeverCrew. The disconnection here is embodied by the space man, floating above the surface of an odd moonscape, adrift and unable to establish connection.

Perhaps his name is Major Tom.

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016. (photo © Never Crew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

BSA Film Friday: 02.05.16

February 5, 2016 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Lister Prepares for “MAD PROPS STREET CRED”
2. Visual Waste in Berlin
3. Music Behind Rubble Kings: Little Shalimar

BSA Special Feature: Lister Prepares for “MAD PROPS STREET CRED“

On the occasion of his show last fall at New Image Art in Los Angeles, artist/street artist Anthony Lister had an emotional meltdown. Told with the help of top name graffiti writer RISK, gallery owner Marsea Goldberg, and the artist himself we learn about a tumultuous personal backstory that informs his experience while creating new works on the street and for the show. Especially rewarding in this new short directed by Mark Simpson is an unobtrusive examination of the artists gestural technique, a revelation in itself.

Additionally, the performance artist Ariel Brickman on stage at the show opening is the a personification of Lister’s fantasic/heroic/treacherous figures; a spot-on example of his work come to life.

Visual Waste in Berlin

An electro crunch soundtrack slides you on the darkened rain soaked streets of Berlin and ushers you into an aerosol slaughtered series of stairwells, hallways, and finally a backstreet of this organically cultivated urban art scene. The artist Visual Waste claims his piece of wall estate for Picasso, who once said, “Everything you can imagine is real.”

Music Behind Rubble Kings: Little Shalimar

Part of the reason that Rubble Kings is so amazing is the soundtrack that glues it all together, sets the scene, establishes a tempo, suggests a flavor and a flair to the archival footage of gangs in New York during the 60s and 70s. It’s so well done that you don’t always notice it, you are busy being carried by it. Here’s a quick look at the man in the room whom you don’t see, but hear.

Christie’s Education X BSA, Brooklyn Museum, Jonathan Levine Tonight

February 4, 2016 Artists

Today at the invitation of Christie’s Education we’ll be participating in a panel discussion about Street Art and how it is being embraced by the art market, museums, and galleries. We’re honored to share the stage with Dr. Sharon Matt Atkins, Vice-Director of Exhibitions and Collections at Brooklyn Museum and with Jonathan LeVine, owner of Jonathan LeVine Gallery in Manhattan.

The panel is organized by Christie’s Academic Director Dr. Véronique Chagnon-Burke and Dr. Matt Atkins.

The space is limited for this event so you must RSVP if you are going to attend. Can’t wait to see you there!

Fanzara Diary : Mural Update from a Tiny Spanish Town

February 3, 2016 Artists

You can tell by the quality of the street pieces that continue to go up in Fanzara that this young but ongoing “festival” is driven by something more than simply commercial interests. Thoughtful, quiet, hardly showy, Fanzara is the small town that we brought you to twice last summer (see links at end of this article) and the grassroots nature of the visits by Street Artists are a testament to a certain authenticity.

In December BSA contributor Lluis Olive Bulbena took a slight detour from his trip to Valencia and visited Fanzara to see what was completed or new since the last time he was there and he shares his photos with BSA readers. So consider this your update on your tiny Spanish sister:

XELON. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pichi & Avo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Escif. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Borondo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Chylo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Joaquin Jara. Fanzara, Spain. (photo © Lluis Olive Bulbena)

LOLO. Fanzara, Spain. (photo © Lluis Olive Bulbena)

B.Toy. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pincho. Fanzara, Spain. (photo © Lluis Olive Bulbena)

DEIH. Fanzara, Spain. (photo © Lluis Olive Bulbena)

See our two other visits for more background on art in the streets of Fanzara:

Fanzara, A Tiny Spanish Town Reinvents Itself With Help From Artists

Fanzara, Spain: “MIAU” Marries Street Art & Cats, Breaks Internet

MIKE MAKATRON : In 10 Cities and Multiple Worlds

February 2, 2016 Artists

Wanderer Mike Makatron has been spending his young manhood traveling the globe and painting walls and experimenting with styles of art ranging from fantasy illustration to loose and leafy botanicals, with symbols of indigenous spirits, psychedelic mushrooms and plenty of the time honored ying/yang.

A bit of an untethered dude’s dude, the Australian Makatron hit 10 cities and partied and sported his way through them all over the period of a decade or so, painting voluptuous lips, overflowing ashtrays, lush swamps, and multi-storied death burgers; the latter an allusion to what the intro writer Jeremy Taylor refers to as “a ‘McDonaldized’ world” and “addiction, shitty diets, rampant capitalism, psychadelics, (and) even Aboriginal Sovereignty.”

Naturally there is also the hetero kama sutra burger mural spilling with booty and boobs, layered with unclad couples in cozy positions of coital bliss. Many familiar celestial and vaguely sensual/sexual/reproductive motifs are represented, along with tentacled or winged creatures and skulls piled into scenes of space and barren moonscapes. Makatron goes into the wild and everywhere his heart leads; freewheeling in style and subject matter is his norm.

The tightest work is near the end of this travelogue with the artists fine art canvasses – here suddenly tightened and focused, unreal scenes of serenity are deftly rendered in warm detail. A quieted mind is free to wander here and suddenly these otherworldly scenarios begin to appear as though they may be real.

Mike Makatron – In Ten Cities. Trojan Press. Melbourne, Australia. 2015 (photos © Jaime Rojo)

Mike Makatron – In Ten Cities published by Trojan Press. Melbourne, Australia 2015. Click HERE for more info about the artist and the book.

“SOLD” Mag Hits Brooklyn

February 1, 2016 Artists

A spotlight today on a new grassroots publishing project by artists for artists called SOLD. The product of three editors, two of whom are Street Artists, the paper/magazine debuted last Thursday at a raucous and fun-filled party and art show at 17 Frost gallery space in Williamsburg, Brooklyn.

“I’ve always wanted to make a street art magazine that’s given away for free to expose the unknown artists to the street art neighborhoods of New York,’ says JPO in the opening letter from himself, BD White, and Greg Frederick. The cover story is on Elle and Gilf!, with features and studio visits with artists London Kaye, Jenna Morello, Mishab & Hiss, each talking about their practice in the studio and on the street. The issue also includes a selection of photos from Miami’s Art Basel, cartoons, and a map of where to find street art in Williamsburg.

Funded by the donations of money, art, and time from artists and street art fans, SOLD is a proud achievement that speaks to the vision of its editors and a community. We are well acquainted with the number of hours and effort it takes to produce such a labor of love and we’re proud to recommend that BSA readers check out SOLD.

See the Instagram @soldmag for more information.

Photos © Jaime Rojo

For more information about where to purchase a subscription and/0r to get SOLD on your hands click HERE

BSA Images Of The Week: 01.31.16

January 31, 2016 Artists, BSA Images Of The Week

How are things with you? Did you survive the snow/slush/sludge? Did you check out the launch of SOLD magazine this week? It’s made by artists for artists, and straight out of Brooklyn – check out their Instagram here. Proceeds from the show will help keep it going. We start this weeks images with a few from Nick Walker’s show at the Quin hotel. See Nick in February in person with Daze and KET at the Museum of the City of New York.

Here’s our weekly interview with the street, this week featuring Col Wallnuts, Jilly Ballistic, Kai, Nick Walker, RAE, REVS, and Tuco Wallach.

Our top image: Nick Walker. Detail. (photo © Jaime Rojo)

Nick Walker’s exhibition at the Quin Hotel in Manhattan is currently on view and open to the public.

Chris “DAZE” Ellis: The City Is His Muse

January 30, 2016 Artists

Active on the city’s urban art scene since the 70s and 80s as a teen hitting up trains on the Broadway line, this New Yorker transitioned to studio art thirty five years ago and never lost his love for his city. Currently on view at the Museum of the City of New York, this collection rightly typifies an era and is the best way to appreciate the inspirations that have driven him.

DAZE. Reflections on Time Square #2. 2013. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

There are personal and topical narratives here and storylines to investigate, always rendered with the distinct DNA of the original aerosol train writers, his own style and undampened sense of wonder throughout.

Looking at the collaged approach to painting figurative scenes you may feel like they are frozen in a moment, a near relief of archetypes, character, symbols and typical New York scenes assembled at different perspectives.

DAZE. Electric Boogaloo. 1982. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

His people are ones you recognize, sometimes with ghosts mingling with the earthbound. Coney Island and the beach, the Staten Island Ferry, Times Square, taxi cabs, police – these are his memories colored brightly and rendered palpable.

“City as Muse” ultimately is a commentary and diary that fuses memory with emotion, attesting to an undimmed romance with NYC.

DAZE. Revisitn a Dream. 2004. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

DAZE. Coney Island Pier Study. 1999. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

DAZE. Parachute Drop. 1997. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

DAZE. Queensborough Plaza. 2010. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

DAZE. Portrait of Daze by Tom Warren and Tagged by Chris “Daze” Ellis. 1983 Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

Chris “DAZE” Ellis” The City Is My Muse is currently on view at the Museum Of The City Of New York. Click HERE for more information.

See Daze February 9th at 6:30 with Alan KET and Nick Walker for “Urban Art Legends“

See Daze March 2nd at 6:30 with BSA’s Steven Harrington & Jaime Rojo for “Street Art Stories”

BSA Film Friday: 01.29.16

January 29, 2016 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. DEOW1 in British Columbia : Maple Syrup
2. “From Street To Art” Exhibition in New York
3. Monkeybird and Said Dokins ‘Devenir animal’ (Becoming Animal)
4. Painted Oceans: Trailer

BSA Special Feature: DEOW1 : Maple Syrup

This is an energetic vacation video with DEOW travelling in British Colombia, hitting freights and underpasses and the occasional deep woods spot surrounded by complete natural beauty, dreaming of a girl in a headdress and weaving fat caps to the beats. The sound track by Canada’s Tribe Called Red adds a popping exhilarating native vibe via the dancefloor. DEOW definitely traveled a long way north, considering he likes to call himself the southernmost graffiti artist in the world, hailing from Invercargill in the South Island of New Zealand. The trip goes fast even though the video clocks in at over 6 minutes.

“From Street To Art” Exhibition in New York

In August of 2014 Simone Pallotta brought 10 Italian Street Artists to New York to have an exhibition at the Italian Cultural Institute of New York. Along with Chiara Mariani, who helped produce the show, Pallotta helped us to examine these artists on their own merits apart from the fact that they each work on the street. In the words of one of the participants, Hitnes, as he takes a break from a mural on a Bushwick roof, the variety of artists who are working on the street is not homogeneous at all. In fact, he says, “you would need a different word for every artist.”

“From Street To Art” (Italy to New York) & Hitnes on a BKLN Roof on BSA

Monkeybird and Said Dokins ‘Devenir animal’ (Becoming Animal)

From San Miguel De Allende, Mexico, this fresh new mural by the french Monkeybird and Mexican Said Dokins. It’s a strong collaboration in complimentary styles of ornate stenciling, tape masking, and caligraffitic brushwork – creating echoing waves around this trio of mandelas. The gold leaf sets it off!

Monkey Bird Crew in Lille, France and Their Largest Monkey/Bird Stencil on BSA

Painted Oceans: Trailer

An interesting project involving Shepard Fairey, Futura 2000, How & Nosm, The London Police, and Tristan Eaton out at sea, they’re raising money for it through Kickstarter for the next 30 days. Check out the big plan below.

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Borondo for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Borondo for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Borondo for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Agostino Iacurci for St+ART India 2016. New Delhi, India. (photo © BlindEyeFactory)

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Kashink at Centre d’animation Ken Saro Wiwa in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Swiz at Pavillon Carré de Baudouin in Paris for Art Azoï. January 2016. (photo © Alex Parrish)

Stesi at Square Henri-Karcher in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Stesi at Square Henri-Karcher in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Stesi at Square Henri-Karcher in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Stesi at Square Henri-Karcher in Paris for Art Azoï. January 2016. (photo © Michel Jean-Théodore)

Our top image: Tara McPherson is not usually someone whose work you see on the street but here it is… (photo © Jaime Rojo)

Tara McPherson (photo © Jaime Rojo)

JR (photo © Jaime Rojo)

Artist Unknown or is this mural an advert? Actually, the latter. The Guggenheim uses this ten-point motivational sign to advertise the restrospective of Swiss artists Peter Fischli and David Weiss. According to the artists the original sign was found in a factory in Thailand. (photo © Jaime Rojo)

Specter advert take over on the NYC Subway. (photo © Jaime Rojo)

Specter does an abstract billboard take over in Brooklyn. (photo © Jaime Rojo)

Specter billboard take over in Dayton, Ohio. (photo © Specter)

El Sol 25 (photo © Jaime Rojo)

Klops for The Bushwick Collective illuminates the concentration of 90% of the media in the hands of 6 companies. In 1983 there were 50. (photo © Jaime Rojo)

Bifido in Caserta, Italy. (photo © Bifido)

Bifido in Italy creates this surrealist animation with flying garbage. (photo © Bifido)

Dubois DNSF (full name Dubois Does Not Speak French) for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

Rubin415 (photo © Jaime Rojo)

Jick for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

Alice Mizrachi for Top To Bottom in L.I.C. Queens. (photo © Jaime Rojo)

Futura dissed. This is Futura’s Houston/Bowery wall in Manhattan which we published as he was painting it. Honestly! Actually, now that you see the choice of black on grey and white on black, you may even say this is a collaboration. (photo © Jaime Rojo)

92. Apparently in fact there is no respect; Neither for the masters nor for the emerging artists. (photo © Jaime Rojo)

Untitled. Playground. Brooklyn, NY. February 2016. (photo © Jaime Rojo)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

Perhaps his name is Major Tom.

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016. (photo © Never Crew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

BSA Special Feature: Lister Prepares for “MAD PROPS STREET CRED“

Visual Waste in Berlin

Music Behind Rubble Kings: Little Shalimar

XELON. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pichi & Avo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Escif. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Borondo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Chylo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Joaquin Jara. Fanzara, Spain. (photo © Lluis Olive Bulbena)

LOLO. Fanzara, Spain. (photo © Lluis Olive Bulbena)

B.Toy. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pincho. Fanzara, Spain. (photo © Lluis Olive Bulbena)

DEIH. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Mike Makatron – In Ten Cities. Trojan Press. Melbourne, Australia. 2015 (photos © Jaime Rojo)

Our top image: Nick Walker. Detail. (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Jilly Ballistic (photo © Jaime Rojo)

Jilly Ballistic (photo © Jaime Rojo)

Brooklyn (photo © Jaime Rojo)

REVS (photo © Jaime Rojo)

KAI (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Col Wallnuts (photo © Jaime Rojo)

Tuco Wallach somewhere in the world with one more of his Manimals. (photo © Tuco Wallach)

RAE (photo © Jaime Rojo)

Untitled. Brooklym NY. January 2016 (photo © Jaime Rojo)

DAZE. Reflections on Time Square #2. 2013. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)

DAZE. Electric Boogaloo. 1982. Chris “DAZE” Ellis: The City Is My Muse. Museum Of The City Of New York. (photo © Jaime Rojo)