Clara Vanessa Avalo and her Uninhibited Urban Art Magazine mounted their own celebratory event full of artists and fans this year in Allapattah, a gritty neighborhood adjacent to the glaring spotlights of Wynwood during Art Basel Miami.
Clara Vanessa Avalo and her Uninhibited Urban Art Magazine mounted their own celebratory event full of artists and fans this year in Allapattah, a gritty neighborhood adjacent to the glaring spotlights of Wynwood during Art Basel Miami.
It’s over a year old, but this mural by UK’s Phlegm along rail tracks in Miami has a certain timeless quality.
Maybe it is the illustrator’s monochromatic fanta-realism or the placement of this industrial-age freight running on the side of an old factory building , but these characters and potentially nested stories give Phlegms work a longevity that exceeds many. Extra points awarded for context.
As we begin a new year we are reminded that a goal of many artists as they mature is to craft something that has a timeless quality, remaining evergreen. In the case of a muralist or street artist, that goal may also extend to creating work that ages well in the punishing sun and rain and snow over time. It will be good to see this one in ten years, right?
Pop the cork, throw the confetti!
Happy New Year to all the BSA Readers and fans and family!
As ever we begin this new year with gratitude to you for the old one. We learned a lot from you and from wise guides who helped us steer this path, leaning on the counsel of fans, artists, cultural observers, museum directors, curators, gallerists, photographers, writers, collectors, documentarians, academics, scholars, hoodlums, naysayers, critics, weirdos, and modern icons; all manner of cultural workers.
What we have found is that Street Art, graffiti, and urban art are still open to everyone who has the courage to tap into the creative spirit.
We’re immensely thankful to the stellar group of talents who each contributed to the BSA end-of-year tradition of sharing a significant photograph and their reflections on the turning of the year in our “Wishes and Hopes for 2017” series.
We’re always impressed by the depth of resources, knowledge, and heart that comes to fore in this annual round-up. In case you missed any of them, here’s the full list:
Roula David and Jesse Corey 12/30
Also, in the event that you missed any of our end-of-year lists:
Let’s all bravely face the new year with our best intentions and talents and we’ll see how far we can go.
Our best to you for 2017.
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
The self-possessed savoir faire of a Frenchman in New York is not so surprising, but try keeping up with photographer Clément Martin who literally slept on the streets of New York for a month and see how elegant you will remain. As the official photographer for conceptual street performance artists Boijeot & Renauld, Clément has been traveling and shooting on the street for the last three years in Tokyo, Brussels, Berlin, Venice, Paris, Zurich, Dresden, Basel, and of course New York. Since Times Square is such a famous place to be for New Year’s Eve Clément shares with BSA readers this scene of repose suitable for enjoying the spectacular view with opera singer Dan Cory singing Carmen classics in bed.
Artists: Boijeot & Renauld
Location: Times Square, New York
Photograph by Clément Martin
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
The dynamo Detroit couple who run Inner State Gallery and the 50+ artist festival called Murals in The Market, Roula David and Jesse Cory are perhaps best known for owning and operating 1xRun, a stellar and sophisticated artists’ print business that boasts an impressive roster of street and street culture-related creators. More impressively, these folks value community, family, Detroit culture and its history: What these two (and Oscar) build is so much more than bricks and mortar.
Title: @oscarfromtheblock holding down his shipping desk at the @1xRUN offices.
Location: Service Street, Detroit, Michigan
Date: 2016
Photo by Jesse Cory
Follow them : @jessecory @rouladavid @oscarfromtheblock
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Australian filmmaker and nomad Selina Miles specializes in street art and graffiti, and is also in love with music video, documentary, and most people she meets. First making her mark with a series of mind-baking action videos with Sofles a few years ago, Ms. Miles is now a dynamic storyteller. She is just as likely to be shooting artists as she is plundering their histories and connecting the dots of their influences, aspirations. Willing to take creative risks and to push her own limits, look out in 2017 for Selina to craft a piece on one of the biggest documentary subjects whom she’s profiled yet – in a way that only Selina can do.
Image of Charles and Janine Williams
Papeete, Tahiti
October 2016
Photo by Selina Miles
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Christian Omodeo is an art historian, art critic, book collector, and streetwise diplomat at Le Grand Jeu, the cultivated webzine and urban art association. This year Christian was one of three curators for “Street art Banksy & Co. The urban state of mind” at Museum Palazzo Pepoli in Bologna, Italy, which he refers to as “one of the biggest retrospective ever dedicated to graffiti & street art, with more or less 300 artworks, photos, videos, documents coming both from Europe and US, and belonging to public and private collections.” It also sparked some controversy, a counter exhibition, and many heated conversations.
Today Christian shares with us the work of a graffiti photographer from Rome.
Title: A writer is using a fire extinguisher against security guard to escape easier in a trainline tunnel
Location: Rome, Italy
Date: 2016
Photo:Valerio Polici
I finally met Valerio Polici a few weeks ago, during Paris Photo. He was there to present his first artist’s book, Ergo Sum, that is actually part of my top ten 2016 books. Valerio, like the French Sylvain Largot, represents this new generation of photographers who are looking for different ways of portraying the 2010s graffiti culture. While looking at Ergo Sum, I stopped in front of A writer is using a fire extinguisher against security guard to escape easier in a trainline tunnel, because this photo from 2013 summarizes this attempt to show graffiti as an individualist fight for a right to the city.
My wish for 2017? More democracy, less walls.
But also more sun, less rain.
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Mexico City based writer and cultural interlocutor Maria Enriqueta Arias studied journalism, acting, and communications before landing gigs with PangeaSeed Foundation, Juxtapoz Latin America, and her current position as managing editor at Instagrafite. Maria Enriqueta’s enthusiasm about the scene is infectious and her eye well attuned, so it’s good to learn what image she chose to share with us for the year-end.
Artist: Ericailcane
Mexico City, Colonia Roma
July 20th, 2016
Photograph by @enriquetarias
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Curator at this years Urban Art section for Berliner Liste, the first time for the traditional art fair, Guillaume Trotin is used to breaking new ground in the Street Art scene. Co-founder of Berlin’s OPEN WALLS gallery with partner Elodie Bellanger, the Frenchmen have championed innovative, edge-pushing artists such as Vermibus, OX, and Thomas Marecki aka Marok (founder of Lowdown magazine). An avid fan of urban art and photography, Guillaume tells us why he selected this image by the photographer Thomas von Wittich shot at this iconic Berlin location.
“The F Word”
Berlin, Germany
2016
Photograph by Thomas von Wittich
To all of our families, friends, collaborators, co-conspirators, community, tribe around the world: we wish you peace and happy holidays. This year Hannukah starts on Christmas Eve, so it’s sort of mash-up of those two holidays. Kwanzaa starts any minute, and Winter Solstice was a few days ago.
Bottom line is, if you celebrate one of these, or none at all – we’re sending you love and good vibrations and gratitude for taking this ride with us.
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Tor Ståle Moen is a Norwegian executive turned passionately engaged Street Art fan and photographer whom we first met in Stavanger during the Nuart Festival a few years ago. Donating his vacation time to volunteer with the artists at Nuart, the atmosphere is charged with Tor’s enthusiasm and knowledge about Street Art, artists, and the history of the people and Norway. Today Mr. Moen shares with us one of his photos from this year of art on a very quiet Norwegian island.
Artists: Ella & Pitr from Saint Etienne, France
Location: Utsira Island on the west coast of Norway
Date: August 27, 2016.
Photograph by Tor Ståle Moen
As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.
Stalwart proponents of Street Art and New York’s Little Italy neighborhood, Wayne Rada and Rey Rosa have shepherded many artists onto walls of this historic commercial and residential community over the five years with their L.I.S.A. Project and the LoMan Art Festival. With a comedians’ sense of timing and serious Gotham grit, since 2012 these guys have been responsible for welcoming artists like Crash, Daze, Ron English, Olek, Bishop 203, Invader, … and many more to install their work legally in the heart of Manhattan. Today they tell the story of an experience with a mural by Shepard Fairey this year that reassured them that their hard work is worth it.
Manhattan, NYC
September 2016
Photo by Rey Rosa
For their “Hopes & Wishes” posting the guys share a letter they received this year after working with Shepard Fairey’s crew to put a new mural up. They say that stuff like this makes all their efforts seem worth it.
“I really feel that the teacher at TASS school, sums up about how we feel, and why we spit blood for this mural program,” says Wayne.
The L.I.S.A Project NYC : lisaprojectnyc.org
Instagram/Twitter: @thelisaprojectnyc
The LoMan Art Fest (Lower Manhattan Arts Festival): lomanartfest.org
Instagram/Twitter: @lomanartfest