Jerkface: “Saturday Mornings” Deconstructed, Reconstructed, Repeated

Jerkface: “Saturday Mornings” Deconstructed, Reconstructed, Repeated

“We all draw from memory,” says Futura 2000 in the introduction, “and default to past experiences, finding associations to the various cast of characters. In some cases the faces have been changed to protect the innocent.”

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

A direct link to his childhood and the televised cartoons of Saturday morning, where the majority of cartoons were relegated to appear in the 1970s and 1980s, Street Artist Jerkface recreates and multiplies his associations of happy times full of adventure, mysteries easily solved, crimes categorically punished.

His new book “Saturday Morning” collects the recognizable works of other artists and removes the emotional expressions found in facial features, recombining their other characteristics and playing with their associated resonance.

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

Here are their features, elements from their environment, replicated, recombined, repeated as a pattern – sometimes creating new scenes and storylines. These elements have already been sold, have become familiarized as part of a visual vocabulary in the young minds of millions – a shorthand for action and adventure, comedy and the sunniest denial, simplified and bluntly persuasive interpretations of fundamental good, evil, power, and identity.

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

Somewhere in here is the identity of Jerkface as he remixes the historical, psychological, emotional reverberations of characters made familiar by others, now materials for him to painstakingly paint under layers in studio en route to technical perfection, in aerosol on walls outside for big poppy impact on the passerby.

By dissecting the whole, one wonders what is the source of an images power. By focusing on composition, the initial intentions are edited, certain elements magnified and drawn attention to, others unseen. Here is a chorus of Aladdins, a moshpit of Mickeys, a crowd of Charlie Browns. Once you get used to these rhythmic deconstructions/reconstructions, your Saturday mornings will be forever changed.

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

Jerface “Saturday Morning”. Published by Over The Influence. December 2016

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Times of Tumult Personified in Sculpture by Tomasz Górnicki and Chazme

Times of Tumult Personified in Sculpture by Tomasz Górnicki and Chazme

A dramatically posed, sharply suited figure jostles rather elegantly atop a chaotic groundscape, a deconstructed, geometrical plinth that breaks apart underfoot, lifting his arms and contorting his torso to stay upright as he negotiates the troubled terrain.

Chazme and Tomasz Gornicki for UNIQA Art Łódź project in Łódź, Poland. August, 2017. (photo © Michał Bieżyński)

The metal pillar below appears to bend and contort under the figure’s weight, unable to withstand pressure from above, an uneasy weakness beneath. Lofted above the street near the recently refurbished Łódź Fabryczna railway station and able to be seen from a long distance, the new sculpture in Łódź, Poland captures one’s eye and draws you nearer to inspect the near-tumbling man.

Chazme and Tomasz Gornicki for UNIQA Art Łódź project in Łódź, Poland. August, 2017. (photo © Michał Bieżyński)

“Wrong weight”, by sculptors Tomasz Górnicki and Chazme is the sixth in a series of public works around Łódź organized by UNIQA Art Łódź project with Łódź Events Centre. A surprisingly 3-dimensional outgrowth of a successful multi-wall mural program that has brought much attention to the city, you may say that somehow these sculptures contain within them the seeds of Street Art and its discontents.

The “Wrong Weight” title is derived in opposition to the sentiments of permanency and strength expressed by the Roman lyric poet Horace in “Ode 3.30 – More Lasting than Bronze”

Horace, Ode 3.30

Exegi monumentum aere perennnius
regalique situ pyramidum altius,
quod non imber edax, non Aquilo impotens
possit diruere aut innumerabilis
annorum series et fuga temporum.

translated as:

“I have finished a monument more lasting than bronze
and higher than the royal structure of the pyramids,
which neither the destructive rain, nor wild Aquilo
is able to destroy, nor the countless
series of years and flight of ages.”

Chazme and Tomasz Gornicki for UNIQA Art Łódź project in Łódź, Poland. August, 2017. (photo © Michał Bieżyński)

But that is not where we find ourselves now, say the artists of this new sculpture. Rather it is quite the opposite, according to their statement, which we paraphrase here:

“Man and monolith are falling apart in front of our eyes. We do not know whether the base is breaking up causing the fall of the figure, or the figure collapses within itself. the proper mass of its ego absorbed into its surroundings. Both matters interact, one destroying the stability of the other. Impermanence, invalidity, diminishment.”

Chazme and Tomasz Gornicki for UNIQA Art Łódź project in Łódź, Poland. August, 2017. (photo © Michał Bieżyński)


“Wrong Weight” by @chazme718 and @goornicki.tomasz

Location: Łódź Fabryczna station, at Rodziny Poznańskich Avenue
Curator: Michał Bieżyński @lodzmuralsProject: UNIQA Art Łódź
Organizer: @lodzkiecentrumwydarzen
#uniqaartlodz  

 

 

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BSA Images Of The Week: 08.13.17

BSA Images Of The Week: 08.13.17

 

BSA-Images-Week-Jan2015

“I would recommend you take a good look in the mirror & remember it was White Americans who put you in the presidency, not radical leftists,” tweeted David Duke yesterday as #charlottesville, #nazi, #defendcville, and #confederate all trended at the top across the social media platform.

As if Donald ever thinks about those people who marched. Ever.

People marched and bellowed with torches Friday night and with swastika flags on Saturday in Charlottesville; mostly white men and boys encouraged by the Trump/Pence team and all the people who are steering-advising. After a car was driven into the crowd of anti-racists the governor declared a state of emergency.

Racism and other -isms are not new. Neither is how they are being fueled and fanned today.

During these caustically hot summer days in the US almost every opinion expressed is characterized as political rhetoric, thanks to years of televised cable shouting matches. Reasoned discourse with gray areas is strictly verboten. But if you really want to know what is happening, just follow the money. Historians tell us that is the struggle, simplified and bare for the eye to see. Paid-for disinformation and millionaire newsreaders may cloud the view, but that’s what’s happening.

The majority of us are good, even fantastic, people who know somehow we are being ripped off and gradually shoved toward the door. The people have the actual power when they seize it. It just may take an economic collapse.

See any on the horizon?

Thankfully we still have Street Art, right?  There is no doubt that it has already become more political here in the last year and the odds are that it will probably grow louder – as our graffiti and Street Art is always a direct mirror of us.

So here’s our weekly interview with the streets, this week featuringArt Baby Girl, ASVP, Mad Villian, Brolga, Camo Lords, El Sol 25, Gutti Barrios, Raddington Falls, Monsieur Chat, Myth, Pay to Pray, Raemann, Self Master, Stray Ones, and You Go Girl!.

Top image: Gutti Barrios. Placement is key. (photo © Jaime Rojo)

Stray Ones (photo © Jaime Rojo)

You Go Girl (photo © Jaime Rojo)

You Go Girl (photo © Jaime Rojo)

Pay To Pray (photo © Jaime Rojo)

Silence = Death. It was true then and it’s true now…Speak Up! Resist! (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Camo Lords (photo © Jaime Rojo)

Phone booth ad takeover by Art Baby Girl for #artinadplaces (photo © Jaime Rojo)

Mad Vaillan. Even good ‘ole unflappable Mickey has turned sour. (photo © Jaime Rojo)

ASVP (photo © Jaime Rojo)

Brolga sits by a summer stream (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Raemann (photo © Jaime Rojo)

Self Master (photo © Jaime Rojo)

Raddington Falls (photo © Jaime Rojo)

Unidentified Artist…with guests. (photo © Jaime Rojo)

Monsieur Chat as featured on TBT Instagram from 2006. (photo © Jaime Rojo)

Untitled. Summer 2017. Upstate, NY. August 2017. (photo © Jaime Rojo)

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Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fresh out of the St. Joost Academy since last summer, the Bogota-born, Netherlands-based illustrator Fernando Leon just spent the first week of August creating this new mural called “Greediness”.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

He’s been getting more of these mural-based opportunities lately, even though he began as a teen doing graffiti and confesses that he hates rules. A fan of day long drawing sessions and traveling, Leon found this project with the 12 + 1 Project outside of Barcelona to be rewarding because he is continuing to expand his vocabulary of characters and styles outside of the letter-forms he did as a teenager – and he wants to do a lot more.

Based on the successes of his commercial projects like beer bottle labels and skateboard designs, the non-stop illustrator and muralist definitely has more walls in his future.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

 

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)


For more on Contorno Urbano and the 12 x 1 Project please click HERE. 

For more on Fernando Leon please visit

Instagram: @_fernandoleon
Facebook: www.facebook.com/fernandoleonillustration
Website: www.fernandoleon.nl

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BSA Film Friday: 08.11.17

BSA Film Friday: 08.11.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.”6th Street Blow Out” Brian Barneclo
2. Gonzalo Borondo “Cenere” (Ash)
3. ARIA: Gonzalo Borondo 73 Figure Animation
4. Rallitox : Ritual Artistico-Científico Para Acabar Con la Adicción a Los Móbiles

bsa-film-friday-special-feature

BSA Special Feature:”6th Street Blow Out” Brian Barneclo

“The guy in the car is like, ‘Get the fuck out of the way,’ and the guy on the street is like, ‘This is my home, this is where I live.’

A great piece of storytelling from artist Brian Barneclo as he makes observations on his city of San Francisco, his life there, his art. Naturally he has to try to make sense of the voracious market forces of gentrification on the people who get trampled underneath. There only a decade, the muralist and painter feels the rapid change and the violence of forces that radically redefine what neighborhoods were and what they become.

“Push came to shove and my rent got doubled,” he says. Directed by Jeremy McNamara, the tectonic (or in this case TECHtonic) shifts are remarkable and remarkably heartless as Barneclo takes us to this most storied intersection in San Francisco.

 

 

Gonzalo Borondo “Cenere” (Ash)

Borondo keeps it open for you, he provides the stage, the staging area, the proscenium, the altar, the emanating light, the associations and memories you have with your belief system, or lack of one. During his artist residency with residency Pubblica curated by Carlo Vignapiano and Elena Nicolini in May, the Street Artist (among other things) creates a journey as much as a destination in this intimate chapel. The video by Gerdi Petanaj captures this and perhaps a little more.

 

ARIA: Gonzalo Borondo 73 Figure Animation

The video animation of ARIA in collaboration with Studio 56Fili for Altrove Festival is composed of 73 figures photographed at different times of the day to catch different light and then digitally edited to create the movement.

 

 

Rallitox : Ritual Artistico-Científico Para Acabar Con la Adicción a Los Móbiles

First, it would be helpful for you to know that Street Artists and absurdist Rallitox likes to spread confusion. And we have proudly published his street interventions for a number of years.

Secondly, he has some bonified strategies for freeing ourselves from the enslavery of our digital devices.

In this video he presents an artistic ritual to end the addiction to the mobile phone and all the social networks and applications that have you absorbed life. With a few simple steps you can become an independent person free of all ties.

 

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Turbulent Waters In The Black Sea From Jake Aikman in Kiev

Turbulent Waters In The Black Sea From Jake Aikman in Kiev

Getting a feel for dramatically upscaling my process,” says London born Jake Aikman as he brings a foreboding and riling image of the Black Sea to Kiev in the Ukraine. Primarily a studio painter back in Cape Town, South Africa, where he obtained a Masters at Michaelis School of Fine Art, this is his first wall ever, and the emotional drama erupts to the surface in a very public way.

Jake Aikman for Art United Us 2017. Kiev, Ukraine. (photo © Iryna Kanishcheva)

Typically his natural canvasses of sweeping seascapes, remote coastlines, and dense forests are rich but calm, perhaps alluding to something beneath the pacifically ambiguous and scenic tableaux. After nine days in July painting this new wall for Art United Us here in Kiev, Aikman appears to be telling us about an aqueous turbulence gathering and materializing before our eyes, capturing with his layering technique the truly storied spirit of this sea, itself known for a turbulent mixing of two layers.

Jake Aikman for Art United Us 2017. Kiev, Ukraine. (photo © Iryna Kanishcheva)

Jake Aikman for Art United Us 2017. Kiev, Ukraine. (photo © Iryna Kanishcheva)

Jake Aikman for Art United Us 2017. Kiev, Ukraine. (photo © Iryna Kanishcheva)


Learn more about Jake Aikman HERE.

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“The Art Of Writing Your Name” Expands Potential for Both Art & Writing

“The Art Of Writing Your Name” Expands Potential for Both Art & Writing

Niels Shoe Meulman on the cover of The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

“Writing”, as in the graffiti sense of the word, has become quite tastefully adventurous of late, as calligraffiti pushes and pulls it in height, dimension, finesse. Evolved from our first recorded history, the modern stylizing of the letter form is as fascinating and wild as it is domesticated, the mundanity of your particular tag now veritably swimming in many depths and swirling currents, weaving complex melodies, hitting notes previously unheard.

JonOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

This was inevitable, now that you think of it, this organic and ornate practice of making your mark, and the freedom to explore it came from the street. Mark-making indeed. You can call it “The Art of Writing Your Name,” as have the authors/artists Christian Hundertmark and Patrick Hartl.

Born of many late night talks and collaborative painting sessions together, merging Christian’s abstract graphics and collage with Patrick’s calligraphy and tagging, the two slowly discovered a mutual collection of writers and artists whose work they both admired, a book slowly taking form in their minds. “Our late night sessions also implied long conversations about the evolution of Graffiti to Street Art to urban calligraphy,” the authors say in their preface.

Poesia The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Graff writers in the mid 90s Munich scene, both had developed their individual styles beyond the classic street vocabulary, now evermore interested in discovering new materials, forms, processes, influences. Just released this summer, this new collection confidently illustrates what until now may have been evident to only a few; the aesthetics of writing have expanded and permutated far beyond their own roots in graffiti, tattoo, traditional calligraphy.

“Every artist brings a different approach with their calligraphy artwork,” says perhaps the most prominent of the genre today, Niels Shoe Meulman, who blazed into the publishing world with his tome “Calligraffiti” in 2010 after bringing his practice to the street and gallery. “We all come from different experiences and have different things to say.”

SheOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Indeed the list here includes the literal interpretations to those so far dissembled as to appear purely abstract, the aerosoled, the inked, the drippy, the purely light, the monstrously brushed acrossed floors and rooftops, the molded and bent and aroused into sculpture. Here the letter form is stretched to its limits, far beyond its relevance as part of codified language, more so the malleable warm putty in the hands of the artist, molded and mounted and even mystifying in the service of energy, kineticism, emotion.

“I start with quite randomly placed fat cap tags on the white surface,” says German author/artist Hartl to describe his particular technique, “then I overpaint it like 80% with slightly transparent paint, tag the wall with markers, overpaint that layer again, then I do stickers and posters, rip parts off again, repeat all these steps again and again until I’m happy with the result.”

Said Dokins The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Without doubt many will find inspiration in these nearly 300 pages, these insightful interviews with artists like Stohead, Usugrow, Saber, Kryptic, Faust, Carlos Mare, L’Atlas, Lek & Sowat, Poesia, Tilt; the forward by Chaz Bojorquez, the singular, at times stunning, photos and supportive texts.

Made for “graffiti fanatics, hand lettering fans, street art junkies, calligraphy lovers, and type enthusiasts”, co-author Christian Hundertmark edited the respected “Art of Rebellion” series and he knows his audience and this slice of his culture. The 36 artists are not the only ones representing this evolution in calligraphy, but they are certainly some of the finest.

Lek & Sowat The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

L’Atlas The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Tilt The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Carlos Mare The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.

Faust The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.


The Art Of Writing Your Name: Contemporary Urban Calligraphy and Beyond by Patrick Hartl & Christian Hundertmark. Publikat Verlags – und Handels GmbH & Co. KG. Mainaschaff, Germany, 2017.

Artists included are Chaz Bojorquez, JonOne, Niels Shoe Meulman, Poesia, Cryptik, SheOne, Said Dokins, Stohead, Usugrow, Patrick Hartl, Lek & Sowat, L’Atlas, Tanc, Mayonaize, Soklak, Mami, Tilt, Blaqk, Soemone, Jan Koke, Jun Inoue, Vincent Abdie Hafez / Zepha, Carlos Mare, Egs, Simon Silaidis, Faust, Luca Barcellona, Bisco Smith, Creepy Mouse, Defer, eL Seed, Rafael Sliks, Saber, Pokras Lampas.

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Spaik Snakes Back to The Tunnel In Ibiza

Spaik Snakes Back to The Tunnel In Ibiza

For the BLOOP Festival in Ibiza this year Mexican artists Spaik swirls around inside a tunnel with a folkloric styled, two fanged, tongue wagging snake, taking advantage of perspective and a unique throughway to add drama to the reptilian slither. If this piece is related to this years  theme of “Changes”, then it looks like Spaik is not feeling very hopeful about upcoming transitions.

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

It is not his first time at BLOOP, so the creative advertising agency that organizes the annual Bloop, now in its 7th year, must like what Spaik brings to the island in the Mediterranean Sea off the east coast of Spain for this festival that showcases installations, architecture, photography, video mapping, and of course, plenty of parties.

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

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r1 Replicates/Repeats Street Sign Chevron in Johannesburg Installation

r1 Replicates/Repeats Street Sign Chevron in Johannesburg Installation

The chevron is a common symbol on the streets of Johannesburg and South African Street Artist r1 recently completed a new public art piece made entirely of them. Using 180 chevron plates from street-signs he drilled 400 holes into the 11 x 16 meter wall here, evoking the patterning of traditional African craftwork design and the modern digital aesthetic of repetitive replication concurrently.

By incorporating the visual language of the street with actual signage and reflective vinyl r1 enjoys the full effect when nighttime traffic lights hit the piece and the pattern nearly vibrates, electrifying the immediate streetscape.

 

r1. Johannesburg, South Africa. (photo © r1)

r1. Johannesburg, South Africa. (photo © r1)

r1. Johannesburg, South Africa. (photo © r1)

r1. Johannesburg, South Africa. (photo © r1)

r1. Johannesburg, South Africa. (photo © r1)

 

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BSA Images Of The Week: 08.06.17

BSA Images Of The Week: 08.06.17

BSA-Images-Week-Jan2015

Fashion and surrealism are on the catwalk called NYC with regularity thanks in part to the fact that the city celebrates the art of personal plumage and image making as a matter of course. In fact what struts through the annual fall and spring fashion shows on stage under tents surrounded by walls of flashing cameras is often originated by idiosyncratic street fashion first.

We lead this week with a few fashion-related images including Dee Dee who along with his buddy Dain often collaborates on their pop-scifi-retro-androgen-glam portraits, but also with them we can easily draw for you another 10 surrealists de la mode whom together would make a rocking collection for any designer who is looking for inspiration.

So here’s our weekly interview with the streets, this week featuring Appleton Pictures, Beast, Below Key, Dain, Dee Dee, El Sol 25, Jamel Shabazz, Parker Day, Paste Cinik, SMER, Sonni, Sr. Lasso, Stick N Twisted, and VIP Citizen.

Top image: Dee Dee (photo © Jaime Rojo)

Dee Dee (photo © Jaime Rojo)

Parker Day phone booth at take over for Art In Ad Places. (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

This piece by Sr. Lasso has many characteristics of Canadian artist Stikki Peaches (including Batman and Robin). (photo © Jaime Rojo)

Appleton Pictures (photo © Jaime Rojo)

Appleton Pictures (photo © Jaime Rojo)

Appleton Pictures (photo © Jaime Rojo)

Sonni (photo © Jaime Rojo)

Jamal Shabazz phone booth ad takeover for Art In Ad Places. (photo © Jaime Rojo)

Stick N Twisted (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Beast (photo © Jaime Rojo)

Below Key (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

VIP Citizen (photo © Jaime Rojo)

SMER (photo © Jaime Rojo)

Paste Cinik (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Untitled. The Last Picture. F Train. Manhattan, NY. August 2017. (photo © Jaime Rojo)

 

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Swoon – A Peak Inside “The Archivist’s Circle”

Swoon – A Peak Inside “The Archivist’s Circle”

Old, rare, nearly lost pieces of Swoon are rotating through her new The Archivist’s Circle online, along with small editions of recreated pieces like the first sticker designs, wallpapers, paper cuts, and linoleum blockprints. Prepping for her first major museum retrospective next month at CAC Cincinnati covering her street-to-studio-to-waterways-to-Haiti-to-museum career over the last 15 years, the Brooklyn Street Artist says that she’s been doing some serious crate digging.

Swoon. Hello My Name Is. 1999. These stickers, hand made were one of Swoon’s earliest street art projects. (photo courtesy @ Swoon Studio)

“It’s the first time that I synthesize the entire story of my creative progression, from the moment that I turned away from oil painting and began to carve my first linoleum blocks for the street, to the home building work in Haiti, (and everything in between) into a single exhibition. I’m beginning to understand this show as a coming of age story,” she says by way of introducing the new companion website.

Swoon. Fence Jump. 2000. Swoon’s first linoleum block created for the street. (photo courtesy @ Swoon Studio)

Just looking through the imagery on the site is educational, aiding one’s understanding of the evolution that an artist can go through, and how their taste and focus changes. Accompanying text with some of the pieces also gives context to the topics and worldview the artist had at the time she created the work.

Along with “Siamese Skeleton Fish” for example, we learn how the artist sees the dual swimmers that she exhibited as part of the show “Swimming Cities of Switchback Sea” which floated down the East River to the shores of Long Island City in 2008, where we watched Swoon and 30 or so raft mates disembark and lead us into her exhibition at Deitch Projects.

Swoon. Grandpa OVE. 2001. This is Swoon’s first ever paper cut portrait, depicting her grand father here. In the following 15 years of her career paper cut portraits became part of Swoon’s vernacular on the streets and helped define her career.  (photo courtesy @ Swoon Studio)

“The imagery on the walls was drawn from coastal cities, from the sea and from the mangrove swamps that Swoon explored in her Florida youth. She was inspired by the way the trees in the mangrove swamps send out huge networks of roots, both below and above the water, creating two parallel ecosystems. Above the imaginary waterline, Swoon created the image of a city rising from the sea. Below the waterline, another city reflected, yet diverged. This city echoed the subconscious mind and spoke to the vulnerability of coastal cities in an age of rising seas.”

Swoon. Siamese Skeleton Fish. (photo courtesy @ Swoon Studio)

It’s a fascinating trip for a Saturday, The Archivists Circle, and most likely a temporary one.

 


Click HERE to visit Swoon’s Archivist Circle and support her project


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BSA Film Friday 08.04.17

BSA Film Friday 08.04.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Giorgio Bartocci. Architettura Liquida in Sardinia
2. Nychos – Aussie Haze
3. I’m a TWEET

bsa-film-friday-special-feature

BSA Special Feature: Giorgio Bartocci. Architettura Liquida in Sardinia

An all day, into the night July fever dream from Milan based Giorgio Bartocci, the sexy beat and gently sweeping camera work brings this liquid architecture further alive as he interacts graphically with the static urban structure. Hand on the can for two decades, Bartocci integrates the brush deftly in Iglesias, Sardinia, channeling currents of emotion and intellect with a welcome series of organic forms that mirror the sometimes chaotic character of the city.

Nychos – Aussie Haze

Cocksure and performative aerosol doctor Nychos is blazing away in an Aussie Haze, bringing you up the lift in Sydney and Melbourne to catch waves of heat and witness hammer-strength skillz.

 

I’m a TWEET

He’s so much more than that.

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