We’re excited because today we get to spend a few minutes on stage with one of our hometown heroes, the artist Tatyana Fazlalizadeh. Leveraging her artistry with her politics with her desire to support women and others who are harassed, its a special kind of gold that she creates.
By putting these images of people of color, women, LGBTQ+ folks on the street with their blunt-force sentiments addressed to would-be harassers, she not only stands with them, but Tatyana has also used her work and vision to give them the courage to stand proud, assert their voice and to take public space.
After all, it belongs to the public.
Please join us this evening for a special BSA TALKS program with Tatyana Fazlalizadeh at the Beyond the Streets exhibition in Williamsburg, Brooklyn, NYC.
More info about the artist and event;
“Women are not outside for your entertainment”, a startling truth for some guys that pointedly highlights abusive behavior toward women on the streets of Brooklyn and many cities around the world. Brooklyn Street Artist Tatyana Fazlalizadeh has been targeting daily oppressive experiences of marginalized people with her campaigns of art on the streets – and in the gallery.
Addressing themes of social justice, racism, LGBTQ+ rights, and sexist street harassment, her beautifully drawn campaigns on wheat-pasted posters and painted murals across the globe have brought attention to issues sorely in need of addressing during hostile rhetoric from some men in the highest offices.
Profiled in major media from The New York Times, NPR and Time Magazine and asked to speak at universities and museums like the Smithsonian, the New School and the Brooklyn Museum, Tatyana’s work can currently be seen on Spike Lee’s Netflix series, She’s Gotta Have It.
Come join Tatyana as she shares her experiences,
observations and perspectives with Steven P. Harrington and Jaime Rojo from
Brooklyn Street Art in this riveting discussion on Street Art as change-making
You are invited Thursday to join BSA Founders Steven P. Harrington and Jaime Rojo for a very special BSA TALKS program with the conscience-raising and conscious Street Artist Tatyana Fazlalizadeh as we look at her work and talk about her campaigns addressing catcalling and marginalization, invisibility and intersectionality, “America is Black” and “Stop Telling Women to Smile”.
We know it will be a lively and LIVE talk at this summer’s blockbuster exhibition Beyond the Streets in Williamsburg, Brooklyn. Curated by Roger Gastman, Evan Pricco, David “Chino” Villorente, and Sacha Jenkins, this massive 150 artist, 100,000 square foot exhibition traces the graffiti/Street Art scene from the last 5 decades as wells as the Kings and Queens who claim the mantels of many titles in this global grassroots D.I.Y. arts scene in the streets.
join us Thursday as we welcome one more!
BSA TALKS with Tatyana Fazlalizadeh at BTS July 25th
A limited number of free tickets are available to BSA TALKS with Street Artist and activist Tatyana Fazlalizadeh at BEYOND THE STREETS this Thursday 7/25 at 7 pm in Brooklyn.
1. Go to Beyond the Streets website (button below) 2. Enter “1” General Admission ticket 3. Click “Get Tickets” 4. Scroll down to “Have a coupon?” section 5. Enter this code BSATF to get your free ticket
We had a question going into the BSA Talks program at Urvanity in Madrid
earlier this month: How deep is the street? Turns out it’s very deep.
We had 10 minds from different countries and disciplines on the stage
talking to us about a wide range of issues in depth, and armed with a vast
wealth of knowledge.
As we reflect on our week in Madrid we realize that we came out of it vastly
enriched. The knowledge shared on the stage came from people who have devoted a
great part of their lives researching, studying, producing, traveling, writing,
exposing, taking risks, creating on the streets, on stages, outdoors, indoors,
alone, with a team, with funds, without funds.
Many have made their own path by walking.
Multiplying the effect was the fact that we were presenting in a bubble.
Perhaps that is a metaphor to some, but in this case our three day exploration
was while inside a room that had been covered with plastic top to bottom, side
to side; a red bubble cave made of plastic. The site specific installation by
the Madrid based collective Penique Productions changed our very perceptions
because everything was drenched in a red/pink glow.
Here are some of the images from those few mind-expanding days;
From the start, big thinker Denis Leo from Berlin spoke to us with his
current vision on “The Intelligence of Many” and what it means in terms of
collaborative place-making, curating, and problem-solving. It seemed a perfect
note to begin as we contemplate a world where long established hierarchies are
flattening and power is reallocated to those who can work collectively and
independently. He reminded us that pretending to know about art may mean that
we close our mind to new opportunity, new experiments and possibly the whole
Following him Dr. Fernando Figueroa from Madrid spoke about how Graffiti and Street Art can act as a social barometer; an emotional and ethical reflection of a neighborhood, a community, and a city. With an unearthing of research on societies attitude toward graffiti and mark-making that went back centuries, his research combined classical notions of civilization, architecture, and urban planning with the individuals’ psychological need to have a voice. He also talked about how to decode the messages we see on the street.
Juan Peiro from Spain and Sergio Pardo from New York spoke about how we can thoughtfully program works that respond to the rhythm of a city, cognizant of its systems, in concert with its various populations.
A New York City Arts programmer and a professor at Universitat Politècnica de València, the two of them have worked in public space with artists and the community. Each had valuable observations about the interactions. An underlying theme: What is “creative placemaking” and how does one obtain permissions from all the parties who are affected by works in the public sphere?
Prague based multidisciplinary artist Jan Kaláb spoke about inclusivity and exclusivity in Street Art as seen through the eyes of someone who’s art practice has continuously evolved in the past two decades. Reclining on the plastic red couch with mic in hand, Jan shared his personal experiences as a graffiti writer hitting trains and explained to us how the graffiti crews are an inclusive community who rely upon each other to succeed and how graffiti is a social experience that thrives in collaboration. Lessons learned from his foundations working collaboratively led him to different forms of working with artists, creators, administrators, galleries, and fans.
Alberto González Pulido from Madrid touched on a timely and very important set of topics from the Gag Law in Spain, censorship to copyrights and artists’ intellectual rights. Armed with in-depth detail about current laws that are evolving to address Internet matters and copyright and free speech – casting a frightening pall of power overreach by corporations into areas exclusively reserved for our courts and governments. The main message for us was that we all need to educate ourselves.
Sabina Chagina from Moscow took us on a personal trip and shared her experience and the process and difficulties co-founding a Biennale of Street Art in Moscow, a city with practically no culture of street art on the streets. A frank and open sharing of knowledge, it was instructive on how huge projects can come together with the right partners and the ability to pivot when necessary toward opportunity. Also, think big!
Susan Hansen and Bill Posters took us on a learning trip with their lectures about hacking public space with subvertising, brandalism, collaborative interventions, the street practices of Creative Activism. They both spoke of the role that activism plays in a time of social-political-psychological upheaval and how Street Artists are using the existing public furniture to disseminate their message – and reclaim public space.
And finally curator, visionary, publisher and gallery owner Pascal Feucher from Berlin spoke about the importance of nurturing artists and giving them the space and the freedom to create, experiment, fail, learn and succeed.
Three days of intense learning and meeting people and talking about why we do what we do – and the importance of remaining independent and commercial free – gave us new impetus to continue taking risks. We are newly determined to make things happen; providing a platform for artists, curators and big thinkers to present their proposals and voice their dreams and aspirations. For galleries to announce their exhibitions. For art fairs to promote their programs, for authors to voice their thoughts and for the public to experience art without the intrusion of advertisements.