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BSA Film Friday: 06.22.18

BSA Film Friday: 06.22.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Rammellzee: It’s Not Who But What
2. JANZ Artist in Time – Joanna Kiernan – Trailer
3. Frida Kahlo at V&A on FWTV
4. Sonner’s Sonnet by Resoborg

bsa-film-friday-special-feature

BSA Special Feature: Rammellzee: It’s Not Who But What

At first the cult of Rammellzee only consisted of the artist and the characters in his mind. That was a universe.

Less than 10 minutes, this crush of visuals, words, and graphics and storylines converged under the guidance of Oscar Boyson to begin to represent the New York artist. As he would have told you himself, Rammellzee is an equation, as is history, as is hiphop and theater, as is every aspect of your life, your character, your ability to fantasize about a parallel life. He was many things at once.

The grand wizard of Gothic Futurism and Ikonoklast Panzerism from Far Rockaway sprung from the underground and the streets at a time in New York when the city was bankrupt and artists could afford to live and make work there. Here. He made Gods out of garbage and weapons out of skateboards, a full immersion dive into the in-between world with fresh terminology and multiple variations.

After all its not who but what.

JANZ Artist in Time – Joanna Kiernan – Trailer

In production for five years, a feature documentary about the somewhat unappreciated New York Street Artist Robert Janz shows Janz working in different mediums and environments, primarily the streets of the city. It reveals some of Janz’s history and stays with him, revealing his philosophy of presence in the world as he acts upon it, within it.

 

Frida Kahlo at V&A on FWTV

London’s V&A Museum has a Frida Kahlo show up until November and Doug Gillen takes a break from the Street Art world to delve into the biography and psychological drama that formed the life and work of this great Mexican artist.

 

Sonner’s Sonnet by Resoborg

A small Virginia town of 6500 looks for a mural program to boost its community and revitalize it with Street Artists from the city like Gilf!, Alice Mizrachi, NDA, and OverUnder and todays featured artist, the South African graphic designer, illustrator, art director and muralist Resoborg.

 

 

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Opiemme Writes “To Stephen Hawking”

Opiemme Writes “To Stephen Hawking”

Famed cosmologist and theoretical physicist Stephen Hawking unveiled his ambitious Breakthrough Starshot two years ago; a plan to send a tiny, light-propelled robotic spacecraft through space. For a man of such brilliance the concept of transcending our limitations was a common one to contemplate and explore.

Opiemme. Museo di Arte Urbana. Torino, Corso Tassoni, Italy. June 2018. (photo courtesy of Opiemme)

Street Artist and poet Opiemme uses language, or rather the raw matter of its letters, to propel a column of light across this wall in Torino, Italy for the Museo di Arte Urbana (MAU). As many distinguished guests paid homage to Hawking at a memorial in Westminster Abbey this week and his ashes were interned alongside those of Darwin and Newton, Opiemme says the new street piece is meant as as a tribute to Hawking and his work and his many ambitions, like visiting Alpha Centauri, our nearest star.

“For all the passion about the Universe you infused us with,” Opiemme writes, “your easy words for amateurs of outer space.”

Opiemme. Museo di Arte Urbana. Torino, Corso Tassoni, Italy. June 2018. (photo courtesy of Opiemme)

Opiemme. Museo di Arte Urbana. Torino, Corso Tassoni, Italy. June 2018. (photo courtesy of Opiemme)

Opiemme. Museo di Arte Urbana. Torino, Corso Tassoni, Italy. June 2018. (photo courtesy of Opiemme)

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Mina Hamada & Zosen Bandido Mediating the Streets With Abstract Color in Corbeil-Essonnes. France

Mina Hamada & Zosen Bandido Mediating the Streets With Abstract Color in Corbeil-Essonnes. France

A public/private mural campaign in the southern suburbs of Paris continues to bring international Street Artists to create works for the public space. While France continues to grapple with an increase of new immigrants, a rise in right wing sentiments and xenophobic attitudes toward populations that differ from the dominant culture, projects like this may help keep the peace and foster community.

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

The Wall Street Art Festival of Grand Paris Sud continues with their mural program here with a fresco on the “Paul Langevin” school, named after the prominent French physicist who developed Langevin dynamics and the Langevin equation. Art duo Mina Hamada and Zosen Bandido live in Barcelona and braved the rains here during a week of painting 5 walls to create an abstract collection of “Spring Colour” in a rather spontaneous way.

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

“They were the best ambassadors for painting a wall in a popular neighborhood where people of different origins and religions live together,” says Gautier Jourdain, who curates the ongoing festival. In an atmosphere where tensions between cultures has hit some high points in recent years nationally and locally, the artists themselves hail from Japan and Argentina are quite familiar with some of the issues at hand here.

“That is also why we have chosen light, simplified forms,” say Hamada and Zosen in a joint statement. “We want to paint creations that speak to everyone’s heart, that are accessible to everyone and give joy.”

 

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

Mina Hamada & Zosen Bandido. “Spring Colour”. Wall Street Art Festival of Grand Paris Sud. Corbeil-Essonnes. France. (photo © Mathgoth Gallery)

 

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Tahiti So Long : BSA X ONO’U Festival 5: Bora Bora

Tahiti So Long : BSA X ONO’U Festival 5: Bora Bora

Last week BSA was checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene there while the 5th Annual ONO’U was taking place. BSA readers joined in the tropical action while we took you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Here’s our last posting from Tahiti, now that we’re recovered from the jet lag and are back in dirty old New York. We parted ways with the artists on Bora Bora who continued to paint in a place where the word ‘paradise’ is redundant. How many times did artists here simply jump in the water to cool off after painting and installing in the tropical sun for a few hours?

Vinie. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

The community was involved as well, with public officials and traditional representatives hosting welcoming ceremonies and receptions, artists like Pixel Pancho and Bordello II teaching students about technique in an art class, and countless interactions with clusters of interested onlookers who provided a revolving audience for the muralists while they created new works. Local artists Rival and Abuzz helped with explanations and communications also while they joined in with their international guest artists in painting new walls.

Vinie. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

French muralist Vinie reimagined her popular female figure as an underwater explorer in a way that delighted and reassured some of the kids in the neighborhood. In an unexpected twist, Portugal’s BordalloII and Spain’s Okuda decided to collaborate on a piece, a unique collaboration of pop surrealism and spontaneous sculpture with recycled materials on the end of a seaside home.

In the end ONO’U is always far more than you expect, a unique collection of settings, interactions with people, meeting of new friends, learning of history and communing with nature that inspire the artists to dig a little deeper inside to find a response to all they are seeing and experiencing.

Vinie. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

 

Vinie. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Olivia Laita)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Okuda . BordaloII. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Akimbo with Narvila who inspired the artist for the themes on this wall of human rights, inclusion, acceptance, GLBTQ rights and love. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Lady Diva. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

The Yellow Buff: Cranio painted the character plus the door and the walls next to it. As you can see most of what he did got buffed with yellow paint by the owners of the wall. They told us they didn’t like the words and lettering on the other walls, preferring the figurative to the text-based. A shame that the hard work was destroyed so quickly. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Charles Williams and Soten. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Charles Williams . Soten . Abuze. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Abuze. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Abuze. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

A triptych from Charles Williams, Soten, and Abuze at ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Olivia Laita)

Rival. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Rival. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

 

Rival. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Olivia Laita)

Bordalo II. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Bordalo II. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Bordalo II. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Jaime Rojo)

Bordalo II. ONO’U Tahiti 2018 / Bora Bora. June 2018. (photo © Olivia Laita)

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ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

When Street Artists and graffiti vandals are looking for a spot in public space they sometimes claim a wall as their own – even if someone else owns it. It’s a bit of hubris, but it helps with the street credibility among peers. In the case of this neighborhood in Barcelona, the whole neighborhood owns the wall – and Street Artist Escif knows it.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Winner of a competition among 300 international and national Street Artists last summer/fall on which BSA was part of the jury, the Spanish Street Artist has now completed his new mural in Sant Feliu de Llobregat entitled “La pared es nuestra” (The Wall is Ours). The wall borders the central square of outdoor civic life in a community of working people who coalesced and actively fought government neglect and resisted private capital brutality in the 1970s to create streets, services, and public space for themselves here.

To commemorate that victory and the struggle that led to it, this true community mural was conceived and realized last month in a grand opening ceremony and celebration that invited a few generations of its proud inhabitants.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Known for his study and critiques of social, political and environmental undercurrents that form the framework of modern society, Escif worked with local leaders and the projects’ sponsors Contorno Urbano and Kaligrafics to conceive of and produce the result. The wall features a non-linear representation of historical events and popular/civic engagement that were necessary to transform the neighborhood. Referencing photos from the elders from the earliest days of struggle, the warmly flat characters and graphic elements are open and frank, focused the the central elements of democratic processes and the chaotic forms that can ultimately yield the right to self determination .

The greater message can provide inspiration to groups of individuals who are knocked back on their heels and yet find common cause, reminding us all about the power of the people.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

In a statement about his perspective for conception and execution of the piece, the artist says that a galvanizing event on this very square provided him with greatest inspiration and many in attendance at the opening celebration would agree that his vision is perfectly realized.

“In May 1977 [during Franco’s dictatorship], the residents of the Sant Feliu neighborhood called La Salud managed to halt the construction of a gas station. Neighbors say that it was during the night, while the city was still sleeping, when some brave women and men decided to push a concrete mixer into the construction hole where the foundations were going to be established.
They covered the hole with soil and then they planted a tree. Legend has it that if a tree is planted on an occupied plot of land, nobody will ever be able to remove it. That was exactly the genesis of that square, a square that still belongs to the neighbors, the residents of Sant Feliu.

“ ‘La Pared es Nuestra’ [The Wall is Ours] is a retaining wall that rescues the voices of those who are gone, that keeps the voice of those who remain, and that suggests the voice of those who are yet to come. An inclusive wall made by and for the neighbors, it is a wall that can be heard, that contains the sounds of the neighborhood, of its history, and of its inhabitants. This is a wall that can be read, and that has as many readings as visitors who come to contemplate it.”

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

 

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

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BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

BSA-Images-Week-Jan2015

Bushwick is in the mix this week as the new murals made to augment the collection for this years Bushwick Collective Block Party brought more persons and personality to the streets here. As murals are ruling this moment in the Street Art scene, today for your edification, this is how its looking out here.

Here’s our weekly interview with the streets, this week featuring Bert, BK Foxx, Cabaio Spirito, Franck Duval, Golden 305, Hops1, Jeff Henriquez, Li-Hill, Loomit, Michel Velt, Mr. Hydee, Mr. June, Niels Shoe Meulman, Reme821, Ruben Ubiera, Sipros, Skewville, and Solus.

Top image: A new Biggie by Sipros for The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Sipros. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Niels Shoe Meulman. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

BK Foxx. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Li-Hill. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Ruben Ubiera. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Reme821. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Solus. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Golden 305 (with the work of Celso “Work” on top from a previous edition). The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Michel Velt. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Franck Duval. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. Hydee. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

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Joan Cabrer. “Hot Pixel” Digitizes Life and Nature For Contorno Urbano. 12+1 Project

Joan Cabrer. “Hot Pixel” Digitizes Life and Nature For Contorno Urbano. 12+1 Project

Painting on the street and the field of painting. The color field. Your field of reference.

Joan Cabrer is pixelating the artificial and the natural, placing them on the same playing field.

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Winner of the Sotheby’s Scholarship Medal given by the Miró Foundation and participant in a number of artists residencies and gallery exhibitions since the start of his artist career a little over a decade ago, Cabrer can be seen as being from a certain generation that became romantically involved with the early years of our digital aesthetics formed from the mid 1980s to the late 1990s.

Those simplistic blocked screen renderings of the world were friendly, alien, and reductive; instantly futuristic in our imaginations. At first graphic, now more painterly, his works now freely associate with the bio-scientific – static representations of flickering life and ecosystem.

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Here for his new mural created for Contorno Urbano’s 12+1 project in Barcelona, Cabrer toys with the “glitch” factor that roughly distorts, then returns us to a normality within our altered virtual reality. What point does digital mixed so often and so thoroughly that we can’t imagine the real with the virtual?

“In this series that I’ve been working on the technological references abound.  They shows how the digital mutation interacts with references that belong to the organic world,” he says. “The nature observed from a scientific point of view is mixed with digital aesthetics.”

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

 

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BSA Film Friday: 06.15.18

BSA Film Friday: 06.15.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Shots of 7th Bushwick Block Party
2.
FWTV – Street Art Trends that Have to Go
3. North West Walls in Belgium
4. Street Art Lisboa

bsa-film-friday-special-feature

BSA Special Feature: Shots of 7th Bushwick Block Party

SOALife uses a backwards-forwards video trick to grab small moments on the street two weeks ago in Bushwick Brooklyn while thousands milled around the neighborhood checking out murals. James Brown and Maceo and the JBs help the kinetic funky rhythm of the street become apparent.

FWTV – Street Art Trends that Have to Go

Doug is trying to alienate the few remaining friends that stuck around after his recent video examining Banksy and anti-semitism, Zionism and the Palestinians. Maybe he’s brandishing a reputation as truth teller, or maybe he’s just stirring the pot to watch you squirm. With this episode he offers candidates for Street Art trends that could/should be banished. If only it were that simple. Truth is, he skipped a few trends here, including blogs and videos that pontificate about Street Art trends.

NORTH WEST WALLS in Belgium

In the category of “Respectable Commercial Gigs That Street Artists Can Take Without Selling Shampoo”, here’s a pop-up installation idea borrowed from other festivals where shipping containers are employed to build an environment for music revelers as the Rockwerchter Festival in Belgium. The stacked rectangular shapes in abstract cantilever formation are dramatic and high altitude canvasses here for Jarus, Phlegm, Hoxxoh, Smates, Astro and Telmomiel. It’s a stunning effect that requires talents of this caliber to push its limits.

Street Art Lisboa

Marta Torres shares this smartly edited and upbeat overview of Street Art that she is attracted to in Lisbon. Following that introduction she interviews three artists, Margarida Fleming, Tamara Alves, and Murta – about their practice and their view of the scene in their city:

 

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Mr. Barlo Embraces Surreal Experiments on Hong Kong’s SoHo Streets

Mr. Barlo Embraces Surreal Experiments on Hong Kong’s SoHo Streets

South of Hollywood Road in Hong Kong is often referred to as the SoHo of the city, steeped in neverending staircases that scale the pitched incline and pinched into back alleys full of skinny cats, fashionably urban youth, and a fair amount of homegrown organic graffiti and Street Art.

Mr. Barlo at work in Hong Kong (photo courtesy and © Mr. Barlo)

A home away from home for the Italian Mr. Barlo, who has explored his ideas on the streets here for four years or so, today we have examples of the creative range of ideas he is experimenting with in new wheatpastes and a recent mural (for HK Walls this spring).

“ ‘The Pet of the Archeologist’ – This is the last wall painted over the weekend for @hkwalls 2018. This is a concept born quite a while ago in Hong Kong for a wall in Hong Kong but never had the chance to be done properly. It also made me think that it has been ages since I painted a mural in the streets of this crazy city that I call home(-ish).”


Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

All of these pieces are meant to be discovered – scattered as they are among the winding streets and backsides of increasingly chic boutiques, quirksome art galleries, and sleekly dark bars.

” ‘La città inquieta” (unresting city)’ – This is the first of a series that I am determined to push forward through 2018 – not necessarily limited to paste up. It is my first attempt to channel into an artwork the chaos under the veil of modernism, the naive optimism and the unspoken anxieties that this city has been feeding me since I decided to call it home,” he says.


Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“It is also the first attempt a pasting above ground – definitely not perfected yet,” he says of the undulating flag that is a metaphor for the anxiety and discomfort of changes percolating inside notions of modernism, and perhaps nationalism today.

Using the streets as a laboratory to test new ideas and techniques, Mr. Barlo is not worried that pieces may cause confusion, because whether it is surrealism or classical Western ideas of figurative beauty, all of it can be reappropriated, sliced into pieces, pulled apart and examined from within.

But whatever the implied or opaque meanings, watchers of Mr. Barlo will tell you that his technique is definitely progressing.

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“These wheatpastes represent quite a new way of working for me, given the limits of paper as a medium and the higher risk of seeing work that still took hours to be made being taken down right away,” he says as he stretches to describe the experience of going out and hitting up walls as night with a friend or two with these new one-of-a-kind and often cryptically themed posters that have hidden meaning known mainly to him.

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“It has been a very refreshing approach that has allowed me to work on pieces that are more focused on one specific subject while trying to still infuse character and a sense of mystery into the work.”

Mr. Barlo and “Sisyphus”. Hong Kong (photo courtesy and © Mr. Barlo)

“‘Sisyphus’ – aka your reward for walking all the way up on Aberdeen Street,” he says of this dung beetle. “This is the second attempt for this poster as the first was removed within 24h after I put it up, before I could even take a picture of it. Considering the title it was kind of hilarious.”

Mr. Barlo. Softcore. Hong Kong (photo courtesy and © Mr. Barlo)

” ‘Softcore’ – I hadn’t drawn human features for so long but I got caught again by the beauty of the volumes that only the human figure can express,” he says of this neoclassical beauty. “The spot is also so right for it, just outside Sai Ying Pun MTR (train station.”

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“La Musa” (The Muse) byMr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“Amphora” by Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“Amphora” by Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

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BSA X ONO’U Festival 5: Day 6 – Raiatea Wrap Up

BSA X ONO’U Festival 5: Day 6 – Raiatea Wrap Up

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


The walls in Raiatea have been completed and the town folks came out for a block party with music and food and for the unveiling of Spanish artist OKUDA’s fiberglass sculpture of dolphins playing with the globe that he  created specifically for this festival and for the the people of Raiatea.

Each of the artists created new walls while our traveling troupe was stationed here so before moving on to Bora Bora action here are some finished walls in Raiatea. We’ll report on the happenings of that beautiful island soon (when we are not cavorting in the ocean) but in the meantime we leave you here with the Raiatea Walls.

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie . Lady Diva. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Lady Diva. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. The artist painted a sunset dedicated to his father. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. We wrote a piece with WIP shots of this piece here.  ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. We wrote a piece with WIP shots of this piece here.  ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio . Abuze. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Rival. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina working on the sketch for her wall. This is a portrait of ONO’U Tahiti co-founder. Sarah Roopinia. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

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BSA X ONO’U Festival 5: Day 5 – Cranio Brings Indigenous Life to Raiatea

BSA X ONO’U Festival 5: Day 5 – Cranio Brings Indigenous Life to Raiatea

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Feeling blue in Tahiti even though you are surrounded by banana, mango, papaya, coconut, and pomegranate trees each offering the wild fruits of the island? Impossible.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Yes, you are blue if you are one of Cranio’s characters, who remind us with a jolt that indigenous people of many shapes, sizes, and costume traveled and organized life on this earth long before we arrived.

With many ties to traditional costume and customs despite French Polynesia’s history of colonization, we have witnessed that there is an evident level of respect for native ways here across these islands as well.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

With bright blue guys that have red eye bands across the face, these characters were originally based on indigenous people from his native Brazil and Cranio brings them with him wherever he goes to city streets, galleries, museums, and private collections throughout the world. Appearing suddenly on the street, he places them in curious situations that personify the cultural confusion that happens in the contemporary world that hasn’t allowed for traditional ways.

Here in Raiatea he converts a set of double doors into the entryway to a tree trunk, a fantasy world that you want to be true. Painting for two decades, Cranio’s semi-surreal settings have an adventurer’s sense of play for his blue buddies to explore and cavort in – yet they gently/pointedly poke fun at social, political and environmental weaknesses in the Euro-centric world.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio with Charles Williams on the background. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

 

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BSA X ONO’U Festival 5: Day 4 – Charles Williams (Phat1) in Raiatea

BSA X ONO’U Festival 5: Day 4 – Charles Williams (Phat1) in Raiatea

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Auckland’s Charles (Phat1) and Janine (Lady Diva) Williams bring the wildlife wherever they are, and not just on the wall. A graffiti writer with mad skillz and founder of TMD Crew, Charles considers family, history, nature and his Māori heritage when creating new pieces that often combine the natural world with graphic and geometric elements. Here in Raiatea the aerosol naturalist took time and special attention to detailing the plumage of an U’upa, a species of fruit dove that is frequently seen on the islands of French Polynesia.

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

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