November 2019

JACE in Grigny, France Brings the “Gouzou”

JACE in Grigny, France Brings the “Gouzou”

“Gouzou” are on the loose in Grigny, thanks to their creator, French graffiti writer and muralist JACE.

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

A children-friendly installation in a city that needs some love, the artist who began as a graffiti writer in 1989 here brings his famous faceless characters called the “Gouzou” to pop out of the box buildings and water the flowers of growth here.

JACE says he’s been painting this character since the early 90s and they are complex, despite their appearance. “The “Gouzou” is an anthropomorphic character, cheerful and endearing but not without a touch of malice,” says his bio, “Soft and delicate, he can be just as impertinent and teasing!”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

This new community mural is in a housing estate in the district called “La Grande Borne”, or perhaps, “The Great Frontier”, but over time its reputation has become somewhat tarnished due to high unemployment, lack of economic opportunity, and probably systemic racism.

The Wiki entry says “Built as a 1960s social utopia with winding coloured buildings, it was intended to become an ideal dormitory town. With 11,000 inhabitants, it has become a by-word for poverty, drug dealing, arms trafficking, youth criminality and attacks on police, as well as arson attacks on public buildings.”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)

In a 2015 article in Le Parisien even the Socialist MP Malek Boutih has said about La Grande Borne, “A city where officials, including elected officials, make a pact with evil, thugs, offenders, corruption.” (translated with Google)

Maybe JACE’s Gouzou will bring a positive influence on the neighborhood? At least that’s what the mural program “Wall Street Festival” has in mind.

“Bringing culture to working-class neighborhoods is like a duty for me,” says organizer and founder Gautier Jourdain. “This is where the works are most important.”

JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
JACE. Wall Street Art Festival 2019. Grigny, France. (photo © Galerie MathGoth)
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Elbi Elem Creates “MERCAR” at Circular Festival in Madrid

Elbi Elem Creates “MERCAR” at Circular Festival in Madrid

Not your typical mural festival, Circular asks you to recycle your art materials to create your new piece.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

Occurring on the outer rim of Madrid, this collection of thinkers and conceptualists challenge almost every concept of the sad digression called the “mural festival” today – with the sincere focus of bringing the practice back to the community and creating work in the context of it.

Artist Elbi Elem tells us that she and Sue975, Aida Gómez, Octavi Serra, Clemens Behr, Brad Downey and Marina Fernandez were living and working in this barrio in the southern part of Madrid for two weeks. Rather than “parachuting” in and immediately putting up a mural that has nothing to do with the city, she tells us that it was important to spend a week to get to know the barrio and the people.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

“Then we chose a location and got the materials,” she says of the recycled items with which she built this sculpture. “It is metal and mostly tubes and plastics that were found in abandoned places and waste from some factory of the industrial area that we were in – like plastics that had been used for signs or skylights.”

Officially running from October 1-20, Circular says that the entire concept is meant to reconsider the role of urban art in a city and to return its scope and proportions away from the enormous expanses we have been seeing on the sides of skyscrapers to something that is more, well, human scale. In addition to supporting themes such as sustainability and scale, organizers say they’re less interested in being a tool for gentrification or revitalizing areas for tourism, and more interested in bringing art to neighbors.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © MSAP)

“By taking the festival to this area of southern Madrid, we contribute to the decentralization of culture in the city, to the democratization of art and to bringing it closer to all types of audiences,” they say in a description of goals.

For Elem’s sculpture, which she calls a “floating art installation”, she welded the metal and tried to use colors that are natural to this human-made environment.

“At the same time the colors I used were also the same as the surroundings, being integrated with the landscape,” she says.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)

“I decided to work under this long-roofed area at the entrance of the main market. I liked the environment and the background and it was easy to hang the piece. I loved that place because you could see a lot of movement of people going to shop and it was interesting seeing their reactions,” she adds, “mostly of surprise.”

“Festival Circular” in San Cristobal de los Angeles, Madrid, is curated by Madrid Street Art Project.

Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
Elbi Elem. MERCAR. Festival Circular. Madrid, Spain. 2019. (photo © Elbi Elem)
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DALEK & Buff Monster Have a “Surface Fetish”

DALEK & Buff Monster Have a “Surface Fetish”

Dalek (James Marshall) and Buff Monster host their second collaborative exhibition in as many years at GR Gallery in Manhattan’s Lower East Side, sandwiched between the high art of the Bowery Museum and the hungry and homeless people of the Bowery Street. A perfect snapshot of inequality in modern New York, the neighborhood has not lost its reputation in the last 10 years as a place for those desperate city folk with no means – and those city folk who need to collect art for their homes.

Buff Monster. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)

Here we find the escapist vocabulary of cartoons in both artist’s collections. Character-driven avatars of the street/mural/canvas painters themselves, the true emotions and predilections of Dalek’s “Space Monkey” and Buff Monster’s “Melty Misfits” are hidden under the sugary gloss of pop and sharply defined graphic styles.

Buff Monster. Happy, Double Happy and Green Darkness and Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)

The influences are sometimes overlapping, but each takes their tips from slightly opposing signposts on the commercially cartooned metroscape – scenes of cosmic war and ice cream and cleverly digital labyrinths cavorting in the clouds floating around the many mansions of Murakami and Harajuku.

Dalek. Ephemeralization. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)

The 30 pieces, including paintings, works on paper, site-specific installations, are an afternoon’s respite from the roar of traffic and construction and grey particulate matter flying in the air outside, a serene laboratory for experimenting with new creative impulses and fantastic narratives, brightly lit. It is a combined wit, a shared attraction to a “Surface Fetish.”

Dalek. Return to the Dark Ages. Swelling in the Hole. Self Examination With Friends. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Dalek. Swelling in the Hole. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Buff Monster. Serenity. Unity. Treaty. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Buff Monster. Beheadin’ Edwin. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Buff Monster. Melty Harmony #3 Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Buff Monster, Fragments of the Meltiverse #3. Dalek, A Week From Saturday. Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)
Dalek & Buff Monster Surface Fetish. GR Gallery. Manhattan, NYC. (photo © Jaime Rojo)

Dalek and Buff Monster exhibition Surface Fetish is currently on view at GR Gallery until November 17th. Click HERE for details.

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BSA Images Of The Week: 11.03.19

BSA Images Of The Week: 11.03.19

Happy New York Marathon! Turn your clocks back an hour! Also, protest against police brutality against black and brown youth on the subway! The latter is really disheartening for us all to see – and young people of all colors were fighting back this weekend in protest.

Here’s our weekly interview with the street, this time featuring Abe Lincoln Jr., Adam Fujita, Alexcia Panay, Anthony Lister, Below Key, BK Foxx, Bobby Hundreds, Downer Jones, Dragon Art, Hops Art, Maia Lorian, Mastro NYC, Muebon, Pricey Alex, Shiro, Sinclair the Vandal, VKrone, and Want.

Top banner Maia Lorian and Abe Lincoln Jr. (photo © Jaime Rojo)

BK Foxx portrait of Nipsey Hussle, the American Rapper, artist, activist assassinated in March 2019 in Los Angeles, CA. Ms. Foxx used a photo by Bobby Hundreds as a reference for her painting. For JMZ Walls. (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
Abe Lincoln Jr. & Maia Lorian A Presidential Parody Project. (photo © Jaime Rojo)
Abe Lincoln Jr. & Maia Lorian A Presidential Parody Project. (photo © Jaime Rojo)
Unidentified artist portrait of the real Abe Lincoln and the model for what a real leader AND real president should be. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Lister (photo © Jaime Rojo)
Want . Hound . Pear (photo © Jaime Rojo)
Imidiana Garcia & Alexcia Panay (photo © Jaime Rojo)
VKRone (photo © Jaime Rojo)
Shiro for JMZ Walls. (photo © Jaime Rojo)
Hops Art (photo © Jaime Rojo)
Below Key for JMZ Walls. (photo © Jaime Rojo)
Sinclair The Vandal (photo © Jaime Rojo)
Pricey Alex . Downer Jones . Mastro NYC (photo © Jaime Rojo)
Pricey Alex . Downer Jones . Mastro NYC (photo © Jaime Rojo)
Muebon for JMZ Walls. (photo © Jaime Rojo)
CNO PCU SBP ROC ARI16 JADA (photo © Jaime Rojo)
DRAGON (photo © Jaime Rojo)
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Andrea “RAVO” Mattoni in Corbeil-Essonnes With da Vinci

Andrea “RAVO” Mattoni in Corbeil-Essonnes With da Vinci

Aerosol in pursuit of the “Masters” (Eurocentrically speaking) is a permutation of Street Art and the mural making tradition going back decades, including murals made directly by “Masters” (Latino-centrically speaking) like Rivera or, say, those of the Olmec civilization in the pre Hispanic period, for example. In the last decade Frenchman and Street Artist Julien de Casabianca has documented, printed, and wheatpasted large-scale reproductions from classical painting upon city walls as part of his “Outings Project” in multiple countries.

Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)

Today we see an Italian former graffiti writer who went to university to study fine arts in Milan take his aerosol spray technique to a wall in Corbeil-Essonnes, France (population 50,400). Painted as part of the ongoing “Wall Street Art Festival”, the new mural may inspire the next generation of artists here as well.

Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)

Andrea “RAVO” Mattoni sings praise to a slice of Mona Lisa on this school building as his reinterpretation of Leonardo da Vinci’s original, which is much smaller, hanging in the Louvre Museum about an hour’s drive north of here. The 38 year old artist, who was born in Varese and comes from a family of artists, including his father and grandfather, decided to leave the painting as an in-process “unfinished” work that shows a grid pattern and da Vincis background color for educational purposes.

“It is a good teaching aid for the school’s teachers,” says the walls’ artistic director, the gallerist Gautier Jourdain, “which they now use to explain the process to their students.”

Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)

If Gautier had any doubts about Mattoni’s qualifications with the spraycan, he was likely persuaded by the artist’s Caravaggio reproduction on the side of the Gemelli Hospital in Rome two years ago. More recently, as part of the 500th anniversary of Leonardo da Vinci’s death, the artist created 5 large paintings at the Château d’Amboise. So this is number 5.5 perhaps.

Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)
Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)
Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)
Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)
Andrea Ravo Mattoni. Wall Street Art Festival 2019 Corbeil-Essonnes, France. (photo © Galerie MathGoth)
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BSA Film Friday 11.01.2019

BSA Film Friday 11.01.2019

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Paradox and CPT. OLF and Daredevilry in Berlin
2. The Tunnels. Nuart Festival 2019. A film by MZM Projects
3. Post-graffiti artist Jose Parla for ‘Isthmus’ in Instabul

BSA Special Feature: Paradox and CPT. OLF and Daredevilry in Berlin

In the videos featuring daredevilry, parkour and graffiti the Lengua Drona has been adding words to our visual vocabulary that were once reserved for extreme sporting, National Geographic docs, Crocodile Dundee and James Bond.

Now the pixação writer and urban climber, Paradox releases unprecedented adventure footage and editing from photographer CPT. Olf, and its sending shockwaves.

Somehow this is a new way to synthesize wall-climbing and train surfing; positioning it as a visual and audio symphony that almost makes you forget that these are graffiti vandals “fucking the system”, pushing their limits – and yours.

As you thrill to these evolving genre-combining aspects of Oleg Cricket, 1Up Crew, Berlin Kidz, and Ang Lee, it’s important to realize that these are real risks that people take that could result in serious injury, death, and rivers of grief if a miscalculation happens. So, yeah, we’re not endorsing the irresponsible risks or a mounting “arms race” of stunts, but we are endorsing the athleticism, imagination, and sheer slickness of this FPV drone mastery, which appears to have taken this stuff up another level.

Hold tight.

Currently Paradox is on exhibition at Urban Spree in Berlin, a show that we hope to see soon and pick up our own copy of “CPT.OLF 16-19”: The Photobook, published by Urban Spree Books in October 2019


The Tunnels. Nuart Festival 2019. A film by MZM Projects

A positioning in text, a re-strung manifesto for a moment from the past, now revisited in your Nuart or Nuart Aberdeen branded t-shirt. Here is the work in the tunnels of Tou Scene, unfolding before you by Ukranian directors and street scholars Kristina Borhes and Nazar Tymoshchuk. It’s a beehive of activity as participants in this years’ event in Stavanger, Norway
create their installations in preparation for the big opening.

“This film is a journey,” explain the directors/authors/poets/narrators, “it is moving backward from the last 7th tunnel until the introductory Tunnel Zero in order to show the development of the movement with its modern variety of artistic practices and the parallels with the past.”

Brand New, You’re Retro, that 90s jam from Tricky, is presented here as a doorway to pass through to get to the 70s and then to return through to see the last moments of the 10s. Here is open rebellion against a system that suckers you in, gives you succor, sucks you, and regales you succulently with a promise. Sung by angry hopeful canaries in the coalmine, here are some winners and losers, as ever. Shout out to Yatharth Roy Vibhakar for a splendid soundtrack that is glitchy and timely, of this time.


Post-graffiti artist Jose Parla for ‘Isthmus’ in Instabul

Jose Parla is not a Street Artist. He’ll tell you that himself. Here he presents himself as a post-graffiti artist in Istanbul. You may also see possible labels of public artist, artist working in public space, muralist, studio artist, sculptor, contemporary artist, gestural abstractionist, pottery designer, decollagist a la Villeglé – taking posters from the street and applying to canvas. Here you follow him in the streets as he creates his “first-ever exhibition in Turkey, inspired by the word ‘ISTHMUS,” consisting of a new body of works on paper, paintings, sculptures and ceramics.”

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