June 2018

ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

When Street Artists and graffiti vandals are looking for a spot in public space they sometimes claim a wall as their own – even if someone else owns it. It’s a bit of hubris, but it helps with the street credibility among peers. In the case of this neighborhood in Barcelona, the whole neighborhood owns the wall – and Street Artist Escif knows it.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Winner of a competition among 300 international and national Street Artists last summer/fall on which BSA was part of the jury, the Spanish Street Artist has now completed his new mural in Sant Feliu de Llobregat entitled “La pared es nuestra” (The Wall is Ours). The wall borders the central square of outdoor civic life in a community of working people who coalesced and actively fought government neglect and resisted private capital brutality in the 1970s to create streets, services, and public space for themselves here.

To commemorate that victory and the struggle that led to it, this true community mural was conceived and realized last month in a grand opening ceremony and celebration that invited a few generations of its proud inhabitants.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Known for his study and critiques of social, political and environmental undercurrents that form the framework of modern society, Escif worked with local leaders and the projects’ sponsors Contorno Urbano and Kaligrafics to conceive of and produce the result. The wall features a non-linear representation of historical events and popular/civic engagement that were necessary to transform the neighborhood. Referencing photos from the elders from the earliest days of struggle, the warmly flat characters and graphic elements are open and frank, focused the the central elements of democratic processes and the chaotic forms that can ultimately yield the right to self determination .

The greater message can provide inspiration to groups of individuals who are knocked back on their heels and yet find common cause, reminding us all about the power of the people.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

In a statement about his perspective for conception and execution of the piece, the artist says that a galvanizing event on this very square provided him with greatest inspiration and many in attendance at the opening celebration would agree that his vision is perfectly realized.

“In May 1977 [during Franco’s dictatorship], the residents of the Sant Feliu neighborhood called La Salud managed to halt the construction of a gas station. Neighbors say that it was during the night, while the city was still sleeping, when some brave women and men decided to push a concrete mixer into the construction hole where the foundations were going to be established.
They covered the hole with soil and then they planted a tree. Legend has it that if a tree is planted on an occupied plot of land, nobody will ever be able to remove it. That was exactly the genesis of that square, a square that still belongs to the neighbors, the residents of Sant Feliu.

“ ‘La Pared es Nuestra’ [The Wall is Ours] is a retaining wall that rescues the voices of those who are gone, that keeps the voice of those who remain, and that suggests the voice of those who are yet to come. An inclusive wall made by and for the neighbors, it is a wall that can be heard, that contains the sounds of the neighborhood, of its history, and of its inhabitants. This is a wall that can be read, and that has as many readings as visitors who come to contemplate it.”

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

 

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

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BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

BSA-Images-Week-Jan2015

Bushwick is in the mix this week as the new murals made to augment the collection for this years Bushwick Collective Block Party brought more persons and personality to the streets here. As murals are ruling this moment in the Street Art scene, today for your edification, this is how its looking out here.

Here’s our weekly interview with the streets, this week featuring Bert, BK Foxx, Cabaio Spirito, Franck Duval, Golden 305, Hops1, Jeff Henriquez, Li-Hill, Loomit, Michel Velt, Mr. Hydee, Mr. June, Niels Shoe Meulman, Reme821, Ruben Ubiera, Sipros, Skewville, and Solus.

Top image: A new Biggie by Sipros for The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Sipros. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Niels Shoe Meulman. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

BK Foxx. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Li-Hill. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Ruben Ubiera. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Reme821. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Solus. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Golden 305 (with the work of Celso “Work” on top from a previous edition). The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Michel Velt. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Franck Duval. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. Hydee. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

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Joan Cabrer. “Hot Pixel” Digitizes Life and Nature For Contorno Urbano. 12+1 Project

Joan Cabrer. “Hot Pixel” Digitizes Life and Nature For Contorno Urbano. 12+1 Project

Painting on the street and the field of painting. The color field. Your field of reference.

Joan Cabrer is pixelating the artificial and the natural, placing them on the same playing field.

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Winner of the Sotheby’s Scholarship Medal given by the Miró Foundation and participant in a number of artists residencies and gallery exhibitions since the start of his artist career a little over a decade ago, Cabrer can be seen as being from a certain generation that became romantically involved with the early years of our digital aesthetics formed from the mid 1980s to the late 1990s.

Those simplistic blocked screen renderings of the world were friendly, alien, and reductive; instantly futuristic in our imaginations. At first graphic, now more painterly, his works now freely associate with the bio-scientific – static representations of flickering life and ecosystem.

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Here for his new mural created for Contorno Urbano’s 12+1 project in Barcelona, Cabrer toys with the “glitch” factor that roughly distorts, then returns us to a normality within our altered virtual reality. What point does digital mixed so often and so thoroughly that we can’t imagine the real with the virtual?

“In this series that I’ve been working on the technological references abound.  They shows how the digital mutation interacts with references that belong to the organic world,” he says. “The nature observed from a scientific point of view is mixed with digital aesthetics.”

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

Joan Cabrer. “Hot Pixel”. Contorno Urbano. Project 12 + 1. l’Hospitalet de Llobregat. June 2018. (photo © Clara Antón)

 

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BSA Film Friday: 06.15.18

BSA Film Friday: 06.15.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Shots of 7th Bushwick Block Party
2.
FWTV – Street Art Trends that Have to Go
3. North West Walls in Belgium
4. Street Art Lisboa

bsa-film-friday-special-feature

BSA Special Feature: Shots of 7th Bushwick Block Party

SOALife uses a backwards-forwards video trick to grab small moments on the street two weeks ago in Bushwick Brooklyn while thousands milled around the neighborhood checking out murals. James Brown and Maceo and the JBs help the kinetic funky rhythm of the street become apparent.

FWTV – Street Art Trends that Have to Go

Doug is trying to alienate the few remaining friends that stuck around after his recent video examining Banksy and anti-semitism, Zionism and the Palestinians. Maybe he’s brandishing a reputation as truth teller, or maybe he’s just stirring the pot to watch you squirm. With this episode he offers candidates for Street Art trends that could/should be banished. If only it were that simple. Truth is, he skipped a few trends here, including blogs and videos that pontificate about Street Art trends.

NORTH WEST WALLS in Belgium

In the category of “Respectable Commercial Gigs That Street Artists Can Take Without Selling Shampoo”, here’s a pop-up installation idea borrowed from other festivals where shipping containers are employed to build an environment for music revelers as the Rockwerchter Festival in Belgium. The stacked rectangular shapes in abstract cantilever formation are dramatic and high altitude canvasses here for Jarus, Phlegm, Hoxxoh, Smates, Astro and Telmomiel. It’s a stunning effect that requires talents of this caliber to push its limits.

Street Art Lisboa

Marta Torres shares this smartly edited and upbeat overview of Street Art that she is attracted to in Lisbon. Following that introduction she interviews three artists, Margarida Fleming, Tamara Alves, and Murta – about their practice and their view of the scene in their city:

 

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Mr. Barlo Embraces Surreal Experiments on Hong Kong’s SoHo Streets

Mr. Barlo Embraces Surreal Experiments on Hong Kong’s SoHo Streets

South of Hollywood Road in Hong Kong is often referred to as the SoHo of the city, steeped in neverending staircases that scale the pitched incline and pinched into back alleys full of skinny cats, fashionably urban youth, and a fair amount of homegrown organic graffiti and Street Art.

Mr. Barlo at work in Hong Kong (photo courtesy and © Mr. Barlo)

A home away from home for the Italian Mr. Barlo, who has explored his ideas on the streets here for four years or so, today we have examples of the creative range of ideas he is experimenting with in new wheatpastes and a recent mural (for HK Walls this spring).

“ ‘The Pet of the Archeologist’ – This is the last wall painted over the weekend for @hkwalls 2018. This is a concept born quite a while ago in Hong Kong for a wall in Hong Kong but never had the chance to be done properly. It also made me think that it has been ages since I painted a mural in the streets of this crazy city that I call home(-ish).”


Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

All of these pieces are meant to be discovered – scattered as they are among the winding streets and backsides of increasingly chic boutiques, quirksome art galleries, and sleekly dark bars.

” ‘La città inquieta” (unresting city)’ – This is the first of a series that I am determined to push forward through 2018 – not necessarily limited to paste up. It is my first attempt to channel into an artwork the chaos under the veil of modernism, the naive optimism and the unspoken anxieties that this city has been feeding me since I decided to call it home,” he says.


Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“It is also the first attempt a pasting above ground – definitely not perfected yet,” he says of the undulating flag that is a metaphor for the anxiety and discomfort of changes percolating inside notions of modernism, and perhaps nationalism today.

Using the streets as a laboratory to test new ideas and techniques, Mr. Barlo is not worried that pieces may cause confusion, because whether it is surrealism or classical Western ideas of figurative beauty, all of it can be reappropriated, sliced into pieces, pulled apart and examined from within.

But whatever the implied or opaque meanings, watchers of Mr. Barlo will tell you that his technique is definitely progressing.

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“These wheatpastes represent quite a new way of working for me, given the limits of paper as a medium and the higher risk of seeing work that still took hours to be made being taken down right away,” he says as he stretches to describe the experience of going out and hitting up walls as night with a friend or two with these new one-of-a-kind and often cryptically themed posters that have hidden meaning known mainly to him.

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“It has been a very refreshing approach that has allowed me to work on pieces that are more focused on one specific subject while trying to still infuse character and a sense of mystery into the work.”

Mr. Barlo and “Sisyphus”. Hong Kong (photo courtesy and © Mr. Barlo)

“‘Sisyphus’ – aka your reward for walking all the way up on Aberdeen Street,” he says of this dung beetle. “This is the second attempt for this poster as the first was removed within 24h after I put it up, before I could even take a picture of it. Considering the title it was kind of hilarious.”

Mr. Barlo. Softcore. Hong Kong (photo courtesy and © Mr. Barlo)

” ‘Softcore’ – I hadn’t drawn human features for so long but I got caught again by the beauty of the volumes that only the human figure can express,” he says of this neoclassical beauty. “The spot is also so right for it, just outside Sai Ying Pun MTR (train station.”

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“La Musa” (The Muse) byMr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“Amphora” by Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

“Amphora” by Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

Mr. Barlo. Hong Kong (photo courtesy and © Mr. Barlo)

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BSA X ONO’U Festival 5: Day 6 – Raiatea Wrap Up

BSA X ONO’U Festival 5: Day 6 – Raiatea Wrap Up

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


The walls in Raiatea have been completed and the town folks came out for a block party with music and food and for the unveiling of Spanish artist OKUDA’s fiberglass sculpture of dolphins playing with the globe that he  created specifically for this festival and for the the people of Raiatea.

Each of the artists created new walls while our traveling troupe was stationed here so before moving on to Bora Bora action here are some finished walls in Raiatea. We’ll report on the happenings of that beautiful island soon (when we are not cavorting in the ocean) but in the meantime we leave you here with the Raiatea Walls.

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Vinie . Lady Diva. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Lady Diva. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

ABUZE. The artist painted a sunset dedicated to his father. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. We wrote a piece with WIP shots of this piece here.  ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. We wrote a piece with WIP shots of this piece here.  ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio . Abuze. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Rival. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina working on the sketch for her wall. This is a portrait of ONO’U Tahiti co-founder. Sarah Roopinia. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

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BSA X ONO’U Festival 5: Day 5 – Cranio Brings Indigenous Life to Raiatea

BSA X ONO’U Festival 5: Day 5 – Cranio Brings Indigenous Life to Raiatea

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Feeling blue in Tahiti even though you are surrounded by banana, mango, papaya, coconut, and pomegranate trees each offering the wild fruits of the island? Impossible.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Yes, you are blue if you are one of Cranio’s characters, who remind us with a jolt that indigenous people of many shapes, sizes, and costume traveled and organized life on this earth long before we arrived.

With many ties to traditional costume and customs despite French Polynesia’s history of colonization, we have witnessed that there is an evident level of respect for native ways here across these islands as well.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

With bright blue guys that have red eye bands across the face, these characters were originally based on indigenous people from his native Brazil and Cranio brings them with him wherever he goes to city streets, galleries, museums, and private collections throughout the world. Appearing suddenly on the street, he places them in curious situations that personify the cultural confusion that happens in the contemporary world that hasn’t allowed for traditional ways.

Here in Raiatea he converts a set of double doors into the entryway to a tree trunk, a fantasy world that you want to be true. Painting for two decades, Cranio’s semi-surreal settings have an adventurer’s sense of play for his blue buddies to explore and cavort in – yet they gently/pointedly poke fun at social, political and environmental weaknesses in the Euro-centric world.

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio with Charles Williams on the background. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

 

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BSA X ONO’U Festival 5: Day 4 – Charles Williams (Phat1) in Raiatea

BSA X ONO’U Festival 5: Day 4 – Charles Williams (Phat1) in Raiatea

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Auckland’s Charles (Phat1) and Janine (Lady Diva) Williams bring the wildlife wherever they are, and not just on the wall. A graffiti writer with mad skillz and founder of TMD Crew, Charles considers family, history, nature and his Māori heritage when creating new pieces that often combine the natural world with graphic and geometric elements. Here in Raiatea the aerosol naturalist took time and special attention to detailing the plumage of an U’upa, a species of fruit dove that is frequently seen on the islands of French Polynesia.

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams . Cranio. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

Charles Williams. ONO’U Tahiti 2018 / Raiatea. June 2018. (photo © Jaime Rojo)

 

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BSA Images Of The Week: 06.10.18  X ONO’U Tahiti Festival Special

BSA Images Of The Week: 06.10.18 X ONO’U Tahiti Festival Special

BSA-Images-Week-Jan2015


Hello from French Polynesia! All week we have been hopping around the islands from Papeete to Raiatea and now in Bora Bora. Celebrating its 5th anniversary/birthday last night at the huge community street party with founders Sarah Roopina and Jean Ozonder and with this years ONO’U festival artists slamming walls like crazy here  – you can see that hard work pays off sometimes.

Grassroots, not overly commercial, inclusive, responsive to the neighbors, high quality artworks – its a solid, even golden mix. Also Sarah’s parents are always happy to pitch in, whether it is pushing a broom or making lunch for everyone at home in their kitchen and bringing it to the work site to make sure that everyone eats. It is touches of warmth like this which reminds you that in many ways this scene that started in the street is as much about community as it is self expression.

For BSA readers who are just catching up with ONO’U we thought we’d use Images of the Week as an ONO’U Greatest Hits collection today. Most of these have never before published on BSA from the four previous editions. We took winding streets, back alleys, roundabouts, promenades, rooftops, abandoned lots and just about any place we could enter alongside Martha Cooper and had a blast for three days finding these walls again. Enjoy and Māuruuru roa!

DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Seth . HJT. ONO’U Tahiti 2015. Papeete. In 2016 this particular wall was chosen by the French Polynesia Postal Service as a stamp. We wrote about it HERE. (photo © Jaime Rojo)

Suiko. ONO’U Tahiti 2014 / Papeete. Roosters, hens and chicks run wild on the streets of many towns in French Polynesia. We haven’t figured out who feeds them, or how they survive, but they seem to roam free of owners and masters. One can hear the roosters making their distinctive call (here is what they sound like) every morning – sometimes before you are fully aware that the new day has begun. It is also not unusual to see a mother hen with her chicks crossing the roads at their leisure, sometimes stopping traffic. We of course stop for them. Always. Lore has it that there are big mean centipedes in the archipelagos and that the chickens eat them. See they earn their keep balancing the natural population of insects, besides being very effective alarms clocks. (photo © Jaime Rojo)

Leon Keer’s anamorphic Street Art, literally on the street, creates a mind-bending illusion with perspective. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Mast’s tribute to the NYC Subway creates a new faux subway stop that is roughly 6,300 miles (10,103 km) from New York. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

INTI. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

MadC. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

FinDac. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

KOBRA. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

PEETA. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

Besok. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

Charles & Janine Williams. The Ōma’o is a bird from the island of Hawaii is placed at the highest risk of extinction thus the “Critically Endangerd” or CR designation.  ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

Abuz . HTJ . JUPS. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

ROA. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Inspired by the Polynesian legend of “The Coconut Tree” the mural has to do with an eel’s head, a forgetful young girl and the birth of the coconut tree:  

“The coconut tree is one of the most common trees in The Islands Of Tahiti. The Polynesians always tell a legend about its creation… The coconut tree legend…

A long time ago, a young girl called Hina was of real beauty due to her sun kissed skin and silky hair. She was meant to marry the prince of eels. Frightened by the physique of her suitor, who had a gigantic body and an enormous head, Hina ran away and took refuge in the house of the fishing God – Hiro.

The latter was dazzled by the beauty of Hina and touched by her history, so he took one of the young woman’s hairs and with it fished the approaching eel. Hiro cut up the prince of eels and wrapped his head in leaves. Before dying, the eel said to Hina: “of all the Men who hate me, including you Hina, you will one day kiss me to thank me. I will die, but my prediction is eternal.”.

Hiro entrusted the head of the eel to Hina and then advised her:

Hina, girl of beauty, you can return to your family and there, you will destroy this head. But throughout your journey do not put it on the ground because then the curse of the eel will come true.’

On her way back, the beautiful young woman and her followers who accompanied her, became tired and decided to take a bath in the river, forgetting the warning of the God Hiro. The eel’s head which had been put on the ground penetrated the earth, and from it a large tree was born, with a long trunk just like an immense eel, and with foliage similar to hair; the coconut tree had just been born.

Hina was then condemned by the Gods to remain close to this river because the tree had become taboo… Life went on until the day when a terrible dryness struck the lands and during which only the coconut resisted the sun. Thus, in spite of the God’s prohibition to touch this tree, men picked its fruit full of clear and nutritive water. Each fruit was marked with 3 dark spots laid out like two eyes and a mouth on which the men put their lips in order to drink the coconut water…. Hina did the same thing ….. And the prophecy of the prince of eels had just come true.”

Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Faith XLVII. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Dabs & Myla . Kems. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

Dabs & Myla . Pose. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

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BSA X ONO’U Festival 5 : Day 3 / Christina Angelina In Papeete

BSA X ONO’U Festival 5 : Day 3 / Christina Angelina In Papeete

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Even Tahiti has its dark and mysterious side, and Los Angelino muralist Christina Angelina has summoned it from the environment and brought it to this wall in Papeete. A well travelled painter with work in neighborhoods of São Paulo, Belfast, Miami, New York, and Berlin among others and a perennial participant in the hallucinatory Burning Man, the realistic/fantastic female appears often in Angelina’s figurative works.


Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

In this fresh piece that evolved over a few days before the eyes of passersby in this urban tropicalia, the community can see someone familiar but they are not quite sure who she is.

The charcoal palette is evocative of the dozen or so active and extinct volcanoes that powerfully figure into the formation and life of these islands, the sooty jet tears full of fire and rage spewing forth, one is reminded of the black lava that creates magical inscrutable tunnels and black sandy beaches. Here on the street this enigmatic visage washed by the sky is mighty and vulnerable, a product perhaps of upheavals that harden into determination.

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Christina Angelina. Work still in progress. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

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BSA Film Friday 06.08.18

BSA Film Friday 06.08.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.1st Berlin Mural Fest Wrap Up
2. Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
3. Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
4. Doug Gillen FWTV – Street Art and Anti-Semitism…discuss..

bsa-film-friday-special-feature

BSA Special Feature: 1st Berlin Mural Fest Wrap Up

Of course Berlin has no shortage of organically grown aerosol artworks around the city so it takes something special like a mural festival started by Die Dixons to make an impact. They have the connection to community and ability to mobilize across walls and art and performance disciplines. After the success of The Haus last year it seemed like anything was possible for the team, and the first time out shows the results in this short aftermovie.

#berlinmuralfest #nackenstarregarantiert #allewändevollzutun #berlinartbang

Props from the organizers to: Akteone, CREN, Jelio Dimitrov Arsek, Erase, case_maclaim, Die Dixons, Dr.Molrok, El Bocho, Elle Street Art, HERAKUT , Icke_art, Innerfields, Insane 51, Isakov, James Bullough, Kera1, Klebebande Berlin, Kobe Eins, Mika Yat Graffiti, Millo, Mr.WOODLAND , MTO (Graffiti / Street-art), MüCke32, Natalia Rak, Notes of Berlin, Nuno Viegas, One Truth Graffiti Street Art, ONUR, WES 21, Size Two, snik, TASSO, TELMO MIEL, Ria Wank, Michael Dyne Mieth, Anne ‘Blondie’ Bengard, Slider.Bandits, Caparso, Bas2, Daniela Uhlig, Ghettostars Crew , Monsta 179, Semor the mad one, Skenar73, Max Roche, Raws, TAPE OVER, Tape That, Tobo

Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

Here are a couple of quick work-in-progress videos we shot this week on the island of Papeete in French Polynesia while we’re chasing artists with Martha Cooper across 4 islands of Papeete, Raitea, Moorea, and Bora Bora. Here are Pixel Pancho and Christina Angelina.

Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

 

Doug Gillen FWTV – Street Art and Anti-Semitism…discuss…

Is Banksy anti-semitic? The Street Artist has used his work to address social and political causes for almost two decades and this is the first we’ve heard the charge. We’ve seen all sorts of sentiments on the streets – racist, misogynist, homophobic, strains of xenophobia from different angles. But this is Israelis and the Palestinians and an active fight – with a multitude of shadings. Doug Gillen flies directly into the hornets’ nest – all for the love of Street Art.

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BSA X ONO’U Festival 5 : Day 2 / Pixel Pancho In Papeete

BSA X ONO’U Festival 5 : Day 2 / Pixel Pancho In Papeete

This week BSA is checking out French Polynesia to get an appreciation for the Street Art, graffiti and street scene here while the 5th Annual ONO’U is taking place. Join in the tropical action while we take you to Tahiti, Raiatea, Bora Bora, and Moorea to see the artists and the action.


Converting planes of flesh into molded metal gives humans a certain robotic quality, including this Tahitian muse, imbued with a certain Steampunk patina of nostalgia for the past’s imagination about the future. Now living in the actual future, Italian Street Artist Pixel Pancho is mining a metaphor that AI may appreciate someday, but so far robots don’t fall in love at Carnegie-Mellon Robotics program, do they?

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Here in Papeete, Tahiti, Pixel has finished his most recent muse in a garden of Eden, her visage frozen, her elegant drawing room in muted tones. A tray or basket of Pixel’s animal friends are expressed as future-past sculptures or animated robots ready to pounce. The mural took him only about 4 very productive days here in this tropical locale – and now he’s off to swim on another island.

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

 

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. The kitten sitting on the woman’s shoulder is his lil’ pet Diana who he rescued before he came to Tahiti. He found out she died while he was painting the mural and he added her at the last minute as a memento moris. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

Pixel Pancho. ONO’U Tahiti 2018 / Papeete. June 2018. (photo © Jaime Rojo)

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