February 2014

“The City As Canvas” Opens with the Collection of Martin Wong

“The City As Canvas” Opens with the Collection of Martin Wong

Last night the graffiti and early Street Art history from New York’s 1970s and 80s was celebrated by the City of New York – at least in its museum. Criminals and outlaws then, art stars and legends today, many of the aerosol actors and their documentarians were on display and discussed over white wine under warm, forgiving, indirect lighting.

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DAZE in the background sliced by a wall of cans at the opening of “The City As Canvas” (photo via iPhone © Jaime Rojo)

“City as Canvas: New York City Graffiti From the Martin Wong Collection” is an exhibition as well as a book released last fall written by Carlo McCormick and Sean Corcoran, with contributions by Lee Quinones, Sacha Jenkins and Christopher Daze Ellis, and all the aforementioned were in attendance. Also spotted were artists, photographers, curators, writers (both kinds), art dealers, historians, family, friends, peers and loyal fans – naturally most fell into a few of these categories at the same time.

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“The City As Canvas” exhibition at Museum of the City of New York welcome text with pieces by Futura 2000 and Zephyr to the right. (photo via iPhone © Steven P. Harrington)

“City as Canvas” is possible thanks to the foresight, eye, and wallet of collector Martin Wong, an openly gay Chinese-American artist transplanted to New York from San Francisco, which is remarkable not only because of the rampant homophobia and near hysterical AIDS phobia at the time he was collecting but because the graffiti / Street Art scene even today throws the term “fag” around pretty easily. A trained ceramacist and painter whose professional work has gained in recognition since his death of AIDS related complications in 1999, Wong is said to have met and befriended a great number of New York graffiti artists like Lady Pink, LEE, DAZE and Futura 2000, who were picking up art supplies where he worked at the Pearl Paint store – a four story holy place on Canal Street that thrived at that time.

 Brooklyn-Street-Art-Sharp-Paints-a-Picture-copyright-Martin_WongThe show contains black books full of tags and drawings as well as canvasses and mixed media Wong purchased, commissioned, and painted, including a portrait of graffiti artist Sharp wearing a respirator and standing before a canvas he’s working on entitled Sharp Paints a Picture (1997-98).

The mood at the museum was celebratory as guests looked at the 140+ works from Wong’s collection; a cross between an art opening and a graffiti trade show, with enthusiastic peers and fans waiting patiently to speak with, pose for pictures with, and gain autographs or tags in their black books from artists in attendance. The only officers that could be seen were holding back the line of guests to make sure there was no overcrowding of the exhibit.

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The famous Martha Cooper photograph of Dondi in action in the train yards. “The City As Canvas” exhibition at Museum of the City of New York. (photo via iPhone © Jaime Rojo)

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A Keith Haring and LA2 collaboration at “The City As Canvas” exhibition at Museum of the City of New York. (photo via iPhone © Steven P. Harrington)

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Artist LA2 with Ramona “The City As Canvas” (photo via iPhone © Jaime Rojo)

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Keith Haring (Smiling Face) from 1982 at “The City As Canvas” exhibition at Museum of the City of New York. (photo via iPhone © Steven P. Harrington)

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Lee Quiñones speaking with a never ending stream of fans before his canvas Howard the Duck, 1988, at “The City As Canvas” (photo via iPhone © Jaime Rojo)

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Digital prints of images shot by photographer Henry Chalfant brought the trains alive. On top is an image of a train with Sharp/Delta 2 from 1981 and below is “Stop the Bomb” by LEE (Quiñones), 1979 at “The City As Canvas” exhibition at Museum of the City of New York. (photo via iPhone © Steven P. Harrington)

 

 

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Faring Purth Repairs “Etty” In Rochester for Wall Therapy

Faring Purth Repairs “Etty” In Rochester for Wall Therapy

Street Artist Faring Purth is in many places and none of them as she likes to travel and paint and couch surf a bit – whether its Boston and Rochester or places further away like Uraguay, Argentina and California. Her slim and tapered figures and longly distorted portraits have character and sometimes symbolism, but usually they reflect her personal relationships and imagination.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

In contrast with the hyper sensual or sexualized depictions of the female perhaps more common in graffiti or street art, Purth wraps and unwraps the layering and complexities of character in the humans she depicts. She takes her time to create, sometimes painting over days or even weeks in a public space, where the work usually remains untouched by more than the sun, wind, rain, snow.

In the case of Etty, her piece completed in December in Rochester, New York for Wall Therapy, it was damaged almost immediately, and the act caught her by surprise, but maybe it shouldn’t have.

Etty created some waves. As you know, a lot of my work involves blatant female nudity. With the tension Roa’s Sleeping Bears and Faith 47’s piece caused last year, they asked me to refrain from having her completely nude. So, I tried,” she says of the long figure lying (or floating) parallel to the sidewalk in an underpass. In fact the figure is not nude, at least not in any conventional sense, but it bothered someone enough for them to spray religious references in aerosol across the artwork. The birds are unclothed, maybe that was what upset them.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

It is not often that you hear of Street Art festivals having problems with the reaction of people to bringing talented globally recognized artists in to adorn walls – in fact developers, city agencies, and arts organizations from Montreal to Lima to Baltimore to Łódź to Paris are now routinely dreaming up similar festival schemes to reinvigorate the cityscape and enliven public spaces.

Rochester for some reason isn’t having it, and this incident is just one more to add to those publicized in the press and privately related among some participants that certain locals aren’t always going to open their arms to you, regardless of your abilities or intentions.

 

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

Etty was created for Wall Therapy, but unlike most of the other artists involved I took my time with her while going back and forth to Boston and South America,” Purth says of the lengthy period for her installation of Etty which spanned some months. “I received equally supportive and hostile attention from the public while I was painting her. It was a new experience in more ways than I can count,” she says of the mural that measures 12 feet high by 125 feet long, her biggest yet.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

Finishing it in early December, she left her temporary home base in Rochester and travelled south to Buenos Aires to do some more painting with Street Artist EVER and to enjoy the warmer weather. But what awaited her when she got back was a surprise. “When I finally returned to Rochester, Etty had been defaced with the word “JESUS” and a red crucifix over her hand- a hand that was, in fact, feeding a bird,” she relates about the discovery, which left her cold.

“It was a profoundly difficult experience for me; That after giving so much to a single piece of work, she could, with one cheap can of Rustoleum, be so grossly wounded.”

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Faring Purth. “Etty” Wall Therapy, Rochester, NY. December 2013 (photo © Lisa Baker)

These are the “rules” of the street of course, and anyone working in the public sphere doing approved or unapproved work fully knows that their labors are up for crossing out, additional commentary, or outright destruction.  So no tears were shed.

Intrepidly, Faring says she made her piece whole again. “I fixed her. Or rather, changed her, before hitting the road. She’s different now,” Faring describes the repairing she did like a surgeon. “(With) stitches and all, here she is.”

So have a look at the progress shots of Etty, the before and the after repair work. As she keeps moving and painting – just now she was in Kentucky – Faring Purth is still thinking about her experiences in the cold north. “It taught me a great deal,” she says.  No word on how Etty looks now, a month later.

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Faring Purth. “Etty” Detail of her defaced face. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Restored. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Detail of her defaced hand. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Restored. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Images Of The Week: 02.02.14

Images Of The Week: 02.02.14

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Welcome to New York! Apparently there is some sort of sporting event happening today here. Or is in New Jersey? So hard to tell. Something to do with tobogganing or something. Winter Olympics maybe?

Here’s our weekly interview with the street, this week featuring Chor Boogie, Chromo, Dain, Deived, El Sol 25, Jesse James, Katsu, Luut, Mr. Toll, Reve, Sen2, The Orion, UNO.

Top Image >> El Sol 25 (photo © Jaime Rojo)

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A special message made of corporate logos from fine eating establishments on a new sticker that has been spotted around town. Can you identify them all? Artist Unknown with a Chromo tag. (photo © Jaime Rojo)

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Division of painting labor helpfully illustrated by Luut and Sen2 (photo © Jaime Rojo)

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Deived. Tijuana, Mexico. January 2014 (photo © Deived)

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Katsu (photo © Jaime Rojo)

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UNO walking a pig in Bologna, Italy. 2014 (photo © UNO)

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UNO. Bologna, Italy. January 2014 (photo © UNO)

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Dain (photo © Jaime Rojo)

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Chor Boogie. Detail of his Michael Jackson tribute in progress in Times Square. (photo © Jaime Rojo)

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Chor Boogie getting ready to paint Madonna next to Michael Jackson. Yes, he does look like Hellboy for some reason. (photo © Steven P. Harrington)

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The Orion in Romania pays tribute to Soviet Union era cosmonaut Yuri Gagarin (photo © The Orion)

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REVE in Italy (photo © REVE)

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Mr. Toll (photo © Jaime Rojo)

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Mr. Toll spilling his BK control advice. (photo © Jaime Rojo)

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Jesse James in Miami. (photo © Jesse James)

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Untitled. Times Square, NYC. January 2014 (photo © Jaime Rojo)

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#CheckYourSelfie, A New Online Project from Gilf!

#CheckYourSelfie, A New Online Project from Gilf!

Using Social and a Self-Pic to Start a Conversation with You

Street Artist Gilf! has been developing her work the last few months in a more conceptual direction and diversifying from straight paint on a wall. Her new online project incorporates photography, activism, online conversation, and the pinnacle of personal image promotion right now, the selfie.

And she’s hoping you’ll send her yours right now. It’s Saturday, what else is going on, laundry?

Also, you could change the world.

For Gilf! the heralded phone self portrait is more than just a way to show off your beauty mark or your biceps, it can be a way to open a conversation about a topic you care about. “This is an opportunity for people to connect with friends to discuss and brainstorm a cause or an important issue,” she says of the new art project she calls #Checkyourselfie.

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Gilf! submits her own #checkyourselfie (© Gilf!)

As if you weren’t already fixing your hair and getting ready to snap, she’s sweetening the deal by offering to give you one of her prints from her 5-selfie series that she’s releasing each day next week starting Monday.  “The winner will be decided on my perception of the image’s ability to facilitate dialog, its composition, and of course the level of creativity that went into it,” she says, and already she’s gotten a few that are stretching the selfie concept into personally artful directions.

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See a full discussion sparked by this image from xoaoart, “Okay, so I’m usually not one to do this but I love me some @gilfnyc and I’m always up for thought provoking discussion #checkyourselfie” (http://web.stagram.com/n/xoaoart/ )

Be extreme if you want to be, suggests Gilf!, and tell everybody what you care about, and this Street Artist who has always loved social, political, and environmental activism says she’ll promote you even more. “You’ll be surprised at how many people feel the same way you do, and how good it feels to get your opinion about something important out among like-minded people,” she says.

Check the end of this post for details on how to #Checkyourselfie, but first here’s Gilf! speaks with us about her project.

Brooklyn Street Art: Judy Pearshall from the Oxford Dictionary observed that the act of taking a selfie is an “essentially narcissistic enterprise.” Do you suppose the desire to share an image of your physical appearance is something more than that?

Gilf!: Absolutely. To share a selfie is a brave yet strategic move. Ultimately we don’t share things on social media if we are not seeking others’ opinions or approval. Often times I see selfies as requests for validation. As a society we are so inundated with the media telling us how we need to be thinner, hotter, and more stylish, so of course we’re all a bit insecure.

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A submission to #Checkyourselfie from @Halopigg on Instagram. “I wanted to challenge myself with this photo, which is why this photo and caption were made entirely by me using my feet and toes,” he says (image © Halopigg)

Every time we get a “like” on our photos we are rewarded with a jolt of dopamine. This can make us feel better about ourselves, but it’s short lived like any other drug. It doesn’t contribute to true self worth- but actually, in my opinion, creates further need for validation from our peers. I think the need for acceptance has become highly integrated in self esteem since the advent of social media. Maybe this isn’t new but it’s far more visible and intense than ever before.

Brooklyn Street Art: Television and advertising are often accused of defining beauty standards. Would you say that the “selfie” phenomenon is redefining those standards or otherwise altering them?

Gilf!: I see the selfie as an amazing tool that can redefine our understanding of beauty. The majority of the selfies I see are reinforcing the media’s beauty standards, but it doesn’t have to stay that way. I think it’s rare to see a selfie that blatantly shows and accepts a person’s flaws. We need more of these. It’s an incredible way to use the selfie as a source of empowerment. We can choose to hold ourselves up to the unrealistic, photoshopped version of beauty or accept and own our perceived flaws as part of what makes each of us unique and beautiful.

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“So #checkyourselfie is about using a selfie to create constructive dialog about things other than the self,” says Gilf!, “I don’t know how constructive this one is as an example- but it sure made me laugh!” (unattributed photo from Gilf!’s Tumblr on Jan 31)

Brooklyn Street Art: With more than 30 million Instagram photos carrying the hashtag #selfie, have we all become stars?

Gilf!: I think it’s gotten a little out of hand. It’s one thing to love ourselves, it’s another when we use social media to feed our egos. One of the questions I keep asking myself while working on #checkyourselfie is why do we have such a fascination with the self. Ultimately we can each only control our own self.

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A #checkyourselfie from freelance photographer and writer Nancy Musinguzi (© Nancy Musinguzi)

The world and all it’s problems can seem so daunting on an individual level. “What can one person really do?” is a question I often hear. It’s so scary to feel helpless and ineffective. We turn our focus inward, because the self is the one thing we can control. While heavily “connected” with social media, by focusing on the self we can become disempowered, isolated individuals. It has such potential to connect us and create dialog yet social media has largely become a tool to stoke our egos.

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Use your camera to create frehley: Street Artist Oh Captain My Captain (OCMC) submitted this image for #checkyourselfie (© OCMCPropaganda)

Brooklyn Street Art: You are using this project as a way to open a conversation – what do you hope we will all talk about?

Gilf!: Social media presents an incredible opportunity to create community and effect change, and I don’t think we’re harnessing its full potential yet. I want to use the selfie to create dialogs about greater issues. I’ll be using the project to discuss issues that I’m interested in like the environment, body image, and how we understand community. What I’m hoping participants will discuss are issues that are important to them. This can be a way to create new connections, bring people together, or motivate a group to actually organize or volunteer together, instead of just saying “someday”.

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Street Artist Cernesto’s selfie on Instagram for #checkyourselfie (photo © @Cernesto)

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How you can participate in #checkyourselfie right now:

To start a conversation, simply tag your image with #checkyourselfie. Your image will appear on Gilf!’s Instagramtumblr, and twitter under her handle @gilfnyc, on Facebook at www.facebook.com/gilfnyc, and her website website: www.gilfnyc.com.  See her website for more details.

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To see Gilf’s five new images in print you’ll need to go to DUMBO, Brooklyn next Thursday night at Arcilesi Homberg Fine Art . Since the artist is planning to be in attendance you can continue your conversation in person.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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