All posts tagged: The Haus

BSA Top Stories 2017 – As Picked by You

BSA Top Stories 2017 – As Picked by You

Berlin, Kathmandu, Santa Fe, Brooklyn, Sweden, London, New York, the country of Georgia, Raleigh, North Carolina. The favorite stories of BSA readers spanned all of these places this year as we documented this global people’s art movement variously described as Street Art/ graffiti/ urban art. We put it out there daily and you react to it – sharing it on Facebook, Twitter, and Instagram – starting conversations and creating connections.

The topics of these 15 favorite stories run the gamut as well; From Banksy and Brexit, Marxism and Urvanity to a bodega completely made of felt, your voracious appetite was wide ranging. From a well crafted graffiti writing exhibition at a white suburban Pennsylvania college where the tuition is 50K to an attempt to bring reassuring cultural heritage art to the streets of Kathmandu where the museum was destroyed by an earthquake – the extremes and ironies only peaked your interest.

You loved seeing and hearing Martha Cooper getting her first solo exhibition in New York and the mania that queued thousands to see the transformation of a 5 floor bank in Berlin by graffiti writers, Street Artists, installation artists and performers. You care about the earth and its people, like the story of ICY an SOT in the country of Georgia making human sculptures of trash as a critique of globalized waste, and the story of Chip Thomas using his Street Art to draw attention to a traditional Hopi farming technique called “dry farming”.

And in 2017 the resonance of ‘Resistance is Female’ catapulted our story of the illegal campaign of phone booth takeovers to the top 15, showing that a uniquely impactful high-jacking of the advertising streetscape is always going to win fans.

No matter where we went in 2017, BSA readers were always invited to go along with us and discover people and art on the street and in the gallery or the museum whether it was in Scotland, Hong Kong, Berlin, Sweden, Mexico or Tahiti. We captured what we could and interpreted it – and you told us what you liked by re-Tweeting and re-Gramming and re-Facebooking.

From 365 postings over the last year, here are the 15 you liked the most.


No. 15

Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould

Various & Gould. Berlin, June 2017. (photo © Jaime Rojo)

“Why do you glorify and duplicate these two criminals?! They shouldn’t have a monument at all. Next you’re doing Hitler?”

Various and Gould try to paraphrase some of the comments they received from passersby in a park near the town-hall in centrally located Berlin-Mitte while working on their latest project with a statue of the creators of Marxist theory. Some imagined they were glorifying, others alleged defamation.

“It’s a shame how you treat Marx and Engels!”

Truthfully, this new project in public space that literally copies a monument and then transfers it to another location didn’t have much to do with the capitalist system that creates/allows very rich and very poor people, but it certainly adds stories to the overall experience of Various and Gould.

Various & Gould: Marx & Engels. Continue reading HERE

 


No. 14

“MADRID ME MATA”: Another Look at “Urvanity”

Roc Blackblock Milicians Madrid, Spain. February 2017 (photo © Fer Alcalá FujifilmXT10)

MADRID ME MATA…in a good sense,”

says Fernando Alcalá Losa, the avid Barcelona based photographer of street culture. He doesn’t literally mean that the Spanish capital is deadly, but rather speaks of his devotion to Madrids’ energy, its possibility, its history, its people, and to its art. The torrid affairs of the heart are invariably complicated, as is the evolution of graffiti and Street Art from their outlaw illegal roots to their flirtations and trysts with other forms and venues; murals, in-studio practice, gallery representation, institutional recognition, or commercial viability.

We are pleased that Mr. Alcalá Losa comes to talk to BSA readers today and takes us to Madrid for the new art fair called “Urvanity” to see what he discovers with you, courtesy his words and his lovers’ view behind the camera.

Madrid Me Mata…in a good sense. Continue reading HERE

 


No. 13

Lucy Sparrow Opens an All-Felt Bodega in NYC : “8 ‘Till Late”

Lucy Sparrow 8 ‘Till Late (photo © Jaime Rojo)

It’s 8 ‘Till Late, artist Lucy Sparrows first all-felt store in New York, and it’s literally just under the Standard Hotel in the Meat Packing district. She’s made 9,000 items over roughly 9 months out of this soft fabric-like craft material – and at first impression it sincerely looks like everything you would have found in a New York bodega in the 1990s aside from the hard liquor, which is actually illegal to sell outside a liquor store in NYC, but relax, its all heartfelt.

“We sell quite a lot of self-help books as well,” chimes in Clare Croome, a cashier.

“Yes! Self-help books! Have you seen them?” says Brooks “They’ve got nothing in them on the pages, they’re just blank.”

Lucy Sparrow 8 ‘Till Late. Continue reading HERE

 


No. 12

“All Big Letters” Opens, Curated by RJ Rushmore

Faust. All Big Letters curated by RJ Rushmore at Haverford College’s Cantor Fitzgerald Gallery. Philadephia, PA (photo © Lisa Boughter)

“I wanted to exhibit the mind of a graffiti writer in a gallery, and make that mindset understandable to your average gallery-goer,” he tells us. “To me, that means appreciating not just the finished piece, but how and why it came to be.”

By showing artists, works, photography, and tools that judiciously span the 50 or so years that mark the era of modern mark-making in the public sphere, Rushmore threads a story line that he hopes a visitor can gain an appreciation for in this art, sport, and quest for fame.

All Big Letters. Continue reading HERE

 


No. 11

Anonymouse: Miniature Vignettes on the Street for “No Limit” Festival in Boras, Sweden

Anonymouse. No Limit Boras 2017. Boras, Sweden. September 2017. (photo © Jaime Rojo)

Miniaturization on the street or in the museum (or in the street museum) causes you to focus on detail, draw closely, to recall your childhood ability to freely invoke a sense of fantasy.

“Since our visitors are mostly nocturnal, our opening hours are quite generous,” the artists known as Anonymous say in reference to their nighttime installations, sometimes glowing with electric light in the lee of a bridge column, or the shadow of a door. They reference the famous Swedish children’s book author Astrid Lindren in their work, and you can easily visualize a small mouse family or a business mouse or a house mouse or church mouse astutely moving through these vignettes, living their important lives.

Possibly one is currently occupied in a back room of one of these installations at the moment but they will be returning presently to greet their new visitor – you, with your big face. Don’t worry, they like you to get up close. They may even provide a magnifying glass for you to get a closer look.

Anonymouse. Minuature Vignettes. Continue reading HERE

 


No. 1o

Bunnies, Birds, Sexuality and VINZ Feel Free’s “Innocence” in Brooklyn

Vinz Feel Free. “Innocence” The Marcy Project. Williamsburg, Brooklyn. November 4th. 2017 (photo © Jaime Rojo)

Birds are associated with freedom, fish remind him of mindless consumerism, and frogs convey authority. He reserves reptiles for soulless soldiers of capital and authoritarian types. And the sudden preponderance of rabbits? Why sexuality and innocence of course.

“Innocence” is the name of the exhibition here curated by BSA and DK Johnston, and Vinz Feel Free has been preparing these works for many months. A project that has included his study of innocence, the show is meant to demarcate such shadings of the concept as to appear only subtly different from one another. To wit:

1. The quality or state of being innocent; freedom from sin or moral wrong.
2. Freedom from legal or specific wrong; guiltlessness.

Vinz Feel Free. “Innocence”.  Continue reading HERE

 


No. 09

Julien De Casabianca, Angry Gods, and Hacking Disaster in Kathmandu

Julien De Casabianca. Outings Project. Kathmandu, Nepal. January, 2017 (photo © Karma Tshering Gurung & Sanam Tamang/ Artudio)

If you are not going into the museum to see art, Julien De Casabianca is happy to bring it out to the street for you. Additionally, if the museum has been closed by an earthquake, he’ll make sure the art gets a public viewing nonetheless.

In Kathmandu recently Street Artist Julien de Casabianca continued his Outings Project by bringing a centuries-old painting outside to the side of the Artudio building in Swoyambhu on Chhauni Hospital Road with the help of Matt Rockwell of the humanitarian hackers group called DisasterHack.

He tells us that the obstacles to getting this piece up seemed insurmountable at times due to the broken social and infrastructural systems in Nepal that still plague people even today, nearly two years since the catastrophic earthquake that killed nearly 9,000 and injured 22,000 more.

Julien De Casabianca/Outings Projects in Kathmandu. Continue reading HERE


No. 08

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

Rocking The Haus. Continue reading HERE

 


No. 07

Working the Cornfields on a Santa Fe Facade with Jetsonorama

Chip Thomas. Santa Fe, New Mexico, Earth Day 2017. (photo © John Donalds)

18 year old Hawthorne Hill has learned the traditional Hopi farming technique called “dry farming” from his mom, according to Jetsonorama, and he places seeds in shallow holes, while his sister Metzli creates rows of wind blocks using nearby brush.

The photos are taken on Second Mesa on the Hopi nation, but the artist brings them here to Santa Fe as part of a project he’s doing with Biocultura Santa Fe.

A project originally conceived of as part of Earth Day, with a focus on where our food comes from and traditional farming methods, its good to think of who works to bring food to your table.

Working The Cornfields. Continue reading HERE

 


No. 06

“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”

In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.

For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.

Urban Nation Berlin. Art Mile. Continue reading HERE


No. 05

“Resistance is Female” Takes Over Phone Booths in New York

Gigi Chen for #resistanceisfemale (photo © Jaime Rojo)

The decentralized Resistance, as it turns out, is a majority of Americans.

And leading the charge are women and girls.

So it makes perfect sense that a new grassroots takeover of telephone booth advertising in New York is a campaign called, “Resistance is Female”. Organizers and artists say that the ad takeover project is putting out a message that corporate controlled media seems to be quelling: keep fighting, keep speaking up, persevere.

The artists have put up a couple of dozen or so new art pieces in places where typecast women typically sell shampoo or fashions: a high-jacking of the advertising streetscape which the French and the Situationists would have called détournement in earlier decades.

Resistance Is Female. Continue reading HERE

 


No. 04

Street Artist OLEK and Volunteers Create NINA SIMONE Tribute in Raleigh, NC

Olek. Nina Simone “Here Comes The Sun” Love Across The USA. Raleigh, North Carolina. October 2017. (photo © courtesy Olek)

Susan B. Anthony, Harriet Tubman, Nina Simone; Three of the women whom Street Artist Olek would like us to remember from U.S. history, and who have been recently featured in public crochet portraits. Her most recent portrait done with help from the community brings art made by the public to the public in a country-wide project called “Love Across the USA”.

Sparked a year ago leading up to the US national election where a woman was on the ballot, Olek says that despite the negativity that followed, “it inspired me to create a project that would celebrate the accomplishments of women, many of whom had been forgotten throughout U.S. history.”

Today we go to Raleigh, NC to see the most recent banner of Nina Simone crocheted by Olek and a small army of volunteers. https://en.wikipedia.org/wiki/Nina_Simone, the American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement.

Olek. Here Comes The Sun. Continue reading HERE

 


No. 03

Icy & Sot and a Man of Trash in Tbilisi, Georgia

Icy & Sot.  “Human reflection on nature”. Tbilisi, Georgia. May 2017. (photo © Icy & Sot)

15 centuries old, Tbilisi may not last as long as this garbage man sculpture by Street Artists Icy & Sot.

“It took us only 10 minutes to collect all this trash because there was so much of it – including American brands – in the river by this village,” says Icy as he tells us about the trip he and his brother Sot made last month. A gorgeous and historically diverse city of 1.5 million people, Tbilisi reflects art, architecture, trade and culture that have given the Georgian capital a reputation as a crossroads for Europe and Asia.

During their stay with the Art Villa Garikula, a self organized community contemporary art center begun Tbilisi born painter and educator, Karaman Kutateladze in 2000, Icy and Sot did two pieces and an ad takeover that reflect the global problems posed by a consumer culture sold by corporations with little concern for its impact long term.

Icy & Sot. Human reflections on nature. Continue reading HERE

 

No. 02

“Martha Cooper” Solo Exhibition Reveals Many Unseen “Action Shots”

Martha Cooper signing the print of Futura 2000 whole car “Break”,  Steven Kasher Gallery. (photo © Jaime Rojo)

An intrepid photographer who has launched a million dreams (and perhaps a few thousand careers) in graffiti and Street Art with her photography that captured crucial and seminal aspects of our culture that others overlooked.

That is just one way of seeing this brand new collection of images by Martha Cooper that is spread across one wall featuring artists at work, sometimes intimately. Here is where you see 102 individual shots of artists at work, a stunning testament to the range of art-making techniques that are practiced in the public realm, as well as a testament to the passion and curiosity of the woman behind the lens.

For Ms. Cooper’s first solo photography show in New York, Steven Kasher Gallery is featuring 30 new editions of her legendary street art photographs, the ones that have burned themselves into the collective memory of New York and of our streets in the 1970s and 1980s. While her photographs in the 1984 seminal “Subway Art” and her early Hip Hop street shots may be what she is most known for by artists and collectors and fans in cities around the world to which she travels, the new exhibit also contains more than a foreshadowing into the vast collection of important images she has not shown to us.

Martha Cooper Solo Show. Continue reading HERE

 

No. 01

Banksy Hits Brexit With New Piece, MaisMenos & BLU Used EU Flag Earlier

Banksy. Dover, England. Photo @banksy Instagram

The appearance of a new mural by Banksy in Dover, England caught the attention of many followers on his Instagram account and the mass media folks quickly reported on the new piece that comments on the current state of the EU.

10 months since the Brexit vote, the anonymous artist has created a thoughtful piece marking the crack in the European Union, depicting a white male worker on a ladder chipping away one of the stars on the EU flag, a fissure produced by the action reaching upwards and outwards toward the others.

Banksy Brexit. Continue reading HERE

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Top 15 Videos on BSA Film Friday From 2017

Top 15 Videos on BSA Film Friday From 2017

Every Friday we invite you to stop by and take a look at new videos that have been submitted or recommended or that we tripped over walking by the railroad tracks. This year we showed you about 250 of them.

We call it BSA Film Friday and it travels with us to cities around the world now when we do it LIVE with you and other audience members in theaters and lecture halls and museums. The beauty of the video/film form is you can get a full story quickly, and you are often surprised by how transformative it can be. You can also see how many people are affected by urban and street culture through these films – we see people’s eyes light up when they realize that they too can create in public space, that the world is not simply a product but is a piece of art that many of their peers are now jumping in to co-create.

As a collection, these 15 are illuminating, elevating, riveting, strange, soaring, and achingly beautifully normal. From looking at the Separation Wall and Banksy to a travelling crew of graffiti writers on farms in Polish pig country to the amazing dance troupe who interpreted the 5 floors of art installations in a downtown Berlin former bank, you have before you a massive buffet of a visual feast.

The final desert is hand-held phone video caught in the moment last month in Mexico City. We didn’t know Keith Haring was coming down the tracks to surprise us, and we didn’t know that this unpolished jewel would garner thousands of viewers and commenters – effectively placing this little piece of video at number 1 for its popularity. Maybe the fact that it is so raw is what people relate to – along with an ongoing adulation for Haring.

We hope you can take some time to enjoy some of the best Street Art videos from around the world and on BSA this year.


No. 15
Faith XLVII / Aqua Regalia Hong Kong

From BSA Film Friday 05.19.17

“Distant universes delicately tangled,” says the near-whispering narration as you are gazing upon scenes from Hong Kong – those interstitial moments that carry you between the more remarkable ones. Faith XLVII gives us a quiet look at these inside a the dencse cacophony called “Aqua Regalia”, looking at the parts of a culture that a visitor is sensitive to because they are not taken for granted. With this ability to see, one takes a quick course of a city, a society. Invariably you end up with more questions.

“We speak of death and birth in terms of celebration and mourning.” Faith XLVII is in search of more universal truths, the timeless ones, since we understand them so poorly. Herein are glimpses, romantic and unvarnished.

“This is one of the first videos I’ve co-directed, alongside filmmaker Dane Dodds,” Faith tells us. “Its a project that is close to my heart.”

No. 14
Gonzalo Borondo / Cenere

From BSA Film Friday 08.11.17

Borondo keeps it open for you. He provides the stage, the staging area, the proscenium, the altar, the emanating light, the associations and memories you have with your belief system, or lack of one. During his artist residency with Pubblica, curated by Carlo Vignapiano and Elena Nicolini in May, the Street Artist (among other things) creates a journey as much as a destination in this intimate chapel. The video by Gerdi Petanaj captures this and perhaps a little more.

 

No. 13
The Haus / Lunatix Dance

From BSA Film Friday 04.07.17

From the moment it opened on April 1st, the Haus was a hit! BSA was very lucky to be there in February for a full tour while still in development in Berlin, nearly dancing ourselves through all five floors of this former bank with full scale installations in places that once held offices, conference rooms, employee coffee lounges.

By inviting Creative Director/dancer Serdar Bogatin and the film crew “Shuto Crew” into the space with members of the Lunatix Dance Production troupe, these spaces and art environments come completely alive, invoking stories and dramas – clearly making the spaces into elaborate set-design pieces.

 

No. 12
Ella & Pitr / Frappés PinPins

From BSA Film Friday 05.05.17

The French duo Ella + Pitr here revel in the simplicity of the gestural act of a full-body full-bucket splash of black paint.

Carnal, visceral, overlaid with psychographical information, the motion of splashing inky pigment across a white quadrilateral is an act of defiance and a release of the inner chaos – instantly recognizable as chaos elsewhere in the world.

The uncontrollable quality, especially when purveyed within an atmosphere of prim control, provokes amplified emotions in some. Fear, liberation, rage, release. Which ones will you experience?

 

No. 11
Indecline/ Rail Beast

From BSA Film Friday 10.20.17

“This reminds why I hate vandals! All this does is create more unnecessary work for the guys at the paint shop,” says a commenter on the Vimeo page where INDECLINE has posted this locomotive takeover.

You see kids, this is why we can’t have nice things. I just mopped this floor and you come running in here with your muddy boots! For Pete’s sake.

Truthfully, this decidedly unpolitical piece is a surprise coming from INDECLINE. Guess they were taking the day off from railing against hypocrisy and injustice with this animated train that recalls Saturday morning cartoons like Bugs Bunny and the Road Runner.

 

No. 10
Olek / In the Blink of an Eye

From BSA Film Friday 01.13.17

“It is one thing to read about the events in those parts of the world, but it is something totally different to actually look in the eyes of the women who lost everything while running from the war,” says artist Olek about how her world view changed when crocheting the project featured this week.

While gathering and producing materials for her installation with Verket Museum in Avesta, Sweden, the Brooklyn based Street Artist was holding informal crochet workshops with volunteers who would be producing the decorative yarn skin that covered every single item inside and outside of the house with their handmade crochet stitches.

Some invited guests were refugees who had escaped war in Syria and Ukraine and the artist and local folks shared stories and crocheted, sewed, and prepared the art materials together over the course of a number of days. It was during these exchanges of personal stories that, “a conversation started that has changed me forever,” she says – and she immediately needed to reflect it in her project with the museum.

 

No. 09
Sebastian Purfürst – Soniconoclasm / Broken Motor

From BSA Film Friday 06.02.17

In Berlin recently we met a photographer/media artist/musician who showed us a music video he just made of regular people whom you might meet on the city streets at night. This spring he asked more than 25 of them to recite phrases and “cut-up of army radio slang phrases” and by splicing them together with his band mate’s recitation of the lyrics synched to their lips, the rawness and rage and disconnected connectedness of people whom you can meet on the street rang true. “

This unvarnished quality bypasses the styled self-awareness of a lot of commercial media, and the anger actually comes across as fear. Perhaps you’ll think its too dark in demeanor – but then suddenly the melding together of the faces into one common entity makes it magic, even transcendent – revealing a simple sameness of everyone.

“This suspenseful individuality of the people is almost completely dissolved in the chorus,” says Sebastian Purfürst of his video with bandmate Markus F.C.Buhl.

Together they are called SONICONOCLASM.

 

No. 08
Pixel Pancho/ UN – Berlin

From BSA Film Friday 09.22.17

Pixel’s original installation was nixed by the city at the last moment but that didn’t prevent the Italian Street Artist from rallying to find another solution!

This new installation in the back courtyard was conceived of, designed, and constructed over a period of 4 days last week and became the secret surprise behind the museum for those who wandered there. Using landscaping techniques and botanical knowledge that come naturally from his farm in Italy, the artist create a mise en scène of epic impact with his robotic folk-futurist sculptures. Night time lighting took it to another world, but you can see the details better here in this short video Jaime Rojo shot on site.

 

No. 07
FifthWall TV / Occupied in Bethlehem – A visit to BANKSY’s “Walled Off Hotel”

From BSA Film Friday 06.16.17

“It’s almost become a playground for people to come to,” says your host Doug Gille as he looks at the section of the Separation Wall that the Banksy “Walled Off” Hotel is installed upon. “I think it is so crucial for people not to just come to see the wall or to paint on the wall,” he says.

“50 years under military control makes it the longest occupation in history,” is a quote that Gillen brandishes across the screen from the United Nations. The fact that Banksy is using his art star power to keep this on the front burner says a lot about the man.

“I think a lot of these people feel like we are forgetting about them and we have to remind them that we’re not,” says Gillen as he soul searches next to the Dead Sea.

 

No. 06
Various & Gould / City Skins – Marx und Engels

From BSA Film Friday 07.14.17

Conceptual Street Artists often perform interventions without explanation, satisfied with their own observations of the outcome. For Berlians Various & Gould the process has more often included the participation of the public – a way for more to take ownership and inspire dialogue. Sometimes many dialogues.

You may have seen our piece on their most recent public project called “City Skins”: Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould.  Here is a mini-documentary that shows you the artists, the process, and the thinking behind the process.

 

No. 05
Rurales

From BSA Film Friday 01.27.17

Now to the Polish pig farms! Another Street Art/Mural road trip movie, this time across Poland with JAYPOP, Seikon, Krik KONG and filmmaker Cuba Goździewicz. See the discoveries, the relationships, the reactions to the work from a warm and considered human perspective.

The beauty of randomness and the randomness of beauty. These guys are fully engaged with their surroundings, the opportunity, the myriad people they befriend or portend to make allies. It’s an uncharted trip where permissions are sought and often refused, but they never stop painting somehow.

 

No. 04
Swoon/ Fearless

From BSA Film Friday 10.13.17

Using existing and new footage of Street Artist Swoon and selected interviews with people in her orbit, director Fredric King presents and hour long documentary that looks over two decades of art making. The stories told and the insights that Calendonia Curry aka Swoon presents while en route to her next adventure illustrate the fluidity with which she pursues the creative spirit, whether on the street, on a vessel down a river, or installing in a museum. An integrated explorer, Swoon brings you into the fold to go on this journey that always feels like its just begun.

No. 03
Fin DAC/ Rooftop in San Francisco

From BSA Film Friday 08.25.17

On an expansive rooftop in rainy/sunny/rainy San Francisco, Street Artist Fin Dac brings to life ‘Shukumei’, an ebullient and mysterious muse. The film is largely a stop motion record of the work set to music, but did you notice how much dexterity and effort goes into this precision play when you are working at this angle, basically painting the floor? The remarkable integration of the glowing skylight orb, dramatically revealed, imparts the figure a mystical dimension as well.

Video editing by Tonic Media, Soundtrack by Mombassa/Lovechild, and shout out to Ian and Danielle at Rocha Art and Missy Marisa, model.

 

No. 02
Niels Shoe Meulman In Magic City / The Art Of The Street

From BSA Film Friday 12.01.17

Niels Shoe Meulman spent some nights in a Munich jail thirty years ago for mucking about on the walls. This year he was paid to do it in Munich for Magic City, the travelling morphing exhibition (now in Stockholm) where Street Art is celebrated along with all its tributaries – including a film program and a number of photographs by your friends here at BSA.

Born, raised and based in Amsterdam, The Netherlands, Shoe shares here his new improvisational piece and some of his reflections on his process and his evolution from being in advertising as an art/creative director and reclaiming his soul as a graffiti/Street Art/fine artist. As ever, Martha is in the frame, putting him in the frame.

No. 01
Keith Haring- Rough Cut / Mexico City Metro

This rough cut lil’ video reached more than 300K individuals and had 100K views with thousands of shares on FB and on Instagram with dozens of comments and high engagement was easily propelled to the #1 spot.

From BSA Film Friday 12.01.17

It all took us by surprise last week in Mexico City when suddenly a whole train covered on both sides with Keith Haring’s work approached while we were waiting at the platform to catch the Linea 2 of the Metro. He made his name in part by illegally doing drawings like these in NYC subways and here now they are crushing a whole train. The name of the project is “Ser Humano. Ser Urbano” or “Being Human. Being Urban” and it aims to promote human values and human rights. The pattern you see is from “Sin Titulo (Tokyo Fabric Design)” – now stretched across these whole cars, if you will.

The train itself is inexplicably having brake troubles, so we get some jerky spur-of-the-moment footage but all week on Instagram and Facebook we’ve received tons of comments from people reacting to this little bit of Keith video by Jaime Rojo on BSA.

 

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Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

Size Two. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

1UP Crew. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

What are all these artists, more than 175 of them and almost entirely German, all doing throughout a five-floor bank building in central Berlin on the Kudamm?

You’ll find out in April when the doors open to thousands of graffiti/Street Art/contemporary art fans to tour through THE HAUS, an enthusiastic life-affirming  joyful and pissed-off D.I.Y.-flavored fun-haus of fully realized installations, painting, projections, exhibits, and interventions.

You’ve been to (or at least read about) these last-hurrah urban art installations before – celebrations of artists’ visions that inhabit a building destined to be demolished soon. Possibly because of their ephemeral nature or a lack of serious interest in art-making, often the artworks and their execution are a bit slap-dash and loosely committed.

Not at THE HAUS. You’ll likely be surprised by the conceptual sophistication at times and wowed by technical dexterity, stagecraft, attention to details, and genuinely mind-challenging immersive environments.

Super Bad Boys. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

But this is Berlin after all, an urban art capital where graffiti crews are known for getting way up on impossible walls with foolhardy and militarily precise plans – sometimes implemented with rehearsal and execution under cover of night.

The logistical planning of Street Art and graffiti interventions here often centers around devising a slick and ingeniously resourceful roll-out of the aesthetic attack- some times given as much attention as executing the artwork.

Innerfields. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“We do not curate any of the room concepts,” explains Kimo as he leads you from room to room, sometime removing protective tape over doorways and turning on lights to allow a guest to see inside. “There is no over all concept. It has to be really really nice, but that’s it.”

Okay, there are some challenging themes around violence, graphic sexuality, and the horror of human trafficking. More often they are driven by character, text, and slaughtering with paint and pattern. As with most creative ventures of this size, it is impossible for organizers to know when or if to draw the line on content.

 

Herakut. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

There is also a darkened and completely life-sized realistic portion of a train-yard with a capped train over head, rails below, and cables and ground stones. A companion “white box” installation is said to be somewhere right now inside an underground Berlin train station. It is evident that weeks of preparation went into many of these dioramas and scenes.

“We just called around 50 artists to invite them here to take a look at the building and we told them, ‘If you know guys who have skills like you, just tell them.’ We’re looking for more artists,” Kimo says.

With more than three times that number coming and installing in the HAUS building over the last four months, there are still more artists who are clamoring to get in. “Now we have 100 artists on the waiting list”.

Case Maclaim. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The existence of this list would sound like bragadoccio coming from another organizer of an event like this, but when you see the calendars, lists of names, video scheduling, website design schedule, team responsibilities, art materials, contracts, even marketing plans printed and thumb-tacked on the walls of the Orga, you know that these three partners have created a supportive art-making environment with a sense of purpose.

“Bolle and Jörni  have been painting for 25 years,” says Kimo of his two partners. The three are members of their own crew called DIE DIXONS. Kimo says he cannot paint. “I tried but I can’t, I don’t have the patience to paint”. Instead he says he has great organizational abilities and love for the art  subculture and the graffiti/Street Art game.

 

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Together the DIE DIXONS also own the professional sign-painting company Xi-Design who originated THE HAUS project, and it is their multiple contacts with real estate, construction, lifestyle brands, paint suppliers, and highly-skilled commercial painters that makes this endeavor a POWER HAUS like few you’ll find.

This show is planned to be destroyed in a few months along with the building for a new project with condos and retail, but the quality here in many cases actually rivals art fairs we have seen in the last few years. Based on the buzz it has it safe to say that by the time the doors open in April, it will already have been declared a success.

Ostap. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Please note: Under the agreement with the organizers we agreed to publish only details of the pieces, so the surprise is not ruined. Some of these are installations in progress along with completed installations.

Tape That. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Tomislav Topic . Thomas Granseuer. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Dr. Molrok. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Steffen Seeger. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Base23. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Vidam. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Telmo & Miel. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Paulo Consentino. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Anne Bengard. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Arsek . Erase. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Amanda Arrou-Tea. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Go Go Plata. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Honsar. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Insane51. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Popay. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Daniela Uhlig. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Felix Rodewaldt. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

DeerBLN. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Klebebande. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Mario Mankey. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

One Truth. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Koikate. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Rotkäppchen . Goliath. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Señor Schnu. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Urzula Amen. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

We wish to express our sincere thanks to Kimo, Bolle, Jörni and their team for all the time and assistance provided to us for the production of this article. Thank you to Katrin for helping with the artists IDs, and to Lisa Schmidt for her help with information as well.

 

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BSA Images Of The Week: 02.26.17

BSA Images Of The Week: 02.26.17

BSA-Images-Week-Jan2015

Always good to get to Berlin to see what waves of text and pattern and outrage and snark and myriad metaphor are more-or-less relentlessly rippling across buildings and empty lots. The rippling effect was swelled by 4 days of rain, which makes windows streak with rivlets and wheat-pastes peel from the top, leaning forward and down and toward their demise, often sticking to themselves, halved and horrid in the process.

Nonetheless we got a lot of work done, seeing artists, urban gallerists, and of course the labyrinthine interior of the ‘secret’ project that is no secret any longer, the five floor Berlin HAUS, a former bank building in a well trafficked part of the city that is swarmed every day and nearly every night with graffiti writers, professional painters, Street Artists, illustrators, and the like – mainly, if not entirely, Germany based artists doing elaborate installations throughout.

Also checked out the new Project M show opening this week at Urban Nation “RADIUS” curated by Boris Niehaus (JUST), Christian Hundertmark (C100 and Art of Rebellion books) & Rudolf David Klöckner (URBANSHIT). The show runs for 6 weeks and again is exclusively German in its roster including names like Case Maclaim, Dave the Chimp, Flying Förtress, Formula 76, Low BrosMadCMoses & TapsNomadPatrick Hartl & C100Rocco and his brothersSatOneSweetunoVarious & GouldZelle AsphaltkulturXOOOOX, and Hatch Sticker Museum.

Across the street in the under-construction UN museum space the scene was a “secret dinner” for 100 thrown by Director Yasha Young to stir up the buzz for the inaugural exhibit in September as well as take stock of the hundreds of artist locally and internationally who have been part of the UN before the doors even open. In attendance were artists, graffiti writers, arts writers, photographers, academics, cultural organizers, supporters, elected officials, a spare ambassador or two, all lined up to hear of few speeches, a video or two about programming – and eat off plates designed by 100 or so artists.

But the real story of course was the stuff we found on the streets – legal and illegal, a bit of dashed text and time intensive murals. Berlin doesn’t stop surprising you, and regardless of rain that completely drenched us, we didn’t care frankly.

Here’s our weekly interview with the streets, this week featuring: 1Up, Alaniz, Berlin Kidz, BoxiTrixi, C215, Crisp, Damien Mitchell, Dave the Chimp, Don John, Eins92, Fink 22, Gilf!, Icy & Sot, K, Missing Girls, Priznu, Rinth-WLNY, Sozl35, Telmo & Miel, and Various & Gould.

Top image: Telmo & Miel. Detail. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Telmo & Miel. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Telmo & Miel. Detail. In collaboration with The Haus. Berlin. February 2017. (photo © Jaime Rojo)

Various & Gould. In collaboration with Urban Nation Museum For Urban Contemporary Art. February 2017. (photo © Jaime Rojo)

Dave The Chimp. In collaboration with Urban Nation Museum For Urban Contemporary Art. February 2017. (photo © Jaime Rojo)

Dave The Chimp. Berlin. February 2017. (photo © Jaime Rojo)

C215. Berlin. February 2017. (photo © Jaime Rojo)

C215. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

1UP. Berlin. February 2017. (photo © Jaime Rojo)

Alaniz and friends. Berlin. February 2017. (photo © Jaime Rojo)

Damien Mitchell (photo © Jaime Rojo)

Sozl35. Berlin. February 2017. (photo © Jaime Rojo)

Gilf! (photo © Jaime Rojo)

Priznu. Berlin. February 2017. (photo © Jaime Rojo)

#missinggirls. Berlin. February 2017. (photo © Jaime Rojo)

Eins92. Berlin. February 2017. (photo © Jaime Rojo)

Don John. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Berlin Kidz. Berlin. February 2017. (photo © Jaime Rojo)

Fink 22. Berlin. February 2017. (photo © Jaime Rojo)

Rinth_WLNY. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

BoxiTrixi. Berlin. February 2017. (photo © Jaime Rojo)

K. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

We liked the composition between this Icy & Sot stencil and the Korn sticker. Berlin. February 2017. (photo © Jaime Rojo)

Crisp. Berlin. February 2017. (photo © Jaime Rojo)

Unidentified artist. Berlin. February 2017. (photo © Jaime Rojo)

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