We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2025. Picked by our followers, these photos are the heavily circulated and “liked” selections of the year – shot by our Editor of Photography, Jaime Rojo. We’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street. Happy Holidays, Everyone!
Caught it! She’s a pioneer photographer and supporter of the scene, and Martha Cooper continues to inspire street artists everywhere. Here’s a portrait from Swed Oner in Bushwick, Brooklyn, this fall.
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2025. Picked by our followers, these photos are the heavily circulated and “liked” selections of the year – shot by our Editor of Photography, Jaime Rojo. We’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street. Happy Holidays, Everyone!
Praise the labor of painting and painters: the technical mastery, the arduous strategic planning, the bodily toll. We usually encounter graffiti, street art, and murals only after they are complete, detached from—and largely unaware of—the conditions that produced them.
Yet for the painter, the city is often an active adversary: hostile architecture, weather, chain-link barriers, gravity, the harness dangling from a roofline. Graffiti writers and some street artists elevate their work by placing it where it should not be possible, making difficulty itself part of the statement, part of the accomplishment. Muralists, across centuries, have paid for scale with their bodies, remaining suspended for hours at a time, contorting themselves to reach a surface or achieve an effect. What we admire as an image is often a record of endurance.
This understanding of art as sustained labor is hardly new. Auguste Rodin, as recalled by Rainer Maria Rilke, reduced artistic success to a discipline of repetition and persistence: “You must work, always work” (Il faut travailler—toujours travailler).
Michelangelo, writing while painting the vault of the Sistine Chapel, was less stoic about the cost. He described a body warped by duration and strain, the romance of genius replaced by physical degradation:
I’ve already grown a goiter from this torture, hunched up here like a cat in Lombardy… My stomach’s squashed under my chin, my beard’s pointing at heaven… my brush, above me all the time, dribbles paint so my face makes a fine floor for droppings.
Seen this way, large-scale painting is not merely an act of vision but one of submission—to time, gravity, and repetition. The finished surface may appear effortless, but it carries within it the residue of labor, risk, and bodily negotiation.
It’s our first snowy December day with swirling clouds of the white snowflakes swirling around you with cigarette butts and potato chip bags and pine snippings from the Christmas tree salesman name Pierre on you block. The First night of Hanukkah is tonight — best wishes to our Jewish friends and families across the city. Menorah lightings and Festival of Lights gatherings are popping off in Brooklyn at Grand Army Plaza, down at the South Street Seaport, and over on Pier 17, where a LEGO menorah is doing what LEGO does best: being quietly indestructible. Expect music, food, treats, face painting — the whole megillah.
The holiday hum (and humbug) carries through the month with holiday markets at Union Square, Columbus Circle, and Bryant Park. For all your ice capades, New York offers Bryant Park (Midtown), Wollman Rink (Central Park South), LeFrak Center at Lakeside (Prospect Park), World Ice Arena (Flushing Meadows–Corona Park), and the FDR Drive (Lower East Side) after it floods, weather permitting. Yes, that tree is lit and doing its annual job of reminding everyone they live in New York, not wherever they came from. Add in these amazing periodic Fifth Avenue street closures when you can literally run on the streets — these rare moments when pedestrians get the upper hand — and the city briefly becomes what it’s always threatening to be: festive, walkable, and almost humane.
Of course, depending on which headline you read, all joy is apparently set to expire on January 1. Certain tabloids would have you believe the city is one Mamdani mayoral term away from collapse, chaos, and moral freefall. That’s one way to welcome the new guy. But if you’ve lived here longer than five minutes, you already know the script — New York absorbs the panic, shrugs off the noise, adapts, and keeps moving. Ideally on foot. Preferably with a hot chocolate.
Zohran Mamdani is a New Yorker, part of the long line of immigrants and children of immigrants who built this city and, frankly, the country. While we’re at it — love to our Muslim friends and families across the five boroughs. New York works best when everybody’s in the room. Happy Hanukkah, Christmas, Solstice, Kwanzaa — and to everyone else, good luck making it to January.
This week, our interview with the streets has a Miami hangover and a New York winter cold snap (slap), with new murals, graffiti pieces, and street art conversing with you as you march to the subway, laundromat, or ice-skating rink. Artists and writers and street scholars this week include: Atomik, Clown Soldier, Cruze Oner, Daniel Lloyd, Dreamscape, EXR, Hiero Veiga, INFOE, Kams Art, Lexi Bella, Mesper, Mr. June, Mucky, Shepard Fairey, Tati, Tesoe, Werds, Zoot, and Zwon.
Welcome to BSA Images of the Week. Photographer Jaime Rojo hit the ground running upon getting back to dirty old Brooklyn this week from a Berlin/Prague tour. Lots to report from there on the walls, in the gallery, and in the museum spaces – and more to come for you to enjoy. In the meantime, here’s what he found on the streets of NYC; a mash-up of handstyles, graphics, pop cues, fine-art chops, humor, sarcasm, reverence, and straight-up rebellion — cultures colliding and talking back.
We begin the show with a new portrait of the much-loved graffiti and street art photographer Martha Cooper, based on a photo by Corey Nickols and painted by Swed Oner (Mathieu Taupenas) in Bushwick with Joe Ficalora and the Bushwick Collective by his side. Born in the south of France in the 80s, a graffiti writer in the late 90s, Swed Oner is now known for his hyper-realistic, monochrome portraits of people transformed into religious icons – featuring a “halo” motif for framing.
Featuring Dzel, EAZV, EXR, Gloom, Homesick, IMK, ISB, Jodi Da Real, KAMZ, Mike King, Notice, RIP Money, Shwan McArt, Silent, Smaer, Two Five, VENG, Warios, Werds, and ZOZS.
If you were in the room Friday night at The New School, you caught Matteo Pasquinelli throwing down ideas that lit up the crowd with his keynote “AI and Madness: On the Disalienation of the General Intellect.” It kicked off the Vera List Center Forum 2025: Matter of Intelligence—a weekend asking who gets to define intelligence and what happens when machines, bodies, and institutions all start claiming a piece of it. Later, over a community dinner, we met artists, curators, journalists, researchers, and assorted brainiacs who traded stories about neural nets, algorithms, kimchee, pulled pork, and tarot card readings that were available at many tables.
The rest of the weekend unfolded in forums with titles that could’ve doubled as concept-album tracks: “Embodied Intelligence: The Art of Sensing,”“Artificial Agency and Autonomy,”“Collective Intelligence and the Politics of Data,” and “Unlearning Intelligence.” If the weekend has a takeaway, it’s that intelligence isn’t something we own; it’s something we’re swimming in. Like all the street art and graffiti that city dwellers are surrounded by daily on walls, trains, doorways, and fences – it’s not exactly organized by algorithm, but patterns do emerge if you care to decode them.
So here’s our weekly interview with the street, this week featuring CKT Crew, Dain, Dmote, Dream, Famen, King157, KNOT!, Luch, Mr. Cenz, OptimoNYC, Phetus88, SHOCK, Skulz, Staino, Stevie Dobetter, and Sweater Bubble.
In honor of the radio station WNYC’s 100th birthday, Alison Stewart’s “All Of It” program is celebrating 100 pieces of art in New York City. Each month, Alison speaks with an expert in the art world about their 10 favorites. This month, Alison talked to Jaime Rojo and Steven P. Harrington, co-founders of Brooklyn Street Art, about 10 pieces of art in the streets that they think all New Yorkers would like to know about.
Since it was a radio show, it was impossible to show, only to tell. BSA fans have written to ask us for pictures of the pieces discussed, so here they are!
The list is unscientific and offers a wide selection of art styles and disciplines in New York’s public sphere. Please don’t take it as an indicator of importance or value; rather, take it as a casual survey of things you may see around town.
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2024. Picked by our followers, these photos are the heavily circulated and “liked” selections of the year – shot by our Editor of Photography, Jaime Rojo. We’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street. Happy Holidays Everyone!
We are deeply grateful for the fans and friends we meet in cities, at symposia, or on cozy living room couches. In times of economic, political, and social uncertainty that leave many feeling like we’re standing on a precipice, one thing remains clear: the future lies in our friends, families, communities, and especially our kids.
If you know a young person, support them. Guide them. Remind them that they are doing a good job and that they matter. Your encouragement can make all the difference.
Who’s in town this week? New York is no stranger to visiting street artists, but the thrill never fades. Right now, we’ve got Kiwi sensation Owen Dippie here to blow minds with his latest piece, plus the wild Italian trio Canemorto. These graffiti-street artist-fishermen from Brianza, up North of Milan, are kicking off a three-day performance at Matta. Come by to see what is the catch of the day, and they might be speaking their own brand of “Canemortish”. The three-day event will be fresh Thursday through Saturday – let’s see what they’ve reeled in for you!
Shout out to the Brooklyn Museum, which hosted hundreds of guests at the gala opening of a new show featuring 200+ Brooklyn artists Friday night. A celebration of the museum’s bicentennial, the collection gives a stunning overview, a diverse array, and an appreciative stage for many artists working here today. The Brooklyn Artists Exhibitionis organized by Jeffrey Gibson, Vik Muniz, Mickalene Thomas, and Fred Tomaselli and coordinated by Sharon Matt Atkins, Deputy Director for Art. If you can’t get to NYC, take a virtual tour of the exhibition.
Also congratulations to Museum of Graffitti for their first show in Shanghai. Co-founders Allison Freidin and Brooklyn native Alan Ket have mounted MOG’s very first exhibition on mainland China, “Street Echos”, right in the heart of the Changning District of Shanghai. A year in the making, the show combines an explanation of graffiti’s humble roots with the current status of the art form.
And here we go boldly into the streets of New York to find new stuff from: Jeremy Deller, Joe Iurato, Veng RWK, Jason Naylor, Stikki Peaches, Muebon, CP Won, Never Satisfied, Mena Ceresa, and Brozilla.
The conventions are done and dusted, and the candidates are locked in. Everyone’s got their pick: some are waving the Kamala flag, while others are riding the Trump train. But while the political stage is buzzing, the street art scene is still playing catch-up. The new Democratic contender hasn’t exactly made it onto many murals yet. But if you want to know how folks are really vibing, just check out the street portraits—artists are always a step ahead of the polls when it comes to capturing the public mood.
Here is our weekly interview with the streets, this week featuring ERRE, Hops Art, BK Ackler, Hops1, Wane COD, PHD, DRIK, Mack Colours, Olig, Souls, No Name Stencil, RAIZE, Scottie Marsh, Ques, 718 Crew, and Wild Cat.
We were looking at the description and lineup of this new Punk exhibit and thinking about how it extends to the early and current mural/street art scene at play today… Opine, as one may, about the roots of this scene and our rigorous academic attempts at qualitative mastery, but the average street artists cares nary a whit what you think, for the most part. It isn’t just our anti-intellectual age; it may simply be antithetical to what street art was ever intended to be. There are those who construct gates to enclose a favored few to make pronouncements about what street art is or isn’t, but the artists who produce work on the streets may not bother climbing the fence to get in their club.
It’s the ironic, rebellious, spirit of D.I.Y. that makes street art and graffiti most attractive for us —not its ability to make money for some nor burnish the reputation of another but to draw us together. The open access to self-expression is so alluring, and it is a testament to how truly innovative artists know how to seize a moment, transform a space, begin a dialogue, or weigh in on one. Create camps? Attempt to consolidate power? It is a folly. Why reject a corrupted and unfair pecking order only to reconstruct one? As we see more anniversary shows heralding punk and its origins, we recall that it was the liberty promised that was so appealing and the destruction of corrupt institutions that was most needed. The aesthetics may have become commodified. It’s spirit, never.
Here is our weekly interview with the street, this week featuring Alice Pasquini, Homesick, Judith Supine, Mike King, WERC, Pussy Power, Kane, Kone, Chris Haven, 6147, SLASH FTR, Geraluz, Coes Sneakers, AIC, and Skribblz.
Superhero or superfan, there is something here for everyone, and usually high quality. Street Art festivals worldwide have become dull and safe, perhaps because some are funded by tax dollars or their curators lack vision. The selections at the Bushwick Collective may not make a cohesive story, it’s true.
However, a sense of history, respect for graffiti’s roots, community, narrative, and free-wheeling organic creativity cuts a through-line that still feels fresh as a summer breeze in the shade of a tree. We have so many images of this year’s block party celebration that we had to split the collection into two parts.
On this Summer Solstice, we wish you strength and the wisdom to see the truth. The false will fall away.
Summer in the city with the hot asphalt, the humming of air conditioners, the tantalizing tune of the ice cream truck, the delightful shrieks of children in the playground, the BBQ smells on the sidewalks, the breeze coming from the ocean, the cacophony of songbirds, and the desires that long days bring.
Who can conjure a more intoxicating feeling than the feeling of summer? We let ourselves feel free from layers of woolen clothes and stiff limbs. When only a pair of shorts and a tattered T-shirt will do, we lay down and look at the sky, the grass soft beneath us. We hold court on rooftops, fire escape stairs, and front stoops. We celebrate the outdoors and soak in the summer rain. We are all children again, refusing to come back inside.
Joe Ficalora’s Annual Bushwick Collective Block Party is one of our official summer parties in New York City. This block party is unique, with a perfectly balanced combination of art, music, performance, and food trucks. This year’s edition was no different. International, national, and local artists came prepared to get up and get it done. Graffiti writers and street artists took over blocks and walls, bringing a vibrant palette of color, forms, ideas, icons, idols, themes, thoughts, and games with them. The public who came to see them painting live spent a full day enjoying art being made and dancing to the energy of hip-hop performers. We invite you to enjoy Part 1 of the offerings on the street, with Part 2 coming soon.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
