Welcome to Part II of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
Everybody’s proud of their neighborhood, and even though Bushwick continues to change, become more unaffordable, a little suburban, and sometimes feels like it is erasing the hardworking community that made it great, it takes a block party like this to remind you about what Bushwick is. Shout out to Joe and his family and team for incorporating the graffiti heads into the mix and allowing street art and graffiti to coexist in a way many predicted would be impossible; a truly unique collection of artists, styles, disciplines, inspirations, and themes.
Welcome to Part I of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
The day’s star performer, hip-hop legend Rakim, set the stage alight with an electrifying set that fused old-school authenticity with Bushwick’s forward-thinking street culture – an intelligent merging of underground and old-school. Sharing the spotlight were dynamic artists Statik Selektah, Gorilla Nems, Termanology, and Evil Dee, among others.
On the mural front, the Block Party again transformed Troutman Street into a living gallery. This year’s visiting muralists included Sef1, Contrabandre, Huetek, Gigstar & Minus One, Tymon de Laat, Ashley Hodder, and Enzo a psychotropic summer stew that again sampled from acrss the graffiti and street art spectrum.
It was a weekend where paint met poetry, beats met brushstrokes, and each corner of Bushwick told a fresh story. We hope these images capture the creative dialogue that unfolded. Stay tuned for Part II, where we continue to explore more of this year’s murals and moments.
The streets of Bushwick, Brooklyn right now are one sprawling open-air studio—artists from around the world balanced on cherry pickers, ladders, and step stools, bending brushes, tilting rollers, and waving aerosol cans like conductors directing an urban symphony of color. Thick lines, fine mists, reflections, textures, letterforms in every handstyle—they’re building volume and vibe, layering stories and style one gesture at a time.
Since transforming this once Dutch “town in the woods” into a global destination for graffiti and street art over a decade ago, Joe Ficalora has brought hundreds—more likely thousands—of pieces to these Brooklyn walls. A working-class, heavily industrial neighborhood with a strong immigrant presence for the last century, the new neighbors may not always understand the street culture that this movement grew from – often arriving with a whiff of suburban sensibility, but let’s be honest—they wouldn’t be here if the Bushwick Collective hadn’t turned the place into a magnet.
Graffiti writers know how to thrive in hostile environments. It’s built into the DNA. Street artists, too, have evolved with ingenuity and hustle since this worldwide boom began hitting walls in the ’90s. Ficalora’s no different—he’s stayed the course, taken the hits, and kept the engine running.
As tradition now demands, the Collective kicks off summer with a Brooklyn-style block party this weekend—thousands pouring into the streets to celebrate the visual feast. Our photographer. Jaime Rojo has been out documenting the latest wave of mural-making, capturing the energy before the crowds flood in.
What’s always set this apart is Ficalora’s instinct to unify. He’s given room to both graffiti kings and street art innovators, encouraging them to work side by side—and sometimes shoulder to shoulder. The hard lines between the two have softened over the years anyway; many street artists still tag graffiti as their first love, and plenty of writers have flexed into new directions. Cross-pollination is the norm, not the exception.
Add DJs, food trucks, neighborhood vendors, and this thing becomes more than a party—it’s community. Fourteen years deep, and like Joe says, it’s the journey, not the destination.
Although if you’re into street culture, this weekend in Bushwick is your destination, without doubt.
Aretha Franklin’s voice was on many radios and car stereos in Brooklyn yesterday. You could hear her riding on the Freeway of Love from a passing delivery van on Flushing Avenue, rocking steady at a barbecue in Marcy Projects, saying a little prayer for you out through someones’ open window in leafy Fort Greene.
There was other music on the street to be heard, sure, – it was a sunny summer day in BK, ya’ll. But Aretha kept appearing, and reappearing, taking us to church, and sometimes bringing us to tears. Her impact on the streets was felt because of her indomitable, soaring and searing voice giving voice to women of color and because of her respected work in civil rights dating back to Martin Luther King Jr. – at times when being proud to be black was a radical act all by itself.
May Aretha’s voice never leave our streets because even though many changes did come, many of us still believe real change is still gonna come. The Queen of Soul is gone, but her soul lives on!
Here’s our weekly interview with the streets, this week featuring Alien Mail, Captain Eyeliner, El Cekis, Ghost Beard, LMNOPI, MenaceTwo, Mr. Dis-Satisfied, Osiris Rain, Patch Whisky, Reza Piece, Sipros, Stray Ones, and Trap.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
