All posts tagged: Suso33

BSA Images Of The Week: 03.10.19

BSA Images Of The Week: 03.10.19

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Invader. Bilbao, Spain. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Dan Witz. Madrid, Spain. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
MSW. Beyonne, France. (photo © Jaime Rojo)
Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)
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“Urvanity” Fair Opens in Madrid, 68 Artists + Galleries + Walls + Panels

“Urvanity” Fair Opens in Madrid, 68 Artists + Galleries + Walls + Panels

You may not realize upon first glance through the series of modular white walled temporary gallery rooms, but this fine art on display all has origins in street practice.

Over the past long weekend Madrid’s Urvanity fair at The Palacio Neptuno showcased a sweeping cross-selection of crisply framed names – many of which are being identified as Street Artists en route to “Contemporary Artists”.

Banksy. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Hung at eye level, carefully spaced, and illuminated under tracked lighting, the studio work of nearly 70 Graffiti/Street/Urban artists went on this weekend in one of the first fairs dedicated entirely to this evermore emerging category.

With fresh works from artists like JonOne, Fin DAC, Pixelpancho, Miss Van, Jef Aérosol, Sixe Art, L Atlas, Stikki Peaches, and Ben Eine, it is a mostly Eurocentric roster of galleries you’ve come to know in the last decade or so from places like Amsterdam, Paris, Milan, Zurich, London, among others, and of course Madrid. Under the direction of Sergio Sancho, an advertising professional who has worked with major global brands, the fair calls the works on display New Contemporary Art and the program includes a companion mural campaign in Madrid streets featuring Eine, Jason Woodside, L’Atlas, PREF, MESA and Mohammed Lghacham.

Laurence Vallières. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

While receiving increasing support from serious press, museums, auctions, and festivals over the last decade and a half, it has been a great challenge for both commercial/social and historical/academic scholarship to agree on a moniker for these combined movements and makers – one that fairly encompasses the myriad motivations, styles of expression and intersecting cultures that have evolved from a half century of art on the streets.

Pro 176 . L’Atlas. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

With the inauguration of the Urvanity Mahou Talks Program during the fair, featuring again the artist Ben Eine and cultural curator Cedar Lewisohn, this topic and many more that continue to be raised can be examined and discussed in meaningful ways. At BSA we are finding that our participation in these panels, presentations, and discussions as well as being in the audience has furthered our understanding and appreciation for this natural and growing desire of scholarship.

The Urvanity program of conferences, debates and presentations here collect artists, curators and cultural managers with these purposes in mind and naturally will help collectors and fans contemplate these artists at the fair and better appreciate the bridge between the street and the fine art presented here. A strong first showing, you can expect to see Urvanity back again next year.

An outdoor mural from the Urvanity Instagram page. “We are excited to be able to be painting incredible murals in #Madrid. This one is by @oiterone on Calle de la Cebada!”

Miss Van . Peca. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Tilt . Moses & Taps. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Nano4814. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Vermibus . Jordan Seiler . OX. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Sixe Paredes . Suso33 Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

D*Face . Jason Woodside . Felipe Pantone . Pref . Okuda. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Sergio Sancho and the Urvanity team outside the inaugural exhibition Palacio Neptuno.
Check out their Instagram here.

For more information please visit:

URVANITY
Palacio de Neptuno
Calle de Cervantes, 42. Madrid
From February 23rd 26th, 2017
www.urvanity art.com

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Madrid Diary and the Street : Velasquez, Goya, Borondo, Spy!

Madrid Diary and the Street : Velasquez, Goya, Borondo, Spy!

Velasquez, the painter of the Spanish Golden Age died here. Along with the mannerist paintings of El Greco, the extravagant baroque of the Flemish Rubens, and the romantic Goya, one can see Velasquez’ works here at the wealthy and famous El Museo Del Prado of Madrid.

Also, we cannot forget the Bosch exhibit opening here at the end of the month. In fact there are two dozen or so world-class museums hosting vast collections of historical and contemporary art all around this capital of Spain.

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Borondo at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Naturally, their influences are also felt on the streets of the city, but you’ll need to veer away from the scrubbed-clean tourist areas and glide beyond the high-end boutiques to get this story. Behold Borondo! Suso! Spy!

The Tetuan neighborhood has been attracting an impressive list of local and international artists to its dilapidated walls and rough streets, now home to many immigrants from South America and Sub-Sahara Africa. It is the sort of environment that artists seek for experimentation and creativity and a rather instant audience. Paintings, illustrations, sculptural installations large and small. Sometimes they are finished works, often they appear as studies.

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Borondo. Madrid, Spain. (photo © Lluis Olive Bulbena)

This same storyline is repeated throughout the great metropolis in areas that are neglected, abandoned or otherwise overlooked. There are no luxury brands nor Disneyfied aspects or over attentive security to deal with here, this hotbed of creativity. Compared to the general ticket price of 14 Euro at Del Prado, admission to the street show is quite reasonable, and you may even meet the artist.

The images below sent to us by BSA contributor Lluis Olive Bulbena are culled from Tetuan and La Tabacalera for this Madrid Diary.

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Suso 33. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Suso 33. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

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San. Madrid, Spain. (photo © Lluis Olive Bulbena)

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San. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

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San. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Pincho at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Spy. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Spy. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Susie Hammer at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

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E1000. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Parseci at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

 

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