The Blizzard of ’26, which New York endured this week, is already a fading memory. We have fresh chaotic news every day, keeping everyone off-kilter, with purpose – some would say.
Welcome to BSA’s Images of the week. Mockingbirds are bringing sprigs from the cold, grey, churning East River to build nests on the banks of abandoned lots of Williamsburg/Greenpoint before further ugly gentrification paves it over. Up and down the Brooklyn waterfront, it’s a procession of architectural mediocrity—glass boxes and bland slabs posing as progress. With few exceptions, these vertical office parks evoke visions of photocopier showrooms or surplus staplers stacked in a supply closet.
Magnolias and cherry blossoms are starting to bust out all over Brooklyn. Spring is here, and it’s coming in hot—and cold. April’s throwing weather tantrums like a toddler on espresso, bouncing us around like a pinball between heatwaves, cold snaps; all while dodging the political side-swipes we read and hear on social media and the press room. Add in soaring grocery bills (despite what the “official” numbers say), and it’s no wonder everyone’s feeling a little punch-drunk.
In a notable week for New York’s graffiti and street art scene, Dutch artist Tripl, also known as Furious, unveiled his decade-long project, Repainting Subway Art. This ambitious endeavor meticulously recreates the iconic 1984 book Subway Art by Martha Cooper and Henry Chalfant, with Tripl reproducing each original piece on European trains and re-enacting the accompanying photographs. The project culminated in the publication of the 196-page book that was featured Friday night and feted Saturday night.
Friday to a packed auditorium the Museum of the City of New York hosted a panel discussion on featuring Tripl, Cooper, Chalfant, and artist John “Crash” Matos. Moderated by graffiti scholar Edward Birzin and introduced by MCNY’s Sean Corcoran, the conversation delved into the evolution and global impact of graffiti and street art culture and the powerful reverberation of the book’s influence on generations of writers and artists.
Last night, Crash’s gallery WallWorks New York in the Bronx inaugurated the Repainting Subway Art exhibition, offering an immersive experience juxtaposing pages from the original Subway Art with Tripl’s reinterpretations. As word gradually spreads about this project, the graffiti and related communities will undoubtedly debate its significance—as homage, reinterpretation, and artistic intervention—while celebrating the obsessive dedication it took to recreate one of graffiti’s foundational texts from a contemporary, transnational perspective.
We continue with our interviews with the street, this week including stuff from Homesick, Kobra, Humble, Sluto, Wild West, V. Ballentine, Bleach, Toast, CAMI XVX, Vew, Tover, Dreps, Leaf!, Aneka, Kam S. Art, and John Sear.
Welcome to BSA Images of the Week! Feeling that Valentine’s chocolate buzz? Gearing up for President’s Day? Thank goodness for holidays—little pauses in the relentless, whiplash-inducing news cycle we’re all riding.
First, some street art news:
San Francisco street artist Rabi Torres taps into ad culture subversion with his new “We Buy Souls” campaign, echoing the tactics of Cash For Your Warhol artist Hargo—right down to the cryptic answering machine message and documentation website. This kind of remixing of commercial signage also has historical roots in Ed Ruscha’s experiments with text, Barbara Kruger’s billboard-style commands, Jenny Holzer’s wheat pasted provocations, Corita Kent’s screen prints, and the bold aesthetics of the Colby Poster Printing Co. Certainly Rabi is getting people’s attention in a San Francisco cityscape that some may describe as hammered with advertising. Call the number on the signs, and you might get pulled into an existential rabbit hole—if you’re up for the game. SF Gate breaks it down here.
It looks like the card company using Banksy-style artwork for its designs may soon put the anonymous street artist in the public eye, as its trademark case with Full Color Black continues to progress in court. Depending on the twists and turns of this legal case, you may see Banksy making a public appearance.
Meanwhile, here’s our interview with the streets this week, including Nick Walker, Clown Soldier, IMK, EXR, W3RC, Sluto, Short, Zaver, Katie Merz, Geraluz, Helch, HVC, TOD, Peter Daverington, Carve, and Kee:
Here is our weekly interview with the streets, this week featuring City Kitty, Degrupo, Eternal Possessions, Dirt Cobain, RX Skulls, Le Crue, IMK, Outer Source, Sluto, ICU463, Manuel Alejando, Sule Cant Cook, Cheer Up, Jacob Thomas, Urban Ninja, 613 Hawk, and LeCrue Eyebrows.
Happy Easter to all the Christians today, and we hope all the kids get a chocolate bunny in their basket and go on an egg hunt in this new green grass Mother Nature has brought to the park for everyone to enjoy. It has been such an entertaining and rewarding hunt this week looking for new works popping up like daffodils on the street in NYC. We hope you enjoy some of these new works, a boon to the creative spirit that is running the streets in all five boroughs, no matter the season.
And now, here are images from our ongoing conversation with the street, this week, including: Praxis, Sara Lynne Leo, UFO 907, Aneko, Sluto, Viler, QUAZAR, Bones, Luch, Deluxe, WaliC, Suka, Ring, and TCONE.
Here’s our weekly interview with the street, this week featuring: Winston Tseng, Mike Makatron, Maker, MFK, Ollin, Slue, KEZ5, Big Ash, D30, 2Much, and Sekt.
Zuhanean Haneanzu is a collective of four interdisciplinary artists from Bosnia and Herzegovina: Anel Lepić, Husein Ohran, Muhamed Bešlagić, and …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
