All posts tagged: Sipros

Highlights From The Bushwick Collective: Edition 2019

Highlights From The Bushwick Collective: Edition 2019

Hyperrealism, Pop portraiture, cartoons, wildstyle, Big ears (Sipros) and of course Biggie, it’s the wake of the Bushwick Block Party!

Urban Ruben (photo © Jaime Rojo)

No matter which year it is, Biggie always seems to make the list and his newest portrait is by Ruben Ubiera from Dominican Republic and its just in time for New York’s naming a street after him. The street Biggie grew up on, Fulton Street and St. James Place in Clinton Hill has just been renamed to “Christopher ‘Notorious B.I.G.’ Wallace Way”.

Rosk Loste (photo © Jaime Rojo)

Enjoy these shots of some of the newest pieces and murals from around the hood spreading love, the Brooklyn way.

Rosk Loste (photo © Jaime Rojo)
Surface Of Beauty (photo © Jaime Rojo)
Urban Ruben (photo © Jaime Rojo)
Michel Velt (photo © Jaime Rojo)
Mico (photo © Jaime Rojo)
Lexi Bella (photo © Jaime Rojo)
RIS Crew. Detail. (photo © Jaime Rojo)
Mr. Hydde (photo © Jaime Rojo)
FKDL (photo © Jaime Rojo)
Sipros (photo © Jaime Rojo)
Sipros (photo © Jaime Rojo)
Pure TFP . DET_RIS (photo © Jaime Rojo)
Chris Soria (photo © Jaime Rojo)
Keops . Atomiko (photo © Jaime Rojo)
Ghostbeard . Patch Whisky (photo © Jaime Rojo)
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BSA Images Of The Week: 08.19.18

BSA Images Of The Week: 08.19.18

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Aretha Franklin’s voice was on many radios and car stereos in Brooklyn yesterday. You could hear her riding on the Freeway of Love from a passing delivery van on Flushing Avenue, rocking steady at a barbecue in Marcy Projects, saying a little prayer for you out through someones’ open window in leafy Fort Greene.

There was other music on the street to be heard, sure, – it was a sunny summer day in BK, ya’ll. But Aretha kept appearing, and reappearing, taking us to church, and sometimes bringing us to tears. Her impact on the streets was felt because of her indomitable, soaring and searing voice giving voice to women of color and because of her respected work in civil rights dating back to Martin Luther King Jr. – at times when being proud to be black was a radical act all by itself.

May Aretha’s voice never leave our streets because even though many changes did come, many of us still believe real change is still gonna come. The Queen of Soul is gone, but her soul lives on!

Here’s our weekly interview with the streets, this week featuring Alien Mail, Captain Eyeliner, El Cekis, Ghost Beard, LMNOPI, MenaceTwo, Mr. Dis-Satisfied, Osiris Rain, Patch Whisky, Reza Piece, Sipros, Stray Ones, and Trap.

Our top image: Aretha Franklin RESPECT  1942 – 2018 (photo © Jaime Rojo)

LMNOPI (photo © Jaime Rojo)

LMNOPI (photo © Jaime Rojo)

MenaceTwo – Reza Piece (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Alien Mail (photo © Jaime Rojo)

TRAP (photo © Jaime Rojo)

El Cekis in collab with Grasosobremargo for The Bushwick Collective. Detail of a work in progress. (photo © Jaime Rojo)

Stray Ones (photo © Jaime Rojo)

Sipros for The Buschiwck Collective. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Osiris Rain (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Patch Whisky . Ghost Beard for The Bushwick Collective. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Captian Eyeliner (photo © Jaime Rojo)

Mr. Dis-Satisfied (photo © Jaime Rojo)

Untitled. Subway buskers. NYC. August 2018. (photo © Jaime Rojo)

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BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

BSA Images Of The Week: 06.17.18: The Bushwick Collective Edition 2018

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Bushwick is in the mix this week as the new murals made to augment the collection for this years Bushwick Collective Block Party brought more persons and personality to the streets here. As murals are ruling this moment in the Street Art scene, today for your edification, this is how its looking out here.

Here’s our weekly interview with the streets, this week featuring Bert, BK Foxx, Cabaio Spirito, Franck Duval, Golden 305, Hops1, Jeff Henriquez, Li-Hill, Loomit, Michel Velt, Mr. Hydee, Mr. June, Niels Shoe Meulman, Reme821, Ruben Ubiera, Sipros, Skewville, and Solus.

Top image: A new Biggie by Sipros for The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Sipros. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Niels Shoe Meulman. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

BK Foxx. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Li-Hill. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Ruben Ubiera. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Skewville. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Reme821. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Cabaio Spirito. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Solus. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Jeff Henriquez. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Golden 305 (with the work of Celso “Work” on top from a previous edition). The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Michel Velt. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Hops1. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Loomit . Bert. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Franck Duval. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. Hydee. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

Mr. June. The Bushwick Collective Edition 2018. (photo © Jaime Rojo)

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BSA Images Of The Week: 10.29.17

BSA Images Of The Week: 10.29.17

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Halloween this year is on a Tuesday so its hard for people to know when exactly to celebrate it – we had 20 or so Trick-or-Treaters Saturday night so that tells you the kids vote in this part of Brooklyn.

Of course with the folks we have running the White House, every day feels like Halloween. “Here, I’ll trick you with this POPULIST costume, and my treat will be to take whats left of your middle class chocolate.”

Trick or Trick!

It doesn’t help that Tabloid TV loves the “Zombies on Parade” – they are like sugar addicts dancing for eyeballs and advertising dollars.

But from a Street Art and public performance perspective, New York is a thrill, a regular monster mash! The East Village parade 2017 on Tuesday will have puppets, 53 bands performing different types of music, dancers, artists, and thousands of New Yorkers in costume. Be safe out here ya’ll.

Here’s our weekly interview with the streets, this week featuring Karl Addison, Bifido, City Kitty, Denis Ouch, Don Rimx, Elliott Routledge, Julien de Casabianca, Julieta, Lungebox, Nevercrew, Outings Project, Revok, Sipros, Strayones, and TurtleCaps.

Top image: Elliott Routledge (photo © Jaime Rojo)

Revok – MSK (photo © Jaime Rojo)

Denis Ouch (photo © Jaime Rojo)

Portraits of a clown king. Denis Ouch (photo © Jaime Rojo)

Strayones brings out Cat In The Hat. (photo © Jaime Rojo)

Sculptural Street Artist Strayones tells us that the story represented here is a critique of “how business people and wealthy men are making us step over the edge into the abyss”.

Nevercrew. “Dimensional recipe”. Los Angeles. Part 1 (photo © Nevercrew)

“Dimensional recipe” is a series of three interconnected mural paintings realized in Los Angeles (USA), curated by Anne­Laure Lemaitre (FatCap), 2017.

About the work:

This is a work about mankind’s relation with creation, about the mutual influences between creativity and reality and the anthropological loop
that originates from this continuous correlation. It is about the feeling of being part of a system, of being a participant and being able to view it from a certain point of view, for what it is and for what it could be.”

Nevercrew. “Dimensional recipe”. Los Angeles. Part 2 (photo © Nevercrew)

Nevercrew. “Diposing Machine”. Melano, Switzerland. Part 1 (photo © Nevercrew)

“Disposing Machine” is the new mural from Nevercrew in Melano, Switzerland for Artrust. Their statement:

“Habits, attitudes, principles and awareness are conditioned by reality, and reality is conditioned by the perception everyone has of it. The position of humankind in its environment, in its World, is at the same
time part of its nature and a point of view from which to perceive it.

Systems are then interpretations, a way to give human shape to
something that’s not necessarily made for it, as well as a way to decide
which shapes to give and how to read them. As reality could be built and
altered by systems, so nature could then risk to be detached from
human sensing; an human reconstruction of something that exists
outside this given shape but that still is directly subjected to each action
that’s made on it.”

This image of Dreamers reminds us of our grandfathers and grandmothers and the stories of refugees all over the world overcoming obstacles to make a better life.  (photo © Jaime Rojo)

Dom Rimx (photo © Jaime Rojo)

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

The Italian Street Artist Bifido and Spanish artists Juelieta completed this fantastical work in Lecce, Italy this week for the 167 Art Project. Bifido tells us that the title is “First Fire” and it “talks about the possibility to love each other in a fantastic way, and it focuses on the importance of play in our lives.”

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

Turtlecaps . City Kitty (photo © Jaime Rojo)

An atmospheric Addison Karl . “Okchamali Nebulae”. Washington, DC. (photo © Addison Karl)

Lungebox (photo © Jaime Rojo)

One question: what is a furring channel? Sipros for The Bushwick Collective. (photo © Jaime Rojo)

Outings Project in Paris. (photo © Julien de Casabianca)

Outings Project in Paris. (photo © Julien de Casabianca)

Unidentified artist (photo © Jaime Rojo)

Untitled. Brooklyn, NY. October 2017. (photo © Jaime Rojo)

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BSA Images Of The Week: 07.09.2017

BSA Images Of The Week: 07.09.2017

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Culture Vultures, yo. Those folks and corporations and brands who don’t originate, but they sure know how to take. They’ve been around for millenia, but are always a surprise anyway. This week the graffiti comedian Klops leads the way on Images of the Week. He’s always cracking us up with his social/political commentary – like Mother Mary and others at the foot of the cross taking a selfie with Jesus, or his bubble tagged slogans like “Yuck. Poor People,” “USA, Why You Always Lyin’?” and “War Money War Problems.” This week his culture vultures took us by surprise. Recognize anyone?

So here’s our weekly interview with the streets, this week featuring Andrew Hem, BK Foxx, Camo Lords, Dede, Drinkala, Eelco Virus, Golden 305, Influx Residence, Key Detail, Klops, London Kaye, ONO, QRST, and Sipros.

Top image: Klops takes aim at Culture Vultures, those folks you just love. One of them is Mr. Brainwash, but who’s the other? (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

London Kaye (photo © Jaime Rojo)

London Kaye (photo © Jaime Rojo)

Key Detail for JMZ Walls. (photo © Jaime Rojo)

Camo Lords (photo © Jaime Rojo)

Eelco Virus (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

Andrew Hem. “Misty Blue” for INOPERAbLE Gallery and INFLUX Mural Residency. Providence, RI. June 2017. (photo © Damian Meneghini)

Drinkala for The Bushwick Collective. (photo © Jaime Rojo)

BKFoxx doe JMZ Walls. (photo © Jaime Rojo)

Sipros rendering of Dali as a dummy. The Bushwick Collective. (photo © Jaime Rojo)

ONO (photo © Jaime Rojo)

Unidentified artist. (photo © Jaime Rojo)

This actual wall appeared in a painting we covered in an interview we did with Laura Schecter last week. Below is her painting. Various artists hit up this magnet wall in Brooklyn regularly – and here it is viewed from the J train. (photo © Jaime Rojo)

Laura Schecter in studio (photo © Jaime Rojo)

Unidentified artist. (photo © Jaime Rojo)

Golden305 for The Bushwick Collective. (photo © Jaime Rojo)

Untitled. Summer 2017. Manhattan, NYC. (photo © Jaime Rojo)

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BSA Images Of The Week: 01.29.17

BSA Images Of The Week: 01.29.17

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Here’s our weekly interview with the streets, this week featuring Able, Alexis Diaz, Bruno Smoky, Case Ma’Claim, Crash, Dan Flavin, Ernest Zacharevic, Inti, Jose Mertz, Kryptick, Logan Hicks, Maya Hayuk, Miro, Pichi & Avo, Santiago Rubino, Shalakattak, and Sipros.

First image above: Alexis Diaz. Wynwood, Miami. (photo © Jaime Rojo)

Able. Wynwood, Miami. (photo © Jaime Rojo)

Jose Mertz. Wynwood, Miami. (photo © Jaime Rojo)

Sipros. Wynwood, Miami. (photo © Jaime Rojo)

Miro. Wynwood, Miami. (photo © Jaime Rojo)

Santiago Rubino. Wynwood Walls, Miami. (photo © Jaime Rojo)

Kryptik. Wynwood Walls, Miami. (photo © Jaime Rojo)

Ernest Zacharevic in collaboration with Martha Cooper. Wynwood Walls, Miami. (photo © Jaime Rojo)

Inti. Wynwood Walls, Miami. (photo © Jaime Rojo)

Crash. Wynwood Walls, Miami. (photo © Jaime Rojo)

Maya Hayuk. Wynwood Walls, Miami. (photo © Jaime Rojo)

Case Maclaim. Wynwood Walls, Miami. (photo © Jaime Rojo)

Pichi  & Avo. Wynwood Walls, Miami. (photo © Jaime Rojo)

Logan Hicks. Wynwood Walls, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Untitled. Dan Flavin. Chelsea, NYC. January 2017 (photo © Jaime Rojo)

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BSA Images Of The Week: 01.08.17

BSA Images Of The Week: 01.08.17

BSA-Images-Week-Jan2015
Over the holidays we made a quick stop in West Palm Beach, Florida to take a look at the murals from the CANVAS program, adjacent to the neighborhood of the Trump resort where he spent New Year’s Eve where he charged guests a minimum of $525 per person to attend his party. Scrubbed clean of any actual graffiti or organic Street Art, the downtown West Palm Beach shopping neighborhood adds these murals to a sleepy commercial area to pick up the glitter of a current fascination with Street Art.

With the highly contentious and disputed Trump right next door at his Mar-a-Lago estate, one wonders if any political messaging will be visible in the future, or will the neighborhood expressions of art in the streets be comprised of these decidedly apolitical and attractive murals created in advance of his presidency.

So here’s our first weekly interview with the streets for the year, this week featuring Anthony Hernandez, Astro, Bikismo, Case Ma’Claim, EMC, Grafftoyz, Greg Mike, Herakut, Hoxxoh, Kobra, Lonac, Michael Dweck, Pastel, PHD Graphitti, Pichi & Avo, Pipsqueakwashere, Sipros, Tristan Eaton, and WRDSMTH.

First image above: Lonac for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Kobra for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Kobra for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Tristan Eaton in West Palm Beach, Florida. (photo © Jaime Rojo)

Pichi & Avo. Side A. Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Pichi & Avo Side B. Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Herakut for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Anthony Hernandez. West Palm Beach, Florida. (photo © Jaime Rojo)

Case Maclaim for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Case Maclaim for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Collaboration between Grafftoyz, EMC and PHD Graphitti in West Palm Beach, Florida. (photo © Jaime Rojo)

Collaboration between Grafftoyz, EMC and PHD Graphitti in West Palm Beach, Florida. (photo © Jaime Rojo)

Collaboration between Grafftoyz, EMC and PHD Graphitti in West Palm Beach, Florida. (photo © Jaime Rojo)

Sipros for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

ASTRO for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Pastel for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Michael Dweck for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Bikismo for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Hoxxoh for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Hoxxoh for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

WRDSMTH for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Pipsqueakwashere for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Geg Mike for Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Greg Mike. Side A. Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Greg Mike side B. Canvas West Palm Beach. Florida. (photo © Jaime Rojo)

Untitled. Landing. New York City. January 2017. (photo © Jaime Rojo)

 

To learn more about CANVAS WPB click HERE

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BSA Images Of The Week: 12.04.16

BSA Images Of The Week: 12.04.16

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Of course it was not all about spectacle this week in Miami, but about tribes and community as well. Many conversations with artists on the street and at openings revolved around this chaotic/fearful time we are living in – and it seemed like if you weren’t discussing the incoming president and offering predictions about what fresh hell this time will bring, you were trying hard to avoid the topic altogether.

There were talks this week about activism or the lack of it on the street, relevance of the work of artists in the body politik, paint supplies, ladders, Tindr, licensing, how Pete Rock and CL Smooth blew everybody away late Friday night with the Bushwick Collective, how murals are not to be confused with Street Art and Street Art is not to be confused with graffiti and of course the evergreen “Is Street Art Dead?” – which has popped up as a topic about every 3 months since it was coined. Answer: no sight of it yet, but we’ll let you know if it stops mutating and shapshifting and re-defining itself. Promise

Without repeating some of the images from our previous postings this week, here’s our weekly interview with the street, this week featuring 2Alas, Bordalo II, Caratoes, Cleon Peterson, CRASH, Dan Witz, D*Face, Don Rimx, Evoca, Fluke, Hoxxoh, Jules Muck, L’Atlas, Okuda, Pez, Shepard Fairey, Shida, Shok1, and Sipros.

Bordalo II for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Fluke. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Dan Witz. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Crash. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Petterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Evoca1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Don Rimx for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shok1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shida for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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PEZ for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Shephard Fairey for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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L’Atlas. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Jules Muck. Wynwood, Miami 2016. (photo © Jaime Rojo)

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D*Face for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Hox Xoh for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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2alas for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Caratoes for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

 

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Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

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The gallerists and merchants have begun arriving in the South Beach area of Miami to uncrate the art they’ve shipped for the enormous Art Basel and the assorted satellite fairs of Art Basel Miami 2016. Across the Venetian Way heading inland and minutes to the north you see that artist have already been painting on walls in the Wynwood neighborhood.

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Fluke from Canada at work on his mural in Wynwood, Miami. (photo © Jaime Rojo)

First adorned by an entirely organic graffiti and Street Art scene in the late 90s and early 2000s, the low-income neighborhood with a light-manufacturing base has been transformed by real estate and economic development. Now after a decade of inviting local and international artistic talent to come and paint, the Wynwood area of Miami is a beacon of mural art that showcases this moment in its evolution.

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Fluke from Canada at work on his mural in Wynwood, Miami. (photo © Jaime Rojo)

Urban Nation (UN) returns this year as well, having worked with many of these artists who will be getting up throughout Wynwood, and BSA is on the streets here with you to see the action as it unfolds with exhibitions, shows, and possibly a party or two. While Wynwood events certainly popped up in the shadow of the annual Art Basel exhibition, art fair patrons and a modicum of celebrity have made the pilgrimage here in greater numbers every year for some urban decay realness, now sprinkled with glitter.

It is no surprise that many of these same artists are now featured in the art fairs as well, represented by new and established galleries and hired by lifestyle brands and moneyed corporations to carry their messages. It’s a heady mix of power, rebellion, politics, aesthetics, and aerosol; and sometimes it is a pure revelation to see the transformations, given the anti-establishment undercurrents that have run through graffiti and the more socio-political activist elements of Street Art throughout the last half-century.

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Fluke from Canada at work on his mural in Wynwood, Miami. (photo © Jaime Rojo)

On a sunny Sunday afternoon in the 70s, minutes away from the sand and the ocean, this grit is just getting stirred up again, and the aerosol fumes are already wafting through the blocks that are now looking less run-down, and decidedly under development.

West Coast based mural magician and philosopher Chor Boogie, with his protective air mask perched like mini-horns atop his head, smiles and welcomes a visitor happily because this time is just before the flood, before the sidewalks are thick with ipad-photographers and selfie-takers and fans of all sorts.

With moving vans and ladders and boxes of cans being unpacked, this neighborhood is clearly gearing up for a party again, and many artists have already laid down line work to play alongside pieces that have survived previous years. As the events unfold we’ll keep you apprised of the ones we trip into.

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It could just be us, but does this look like Al Pacino to you? Greece’s INO in Wynwood, Miami. (photo © Jaime Rojo)

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Chor Boogie at work on his tribute mural for his mother. Wynwood, Miami. (photo © Jaime Rojo)

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Chor Boogie at work on his tribute mural for his mother. Wynwood, Miami. (photo © Jaime Rojo)

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D*Face from a previous edition of Art Basel. Wynwood, Miami. (photo © Jaime Rojo)

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CERO from a previous edition of Art Basel. This mural was made with tiles and mosaics. Wynwood, Miami. (photo © Jaime Rojo)

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CERO from a previous edition of Art Basel. Detail. This mural was made with tiles and mosaics. Wynwood, Miami. (photo © Jaime Rojo)

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Crash. Wynwood, Miami. (photo © Jaime Rojo)

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Dasic Fernandez from last year edition of Mana Urban Arts Project X Bushwick Collective at Art Basel. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros from last year edition of Mana Urban Arts Project X Bushwick Collective at Art Basel. Wynwood, Miami. (photo © Jaime Rojo)

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Mateo. Wynwood, Miami. (photo © Jaime Rojo)

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This Herakut mural was executed in 2o12 and it is still in a remarkable condition. Wynwood, Miami. (photo © Jaime Rojo)

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Herakut. Detail. Wynwood, Miami. (photo © Jaime Rojo)

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MSK. Wynwood, Miami. (photo © Jaime Rojo)

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TCP. Wynwood, Miami. (photo © Jaime Rojo)

 


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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BSA Images Of The Week: 10.30.16

BSA Images Of The Week: 10.30.16

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We haven’t had such a frightening Halloween in years! – and we know we speak for many readers as well while we all look at the monstrous tabloid TV parade that is scaring the electorate. Boo!

Luckily we found some treats on the street! And a few tricks, but those are for our paid site, wink wink.

So here’s our weekly interview with the streets, this week featuring Bifido, Buff Monster, City Kitty, Dee Dee, Disto, Droid, Flood, Myth, Nychos, R2, REVS, RODA, Rusk, See True Fame, Sipros, Smells, Smith, Sweet Toof, and Texas.

Our top image: City Kitty is ready for Halloween(photo © Jaime Rojo)

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Buff Monster’s Mister Melty playing Narcissus with great aplomb. Detail. (photo © Jaime Rojo)

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Buff Monster for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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REVS and friends. (photo © Jaime Rojo)

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Roda . Droid . R2 (photo © Jaime Rojo)

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RUSK . DROID (photo © Jaime Rojo)

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SMELLS (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Nychos for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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See True Fame in Long Island City, Queens. (photo © Jaime Rojo)

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The more times change, the more they stay exactly the same. Unidentified Artist (photo © Jaime Rojo)

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Bifido has a new work in Dugenta, Italy that alludes to the harsh living conditions for some that creates wealth for certain industries. The name of the work borrows from the Beatles song: “Lucy in the Sky with Diamonds” (photo © Bifido)

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Sipros gives a ride to Stan for Mana Urban Arts Projects in Jersey City, NJ. (photo © Jaime Rojo)

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Texas. Disto (photo © Jaime Rojo)

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Disto. Gane (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Sweet Toof (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Untitled. Hudson River, NYC. October 2016. (photo © Jaime Rojo)

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BSA Images of the Week 10.09.16

BSA Images of the Week 10.09.16

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Donald Trump didn’t change. Your “News” did.

Any New Yorker on the street can tell you that Donald Trump has always been this way – he hasn’t made a “secret” of it. We just called this stuff “tabloid news”, and tabloids were an exception. Now they nearly rule all public discourse.

Lowest-common-denominator “News” has produced a lowest-common-denominator candidate. He almost clinched the highest elected office. There is a trail of polarized destruction in the wake.

For over a year this profit-driven entertainment media actually created a cancerous candidate who gives them daily “clickable content” while they hold their noses and count the dollars. These people aren’t serving you, or democracy. We are all collectively debased – men and women, black and white, Mexican and Muslim, rich and poor, families, children, teachers, workers, nurses, doctors, cashiers, church people, atheists – as a result.

The GOP’s flirtation with starting and fanning racist bonfires over the past decade or so has finally swallowed it in flames, leaving it in smoking embers, their leaders completely covered with fecal matter, quieted and stunned. The reputation of the US around the world took a battering thanks to this tabloid news candidate as well. Traveling to Street Art events outside the US this year, invariably someone would shake us by the lapels and ask us what the hell was going on with this Trump guy?!.

In recognition of the woman-hating man who came dangerously close to the White House, here are a number of different women and girls by Street Artists creating in the public sphere at the moment, covering a range of styles, backgrounds, techniques and points of view.

So, here’s our weekly interview with the street, this week featuring Beast, Danielle Mastrion, Faile, finDAC, Jilly Ballistic, Kevin Lyons, Leticia Mondragora, LMNOPI, Marina Capdevila, Myth, Never Crew, Ouch, Shepard Fairey, Sipros, Slick, Spaik, Stray Ones, Taker, Who’s Dirk, and Zimer.

Our top image: FinDac (photo © Jaime Rojo)

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Shepard Fairey. Detail. For The L.I.S.A. Project in The East Village. (photo © Jaime Rojo)

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Shepard Fairey. The L.I.S.A. Project in The East Village. (photo © Jaime Rojo)

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Zimer (photo © Jaime Rojo)

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Danielle Mastrion and Lexi Bella collaboration. (photo © Jaime Rojo)

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Beast (photo © Jaime Rojo)

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Faile (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Leticia Mandragora (photo © Jaime Rojo)

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Marina Capdevilla in Switzerland for Vision Art Festival. (photo © Marina Capdevila)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Stray Ones (photo © Jaime Rojo)

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Stray Ones. Catch him if you can! (photo © Jaime Rojo)

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Ouch (photo © Jaime Rojo)

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Taker for The Bushwick Collective. (photo © Jaime Rojo)

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Never Crew in Luzern, Switzerland for Viva Con Agua. (photo © Never Crew)

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Sipros for The Bushwick Collective. (photo © Jaime Rojo)

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Jilly Ballistic. Palimpsest in the NYC Subway. (photo © Jaime Rojo)

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Artist Unknown. Sexual predator for USA President. How can you people defend him still? (photo © Jaime Rojo)

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Artist Unknown. She is not perfect. She is also not crazy. (photo © Jaime Rojo)

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Whos Dirk (photo © Jaime Rojo)

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Slick. Murals In The Market/1XRun 2016. Detroit, Michigan. (photo © Jaime Rojo)

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Kevin Lyons. Murals In The Market/1XRun 2016. Detroit, Michigan. (photo © Jaime Rojo)

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Spaik. Sardegna in Italy. (photo © Spaik)

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Untitled. Subway dreams. NYC Subway. Manhattan, NYC. October 2016. (photo © Jaime Rojo)

 

 

 

 

 

 

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BSA Images Of The Week: 10.02.16 : Spotlight on Climate Change

BSA Images Of The Week: 10.02.16 : Spotlight on Climate Change

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Faile. Detail. The Greenest Point Project. Greenpoint, Brooklyn. NYC. (photo © Jaime Rojo)

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He loves me, he loves me not. He loves me, he tells me I’m an idiot because I trust scientists about climate change and that actually it is a hoax created by the Chinese.

Sorry, everything reminds us of Donald J. Trump and his outlandish claim for the presidency. Even when we are looking at the new Faile mural in Greenpoint, Brooklyn called Love Me, Love Me Not.

The Greenest Point is an initiative that wants to raise awareness of Climate Change and three Street Artists have just completed two murals here in Brooklyn to support it. The organization says that they hope to gather “together people from different backgrounds, professions and skill-sets who are bonded by aligned values and a common vision.” By integrating Street Art with technology, film, sound and voice, they hope that we’ll be more capable of piecing together the climate change puzzle as a collective.

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Faile. Detail. The Greenest Point Project. Greenpoint, Brooklyn. NYC. (photo © Jaime Rojo)

We don’t pretend to be scientists, but we trust the ones we have and we decided that this week we would dedicate BSA Images of the Week  just to this new project and this topic. We also know that it is now well-documented that tobacco companies fought us citizens with disinformation and legislative trickery for decades before they finally admitted that smoking was killing us and our families, so there is reason to believe that oil companies and related industries who flood our media and politicians with money are possibly buying time while we’re all heating up the atmosphere.

Here are new images of the two new murals in Greenpoint and Williamsburg, Brooklyn and an interview with the three artists who participated; Vexta, Askew, and long time Greenpoint studio residents, Faile.

BSA: Why do you think art is an important vehicle to highlight climate issues?
Faile: We feel it’s important to create work that can resonate with people on an emotional level. Something that we can live with everyday and that has a place in our lives that brings meaning to our experience. This is how we think people must learn to connect to climate change. It’s not something you can just think about, it’s something that you have to do everyday. It has to become part of you. We hope art has the power to be that wink and nod that you are on the right track. That the little things you do are meaningful and that change starts with you in the most simple of ways.

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Vexta and Askew. The Greenest Point Project. Greenpoint, Brooklyn. NYC. (photo © Jaime Rojo)

BSA: Greenpoint has a history of blue collar communities who worked in factories producing goods for the both the merchant marine and the USA Navy. Those factories are all gone and only a few of the original settlers remain in the neighborhood such as the Polish community. How do you think the murals painted for the festival relate to them?
Vexta: Our collaborative mural hopefully offers a voice to people directly to people who will become a part of the history of Greenpoint and its legacy. We will have QR codes installed that link to video pieces that physically give Askew’s subjects a voice as well as linking to the birds calls and information about their situation.
Faile: We tried to be aware of the history of Greenpoint. The communities that make this neighborhood what it is. We tried to incorporate some nods to them through the work, specifically with the traditional Polish pattern in the socks. Unfortunately, Greenpoint is also home to some of the worst ecological disasters this country has ever experienced, the effects of which are still present. We wanted to bring something positive and something beautiful to the neighborhood that spoke to everyone. There are other historical murals in the neighborhood so it didn’t feel like it required another.

The neighborhood is also quickly changing. It’s home to many young families and has a vibrant creative class, not to mention our studio for the last 12 years. When creating an artwork in a public space, especially a park, there’s always that balance of trying to make something that people can connect with on a visceral, then psychological level in an immediate way–once that connection is made you hope they can dig a little deeper into the more subversive side of the meaning.

BSA: Do you think art and in particular the murals painted for this festival have the power to change the conversation on climate change and positively move and engage the people who either are indifferent to the issue or just refuse to believe that climate change is a real issue caused by humans? 
Faile:Whether you believe it or not there are basic things that people can do in their everyday lives to create a more beautiful environment around them. Picking up trash, recycling, being mindful that our resources are precious – none of these really imply that you have to have an opinion about climate change. Just the fact that we have a green space now in Transmitter Park is progress towards an environment that we can fall in love with.

We think that’s ultimately what the idea of Love Me, Love Me Not is asking. What kind of environment do you want? Do you want renewable green spaces that offer future generations beauty and room to reflect within nature? Or do you want to pave over the toxic soil and oil spills with the risk of repeating the past? If people can even ask themselves that question then we are at least engaging them into the dialogue where the seeds of action can be planted.

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Vexta and Askew. Detail. The Greenest Point Project. Greenpoint, Brooklyn. NYC. (photo © Jaime Rojo)

BSA: Why do you think art is an important vehicle to highlight climate issues?
Vexta: For me as an artist it is the means that I have to talk about what I know to be important. Art also stands as this symbolic, most often visual, gesture that can bring people together, ignite debate and shine a light towards a new way of thinking that is perhaps still in the shadows of the mainstream. There is no more pressing issue right now than Climate Change.

There was a famous piece of graffiti up for a long time in my home city of Melbourne that read “No Jobs on a Dead Planet” in a beautiful font running down a power plant chimney. This work spurred my thinking back before I had begun making art professionally. That simple creative action out in public space was powerful and it spoke a simple truth and showed me that you can do a lot with a little. Art and art out in the streets is a great vehicle for talking about issues like climate change, because its a gesture in a shared space, it provides something to meditate on or think about that ultimately is a shared reality, this makes sense to me as climate change is a problem we need to work together to address.

Askew: I think that in particular art in the public space can be a very powerful way to put messaging on issues that matter right out in front of people who may not otherwise engage with it. Also an artist has the freedom to make the image captivating in a way that perhaps other platforms for speaking about serious issues don’t. People get bombarded with so much conflicting information every day especially via the mainstream media, art can put people in the contemplative space to engage differently.

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Vexta and Askew. Detail. The Greenest Point Project. Greenpoint, Brooklyn. NYC. (photo © Jaime Rojo)

BSA: You have participated in at least one other art festival whose principal mission is to highlight the well being of our ecology and our planet. What would you say is unique characteristic of The Greenest Point that differentiates it from other festivals with equal goals?
Askew: Well I think this is different because it’s so focused on a specific place whereas the scope of other events I’ve painted look more generally at global issues. I think it’s great for communities to narrow their focus to directly around them to tackle very tangible local change. If every neighborhood did that globally, imagine the impact.
Vexta: I agree with Askew, What is special about The Greenest Point is that it’s very locally based yet has a global focus. The Greenest Point has brought so many different parts of our local community together, from creatives to government to business. It has shown us that people in our neighborhood really care about Climate Change.

BSA: Your collaborative mural with Askew represents the current and future generations of children. What do you think is the principal message to send to the children so they are more aware of the problems facing our planet?
Vexta: My mural with Askew represents a coming together of numerous ideas. The future belongs to the youth and the world’s children will be the ones most impacted by Climate Change. I think they are really aware of this problem and it’s a very scary prospect. Our mural brought together not only representations of young people but also birds found in the NY state area that are currently climate threatened & endangered (according to Audubon’s Birds and Climate Change Report) as well as icebergs made of my shapes that represent the particles that make up all matter.

I would hope that we can inspire them to feel empowered to make small changes that they see as being possible whilst also acknowledging that all the other parts of our world – the birds, animals, water, air and land are just as important as they are. We are all in this together.

Askew: For me personally, celebrating young local people who are giving their time to make change in Greenpoint around sustainability and community-building issues is immediately inspiring to other young people.

BSA: Do you think art and in particular the murals painted for this festival have the power to change the conversation on climate change and positively move and engage the people who either are indifferent to the issue or just refuse to believe that climate change is a real issue caused by humans? 
Askew: Everything we do has impact, positive and negative – that’s the duality we deal with inhabiting this space. It’s a closed system, resources are finite and so we must respect them and do our best to live in harmony with this earth that supports us and live peacefully amongst each other and the various other creatures we share this planet with. No one thing is going to make pivotal change but everyone being mindful and keeping the conversation and action going is what will make a difference.

Our special thanks to the team at The Greenest Point and to the artists for sharing their time and talent with BSA readers.

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One image from this week by Street Artist Sipros depicts Climate-Change-denying Donald Trump as the character The Joker, from the Batman movies. A frightening piece of political satire, or perhaps propaganda, depending on who you talk to. Mana Urban Art Projects. Jersey City, NJ. (photo © Jaime Rojo)

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Untitled. Lincoln Street Art Park. Detroit, Michigan. Septiembre 2016. (photo © Jaime Rojo)

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