All posts tagged: Shepard Fairey

BSA Images Of The Week: 09.25.16

BSA Images Of The Week: 09.25.16

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We spent one whole week in Detroit, Michigan as guests of the good people who present the Murals In The Market , 1xRUN and the Inner State Gallery. We scratched the surface.

Our selections for this week’s edition of BSA Images Of The Week are harvested from Detroit streets and rooftops and hidden little spots – the murals painted for this year’s edition of  Murals In The Market, those are coming later on. Enjoy.

So, here’s our weekly interview with the street, this week featuring 907 Crew, Aryz, Avoid, Birdo, Dark Clouds, Droid, Ghostbeard, How & Nosm, Jarus, Kuma, Miss Van, NGC, Ouizi, Patch Whisky, Shepard Fairey, Smells, UFO, Vhils.

Our top image: Droid 907 with their original hybrid of fire extinguisher and outlining. Detroit, Michigan. (photo © Jaime Rojo)

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Vhils for Libray Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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Miss Van for Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Ouizi for Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Shepard Fairey. Detail. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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Shepard Fairey and How & Nosm. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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ARYZ. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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KUMA. Detroit, Michigan. (photo © Jaime Rojo)

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KUMA. Detroit, Michigan. (photo © Jaime Rojo)

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A typical graffiti smorgasbord in an abandoned building in Detroit, Michigan. Multiply this snapshot by 5,000. (photo © Jaime Rojo)

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Jarus. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Birdo. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Patch Whisky . Ghostbeard. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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AVOID NGC. Detroit, Michigan. (photo © Jaime Rojo)

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Smells . UFO 907. Detroit, Michigan. (photo © Jaime Rojo)

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Dark Clouds. Detroit, Michigan. (photo © Jaime Rojo)

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Artist Uknown. Detroit, Michigan. (photo © Jaime Rojo)

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Untitled. Detroit, Michigan. September 2016 (photo © Jaime Rojo)

 

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

 

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BSA Film Friday: 08.26.16

BSA Film Friday: 08.26.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Ella & Pitr: Utsira Island
2. Shepard Fairey Paints Fannie Lee Chaney mural “Voting Rights”
3. The Sound of Strijp-S Mural

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BSA Special Feature: Ella & Pitr: Utsira Island

It is funny to see this video stamped with the name “Street Art, Utsira ” because Utsira is an island with about 200 inhabitants off the coast of Norway, and there not many streets.  Also, this piece is not on a street.

Regardless, french roof painting couple Ella & Pitr made a trip there recently and squeezed in one of there cuddly characters, who looks like he is on the lamb from the huge childrens story book that he escaped from. Stay tuned for some exclusive shots and reportage on the making of this piece and their upcoming show at the local pub!

 

Shepard Fairey Paints Fannie Lee Chaney mural “Voting Rights”

It’s not finished yet in this home made time lapse, but it is is educational to see how Shepard Fairey works when creating this mural across from the entrance of Burning Man.

Based on a James Marshall photograph of Fannie Lee Chaney, Shepard is teaching us about civics and the importance of the right to vote. Mrs. Chaney’s son was killed along with two white friends while trying to register black people to vote by the Klu Klux Klan in the 1964 Freedom Summer rides in Mississippi.

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The Sound of Strijp-S Mural

A very slick and commercial mural of artists who have performed here in the Strijp-S district of the Dutch city of Eindhoven.

This is the home of electronics giant Phillips, which explains the shout out on the mural. The eclectic lineup of artists includes Belin, Zenk One, Vincent Huibers, Sven Sanders ,Pim Bens and Studio Giftig.

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Shepard Fairey: Earth Crisis

Shepard Fairey: Earth Crisis

Artist and activist Shepard Fairey this week releases a 2 volume “Earth Crisis” set that commemorates a recent public environmental project and doubles as a collection of plates to jumpstart your collection which you could easily frame and hang. With it comes powerful socio-political messages common to his wheelhouse delivered with the artists often iconic sense of design.
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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

With his enormous “Earth Crisis” globe project mounted at the Eiffel Tower for COP21 last November, Fairey brought his activist history, design history, and sense of timing and location to a stunning crescendo with this project. Suspended 60 meters overhead at the base of the tower while world leaders were gathered to discuss global warming, climate change, and energy policy in the so-called First world and Developing world, the globe incorporated many of the messages that Fairey has been bringing to the streets over the last two decades to provoke discussion.

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

In addition to thick cardboard plates of details from the Mandela he created for Paris, a second book of posters addressing related themes is included with his signature style incorporating mid-century slogans and advertising design, punk rock culture rage, and word-play that illuminates and hammers.

Topically the plates address themes including only some of those Mr. Fairey has continued to feature front and center in his street work and fine art and design: campaign-finance reform, the oil economy, air and water, corruption in politics, private control of public natural resources, green energy, the seduction of advertising, corporate collusion, fake patriotism and real climate change.

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

Of particular poignance are some of the artists observations and motivations for making the work, including one particularly reflective statement that may point to an artists own struggle to affecting change. He speaks about reading Rachel Carson’s “Silent Spring” published in 1962 and the effect it had on many.

“The title ‘silent spring’ was intended to force readers to contemplate spring time without the sound of songbirds – a jarring picture but also a reminder that our emotional connection to our environment is mainly just aesthetic,” Fairey writes. “If we stay oblivious to ecological destruction until we notice the aesthetics change by then it will be too late.”

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

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Shepard Fairey / OBEY. Earth Crisis. Albin Michel Publishers . Galerie Itenerrance. Paris. July 2016

 

All photos of the book’s plates  © Jaime Rojo

Shepard Fairey / OBEY Earth Crisis published by Editions Albin Michel. Paris, France. July 2016.

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BSA Film Friday: 05.20.16

BSA Film Friday: 05.20.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Christian Omodeo Talks About “Street Art – Banksy & Co.”
2. Guido Van Helten on Abandoned Silos in Australia
3. CTVà Street Fest 2016 Recap
4. How & Nosm’s Monumental Mural in Detroit by Dennis Porto
5. Shepard Fairey being Quick on his Feet

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BSA Special Feature: Christian Omodeo Talks About “Street Art – Banksy & Co.”

It’s impossible to enter a chatroom or a bar frequented by graffiti/Street Art types today without some mention of this exhibition in Italy. The topic centers around an unresolved, largely heretofore undiscussed question of any removal of illegally placed art from property for any purposes except to destroy it. Here one of the curators of the exhibit, Christian Omodeo takes you on a tour of the complete exhibit discussing tags, photography, collectors habits, the relevance of an object as a conveyor of culture. Finally the interviewer, Good Guy Boris, broaches the subject of works taken from the urban wild. The topic is tackled head-on with Omodeo very clearly laying out a case for …

Guido Van Helten on Abandoned Silos in Australia

A beautifully shot feel-good story of a small town farming community decimated by corporate industrial farming in Brim in the Wimmera region of Victoria, Australia. It is a familiar story about the disappearing family farm and our control of the food supply that has happened across much of the so-called First World but most people still haven’t connected the dots. Here artist Guido Van Helten focuses on the local story, the left-behind individuals affected directly by economic downturn and loss of community – and paints them heroically across an architectural archetype that rises triumphantly above the land, a row of grain silos. Juddy Roller produces, Round 3 Creative directs.

CTVà Street Fest 2016 Recap

Highlights of the CVTA Festival – Street Fest in Civitacampomarano in Campobasso (Italy). A small town of 400 celebrated for 4 days in April with Biancoshock (Italy) , David de la Mano (Uruguay) , Pablo S. Herrero (Spain) , Icks (Italy) , Hitnes (Italy), and ONE (Italy).

 

How & Nosm’s Monumental Mural in Detroit by Dennis Porto

A huge new piece by How & Nosm captured here helps you appreciated the talents and the scope. More on this project soon here.

 

Shepard Fairey being Quick on his Feet

Quick! A word choice game that keeps you apprised of your local Street Artist’s preferences. Video by Konbini

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Swoon: “Pearly’s Beauty Shop” in LA Helps You Be a Glamorous Philanthropist

Swoon: “Pearly’s Beauty Shop” in LA Helps You Be a Glamorous Philanthropist

SWOON and “Pearly’s Beauty Shop” are back!
Heliotrope Benefit!
Buy your TIX for Saturday 5/21 in Los Angeles HERE!

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BSA was an early and fervent supporter of the very first Pearly’s Beauty Shop nearly four years ago in Long Island City, New York: Swoon herself was there painting nails and the brand-new Braddock Tile architectural model was on display amongst all the lace-paper cut constructions, hair dressers, stylists, costumers, swirling lights and DJs.

This Saturday in downtown Los Angeles the 2016 Artist-Run Soiree named “Pearly’s” will dwarf that first one in star power, sponsors, co-hosts, DJs, guest curators, performance artists, hair dioramas, costumes, glitter, and rouge.brooklyn-street-art-swoon-pearlys-beauty-shop-superchief-gallery-web-1

Hosted by Superchief Gallery and benefitting Swoon’s Heliotrope Foundation, you are invited to re-imagine fantastically your personal aesthetics with a bevy of talented professionals at the ready to help make dreams come true – and to fund Heliotrope so it can help communities to heal after natural disasters, economic blight, and other urgent social crisis.

Juxtapoz’s Evan Pricco has curated a list of cool artists for an exclusive Pearly’s 2016 print release, Shepard Fairey will be at the wheels of steel, and Brooklyn babe now Hollywood bombshell Marsea Goldberg is curating a special exhibition called “Vanity”. Also, an auction curated by Raina Mehler and Andrew Lockhart.

Also, surprises. That’s all we can say.

West Coast Represent!!

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SWOON invites you to Pearly’s Beauty Shop
Saturday, May 21, 2016
7 pm to 1 am
Superchief Gallery
739 Kohler St, Los Angeles, California 90021

TICKETS: Tickets start at $50 and can be purchased at bit.ly/pearlys2016
DRESS CODE: Come as you are

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PURCHASE YOUR TICKETS BY CLICKING ON THIS LINK: https://www.eventbrite.com/e/pearlys-beauty-shop-tickets-24667609484

  • HOST COMMITTEE: Swizz Beatz • Jane Golden • Sallyann Kluz • Andrew Lockhart • Karmimadeebora McMillan • Sandra Powell • Zahra Sherzad • Anthony Spiegel • Ryan Nuckel • KT Tierney • Natalie Kates • Bill Dunleavy • Edward Zipco • Marsea Goldberg • Als Kenny • Ryland Behrens • Tamara Goldstein • Lisa Shimamura • Andrew Edward Brown • Liat Cohen • JL Sirisuk • Raina Mehler • Alex Fanning • Afrodet Zuri • Andrea Fiona Pagliai Londoño • Siovan Hope Ross • Adam Lehrer • Kristin Sancken • Charlotte Reed • Kurt McVey

Pearly’s Beauty Shop 2016 thanks Jefferson Projects; Juxtapoz Magazine; Lagunitas Brewing Company; Stolen Rum; Gary Lichtenstein Editions at Mana; Art Report; ArtLeadHER; and Red Flower for their generous support. Pearly’s is pleased to partner with LAMP Community, a Skid Row-based organization seeking to end homelessness and foster self-sufficiency among those living with severe mental illness.

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BSA Images Of The Week: 05.08.16

BSA Images Of The Week: 05.08.16

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Cities are urgently playing the deliberate gentrification/beautification card by bringing in the murals to give the place a facelift: Richmond just finished their third, Chicago is gearing up for a new mural program this week, and we are getting emails every few days from city planners around the world who would like to explore how to juice their flagging de-industrialized economy. And why not? New studies report that it raises your property values and advertisers are happy to join in to sponsor the events.

Is it Street Art? Most experts would say not- they lack the freewill autonomous nature and illegal aspects of the original Street Art scene – especially when their content is so sternly steered away from political or challenging themes and have corporate and state sponsorship. These are public/commercial mural programs – with work done by people who often are Street Artists.

Here’s our weekly interview with the street, this week featuring Audio Surveillance Zone, Balu, Chamberlin Newsome, Claw Money, Clock, D*Face, De Grupo, FR, Gold Dust, Gregos, Selfable City, Sheryo, Smart Crew, Specter, Strok, The Yok, TMO Plater, and Vexta.

Our top image: Balu for Centrefuge Project. Balu based this piece on a photo from 1975 as a tagger was getting up in the NYC Subway. (photo © Jaime Rojo)

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VEXTA (photo © Jaime Rojo)

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Antennae (photo © Jaime Rojo)

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TMO Plater and Claw Money for Centrefuge Project. (photo © Jaime Rojo)

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Chamberlin Newsome (photo © Jaime Rojo)

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Clock in Berlin. (photo © Jaime Rojo)

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Artist Unidentifed (photo © Jaime Rojo)

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The Yok and Sheryo (photo © Jaime Rojo)

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Gregos in Berlin (photo © Jaime Rojo)

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Specter AD Takeover. (photo © Jaime Rojo)

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Specter AD Takeover. (photo © Jaime Rojo)

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Smart Crew in Berlin. (photo © Jaime Rojo)

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Now that is planning ahead! Artist Unidentifed in Berlin. (photo © Jaime Rojo)

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STROK painted this miniature stencil on a roll down gate while visiting Brooklyn recently. (photo © Jaime Rojo)

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Sellfable City in Berlin. (photo © Jaime Rojo)

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FR in Berlin. (photo © Jaime Rojo)

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Gold Dust (photo © Jaime Rojo)

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D*Face and Shepard Fairey for Urban Nation ONE Wall. Berlin. (photo © Jaime Rojo)

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Audio Surveillance Zone in Berlin. (photo © Jaime Rojo)

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DE Grupo (photo © Jaime Rojo)

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Untitled. Peonies. Brooklyn, NYC. April 2016.(photo © Jaime Rojo)

 

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“Art Silos” Rise in the Harbor of Catania, Sicily

“Art Silos” Rise in the Harbor of Catania, Sicily

They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

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Interesni Kazki. Detail. (photo © VladyArt)

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils.

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Interesni Kazki. Detail. (photo © VladyArt)

The project’s completion at the turn of the year culminated in one of the largest Street Art/Graffiti artists’ collective shows in Italy held in the city’s main public gallery Palazzo Platamone, entitled “Codici Sorgenti” (Source Code), which was curated by Stefano S. Antonelli and Francesca Mezzano from Rome’s 999 Contemporary Gallery.

There is talk about the possibility that this exhibition of about 60 artists work will tour throughout Europe with its message of the historic roots of modern graffiti and Street Art along with many of its most impactful practitioners pushing into the contemporary art world.

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Interesni Kazki. Detail. (photo © VladyArt)

According to Arianna Ascione in Artsblog.it, the gallery exhibition was “divided into three sections that tell the birth, interactive development and consecration of the (graffiti/street art) phenomenon” Indeed, the list contains works by 108, A One, Augustine Iacurci, Alexis Diaz, Alexone, Bo 130, Boris Tellegen (aka Delta), Brad Downey, C215, Clemens Behr, Conor Harrington, Crash, Delta 2, Dondi White, Doze Green, El Seed, Ericailcane, Eron, Escif, Evol, Faile, Feitakis, Gaia, Herbert Baglione, Horfee, Interesni Kazki, Invader, Jaz, Jeff Aerosol, Mark Jenkins, Jonone, JR, Judith Supine, Kool Poor, The Atlas, Lek & Sowat, Lucy McLauchlan, Matt Small, Maya Hayuk, Mensanger, Miss Van, Momo, Moneyless, Peeta, Rammellzee, Retna, Roa, Seth, Philippe Baudelocque, Sharp, Shepard Fairey, StenLex, Swoon, The London Police, Todd James,Toxic, and the aforementioned Vhils.

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Interesni Kazki. Detail. (photo © VladyArt)

Ironically the genre-melting inclination of so-called “urban art” has eroded the silo mentality of many who follow these art forms as they become known, followed, collected, and exhibited; As a metaphor “Art Silos” may more accurately refer to the past and the dogmatic separation of genres such as graffiti, tattoo, illustration, ad jamming, and Street Art for example.

Although not strictly what you might call public art either, the scale of “Art Silos”, with its major artworks that typically may take years to be approved in large cities elsewhere, is an occurrence routinely happening in cities around the world.

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Vlady Art and BO130. Detail. (photo © VladyArt)

For us this is one more example of the “New Muralism” that is enabling Street Artists to do major works in public spaces via non-traditional routes. On par with a public art works of other committee-approved sorts, this silo project was a private/public collaboration that made selections, secured funding and permissions from the harbor authorities, city figures, politicians and the manager of the silos themselves, according to VladyArt, who along with Microbo is one of the artists and a resident of Catania.

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Vlady Art (photo © VladyArt)

He says the size of the project and the power of the imagery combined with the process of watching them go up has drawn a lot of attention to the area lately. “The people here were amazed by our speed and the large scale operation. Catania had no large murals like this… this was the very first time for Sicily. They can be seen from far away and even from taking off from and landing at the airport – or coming by cruise line on the sea. It seems that nobody really paid that much attention to this spot before, and everyone is talking about it now.”

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BO130 and Vlady Art. Detail. (photo © VladyArt)

To understand why a project of this nature can happen so quickly these days, look no further than the location. As we have recounted numerous times, often these efforts are deliberately programmed to draw attention to economically challenged areas as a way of encouraging tourism and investment.

In fact VladyArt says that this historic region and city that dates back many centuries before Christ is having a very challenging time economically and socially and could use positive attention from a crowd that appreciates art. “Catania is somehow the most dynamic city of Sicily, because of its industrial and commercial features,” he says.

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Lucamaleonte. Work in progress. (photo © VladyArt)

“Having said that, please be aware that the south of Italy is no way wealthy or an easy place, despite its beauty and lucky location in the sun. Almost the whole city is rough, I can name a many neighborhoods where this is the case.”

So it is all the more remarkable that a multi-artist iconic installation can happen here in Catania and people are exposed to a grassroots-fueled art scene that is currently galloping across the globe.

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Lucamaleonte. Work in progress. (photo © VladyArt)

“Regular people around here don’t know much about the whole thing, street art and stuff,” says Vlady Art. “So, quite frankly they wouldn’t care much about Okuda, Vhils or Interesni. They never heard of them before and probably people will find hard to spell their names. They cannot catch the meaning or the purpose of this. They simply like what they see – they like this energy. They do get the ‘message’, the power of art.”

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Danilo Bucchi (photo © VladyArt)

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Okuda (photo © VladyArt)

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Microbo (photo © VladyArt)

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ROSH333 (photo © VladyArt)

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The Silos facing the city. (photo © VladyArt)

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Vhils on the side of the silos facing the water. (photo © VladyArt)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published in The Huffington Post.

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“Young New Yorkers” Auction to Feature Jaime Rojo and 100 More

“Young New Yorkers” Auction to Feature Jaime Rojo and 100 More

BSA has been supporting and donating to the organization Young New Yorkers and many of the participating artists who are in tonight’s auction for a long time through our work for a number of years. This year BSA Co-founder and editor of photography Jaime Rojo is also donating something else – his own photography.

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Jaime Rojo. Untitled. Tawana and Miriam. Brooklyn, NY. August 31, 2003 (photo © Jaime Rojo)

YNY provides 16 and 17 year old people in New York State who have had the unfortunate occurrence of being arrested an opportunity to re-see themselves and society through an art-based program. The state has the unfortunate distinction of being particularly harsh with our youth, treating them as adults in some circumstances where other perspectives can and should come into play. It’s a mature and nuanced position that great societies can muster when we dig deep and we’re proud of the staff and volunteers who put in the huge amounts of effort to make YNY successful.

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Shepard Fairey. Natural Springs. Print. (photo courtesy of YNY)

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Joe Russo. Shepard Fairey, NYC 2010. Print. (photo courtesy of YNY)

This program is an opportunity to short-circuit a potentially harmful cycle of crime and incarceration because it recognizes the whole young person, not just a narrow aspect. If they qualify and graduate from the court-appointed program, graduates’ cases are dismissed and sealed, leaving them free of the collateral consequences of an adult criminal record.

Not surprisingly, graffitti and Street Artists and others familiar with the scene recognize the value of this kind of work and have given great pieces to the auction. Please consider the works here and go online to bid and attend the public auction in New York tonight!

 

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Daniel Albanese. Larry The Bird Man. Print. (photo courtesy of YNY)

“I wholeheartedly support Young New Yorkers; not only as an art program and constructive alternative to teens being incarcerated, but it is also highly therapeutic. It builds problem solving skills that can boost self confidence and allow participants to feel more empowered to pursue their dreams as well as deal with their realities.”—Shepard Fairey

Fairey has generously donated a number of prints for tonight along with works by an array of artists you’ll recognize such as Ben Eine, Swoon, Cern, Pure Evil, Icy & Sot, Robert Janz, Know Hope, Daniel Albanese, Hellbent, Greg LaMarche, Joe Russo, LMNOPI, Li Hill, Dan Witz and many others for tonights’ event. Your support will actually help keep our young people out of jail and contributing in a positive way.

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Swoon. Haiti Sketch (Older Man Collar). (photo courtesy of YNY)

This year’s YNY benefit auction show is curated by Lunar New Year, Ann Lewis, and Maya Levin.

Here is a small sample of the works being offered up for auction. To see the whole collection, bid and for more details on the actual works of art please go to: Paddle8 Young New Yorkers benefit auction.

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Ben Eine. See No Evil. Print. (photo courtesy of YNY)

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Brittany Williams. Blooming Mind. Painting. (photo courtesy of YNY)

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Li-Hill. Dive. Work on paper. (photo courtesy of YNY)

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QRST. In The House Of The Coyote. Work on paper. (photo courtesy of YNY)

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Dan Witz. Container Study (Green). Mixed Media. (photo courtesy of YNY)

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Jetsonorama. Stephanie on JR ‘s House. Print. (photo courtesy of YNY)

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Mataruda. Verso, Perla, Pluma y, Flor. Giclee Print. (photo courtesy of the artist)

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Graffiti and the Everyday Utopias of the Street from Schacter & Co

Graffiti and the Everyday Utopias of the Street from Schacter & Co

Utopia, as you know, is unattainable.

Neither should one think that we are devolving into a Dystopian nightmare. Not just yet.

A new show at London’s Somerset House is examining the acts and results of so-called urban artists and their relationship to discussions about this imagined polarity.

We ask ourselves if graffiti and it’s variant unsanctioned public art cousins simply are a medium of messaging that runs outside of accepted pathways of delivery? Yes, and so much more.

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Lucas Dillon. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

One one hand some public servants, civic minders, and private real estate owners have their “hair on fire” moments when these actions/interventions/disruptions of the cityscape are portrayed as signs of the utter ruin of civilization. Concurrently, libertarians, anarchists and sundry romantics may present them as a form of self expression, even self empowerment; an act of claiming a voice in the public dialogue heretofore closed to certain members of society.

In the descriptive text for Somerset’s current series providing a full year of space for Utopian thinking, we learn that co-producers Somerset House, King’s College London and the Courtauld Institute of Art are marking the 500th anniversary of Utopia’s formal birth as a concept in writings by Thomas More. The reasoning presented says that because of his texts we are all equipped to imagine that a better world is possible and, thus knowing, “we are empowered to create it.”

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Lucas Dillon. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

Raphael Schacter and the arts organization A(by)P are presenting a portion of this discussion with their exhibit Venturing Beyond: Graffiti and the Everyday Utopias of the Street, just opened. Commissioning seventeen street artists for one’s show is in itself so rare and splendid as to be only in the realm of one’s imagination today. But here they are; new pieces and performances from a healthy spectrum of practitioners on the graffiti/Street Art scene like Shepard Fairey, Swoon, REVOK, Brad Downey, Horfée, and Eltono.

Schacter and company are “arguing against the traditionally-held belief of graffiti as a dystopian movement or ‘glorified vandalism’.” With installation works, in-house residencies, and a wide-ranging program of events that include workshops, talks, films, music and performances, no stone will be un-thrown in this wo/man-made island of inquiry and imagination.

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Petro. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

Say A(by)P, “Above all, graffiti and street art act as an alternative voice, whether it is loud and brazen or more subtle and difficult to decipher, which strive to challenge the well-worn systems of society – something which Thomas More’s seminal text also set out. All of the artists will uniquely interpret their ideas on these utopian foundations of graffiti.”

 Here are a small series of images from the organizers from Venturing Beyond: Graffiti and the Everyday Utopias of the Street.

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Petro. Detail. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Russell Maurice. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Filippo Minnelli. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Les Freres Ripoulain. Detail. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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El Tono. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Antwan Horféé. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Misha Hollenbach. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Sixe Paredes. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Saleo & Rizote. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Shepard Fairey. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Nano. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

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Revok, Russell Maurice, Nano and Filippo Minelli. Approved By Pablo. Somerset House. London. March 2016. (photo © courtesy of AbyP)

3 March – 2 May 2016
Daily 10.00-18.00 (last entry 17.15)
Terrace Rooms, South Wing
Free admission

 

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BSA Film Friday: 01.29.16

BSA Film Friday: 01.29.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. DEOW1 in British Columbia : Maple Syrup
2. “From Street To Art” Exhibition in New York
3. Monkeybird and Said Dokins ‘Devenir animal’ (Becoming Animal)
4. Painted Oceans: Trailer

 

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BSA Special Feature: DEOW1 : Maple Syrup

This is an energetic vacation video with DEOW travelling in British Colombia, hitting freights and underpasses and the occasional deep woods spot surrounded by complete natural beauty, dreaming of a girl in a headdress and weaving fat caps to the beats. The sound track by Canada’s Tribe Called Red adds a popping exhilarating native vibe via the dancefloor. DEOW definitely traveled a long way north, considering he likes to call himself the southernmost graffiti artist in the world, hailing from Invercargill in the South Island of New Zealand. The trip goes fast even though the video clocks in at over 6 minutes.

“From Street To Art” Exhibition in New York

In August of 2014 Simone Pallotta brought 10 Italian Street Artists to New York to have an exhibition at the Italian Cultural Institute of New York. Along with Chiara Mariani, who helped produce the show, Pallotta helped us to examine these artists on their own merits apart from the fact that they each work on the street. In the words of one of the participants, Hitnes, as he takes a break from a mural on a Bushwick roof, the variety of artists who are working on the street is not homogeneous at all. In fact, he says, “you would need a different word for every artist.”

“From Street To Art” (Italy to New York) & Hitnes on a BKLN Roof on BSA

 

Monkeybird and Said Dokins ‘Devenir animal’ (Becoming Animal)

From San Miguel De Allende, Mexico, this fresh new mural by the french Monkeybird and Mexican Said Dokins. It’s a strong collaboration in complimentary styles of ornate stenciling, tape masking, and caligraffitic brushwork – creating echoing waves around this trio of mandelas. The gold leaf sets it off!

Monkey Bird Crew in Lille, France and Their Largest Monkey/Bird Stencil on BSA

Painted Oceans: Trailer

An interesting project involving Shepard Fairey, Futura 2000, How & Nosm, The London Police, and Tristan Eaton out at sea, they’re raising money for it through Kickstarter for the next 30 days. Check out the big plan below.

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BSA “Images of the Year” for 2015 : New Video

BSA “Images of the Year” for 2015 : New Video

Was 2015 the “Year of the Mural”?

A lot of people thought so, and the rise of commercial festivals and commissioned public/private mural programs probably brought more artists to more walls than in recent history. Judging from the In Box, 2016 is going to break more records. Enormous, polished, fully realized and presented, murals can hold a special role in a community and transform a neighborhood, even a city.

But they are not the “organic” Street Art that draws us into the dark in-between places in a city, or at its margins.

We keep our eyes open for the small, one-off, idiosyncratic, uncommissioned, weirdo work as well, as it can carry clues about the culture and reveal a sage or silly solo voice.  It also just reinforces the feeling that the street is still home to an autonomous free-for-all of ideas and opinions and wandering passions. For us it is still fascinating to seek out and discover the one-of-a-kind small wheatpastes, stencils, sculptures, ad takeovers, collages, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

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The main image above is from a vinyl subway advertisement that was high-jacked and we published it in February of this year on our Images of the Week posting. It’s small, personal, and very effective as you can see someone suspiciously similar to Batman is jumping out of the mouth of someone looking awfully similar to Hedwig of “Angry Inch” fame.

Of the 10,000 or so images photographer Jaime Rojo took in 2015, here are a selection 140+ of the best images from his travels through streets looking for unpermissioned and sanctioned art.

Brooklyn Street Art 2015 Images of the Year by Jaime Rojo

 

Brooklyn Street Art 2015 Images of the Year by Jaime Rojo includes the following artists;

365xlos43, Amanda Marie, Andreas Englund, Augustine Kofie, Bisser, Boijeot, Renauld, Bordaloli, Brittany, BunnyM, Case Maclaim, Casg, Cash4, CDRE, Clet, Cost, Curve, Dain, Dal East, Dan Budnik, Dan Witz, David Walker, DeeDee, Dennis McNett, Don Rimx, Ricardo Cabret, LNY, Alex Seel, Mata Ruda, Don’t Fret, Dot Dot Dot, ECB, El Mac, El Sol25, Ella & Pitr, Eric Simmons, Enest Zacharevic, Martha Cooper, Martin Whatson, Ever, Faile, Faith47, Findac, Futura, Gaia, Gilf!, Hanksy, Hellbent, Hot Tea, How & Nosm, Icy and Sot, Inti, Invader, Isaac Cordal, James Bullough, Janet Dickson, Jef Aerosol, Jilly Ballistic, Joe Iurato, John Fekner, Le Diamantaire, Li Hill, LMNOPI, London Kaye, Low Brow, Marina Capdevilla, Miss Van, Mr. Prvrt, Mr. Toll, Myth, Nafir, Nemos, Never Crew, Nick Walker, Nina Pandolofo, Old Broads, Oldy, Ollio, Os Gemeos, Owen Dippie, Paper Skaters, Pet Bird, Kashink, Smells, Cash4, PichiAvo, Pixel Pancho, QRST, ROA, Ron English, Rubin415, Saner, Sean 9 Lugo, Shai Dahan, Shepard Fairey, Sheryo & The Yok, Sinned, Sipros, Skewville, Slikor, Smells, Sweet Toof, Snowden, Edward Snowden, Andrew Tider, Jeff Greenspan, Specter, Stray Ones, Sweet Toof, Swil, Willow, Swoon, The Outings Project, Toney De Pew, Tristan Eaton, Various & Gould, Vermibus, Wane, Wk Interact

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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Top 15 Videos on BSA Film Friday From 2015

Top 15 Videos on BSA Film Friday From 2015

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Every Friday you can stop by here to see a handful of videos that are directly/tangentially related to Street Art. The criterion for selection is admittedly loose so we’ll just say that BSA Film Friday is a platform for inspiration, expression, examination. Some people use video to write an exhaustive treatise, a thorough examination bolstering Street Arts’ rightful place in the canon of public arts. Others write a few verses of a poem with video. We give extra points for telling a story in a new way.

Here we collect 15 that resonated with BSA readers in 2015, along with some quotes from the original posting to show you what we were thinking. Our sincere thanks to the hundreds of videographers who work so hard and with so much passion to tell their story with this medium. We have such admiration for you and your talent.

BSA Film Friday: 01.23.15

Narcelio Grud Mixes Cement and Sprays It

 “Narcelio Grud and “Chaupixo” brings us back into the inventive mind of this experimenter – now hand pumping a slurry of colored concrete over a stencil pattern. The results are solid!”

BSA Film Friday 04.10.15

The Reinvention of Normal: Dominic Wilcox

“By doing the ridiculous, something else might come of it,” says Dominic Wilcox, and we couldn’t agree more.

“Just off the wall. And that is what I’ve always encouraged in him.” says Dominic’s dad.

“I had this idea to come up with something creative every day for 30 days,” says the artist.

And this is how we all move forward.

 

BSA Film Friday: 04.17.15

Gladys Hulot, AKA Hyrtis Animates David Bowie “Life in Mars”

“BSA readers will dig this animation of David Bowie’s “Life on Mars,” Gladys Hulot, also known as Hyrtis, brings Bowie to slink through the cracks and around the concrete underground, dripping with piercing drama, and plenty of distinctive style. The voice here is stunningly replaced with a musical saw, giving the chameleon just one more layer to his multiple identities.  Not precisely street art, but Bowie’s ties to the street are undisputed.”

 

BSA Film Friday: 05.08.15

Shepard Fairey: OBEY This Film

“This is almost a year old but it is also sort of timeless when you see how Shepard Fairey’s continous re-evolving of his philosophies about art and its place in our lives has come to such cogent arguments. It’s a short film, a genuine distillation of the larger themes that we have seen at work in the life and the career and public person.

Shot by a guy whose primary focus up until this point was nearly exclusively about skaters and skate culture, Brett Novak says he was pleasantly surprised to learn that Fairey was likeable and had a lot of good information to impart. “I was not aware at how incredibly inspiring Shepard would turn out to be.”

 

BSA Film Friday: 05.15.15

Kinetoscope: Angelina Christina x Ease One

“Slab City is sometimes billed as an isolated desolated off-the-grid sort of place in California so it was an adventure for Christina Angelina and Ease One discovered the remains of this abandoned water tank and transformed it into a circular mural. They call it The Kinetoscope.”

 

BSA Film Friday: 06.05.15

1010 Creates a Crater in Paris

“And you thought New York had potholes? Be careful in Paris!”

 

BSA Film Friday: 06.12.15

Born and Bred: The Rise of Street Art in Bushwick

“It’s all about Joe! While you were looking for a brunch spot or a beard wax or simply at your navel, Joe took an opportunity to connect artists with walls and did more for the “scene” in Bushwick than an L Train full of pilgrims ever could. He cleared the way for a slew of local and international artists and writers looking for an opportunity to exercise their creative speech and courted the press with his local native personal story so often that you can imagine a Netflix series will be next.”

 

BSA Film Friday 07.17.15

Roma Street Art Tribes as Captured by Dioniso Punk

“Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.”

Part I

Part II

 

BSA Film Friday: 08.21.15

(RE) Prisma by Narcelio Grud

“The ship Mara Hope, stranded for 30 years on Iracema Beach alongside the Brazilian city of Fortaleza, received a benediction of more color in July thanks to Street Art interventionist and experimenter Narcelio Grud. A mistake in 1985, the ship has become a monument over time, a symbol of the history of the fishing industry, and after so many years a symbol of personal history for people who have grown up with it.”

 

BSA Film Friday 09.11.15

Hitnes. The Image Hunter / Voodoo Duck

 “At the Pine Island Audubon Sanctuary in Corolla, NC, The Image Hunter discovers the importance of duck decoys in Currituck County.”

 

BSA Film Friday: 10.16.15

Welcome To America Owen Dippie by Erin Dippie

“A nice homemade video this week by New Zealand painter Owen Dippie’s talented wife Erin, who documented his trip to New York and LA. Without the hype this gives you an idea what it is like to be a tourist here, and it is good to see the experience through the eyes of a loving partner.”

 

BSA Film Friday: 10.23.15

FAILE: “Wishing On You” Times Square 2015 NYC

“We debuted this video by Priest Fontaine live for the Brooklyn Museum audience with Faile and actual chills went up people’s spines. No lie.  Now you can see it too here online Capturing the current Times Square as county fair with mountains of screens flashing images around the Selfie Stick Forest, all corporate creepy and still sleezey – Fontaine evokes the magic that Faile is, as well as the pure industry that it takes to make their art work. Also good to remember that it was a hot and humid overnight installation that started at 8pm and ended around 10 the following morning.”

 

What Happened with BSA + FAILE at the Brooklyn Museum?

 

BSA Film Friday: 11.06.15

Your Tour Through Dismaland with Butterfly and Lars Pederson

“The views are sadly hilarious, pure sarcasm and commentary on issues and behaviors.  If Street Art is meant sometimes to hold a mirror to us as we pass by, this is a genuine funhouse of mirrors at every turn. Of course, this isn’t Street Art – its site-specific contemporary art – and many of the artists are street artists, but not all. Butterfly and Pederson discuss the installations as they encounter them and the viewer feels at though they have gotten a true sense of the wonderful world of Dismal.”

 

 

BSA Film Friday: 11.13.15

Ugangprosjektet 2015 in Drammen, Norway. A Film by Selina Miles

“UGANG2015 in Drammen, Norway had two weeks of murals from Street Artists and graffiti writers in late August. A relatively new event curated by local graffiti artist Eric Ness Christiansen (Eazy), the program is already slamming. A small town of 70,000 about 40 minutes from Oslo, they know how to take care of details, including inviting the inimitable Selina Miles to come and shoot it. Any questions?”

 

 

BSA Film Friday: 12.04.15

Brandalism Takes Over Bus Stops to Counter Cop21 Misinformation

“Here is a brief intro video about Brandalism’s answer to UN COP21 – and the first of what will surely be more videos about this massive effort by 82 Artists from 19 different countries to take back public space and the public dialogue about climate change from those who are skillfully employing misinformation and bending laws to enable them to continue making money at all costs.”

 

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