All posts tagged: Shepard Fairey

BSA HOT LIST : Books For Your Gift List from 2015

BSA HOT LIST : Books For Your Gift List from 2015

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This year BSA brought you a number of reviews of Street Art related books to consider. Now that it is Christmas / Hannukah / Kwaanza / Solstice / New Year time we thought you would like a brief review of some of the best books of 2015. Enjoy!

Djerbahood/Open-Air Museum Of Street Art

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From BSA:

“Djerbahood” Book About Tunisian Open-Air Museum Of Street Art

“Another top rate production from the Galerie Itinerrance in Paris, the book allows you to see most of the 150 or so artists who painted in this largest island of North Africa in Tunisia. Not surprisingly, most of these artists are represented by the gallery and organizer/author Mehdi Ben Cheikh so it is by default a catalog of talents whose studio work is for sale. But this is no mere sales catalog, Fatimah.”

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Djerbahood/Open-Air Museum Of Street Art by Mehdi Ben Cheikh. Published by Editions Albin Michel. Paris, 2015.

 

For more on this book click HERE

Anthony Lister “Adventure Painter” Gingko Press.

 

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From BSA:

The Adventures Of Anthony Lister

“Superhero and Street Artist/painter/contemporary artist Anthony Lister still crushes walls thank you very much. He never left the street actually – he just opened the door to the studio as well. And he lit things on fire in both.

Formally trained, he is one of the few of those much maligned art school kids painting on the street whom some graff heads allow themselves to admire, mostly because he doesn’t seem to give a good f**k. Don’t be mislead – he is a superhero as well as a villain, aesthete as much as vandal, respectful of convention even while shredding it. Anyone watching him work over the last decade will tell you that he cares very much and he is willing to do the heavy intellectual/emotional/physical labor to bring it to another level.”

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Anthony Lister “Adventure Painter” Gingko Press.

 

For more about this book click HERE

 

 

Borondo: Memento Mori

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From BSA:

Borondo and His Collection of “Memento Mori” (Book)

“By turning the pages you are a part of the research he is undergoing, and you see how he brings to the walls and windows his latest findings. Sometimes the process is additive, other times through subtraction, but Borondo appears to discover along with his audience what lies here.

A Street Artist yes, but one of the many former graffiti writers who are chafing against that term today, perhaps not realizing that their own practice is redefining it. Not only does the work speak to the average passerby in ways we haven’t been thinking of, he is using the context of the decaying wall as further evidence of a life cycle that everyone is a part of.”

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Memento Mori is produced and coedited by Chiara Caprasecca and Chiara Pietropaoli and published by Yard Press.

 

For more on this book click HERE

 

Graffiti South Africa by Cale Waddacor.

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From BSA:

Graffiti South Africa, The Book

“Arranged by three main areas of Cape Town, Durban, and Johannesburg, you even get a helpful map to help you appreciate the relative distance between them and the higher concentrations of writers in each – Graffiti South Africa gives a rather thorough overview of the scene, its players, and its history. The first book by the founder of the website by the same name, he has collected many images and interviews with artists from the early days as well as some of the newer ones, striking a balance in a widely varied scene that leans heavily toward graff vernacular while trying to incorporate the burgeoning street art scene as well.”

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Graffiti South Africa by Cale Waddacor available from Schiffer Publishing, Ltd.

 

For more on this book click HERE

 

Street Art Santiago by Lord K2

 

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From BSA:

Street Art Santiago : A Captivating Look and Insightful Read

“Using his own sense of discovery and a reporters’ tenacity for uncovering the story, Lord K2 (David Sharabani) scopes the walls for riveting images and first person accounts, digging below the obvious to present economic and social data along with a historical context of murals and their role in political life up to today.

Street Art Santiago adeptly draws connections between the quality of life, a lack of social mobility, and the soulful persistence of artists on the street who interpret the Santiago scene as one with its own distinct voice.

“The graffiti in Chile is mutating. We don’t want to paint graffiti from the Bronx anymore. We want to paint what reflects our Latin roots,” says Wend.”

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Street Art Santiago by Lord K2. Schiffer Publishing. Atglen, PA. 2015

 

For more about this book click HERE

 

C215. La Monographie. Éditions Albin Michel. Paris 2015

 

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From BSA:

The Genius of C215 In One Storied Tome : La monographie

“On the street and in the studio this guy has pretty much mastered the art of stencils over the last decade in a way that makes the medium have a human depth; something that few can do. He manages to give his subjects a character, revealing even the soul of his subjects in the lines on their faces, bringing life in their eyes. A proud and tormented fellow who honors art history as much as the suffering of people today, this is a talent that is fully engaged in the modern world.”

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C215 La Monographie / The Monograph. Éditions Albin Michel. Paris 2015

 

For more on this book click HERE

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015.

 

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From BSA:

Ein Wandblatt Aus Wien Issue #3: Erotik Edition

We’re always happy to see hand-made publications, especially when they are made by artists and collectives. For their 3rd edition, Ein Wandblatt Aus Wien have decided their theme is “Erotik”. With multiple contributions from fellow graffitti / Street Artists, you can see a few recurring themes amongst the figurative pieces. Included are some three dimensional pieces and many shots of favorite artworks on the street, which will apparently conjure erotik type feelings for certain folks.

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To order a copy of Issue Nr. 3 of  Ein Wandblatt Aus Wien: Erotik Edition click HERE

 

For more about this book click HERE

 

Søren Solkær: Surface

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From BSA:

Søren Solkær: “Surface” Reveals What’s Below

“ ‘At first it seemed like a closed community, but one artist would lead me to the next and before I knew it, I had entered into an amazing new world  a very tight knit community of artists, many of which live like creative nomads.,’ says photographer Soren Solkaer in the foreward to his new collection called Surface. A three year project that has led the Dane to 13 cities capturing 140 artists whose practice lies along the graffiti-Street Art continuum is a revelation on many levels  who knew that you could convince so many of these undomesticated ferocious coyotes to pose? Who would have guessed that they would agree to be in staged photographs as well?”

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Søren Solkær: Surface published by Gingko Press.

 

For more about this book click HERE

 

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich.

 

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From BSA

Malik and “Note” Bring 17 Street Artists to a Swiss Prison: “4661m2″

“Initiated by Aarau-based graffiti/street/fine artist Malik in May of 2012, the project eventually corralled 17 Street Artists, all but one from Switzerland, to enter the confines of the new high security Lenzburg Prison to paint murals on exterior walls, courtyards, hallways, and common areas.

‘I was looking for a new challenge and a new and exciting project where I could show my art,’ says Malik and while the 18 month project originated with his vision of getting a nice wall for himself, quickly the project grew far beyond his expectations to become an educational, sociological meditation on the penal system, the appropriate role of art within it, and our collective humanity.”

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4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich.

 

For more about this book click HERE

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015

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From BSA:

Shepard Fairey: “Covert To Overt” Book and Show in London

“Chronicling the last 6 years or so of murals, wheatpastes, shows, screen prints, posters, collaborations and art products that Fairey has brought to the fore, “Covert to Overt” is also chock-full of endorsements and analysis of his work’s impact from people who he’s met along the way like Jello Biafra to Neil Young to Pedro Alonzo, Russell Brand and D*Face.

Sean Bonner recounts a night wheatpasting with the Street Artist and the personal ruminations that can surface when sharing such bonding covert behavior, ‘We talked about small actions that can have huge impacts. Writing a song. Telling someone about a band. Creating an image that makes people ask questions. Simple actions that can change the world.’ “

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015

 

For more on this book click HERE

 

Ella & Pitr “Baiser d’Encre” (=”Ink kisses”) France 2015.

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From Bizaare Beyond Belief:

“Ella & Pitr is proud to present their new book “Baiser d’Encre” (“Ink kisses”). It is set to be released on the 12th of December 2015 and the book will be available online for international shipping on this site: Superbalais and also in Le Feuvre’s gallery in Paris.

“Baiser d’Encre” is a collection of extracts from Ella & Pitr’s sketchbooks. Exclusive and intimate, this new book is an open window to the artists’ life. Mostly composed of sketches, it is completely understandable for non-french speakers. Tons of preview images after the jump!

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Ella & Pitr “Baiser d’Encre” (=”Ink kisses”). France 2015

 

For more about this book click HERE

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Shepard Fairey: “Covert To Overt” Book and Show in London

Shepard Fairey: “Covert To Overt” Book and Show in London

“How exactly does one become an authority on questioning authority?” we asked in our 2011 interview with Shepard Fairey called “Too “Street” For Corporate, Too Corporate For The Street”. Even though he doesn’t mention us in his new tome “Covert to Overt” we feel like we called the paradox right with that characterization, one that recognizes the complexity of advocating for rooting out the corruption of a system while adeptly playing it at the same time.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Chronicling the last 6 years or so of murals, wheatpastes, shows, screen prints, posters, collaborations and art products that Fairey has brought to the fore, “Covert to Overt” is also chock-full of endorsements and analysis of his work’s impact from people who he’s met along the way like Jello Biafra to Neil Young to Pedro Alonzo, Russell Brand and D*Face.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Sean Bonner recounts a night wheatpasting with the Street Artist and the personal ruminations that can surface when sharing such bonding covert behavior, “We talked about small actions that can have huge impacts. Writing a song. Telling someone about a band. Creating an image that makes people ask questions. Simple actions that can change the world.”

In fact it is a series of simple and complex actions that are changing the world when it comes to Fairey, and his is an antidote to the cynical politics that rule the day. In this age of Wikileaks revelations, cleverly disguised oil wars, and social cancers like racism and classicism no longer hidden under subterfuge but brandished with flair, Fairey’s meditations on the overt and covert are more emblematic of our time than we realized.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Last night in London an exhibition opened featuring the work of Fairey’s most favored photographers, Jon Furlong.  The show closes on Sunday and the book is available there as well.

Covert To Overt: Photography of Obey Giant by Jon Furlong
December 2nd – 6th, 2015

House of Vans
Arches 228 – 232
Station Approach Rd
Waterloo, London

Wed – Fri: 4pm – 10pm
Sat.: 10am – 10pm
Sun: 12pm – 6pm

Shepard Fairey “Covert To Overt” Published by Rizzoli. New York, NY 2015. Click HERE for more on this book.

 

 

 

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BSA Film Friday: 11.27.15

BSA Film Friday: 11.27.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Vermibus: Unveiling Beauty: New York . Milan . London . Paris
2. Earth Crisis by Shepard Fairey
3. Vegan Flava: Abandoned Stories and Blank Spaces
4. Boijeot, Renauld, Martin: Hotel Empire. October 2015, 732 hours, New York City, United States.

 

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BSA Special Feature: Vermibus: Unveiling Beauty: New York, Milan, London, Paris

“Unveiling Beauty, as the name suggests, reveals the beauty that lies hidden behind the make-up and the photographic retouching that are used both within the fashion industry and in the way it publically stages itself via advertising.

In September 2015, Vermibus has followed the route of the most in uential Fashion Weeks, travelling to New York, London, Milan and Paris. And he analysed and revealed the true beauty that was hidden behind the various campaigns that are imposed on the public spaces of these cities.”

 

Earth Crisis by Shepard Fairey

 “I’m hoping to reach the average person, the average citizen,” says Shepard Fairey about this new project meant to correspond with the Cop21 climate change talks.

 

Vegan Flava: Abandoned Stories and Blank Spaces

“In one year I did five trips to an abandoned paper factory in Vargön, Sweden.”

 

 

Boijeot, Renauld, Martin: Hotel Empire. Octobre 2015, 732 hours, New York City, United States.

Did you miss the trip from 125th Street to the Bowery this October? Just watch this compilation of about 8,500 shots that tell the story. Warning to people who have trouble with strobe lights – this is a visual assault, albeit very educational and even entertaining. Just pause it anywhere and there is a story unfolding.

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BSA Images Of The Week: 11.15.15

BSA Images Of The Week: 11.15.15

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We start this weeks “Images of the Week” with a new piece on the street in Paris and we end the collection with many more inspired by the same events. A large number of artists took to the streets Friday night and yesterday to express grief and solidarity for 129 people killed Friday in Paris by terrorist attacks.

In addition to the outpouring of expressions and opinions on social, electronic and print media, it is good to see painting employed this way in the public space because it provides a common sense of our physical place, a location for people to meet and discuss and grieve together. “We were just folk that needed to get away from watching the news and met up on the train tracks,” one artist tells us.

Many of the pieces called up the Latin phrase that has been an unofficial motto of the city of Paris since the mid fourteenth century Fluctuat nec mergitur (Classical Latin: flvctvat·nec·mergitvr) which is translated today to mean “Tossed by the waves but not sinking (or sunk)”. In the coming days we hope that this continues to be true, but also that the shock and pain of such events do not lead to a cycle of violence and inaccurate generalizations, as presumably the actions were intended to provoke. Even in these difficult times it is important that cooler heads prevail.

Our thoughts and prayers go out to those families and friends who are in such utter pain because of these atrocious acts as well as others who are suffering because of war throughout the world.

Our personal thanks to BSA Facebook fans and friends who helped us find these new images; Susanna Allende, Jérémy Berjon, Jul Ben, Ona Sis, Yogesh Saini, Matthieu Ribo, Gaëlle Boscolo, Sylvie Arrondo, Mike Lambert, and Meli Venegas.

Here’s our weekly interview with the street, this week featuring Alex McNett, Bifido, Caserta, City Rabbit, Dasic Fernandez, Espion, Gaia, Gregory Gentois, Grim Team Crew, JCorp, Kai, Kashink, KLOPS, Mint & Serf, Moamed Abla, Moze (ODC Collective), Myth, Nepo, Pawn Price, POI, Shepard Fairey.

Top image above >>> MOZE in Paris (photo © Moze ODC Collective)

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KAI (photo © Jame Rojo)

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Bifido in Caserta, Italy. (photo © Bifido)

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Gaia in Jersey City, NJ. Portrait of Frederick Henry, Prince of Orange and a portrait of a man intended to represent the Lenape people native to the Delaware river watershed, Ackingsah-sack Wetlands, Lower Hudson Valley and Long Island. (photo © Jame Rojo)

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Shepard Fairey in Jersey City, NJ. (photo © Jame Rojo)

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He’s either lifting it…    Heart (photo © Jame Rojo)

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Kashink (photo © Jame Rojo)

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Alex McNett (photo © Jame Rojo)

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Dasic in Jersey City, NJ. (photo © Jame Rojo)

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What’s the chance of that happening? Myth (photo © Jame Rojo)

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This guy seems to have a lot on his mind. City Rabbit (photo © Jame Rojo)

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A 3D sculptural tag from Mint & Serf (photo © Jame Rojo)

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Stairway to Graffiti heaven. (photo © Jame Rojo)

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JCorp (photo © Jame Rojo)

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OBEY . DZN (photo © Jame Rojo)

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KLOPS (photo © Jame Rojo)

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Let’s see, who’s here: Jimi Hendrix flanked by Steve Winwood and ? and then possibly Jerry Garcia, then Johnny Cash, John Lennon, and Bob Marley. No women.  Pawn Price in Jersey City, NJ. (photo © Jame Rojo)

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POI (photo © Jame Rojo)

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NEPO (photo © Jaime Rojo)

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Kashink in Paris. (photo © Rory Kavanagh)

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Grim Team Crew. Place de la Concorde, Paris. (photo © Sylvie Arredondo)

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Grim Team Crew in Paris. (photo © Gregory Gentois)

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Espion in Montreal, Canada. (photo © Espion)

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Artist Unknown. Paris. (photo © Us Of Paris)

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This art wall was created Saturday morning at Khan Market in New Delhi by visiting Egyptian artist Mohamed Abla as part of a Delhi Street Art collaboration. New Delhi, India. @delhistart (photo © Yogesh Saini)

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Untitled. Manhattan, NYC. November 2015. (photo © Jaime Rojo)

 

 

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BSA Images Of The Week: 11.08.15

BSA Images Of The Week: 11.08.15

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Here’s our weekly interview with the street, this week featuring ADM LOD, Collagism, DAIN, Ernest Zacharevic, Hellbent, Jerk Face, Kremen, La Diamantaire, Martha Cooper, Miss Me, Mr. Toll, ND’A, Norm Kirby, Obey, Pyramid Oracle, Shalom Neuman, Shepard Fairey, Sinned, and Wing .

Top image above >>> Hellbent in New Jersey beaming in the autumn sunshine (photo © Jaime Rojo)

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Sinned (photo © Jaime Rojo)

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Ernest Zacharevic’s fourth collaboration with Martha Cooper. Detail. (photo © Jaime Rojo)

The Lithuanian artist Ernest Zacharevic has completed his fourth collaboration with a photograph by Martha Cooper. Well executed in this New York location, Ernest is drawing inspiration from Ms. Cooper’s photographs of children at play on New York’s Lower East Side of Manhattan in the 1970s.

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The original photograph of kids climbing a fence in an abandoned lot in NYC (photo © Martha Cooper)

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Ernest Zacharevic’s fourth collaboration with Martha Cooper. Detail. (photo © Jaime Rojo)

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Ernest Zacharevic’s fourth collaboration with Martha Cooper. (photo © Jaime Rojo)

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Wing (photo © Jaime Rojo)

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Kremen (photo © Jaime Rojo)

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Parisian Street Artist La Diamantaire visiting and adding a bit of glitter (photo © Jaime Rojo)

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La Diamantaire (photo © Jaime Rojo)

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A typical New York apartment with a somewhat packed roommate situation. Mr. Toll three D metaphor for life in NYC. (photo © Jaime Rojo)

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Miss Me. Someone is not taking responsibility? (photo © Jaime Rojo)

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Rent increase? Racist Donald Trump on SNL? iPhone OS update? ADM LOD (photo © Jaime Rojo)

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OBEY (photo © Jaime Rojo)

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OBEY (photo © Jaime Rojo)

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Where is my passport? (photo © Jaime Rojo)

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Prague artist DIAN with the Life is Porno Crew.  Bullshit elephant. The GOP icons were added later and weren’t part of the original concept. The Bullshit sign was installed by fusion artist Shalom Neuman. (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Norm Kirby (photo © Jaime Rojo)

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Norm Kirby (photo © Jaime Rojo)

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NDA (photo © Jaime Rojo)

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Jerk Face (photo © Jaime Rojo)

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Collagism (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC. November, 2015. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday: 11.06.15

BSA Film Friday: 11.06.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Your Tour Through Dismaland with Butterfly and Lars Pederson
2. “The Wave”, Shepard Fairey in Jersey City
3. DIAN and his Bullshit Elephant in Brooklyn

 

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BSA Special Feature: Butterfly & Lars Pederson Give a Tour of Dismaland

It’s 30 minutes of sheer edutainment as the blogger/writer/documentarian named Butterfly gives a tour to the urban art curator Lars Pederson through Banksy’s Dismaland in cooperation with ARTE Creative TV.

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The views are sadly hilarious, pure sarcasm and commentary on issues and behaviors.  If Street Art is meant sometimes to hold a mirror to us as we pass by, this is a genuine funhouse of mirrors at every turn. Of course, this isn’t Street Art – its site-specific contemporary art – and many of the artists are street artists, but not all. Butterfly and Pederson discuss the installations as they encounter them and the viewer feels at though they have gotten a true sense of the wonderful world of Dismal.

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We asked Butterfly about the video and her impressions with it and she tells us that the whole Dismaland has been overwhelming for her on many levels. “From the excitement of seeing new artworks by Banksy, to discovering new artists, to confronting depressing moral issues, to having fun – for me it’s his most ambitious project to date in scale and objectives and he nailed it like no other artist.”

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“Banksy’s curating role is fantastic as everything fits together as a whole, and it also highlights that consciousness on consumerism, the environment, politics is happening internationally and that everybody needs to take action,” she says.

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You’ll recall that Butterfly shared her images with BSA readers in August when the show opened and gave us her review at that time, but now in retrospect, does the show hold up? “Yes,” she says, “We’ve seen previously some politically engaged artists focusing on the environment, politics etcetera, but when it is all gathered together in Dismaland the impact is “Boom!”. The messages sadly need to be reiterated because we are inundated by information / disinformation and we tend to become oblivious.

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The most impactful of the installations for her was the one depicting immigrants attempting to escape to a better part of the world and the tragedies of families broken apart, some killed in the process. “It was very moving and disturbing to see the “Mediterranean Ride’ installation,” she says, “the migrant boats with floating corpses in the sea where the public could navigate the boats, but the boats never reached the shore.”

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Butterfly summarizes the event like this, “Being able to make contemporary art accessible to everyone in a family-friendly setting, with an interactive element where the audience is an integrated part into the show, where guests are entertained and at the same time everybody’s conscience is awakened on our society issues – it’s unprecedented.”

 

 

The Wave: Shepard Fairey in Jersey City

An unusual mural just completed by Shepard Fairey and team at the request of the mayor of Jersey City, this single image is intended to reflect the way of cultural change taking place in this city across the bay from Gotham.  Can’t help but think of natural disasters though. Of course Japanese art history is referenced here, as well as surfing culture, so we shouldn’t interpret it as a harbinger of negative things automatically. Regardless, it is very effective and the placement is primo, no?

 

Brooklyn Bullshit Elephant in Brooklyn (Dian & Life is Porno street art animation)

“Dian is a street artist from European art label Life is Porno. In 2015, he decided to do a series of stop-frame stop frame animations around Europe and the world. This time he turned a building in Brooklyn, NYC into his animated reality. And grew an elephant from his mushrooms…

Whole animation was spray-painted, without any computer animation. The Bullshit sign was installed by a legendary fusion artist Shalom Neuman. “

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BSA Film Friday: 10.02.15

BSA Film Friday: 10.02.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Shepard Fairey: Natural Springs.
2. West One: Future Communication
3. Monica Canilao: Alchemy. Detroit
4. Herakut in Rome by Blindeye Factory

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BSA Special Feature: Shepard Fairey: Natural Springs.

Jersey City hosted Shepard Fairey a couple of weeks ago at MANA Contemporary and naturally he chose this huge wall with a high profile to host his image entitled Natural Springs. If you are going to do a subtle lambasting of the oil economy where better than a location visible to the millions of drivers traveling between Jersey City and Manhattan via the Holland Tunnel.

 

Shepard Fairey: A Steady Drumbeat Inside and Out on BSA

West One: Future Communication

This promo for a show with West One without words calls for the rise of a third way (or fourth or fifth) that draws connection to graffiti of our earliest days of mark-making and movements of today employing symbol, shape, line to communicate in a monochromatic mode.

 

Monica Canilao: Alchemy. Detroit

As Detroit is settled by the artists you see the movement here from other cities has reached the former Motor City in this group show featuring the spirit of D.I.Y and re-imagining our empty neglected spaces as stages for aesthetic creation. This long video advertises an upcoming group show with Monica Canilao at the center describing a vision of alchemy.

Herakut in Rome by Blindeye Factory

Promoting their gallery show in Rome the german duo Herakut created this wall in Tor Pignattare forte  STREET HEART PROJECT, curated by Marta Gargiulo, Massimo Scrocca and Marco Gallotta.

“In our moment of need we rely on the family of humans. I wished we could remember these family bonds in our moments strength”
Herakut.

“Nei nostri momenti di bisogno ci affidiamo alle persone come famiglia, sarebbe bello se potessimo ricordarci di questi legami anche nei momenti di forza”. Herakut.

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Shepard Fairey: A Steady Drumbeat Inside and Out

Shepard Fairey: A Steady Drumbeat Inside and Out

A steady drumbeat characterizes the work of Shepard Fairey on the street and in the gallery, using art and design and his insight into the corrosive power of propaganda to pound out damning critiques and ironic appeals that address political, social, environmental issues of our day. If the new mural and the paintings, layered collages, and metal sculptures comprising On Our Hands are an indication of our current state, it is a time of neglect and peril like no other – yet exactly like every other.

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Natural Springs Mural in Jersey City, NJ. Shepard Fairey (Photo © Jaime Rojo)

With an ever-sharpened sense of design that is ever-so-slightly more minimal and strident, strikingly represented with richly complex densities of hue and plays on depth, Fairey is quietly becoming a master before our eyes, but we may have missed that fact because he’s yelling so loudly.

With On Our Hands, Fairey is yelling about blood and oil and money, as anyone who is paying attention should be. He addresses an insidious corruption of banks, oil companies, the war industry, and the disinformation industry, and he points to the winnings and to the costs.

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Shepard Fairey (Photo © Jaime Rojo)

As the title suggests, Fairey is a little less likely to exempt you from the equation this time, and in general he is being a trifle less sanguine or ironic than he was a decade ago. Once you have fielded the open-handed smack that some of these front loaded and frank diatribes deliver, you may realize that these are tougher slogans for nearly incorrigible times with more at stake, more to lose.

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Shepard Fairey (Photo © Jaime Rojo)

As ever the question remains, who will heed it? Fairey’s attractive style derived from his study of and affinity for the Russian Constructivists, Chinese Communist propaganda and Western advertising/propaganda may sometimes shield you from the harsh. His own sophisticated re-working of these tropes has placed Fairey in a pantheon of style that is also mimicked and paid tribute to.

While his is a voice that can and does reach many, it is also a challenge to find new ways to manipulate rhetorical devices, motifs, and visual clichés in a way that can actually disrupt psychological and behavioral patterns today — i.e. to snap folks out of their stupor.

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Shepard Fairey (Photo © Jaime Rojo)

Fairey declines to enter into the fray of the current political race for American president, yet people continue to seek his impressions and opinions due to the global exposure of his 2008 iconic image of the man who is now completing his second term.

Obama has not been the activist that many on the political Left may have wished for yet his wisdom and appreciation for the long-term effects of his work gives those critics pause. Likely also will the work of Fairey, who has created (and widened) the focus and altered the discussions that are happening on the street, influencing other artists and observers along the way.

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Shepard Fairey (Photo © Jaime Rojo)

Mr. Obama likes to refer to a quote from Martin Luther King Jr when speaking of this long-term view — a view that King likely took from a 1853 sermon by Theodore Parker, the abolitionist minister.

“I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”

As with the work of Obama, in which Fairey found much hope, and the work of Fairey, where the artist continues to focus his clarion calls on the street and in the gallery, both may have already caused a bending of that arc in their respective realms of influence. On Our Hands is one more indicator that Fairey is in it for the long haul.

On Our Hands at Jacob Lewis Gallery

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Shepard Fairey. Natural Springs (Photo © Jaime Rojo)

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Shepard Fairey. Water Is The New Black (Photo © Jaime Rojo)

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Shepard Fairey. Oil And Gas Handbook (Photo © Jaime Rojo)

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Shepard Fairey. From left to right: Smoke ‘Em While You Got ‘Em, A Message From Our Sponsor, Black Gold (Photo © Jaime Rojo)

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Shepard Fairey. Decoding Disinformation (Red Inverse) (Photo © Jaime Rojo)

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Shepard Fairey. From left to right: Universal Personhood 1, Universal Personhood 2, Universal Personhood 3 (Photo © Jaime Rojo)

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Shepard Fairey (Photo © Jaime Rojo)

 

“On Our Hands” is now open to the public at the Jacob Lewis Gallery,  521 West 26th Street. 4th Floor. NYC

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article was also published on The Huffington Post.

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BSA Images Of The Week: 09.13.15

BSA Images Of The Week: 09.13.15

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This Sunday’s Images Of The Week seems to have an overriding theme which wasn’t really planned. It just happened.

A preponderance of stencils, many of them miniature and most placed without permission are here for your consideration. Some of the pieces have been on the walls for years while others are fairly new. After a few days admiring large murals in Norway and Sweden, these little missives are sweet.

Futura also came back to New York from Norway just in time to hit the hallowed Houston Wall yesterday and Martha Cooper is hanging there as well, so you will want to check that out! Martha and John Ahearn just opened  their new dual show Thursday called “Kids” at Dorian Gray on the LES, which we thought was dope.

Also in town are Ernest Zacharevic, who will be working on a special project, David Walker has been seen poking his head into things, and Vermibus is popping up here and there on bus shelters with his dissolved portraits. A number of artists and fans are in NYC for the Brotherhood show at Jonathan Levine curated by Yasha Young, and of course Shepard Fairey has his first New York show in five years coming up this week with all new work on exhibition at Jacob Lewis Gallery called “On Our Hands”. As in blood, yo.

Here’s our weekly interview with the street, this week featuring APosse, Dolk, DotDotDot, Dotmasters, Ella & Pitr, Hama Woods, Isaac Cordal, JPS, MIR, Nafir, the Outings Project, Strok, Martin Whatson and TREF.

Top image above >>> Strok in Stavanger, Norway. (photo © Jaime Rojo)

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Dotmasters in Stavanger, Norway. (photo © Jaime Rojo)

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Outings Project in Stavanger, Norway for NUART 2015. (photo © Jaime Rojo)

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JPS in Stavanger, Norway. (photo © Jaime Rojo)

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JPS in Stavanger, Norway. (photo © Jaime Rojo)

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JPS in Stavanger, Norway. (photo © Jaime Rojo)

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TREF in Stavanger, Norway. (photo © Jaime Rojo)

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Isaac Cordal in Stavanger, Norway for NUART 2015. (photo © Jaime Rojo)

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Isaac Cordal in Stavanger, Norway for NUART 2015. (photo © Jaime Rojo)

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APOSSE in Stavanger, Norway. (photo © Jaime Rojo)

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Artist Unknown in Stavanger, Norway. (photo © Jaime Rojo)

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Looks like a rather explosive romance. DOLK in Stavanger, Norway. (photo © Jaime Rojo)

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Ella & Pitr in Stavanger, Norway. (photo © Jaime Rojo)

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Ella & Pitr in Stavanger, Norway. (photo © Jaime Rojo)

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MIR* in Stavanger, Norway. (photo © Jaime Rojo)

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NAFIR in Stavanger, Norway for NUART 2015. (photo © Jaime Rojo)

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Hama Woods welcomes all the rats to the big show in Stavanger, Norway. (photo © Jaime Rojo)

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Martin Whatson in Stavanger, Norway. (photo © Jaime Rojo)

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Dotdotdot in Stavanger, Norway. (photo © Jaime Rojo)

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Untitled. L Train, NYC. August 2015. (photo © Jaime Rojo)

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UN & StolenSpace Create PM/8 “Freedom” in Berlin

UN & StolenSpace Create PM/8 “Freedom” in Berlin

Urban Nation in Berlin has just completed a new series of walls, window displayed artworks, and a gallery show for the eighth edition of Project M (PM/8) in conjunction with StolenSpace Gallery in London.

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Snik (photo © Nika Kramer)

The show is called “Freedom” and features a few of the better known names in the Street Art / Urban Art game along with other emerging artists in the Stolen Space stable. In addition to the opportunity to see new work being created live and meeting many of the artists, this version of Project M also included a roundtable discussion hosted by Very Nearly Almost (VNA) editor Roland Henry and featuring a conversation with D*Face, Shepard Fairey, and UN Director Yasha Young.

Project M is taking it to the street, into a gallery/museum-like setting, and into the community with various educational projects like these. We’re looking forward to seeing the nascent Martha Cooper library project as it continues to grow as well as seeing more panels, discussions, scholarly examinations, and interactive community programming in the future as the UN evolves.

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Snik (photo © Nika Kramer)

Project M is meant as a lead-up to the opening of Urban Nation, currently slated for 2016, and many of the window works made here will become part of the future institutions permanent collection. The full PM/8 roster continued to shape-shift as additional artists were painting walls as well but we think we have it right when we say it includes Cyrcle, D*Face, Evoca1, Miss Van, Herakut, The London Police, Shepard Fairey, Snik, Word to Mother, Maya Hayuk, Cyrcle, Case M’Claim, Elle, and Lora Zombie, with many of artists in attendance, and one giving tattoos (see below).

Maya Hayuk took on the large task of the UN façade while Shepard and D*Face knocked out a slim set of tall twin walls and Cyrcle knocked out a modern text balanced graphic piece.

Our very special thanks to Nika Kramer, who shares her exclusive photographs of some of the artists and action at PM/8 here with BSA readers.

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Snik (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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The London Police (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Miss Van (photo © Nika Kramer)

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Herakut (photo © Nika Kramer)

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AkutOne of Herakut (photo © Nika Kramer)

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Word To Mother (photo © Nika Kramer)

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Word To Mother (photo © Nika Kramer)

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Evoka1 (photo © Nika Kramer)

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Evoka1 (photo © Nika Kramer)

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Cyrcle (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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D*Face (photo © Nika Kramer)

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Shepard Fairey (photo © Nika Kramer)

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Maya Hayuk (photo © Nika Kramer)

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Shepard Fairey . D*Face. Urban Nation OneWall Project in conjunction with PM8 “Freedom” (photo © Nika Kramer)

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Cyrcle. Urban Nation OneWall Project in conjunction with PM8 “Freedom” (photo © Nika Kramer)

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Lora Zombie. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Lora Zombie. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Case M’Claim. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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Case M’Claim (photo © Nika Kramer)

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ELLE. Urban Nation “Outbrake” in conjunction with PM8 “Freedom”. (photo © Nika Kramer)

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ELLE (photo © Nika Kramer)

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More detail for Davey. During downtime tattoos were offered by Word To Mother in the back workshop at UN. (photo © Nika Kramer)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

The gates are open to the new public/private art project called Coney Art Walls and today you can have a look at all 30 or so of the new pieces by a respectable range of artists spanning four decades and a helluva lot of New York street culture history. We’ve been lucky to see a lot of the action as it happened over the last five weeks and the range is impressive. These are not casual, incidental choices of players lacking serious resumes or street/gallery cred, but the average observer or unknowing critic may not recognize it.

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How & Nosm (photo © Jaime Rojo)

By way of defining terms, none of this is street art. These are murals completed by artists who are street artists, graffiti writers, fine artists, and contemporary artists. In the middle of an amusement park, these are commissioned works that respond in some way to their environment by thirty or so local and international heavy hitters and a few new kids on the block comprising a 40+ year span of expertise.

Open to many strata of the public and fun-seekers who dig Brooklyn’s rich cultural landscape, this outdoor show will surely end up as backgrounds for selfies — while perhaps simultaneously elevating a discourse about the rightful place of graffiti/street art/urban art within the context of contemporary art. Okay, maybe not such loftiness will result, but let’s not rule it out entirely.

 

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How & Nosm (photo © Jaime Rojo)

It should come as no surprise that it is the dealer, curator, perennially risk-taking showman Jeffrey Deitch who is the ringmaster of this circus, or that the genesis of this cultural adventure is perplexing to some who have greeted his newest vision with perplexity and derision. His Deitch Projects and related activities in the 2000s regularly presented and promoted the street-inspired D.I.Y. cultural landscape, having done his due diligence and recognizing that new life springs from the various youth movements always afoot. The Jeffrey-conceived “Art Parade” itself was a street-based all-inclusive annual panoply of eye candy and absurdity; inflicting humor, sex, gore, fire, glitter and possibility into the minds of Manhattan sidewalk observers.

As MOCA Los Angeles director Deitch also flipped the script with his “Art In The Streets,” organizing a vast survey of a half-century of the modern grassroots genres including graffiti/street art/urban art/tattoo/punk/hip-hop/skater culture that far surpassed anyone’s predictions for audience attendance and public engagement. Aside from tripping wires and a public misstep here and there, the show earned critical praise, pinched art-school noses, and pushed skeptical institutions and patrons to question their prejudices. It also gave voice to a lot of people.

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Daze (photo © Jaime Rojo)

Notably, that MOCA exhibit drew a little over 200,000 attendees in four months. Coney Island beach and boardwalk gets about 14 million annually. Even if the Smorgasbord pop-up village food trucks feed a fraction of that number, there will be more folks viewing art and interacting with it here than, say, the Four Seasons dining rooms, which also display street artists and contemporary artists in the restaurants’ artistic programming. Side by side comparisons of Smorgasbord/Four Seasons diners ethnic diversity, income, age, education level, museum board membership or real estate investments were not available at press time. But neither can be fairly described as exploitative to artists or audience without sounding patronizing.

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Daze (photo © Jaime Rojo)

These multicolored and monochromatic murals illustrate a wide and balanced smorgasborg of their own; examples of myriad styles are at play with some engaging in activism and local politics and Coney Island history. From original train writer Lady Pink to aerosol drone sprayer Katsu, from eL Seed’s lyrical Arabic calligraffiti to Retna’s secret text language to graffitist-now-collagist Greg Lamarche, from Shepard Fairey’s elegant Brooklyn salute to polluters and blasé consumerism to Tatyana Fazlalizadeh’s spotlight on current Coney Island neighbors, from urban naturalist ROA’s monochrome marginalized city animals to How & Nosm’s eye-punching and precise graphic metaphors, you are getting a dizzying example of the deep command Deitch has of this multi-headed contemporary category that is yet to settle on a moniker to call itself.

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Crash (photo © Jaime Rojo)

Coney Art Walls assembles world travelers from NYC and LA and Miami and internationally; Belgium, Barcelona, Brazil, Paris, Tunisia, London. Some are 80s Downtown NYC alumni, others were train writers in the 70s or big crew graff heads and taggers from the decades after. Some are considered historical originators of a form and cross-genre risk takers pushing beyond their comfort zone. Take a close look and you’ll find names that are in major collections (private, institutional, corporate) and that go to auction.

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Crash (photo © Jaime Rojo)

Some are regularly showing in galleries and are invited to street art festivals, exhibited in museums and discussed in academia and print. Others have studio practices spanning three decades, are lecturers, panelists, authors, teachers, community advocates, art stars, reality TV personalities, film actors, product endorsers and art product makers working with global brands. One or two may be considered global brands themselves. A handful have been painting on the streets for 40 years. Monolithic they are not.

One more notable aspect occurred to us as we watched this parade making its peregrination to these summer walls – either because of Deitch or the romance or history of Coney or both; When you are looking at the range of ages and ethnicities and family configurations and listening to the variety of accents and opinions expressed and seeing the friendly but tough-stuff attitudes on display — you might guess you were in Brooklyn. You are.

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Futura (photo © Jaime Rojo)

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Futura (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Irak (photo © Jaime Rojo)

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Lady Pink (photo © Jaime Rojo)

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Lady Pink (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Maya Hayuk (photo © Jaime Rojo)

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Maya Hayuk (photo © Jaime Rojo)

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Lady Aiko (photo © Jaime Rojo)

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Lady Aiko  (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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Miss Van (photo © Jaime Rojo)

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Miss Van (photo © Jaime Rojo)

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Jason Woodside (photo © Jaime Rojo)

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Jason Woodside (photo © Jaime Rojo)

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Ron English (photo © Jaime Rojo)

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Ron English (photo © Jaime Rojo)

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AVAF  (photo © Jaime Rojo)

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eL Seed (photo © Jaime Rojo)

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eL Seed with Martha Cooper (photo © Jaime Rojo)

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Kenny Scharf (photo © Jaime Rojo)

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Mister Cartoon (photo © Jaime Rojo)

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Jane Dickson (photo © Jaime Rojo)

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Jane Dickson (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Marie Roberts (photo © Jaime Rojo)

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Marie Roberts (photo © Jaime Rojo)

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Tatyana Fazlalizadeh (photo © Jaime Rojo)

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Tatyana Fazlalizadeh (photo © Jaime Rojo)

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Greg Lamarche (photo © Jaime Rojo)

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Gregg Lamarche (photo © Jaime Rojo)

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Katsu (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Lauren Halsey (photo © Jaime Rojo)

Our previous weekly updates track the installation period of Coney Art Walls:

Coney Art Walls: First 3 Completed and Summer Begins

DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

Eine, Hayuk: A Riot of Color at Coney (Update III)

Coney Art Walls: Gypsies, Stallions, Mermaids, and Pop Optics! Update IV

Coney Art Walls Opens for the Mermaids! Update V

 

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DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

Just because you are a spectator in Coney Island Shepard Fairey doesn’t want you to be a spectator at civic responsibility. His newly wheat-pasted Coney Art Wall is fashioned as a graphically designed advertisement skewering the excesses of mindless industrial development running unchecked and baked into a pleasingly twisted version of the once upwardly bound “middle class”.

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Shepard Fairey. Detail. (photo © Jaime Rojo)

Of course Fairey’s smart-mouthed wall seems at home floating here at this seaside all-American semi-permanent festival of oddity and diversion. And the theme of poisoning the natural world is as current as today’s headlines.

Fairey may have been thinking of the sooty and stinking oil spill lapping at the shores of his home state of California right now, or the BP oil spill that severely damaged animal and human life on the southernmost US Gulf , or even the medical waste that kept plaguing this Brighton Beach in the 1990s or the nations’ largest underground oil spill that still resides beneath the newly trendy Brooklyn neighborhood of Greenpoint.

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Shepard Fairey. Detail. (photo © Jaime Rojo)

“A lot of my work deals with symbols of Americana, the symbols of success and the duality of a lot of those things – that what might be seen as a positive symbol in one realm actually has a dark side,” Fairey said in an interview last year called Obey This Film, a short piece directed by Brett Novak.

The collection of new walls going up this week for the month-long installation of murals is alive and kicking – sometimes in the head – for those who give it a thought, or those who know a little of the history of these artists.

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Shepard Fairey. Detail. (photo © Jaime Rojo)

Futura is taking his abstraction into a boldly minimal geometry, Lady Pink lays out the idealized romance of Coney’s yesteryear, and a dark horse entry – some members of the graff crew IRAK, fill a hulkingly rigid tag with hundreds of curvilinear hand-sprayed ones.

There has even appeared a painterly bit of satire that pokes fun at the storied history of the New York curator/showman who has jump-started this show in a piece entitled “Deitch Masters”. Here Jesse Edwards points to Jeffrey’s roles in fame-fueled NY art history amongst certain hi/low circles while appropriately tipping the hat to Breuckelen‘s Dutch roots and graffiti’s pivotal role in the development of street culture.

This weekend and next week promise more arriving artists and surprises for the whole family at Coney Art Walls.

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Futura (photo © Jaime Rojo)

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Futura (photo © Jaime Rojo)

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Futura (photo © Jaime Rojo)

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Futura (photo © Jaime Rojo)

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Lady Pink sharing her sketch for her wall. (photo © Jaime Rojo)

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Lady Pink (photo © Jaime Rojo)

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Irak (photo © Jaime Rojo)

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Irak (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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