All posts tagged: SAMO

Images of the Week: 04.13.14

Images of the Week: 04.13.14

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Street Artists have been exhibited in museums before so Swoon’s “Submerged Motherlands” doesn’t break ground because of its presence inside a grand institution, even if said institution also holds one of the largest collections of Egyptian art, and is also hosting the largest US exhibition of Ai Weiwei next week, for example.

What surprised us most this week as the Brooklyn Museum threw open its doors to a seven story installation that includes a tree, a gazebo, and two boats that sailed the Adriatic was the rapid rate that this artist has gone from running the streets under cover of night of Brooklyn plastering her linotypes to being invited inside to spray the walls of the Brooklyn Museum with a fire extinguisher. The total time elapsed between her first hand cut paper wheat paste on tattered walls and Friday’s opening was a decade and a half. That is noteworthy in itself, and worthy of someone’s exhaustive examination, but suffice to say that you have to have vision and commitment to pull this off.

Here are new images from the exhibit along with our weekly interview with the street, this week featuring Cost, Elbow-Toe, London Kaye, Myth, Nick Walker, Paul Richard, Swoon, and Tava.

Top Image >> Swoon “Submerged Motherlands” exhibition now open to the public at the Brooklyn Museum. Detail. (photo © Jaime Rojo)

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Swoon “Submerged Motherlands” exhibition now open to the public at the Brooklyn Museum. Detail. (photo © Jaime Rojo)

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Swoon “Submerged Motherlands” exhibition now open to the public at the Brooklyn Museum. Detail. (photo © Jaime Rojo)

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Swoon “Submerged Motherlands” exhibition now open to the public at the Brooklyn Museum. Detail. (photo © Jaime Rojo)

Read our interview with the artist this week – “Swoon: Submerged Motherlands”, A Tree Grows in Brooklyn Museum.

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Artist Unknown (photo © Jaime Rojo)

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Elbow Toe goes over himself and he feels a bit nostalgic. (photo © Jaime Rojo)

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Nick Walker. Dona Isabel is a member of the undead. She is coming home after a night of blood hunting on the LES.  (photo © Jaime Rojo)

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Artist Unknown. A new tribute to SAMO and Andy Warhol. (photo © Jaime Rojo)

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London Kaye calling it right. (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Have You Seen Me? (photo © Jaime Rojo)

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Paul Richard. Discuss (photo © Jaime Rojo)

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Tava (photo © Jaime Rojo)

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“Her face carried some unseen burden as she swallowed down her shot and our eyes connected from across the room,” Eduardo Jones (photo © Jaime Rojo)

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Lord have mercy. COST (photo © Jaime Rojo)

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Artist Unknown. Save the bees peeps! (photo © Jaime Rojo)

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Untitled.  NYC Winter 2013 (photo © Jaime Rojo)

 

 

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BSA Film Friday: 05.31.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Las Calles Hablan : Street Art in Barcelona, RONZO Goes pre-historic with Skatersaurus, SAMO© by Aaron Rose and Thomas McMahan.

BSA Special Feature:
Las Calles Hablan : Street Art in Barcelona

“Las Calles Hablan is a story about discovering a hidden world, an extraordinary subculture and the struggle between an artistic community painting for freedom of expression and an increasingly restrictive dogmatic government,” says Justin Donlon as he speaks about this hour long documentary he made with Silvia Vidal Muratori and Katrine Knauer.

An educational and unpretentious study of the spectrum of Street Artists and techniques currently at play in Barcelona, the team traces  the scene through personal observations and their network of local and international artists, local gallerists, and their connections globally via the Internet.


The film traces the trajectory from the Street Art/graffiti’s emergence at the end of the 70s following the Franco dictatorship and the rise of international hip-hop culture through the 90s into a sort of freewheeling golden era in the early 2000s. It also explains the current unease with the city, the professionalizing of the artists through a growing gallery practice, and the collaborative initiatives of some community leaders with artists.

Taking a straightforward documentary approach, the motivations and inspirations of current artists on the scene are presented without much of the exaggerated myth-making that more commercial hype vehicles often contain. Included in the examination are how community and local citizens and authorities have taken a constructive role in facilitating space and opportunities for some artists here and elsewhere, while the definition and appetite for illegal work ebbs and flows.

Featured artists:Zosen, Mina Hamada, Kenor, Kram, El Xupet Negre, Debens, Fert, Dase, SM172, Ogoch, Kafre, Aleix Gordo, Meibol, Eledu, C215, H101, Miss Van, Btoy, El Arte Es Basura, Konair, Gola, Vinz.

(Image above a screenshot of Vinz © Las Calles Hablan)

RONZO Goes pre-historic with Skatersaurus

A quickie with RONZO, who quickly demos how his latest charactor, the Skatersaurus, is created and installed.

SAMO© – Jean-Michel Basquiat
By Aaron Rose and Thomas McMahan

An electric train switch clicking and collaged short of distressed city clips paying homage to the free floating and cryptic phraseology of Basquiat as his street writing alter ego SAMO© . This new video directed by Aaron Rose and Thomas McMahan is a thrill cut to a New York graffiti era ever more cast in amber, a choppy popping scratching archival image soaked indictment/celebration of conformist chaotic consumerist culture and the struggle to pay the bills, backed by a mechanical nihlist beat you can pop and lock to while name-dropping like Fab Five Freddy.  Don’t push me cause I’m close to the Vogue.

Music by N.A.S.A. featuring Kool Kojak, Money Mark and Fab Five Freddy
Animations by Maya Erdelyi and Alexis Ross

 

 

 

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Texting at the Bus Stop, On the Bus Stop

(Image © Ludo)

An interesting departure for Street Artist LUDO, the Parisian who’s usually messing with nature:  a new series of images show what appears to be bus shelters scrawled with clever phrases and plays on words. Can’t help but be reminded of Brooklyn’s Elbow Toe, another studio artist who places text-based snatches of poetry and reverie on dumpsters and doorways around New York. Without stylistic flourish or flair, this form of street texting has antecedents of course; Basquiats’ SAMO scripting, for example, and REVS underground diaries, among others. It raises questions about how one might define it? Street Art? Graffiti? It is just interesting to follow this thread that continues into this new year.

Elbowtoe (photo © Jaime Rojo)

 

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