All posts tagged: Roa

BSA Film Friday 03.27.15

BSA Film Friday 03.27.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Kashink in Miami and her OUTSIDE / INSIDE project
2. Hold On, Just Going to Post This Letter – Почта России
3. Nuart 2014 via Hypebeast TV
4. Tost Films: Emigrantes en Yola
5. ROA teaser for Jonathan LeVine Gallery “Metazoa”

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Kashink in Miami and her OUTSIDE / INSIDE project

Experimenter and Street Artist hailing from France, Kashink observes the absurd and reports what she has found. A brainy badass, Ms. Kashink uses vivid color, cartoon, and calculated critique to a scene, whether scripted or organic. Part painter/ part matinee idol, Kashink helps us to question the paradox of our art and creativity classification systems.

 

Hold On, Just Going to Post This Letter – Почта России

A social experiment with Russian post office boxes, here is a simple way to discourage the remaining 5 people who still mail letters.

Nuart 2014 via Hypebeast TV

A nice recap of the events at Nuart via HypeBeast.

Tost Films: Emigrantes en Yola

ROA teaser for Jonathan LeVine Gallery “Metazoa”

“ROA views the beaver, the state animal of New York, as a metaphor for the idea that nature has the ability to reclaim itself. The recovery of the beaver in New York City after it was previously thought extinct is exemplary of how humans and animals affect each other and reflects the artist’s interest in how animals evolve within urban landscapes.”

 

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ROA in Tunisia and Brazil — New Homes for His Wildlife

ROA in Tunisia and Brazil — New Homes for His Wildlife

The urban naturalist ROA returns to us today with tales of his travels to two distinctly different regions of the world with great distances between their cultures as well as geography. What they have in common, besides ROA’s signature black and white animals and skeletons, is their natural beauty and stillness, transcending their contrasts.

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

The very conservative town of Er-Riadh lies on the largest island of North Africa in Tunisia called Djerba (the D is rather silent in pronunciation). 100 or so street artists and muralists from around the world were invited along with ROA last year to create artworks on the walls of the mostly one story buildings in this arid region bordering the Mediterranean and Gulf of Gabes.

Organized by Mehdi Ben Cheikh, founder of the French Galerie Itinerrance, the “Djerbahood” project provides the visiting artists with unique canvases and settings, including the arched and domed architectural details that ROA ingeniously incorporates into some of his works.

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

Following these Djerba images are new pieces spread across Brazil, where ROA traveled to see ruins and abandoned places around and between São Paulo, Minas Gerais, and Brasilia, “exploring the fauna and flora and doing some little interventions,” he says. That remarkable understatement by the talented Mr. ROA may help viewers understand the diplomatic skills that a truly global graffiti / street / urban artist needs to have when carefully negotiating various cultures and localities around the world with an aerosol can in hand. What it doesn’t tell you about ROA is his sheer tenacity and curiosity for discovery. The work itself does that.

“I mostly painted abandoned structures that I found. I particularly liked an old train station I discovered that dates back to the time when we first began industrializing. It made me think of the outward spread of western civilization, the cutting down of forests and the hunting of animals. Naturally this was one of the inspirations for the trap, the arrows and the trapped toucan I painted in and around the old station.”

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ROA. Djerba(-hood), Tunisia. 2014 (photo © Aline Deschamps)

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

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ROA. Djerba(-hood), Tunisia. 2014 (photo © ROA)

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ROA. Brazil. 2014 (photo © ROA)

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This fish is heading for the water. ROA. Brazil. 2014 (photo © ROA)

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ROA. Brazil. 2014 (photo © ROA)

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A somewhat rudimentary trap recalling an earlier age at this abandoned train station site by ROA. Brazil. 2014 (photo © ROA)

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ROA. Brazil. 2014 (photo © ROA)

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ROA. Brazil. 2014 (photo © ROA)

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A departure from his usual, flying arrows that are likely headed toward his next subject. ROA. Brazil. 2014 (photo © ROA)

 

 

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This article is also published on The Huffington Post.

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ROA TOWERS : New Shots from UK, Belgium, Sweden, Mexico, Germany, Italy and the US

ROA TOWERS : New Shots from UK, Belgium, Sweden, Mexico, Germany, Italy and the US

We’re back with a slew of new ROA pieces as he continues to share the absolute best images with BSA readers while traveling around the globe. The Belgian street artist, who we refer to as an Urban Naturalist, continues his astounding world tour at a pace that few Street Artists can sustain. Right now he in Hawaii for Pow! Wow! but will soon be in New York for what we hear will be a rather amazing solo gallery show.

The prolific painter has so many fresh images for you that ROA is getting two days of postings on BSA this week. Today we go to London (UK), Werchter (Belgium), Bromölla and Nassjo in Sweden, Queretaro (Mexico), Schmalkalden (Germany), Rome (Italy), Lexington, Kentucky(US), and Las Vegas, Nevada (US). Accompanying some of the images is commentary from ROA about the experience, the context in which he created the pieces and the relevance of the subjects he chose to depict.

Werchter (Belgium)

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ROA. Werchter, Belgium. North West Walls. 2014 (photo © ROA)

As is often the case, ROA raises consciousness about the deleterious effects our everyday selfishness causes for the animal world, who we crow so loudly that we care about. While ROA could stay with comfortable subjects, he has demonstrated a long lasting dedication to the plight of animals that few social activists doing work on the street can sustain or have the stomach for. Coupled with the ceaseless dedication to honing his craft over the last few years, sometimes the result is so monumental that your jaw drops open.

This container construction is a permanent installation for NORTHWESTWALLS in Werchter, Belgium. He explains how he arrived at the subject when he was given this massive sculpture of shipping containers as canvas. “Thinking about this situation and the given element of the containers, my thoughts were directly connected to freight and legal and illegal animal trafficking of exotic animals: a questionable practice,” he says.

“Illegal trafficking is an ongoing crime and we all know to what it can lead, however in the context of legal trafficking I was thinking about how the colonies exported exotic animals in poor conditions to show in Victorian zoos. I also thought about the ironic repercussions of zoos today: how they export animals for breeding programs and how some species only exist in captivity anymore, which is a paradox. So this is how I got the idea to use the containers as cages and instead of using native animals, it became a pile of exotic animals.”

Schmalkalden (Germany)

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ROA. Schmalkalden, Germany. WallCome Festival. 2014 (photo © ROA)

ROA chose this bat as his entry in the WallCome Festival in Schmalkalden.

Sweden (Bromölla and Nassjo)

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ROA. Nassjo, Sweden. Nassjo Kommun. 2014 (photo © ROA)

“I took the train to Nassjo, where Nassjo Kommun invited me to paint a bird on the rooftop,” says ROA.

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ROA. Tyrannosaurus. Bromölla, Sweden. 2014 (photo © ROA)

“Malverket (the building) is a part of a ceramic factory that makes huge insulators, located in Bromölla, in South Sweden. ‘Bromölla boasts remains from the Stone Age, and even some findings of dinosaurs‘,” he says, quoting the WikiPedia page I painted a tyrannosaurus. Teresa and Jonathan invited me, and I do know you already shown the reportage of Henrik Haven, thank you for that! That was great.

London

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ROA. Shrew in Dulwich, London 2014 (photo © ROA)

“The London shrew in Dulwich,” he tells us, is actually a depiction of a shrew is stuck into a jar. “It happens a lot in nature that shrews crawl into empty beer bottles and can’t get out because of the slippery/smooth bottle end… they die and the rotten smell attrack other shrews to check out the bottle and on tier turn they become trapped in the bottle.”

ROA thanks Ingrid Beazley from the Dulwich Picture Gallery who invited him over to paint the Dulwich wall.

 

 

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ROA. Flea. London 2014 (photo © ROA)

“Another local animal from London, the flea,” says ROA.

Lexington, Kentucky, USA

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ROA. Lexington, KY. 2014 (photo © ROA)

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ROA. Lexington, KY. 2014 (photo © ROA)

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ROA. Lexington, KY. 2014 (photo © ROA)

“I also painted in the Bourbon Distillery District,” says ROA of his trip to Kentucky for the PHBTN Festival, “where I painted a chicken wing (as in Kentucky Fried…).”

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ROA. Lexington, KY. 2014 (photo © ROA)

ROME, Italy

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ROA. Rome, Italy. 2014 (photo © Lorenzo Gallito/BlindEyeFactory.com)

You may recall we did a previous posting on this bear piece when ROA first completed it.

ROA and An Orphaned Bear in Rome

Queretaro, Mexico

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

ROA did a number of paintings of animals local to the area while in Queretaro for the Board Dripper Festival, which celebrated its fifth year in September. ROA would like to says thanks to Isauro for the hospitality.

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

Las Vegas, Nevada (USA)

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ROA. Las Vegas, Nevada. 2014 (photo © ROA)

ROA painted this horned lizard for the Life is Beautiful festival, and he extends his thanks to Rom and Charlotte.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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ROA and An Orphaned Bear in Rome

ROA and An Orphaned Bear in Rome

Entirely within the character of Street Artist ROA, his new piece in Rome addresses the underlying rift between man and nature. The urban naturalist is known for his depictions and portraits of creatures who share the earth with us, often endangered or otherwise misused at the hand of man. In town for his solo show, “Suovetaurilla”, at the Dorothy Circus Gallery, ROA painted this particular bear kid who was famously orphaned this summer.

The case of his mother attacking a human hunting mushrooms in the forests of Trentino and open public deliberations about the ethics of killing or capturing her was openly discussed and debated in grocery stores, beauty parlors, and halls of government. It even sparked an online petition drive that gathered more than 120,000 signatures to protect her from being punished while behaving like a bear.

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ROA at work on his new mural in Rome. (photo © Lorenzo Gallitto/BlindEyeFactory.com)

Sadly Daniza was accidentally killed by too much anesthesia in the process of subduing her, effectively ending the debate about her fate. ROA paints here a timid orphan baby bear holding a dart similar to the one used for anesthesia.  Using his work to advocate awareness is not the first thing that comes to most people’s mind, but ROA once again subtly shows his own method of activism is very effective.

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ROA at work on his new mural in Rome. (photo © Giorgio Base/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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For more on the story of Daniza the bear:

The Guardian August 22
The Guardian September 11

The Online Petition

The Daily Mail

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Roa Gifts A Tyrannosaurus to Bromölla, Sweden

Roa Gifts A Tyrannosaurus to Bromölla, Sweden

Bromölla in Sweden is ROA’s latest stop just behind Tunisia and evidently he brought a dinosaur sketchbook in his luggage. The inaugural artist-in-residence for the in-development Ifo Center, ROA created this massive mural across a large-scale factory building. The municipality of 7500 at the southern tip of the Nordic country is this home of a limestone quarry and many ceramics related industries. Artist couple Teresa Holmberg and Jonathan Haner began the cultural center in 2011 at this former factory and eventually hope to open up 4,200 square meters of unoccupied floors for artist studios, workshops, and exhibition spaces.

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

Choosing the urban naturalist as their first international Street Artist was a bold move, and we are looking forward to see who they have in mind next. Why the dinosaur? Firstly, Bromölla boasts remains from the Stone Age and many fossils that indicate that this was a roaming ground for them. Not to mention they have the world’s largest ceramic fountain downtown called ‘Scanisaurus’ by Gunnar Nylund. Now they have what must be the world’s largest freehand aerosol painting of a dinosaur as well. Go ROA!

Our thanks to photographer Henrik Haven for sharing these exclusive shots which he shot hanging out with ROA on the roof, in the scissor lift, and on the ground.

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

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Roa. Ifo Center. July Bromölla, Sweden. July, 2014. (photo © Henrik Haven)

We wish to thank guest contributor Henrik Haven for sharing his documentation of ROA’s work with BSA readers.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Liliwenn on Island in Tunisia For Djerbahood with C215, El Seed, ROA

Liliwenn on Island in Tunisia For Djerbahood with C215, El Seed, ROA

The Djerbahood project is midway through its stated goal of having one hundred artists from 30 countries come to paint in this North African island in Tunisia called Djerba. Organized by the same folks who brought you Tour Paris 13, this sun-bleached town features a culture distinct from the mainland and many white-washed domed homes.

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El Seed working on his piece for The Djerbahood Project. Tunisia. July 2014. (photo screenshot from video below)

Here we have new exclusive photos of Liliwenn doing her installation and some screen shots of El Seed, Roa, and C215 from the teaser video attached below. The multi-cultural exchange will beautify a large number of walls in the small village and bring many artists to this island town of many traditions, fresh grilled fish, couscous and fricassee.

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Liliwenn at work while kids play nearby. The Djerbahood Project. Tunisia. July 2014. (photo © courtesy of Liliwenn)

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Liliwenn. Detail. The Djerbahood Project. Tunisia. July 2014. (photo © courtesy of Liliwenn)

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Liliwenn. Djerbahood Project. Tunisia. July 2014. (photo © courtesy of Liliwenn)

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Liliwenn. The Djerbahood Project. Tunisia. July 2014. (photo © courtesy of Liliwenn)

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C215’s finished piece for The Djerbahood Project. Tunisia. July 2014. (photo screenshot from video below)

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One of ROA’s many pieces for The Djerbahood Project. Tunisia. July 2014. (photo screenshot from video below)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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ROA Photo Diary : Taking a Wild Kingdom to Global Streets

ROA Photo Diary : Taking a Wild Kingdom to Global Streets

New Images from Brazil, The Gambia, Australia, New Zealand, Spain, Rome

We check in today with the ever evolving itinerary of the singularly nomadic Street Art urban naturalist named ROA. The well known and respected aerosol painter hails from Ghent in Belgium but he is rarely there these days, so busy is he introducing his monochromatic pictorials of the marginalized animal world. Despite the immense variety of his subjects that are reflective of the local population, ROA’s style is unmistakeable, as is his choice of difficult and imperfect surfaces on which to paint.  Some times his subject is playful or alert, other times they are in a struggle, still others are dead or dessicated; paying full respect to the cycle of life and death.

As if to remind us of our own sorry impact, once in a while they are ensnared and suffering in our unthinking detritus.  Not surprisingly, a number of the animals are endangered and his painting can often take on an environmental advocacy as a result.

Here we travel with ROA through six countries to see where he has been painting and to learn a little about the environment that these new stars of the street have debuted upon.

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ROA. The Gambia. (photo © Roa)

The Gambia, Africa

On his third visit to The Gambia for the WOW festival, ROA had the opportunity to paint a yellow caterpillar, a flying serpent, the Pinned Scarabée and some pangolins in the villages of Kembujeh and Galloya. He says, “I will be back, it’s amazing” and would like to thank all the folks who live in those villages as well as the organizer of WOW, Lawrence.

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ROA. The Gambia. (photo © Roa)

“I’ve painted a pangolin before in The Gambia but being back there and having read so much during the past year about the illegal trafficking of pangolins – to be served as exotic food or mostly as a ‘medicine’, I needed to paint them again. Firstly, the so-called medical qualities of the ground-up scales are disputed and “the animals are currently on the list of endangered species because of the trafficking and the loss of habitat by deforestation in Africa,” explains ROA. He notes that one of their attempts to protect themselves is to reconfigure their appearance.  “They can roll up into a ball to defend themselves,” he says.

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ROA. The Gambia. (photo © Roa)

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ROA. The Gambia. (photo © Roa)

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ROA. A yellow caterpillar in The Gambia. (photo © Roa)

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ROA plays with your eye in this two room installation of a skeletal remains in Brazil. (photo © Roa)

Brazil, South America

In the past few months ROA has been to Brazil twice, and neither time to see the World Cup. Instead he has been backpacking around and doing “many small interventions in between beautiful beaches.” While the insects in some of these paintings are originally small, their final scale on the walls are definitely not.

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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A rare near-optical piece by ROA, this microscopic milieu will be familiar to any kid who attended Biology class. Aside from the factual and the metaphorical, these fellas have a dropped shadow, giving the scene added dimension in Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Brazil. (photo © Roa)

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ROA. Perth. (photo © Roa)

Perth, Australia

While participating in Form’s PUBLIC festival, ROA painted a serpent eating his own tail; a design that refers to ouroboros, an ancient mythological symbol. He says that Australian aboriginal people believe “the serpent has a great symbolic value as ‘The Rainbow Serpent.’ “.

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“Also for PUBLIC in Wolf Lane I painted an Australian possum,” says ROA of this piece in Perth. (photo © Roa)

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ROA.  Christchurch, New Zealand. (photo © Roa)

Christchurch, New Zealand

While painting the facade of the Canterbury Museum in Christchurch for the RISE festival, ROA decided to mix the dead with the living – “It’s a MOA skeleton with a kiwi!” he says. He explains that the moa was native to New Zealand, and flightless (like the kiwi), but the moa died out after humans settled the region.

In fact the Canterbury museum has a large collection of moa bones and skeletons and ROA understands that the museum is said to swap bones with other natural history museums to enlarge their own varied and large collection. One legend, according to the artist, “goes that they swapped some moa bones for the mummy they exhibit.

The site of the painting here has particular significance to the people of Christchurch as only a few years ago in 2010 and 2011 the city suffered serious and damaging earthquakes and almost 200 people died near here. The actual museum was well protected, but many buildings were heavily damaged and survivors still speak “about post-eartquake times, characterized by change and more social awareness,” he says, making this museum, “a very special place to be.”

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Inside the Canterbury Museum in Christchurch Roa painted this penguin on the ceiling. (photo © Roa)

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ROA. Nelson, New Zealand. (photo © Roa)

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ROA. Nelson, New Zealand. (photo © Roa)

Nelson, New Zealand

Roa would like to extend his thanks to Eelco and Ali from The Free House, as well as George and Shannon for his time in Nelson.

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ROA. Nelson, New Zealand. (photo © Roa)

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ROA. Dunedin, New Zealand. (photo © Roa)

Dunedin, New Zealand

“I painted a tuatara in Dunedin,” he says, of the indigenous reptile.

ROA would like to say thanks to Justin and Luke for their hospitality.

 

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ROA. Tenerife, Spain. (photo © Roa)

Tenerife, Spain

“At the invitation of the MUECA festival in Puerto de La Cruz, I painted my first large scale insect wall!” exclaims ROA, who looks for ways to keep challenging himself. He says that this was a composition that included,  “Lots of different little creatures to paint,” which was rather demanding, but he didn’t mind too much because, “it was a beautiful environment and atmosphere.”

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ROA. Riga. (photo © Roa)

Riga, Spain

There was a lot of bad weather in Riga during the Blank Canvas festival that ROA participated in, but “I got to paint the hedgehog and hopefully I will be back there soon to paint more,” he remarks.

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ROA. Rome. (photo © Roa)

ROME, Italy

Finally, we end our tour with ROA in the famous city of Rome, where he visited for the very first time. He says that it is a “wonderful city” and he painted this wolf “referencing the legend of the founding of the city.”

Roa extends his thanks to Stefano and Francesca of 999 in Rome.

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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15 Murals and a Submarine: Amsterdam’s Urban Art Scene Now

15 Murals and a Submarine: Amsterdam’s Urban Art Scene Now

We’re very pleased today to take BSA readers to Amsterdam, where the graff/Street Art continuum reaches back more than three decades and where the vibrant scene still remains fresh and relevant right now. We’re very thankful to Ed Little and Alex Pope for taking the initiative to present the scene here for us and to give us valuable context about Amsterdam’s Urban Art Scene. If you don’t know, now you know.

By Ed Little and Alex Pope

Amsterdam has always been progressive in welcoming Urban Art. This March, artwork by Banksy was projected on the Dutch National Museum (the Rijksmuseum), in support of Syrian refugees. More than thirty years earlier, New York graffiti artists such as Seen, Dondi, Blade, Quik, Rammellzee and Futura 2000 were given their first taste of success in the high brow art world by Amsterdam gallery owner Yaki Kornblit. In 1986, Keith Haring did a commissioned mural for the Museum depot. Even before the arrival of the Americans, Amsterdam had a uniquely homegrown punk graffiti scene.

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Fefe Talavera (photo © Ed Little)

By being exposed to the New York artists so early on, Amsterdam graffiti ignited and burned on well into the nineties. Amsterdam writers like Shoe and Delta, along with foreign partners Bando and Mode 2, spread the Crime Time style throughout Europe. In 1992, the city temporarily stopped cleaning subways because of toxic chemicals in the cleaning material. The writers completely took over the subways, creating a scene reminiscent of 1970s New York, as Amsterdam bathed in graffiti euphoria.

Today’s street art and graffiti scene is relatively small, and not pushing the envelope as much as it once was. That is not the say Amsterdam doesn ́t get down anymore. Feast your eyes on a selection of commissioned murals, illegal burners and creative get ups that Amsterdam has to offer.

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Fefe Talavera (photo © Ed Little)

Here is a double header by Brazilian female artist Fefe Talavera, painted as part of the 2012 RUA Festival. The RUA Festival aims to show urban and contemporary Brazilian art next to institutionalized art of museums and galleries. According to the artist, the two heads represent two Indians wearing animal masks. The vibrant tribal color scheme really stands out against the dull grey backdrop, and is a good reminder of what a little bit of paint can do for a building.

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Zed1 (photo © Ed Little)

This is a mural by Italian artist Zed1 at creative hotspot café Roest, home of Max Zorn ́s Stick Together festival. Awesome incorporation of the building window into the depicted scene, which reads as a critique of the current cost of living.

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ETHOS (photo © Ed Little)

Here is another Brazilian mural in Amsterdam, painted by Ethos for the 2011 edition of the RUA Festival. Once again, masks are a big part of the artwork, which fits well with Ethos’ surrealist style. The mural itself functions as an awesome mask for an otherwise pretty shabby looking squat.

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Adnate x Andersen (photo © Ed Little)

Here is Australian artist Adnate along with Morten Andersen from Denmark. Nice clash of Adnate ́s photorealist style of characters and Andersen ́s abstract geometrics. Painted for the Kosmopolite Art Tour, next to an insane burner by Dems UB which unfortunately is no longer there to be seen.

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Vrankrijk (photo © Ed Little)

The legal squat Vrankrijk is one of the focal points of Amsterdam ́s squat scene. The Lichtenstein type BOOM! is a clear representation of Pop Art, which was also used as a vehicle by Fab 5 Freddy to push graffiti into the American higher art sphere in the late seventies.

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Inkie (photo © Ed Little)

Here is a commissioned work by Englishman Inkie from 2012. Painted on what was once an always tagged up parking entrance. The wall on the right was painted later on, as the original was reclaimed by street bombers, who tagged it again within no time, even crossing out the artist ́s website with the word ́toy ́. The Inkie was left untouched, probably out of respect.

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Niels “SHOE” Mulman and Adele Renault (photo © Ed Little)

A good example of calligraffiti here by Amsterdam graffiti legend Shoe. Brushstroked fill in, outlined by black spraypaint. Though Shoe ́s calligraffiti style is so uniquely his, it reminds us of that Amsterdam ́s 1970s punk graffiti feel. Pigeon portrait by Adele Renault, who went on to have a pigeon inspired exhibit at Shoe ́s Unruly Gallery.

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Rammellzee Memorial Wall (photo © Ed Little)

Above is a Rammellzee memorial wall by Shoe and friends from 2010, paying homage to the evo griller. Rammellzee was one of the twelve New York graffiti artists who each had a one month solo exhibit at Yaki Kornblit ́s gallery in the early 1980s and who would inspire Shoe and eventually many other writers worldwide to pursue a career in the streets and the fine arts world.

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The London Police (photo © Ed Little)

Here’s a large London Police commissioned mural on the Prinsengracht canal. Adopted Amsterdammers The London Police paid for their first stay in Amsterdam with t-shirts and art, and have made a comfortable living off their art ever since. The mural is located next to the street oriented Go Gallery, which has an original London Police mural from their earlier Amsterdam days.

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C215 (photo © Ed Little)

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C215 shown here with Kid Acne (photo © Ed Little)

Above are two subtle works by regular French visitor C215. The first one was painted with permission from the same Dutch family that first gave the London Police a roof over their heads. The second one is located near Amsterdam’s NDSM werf hall of fame. C215’s romantic works seem to make icons out of regular folks, which is probably why they are at their best when they are visible in the streets for everyone to see.

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Jorit. Vincent Van Gogh (photo © Ed Little)

Italian-Dutch artist Jorit did this Vincent Van Gogh portrait. The technically very impressive photorealist depiction of Van Gogh didn’t fair well with everybody, as someone gave his 2 cents by writing “Vincent wouldn ́t approve” in the bottom corner. While Jorit’s photorealistic Van Gogh may be very opposite to the subject’s impressionist style, we wanna say that we do approve. Please note that Van Gogh ́s eyeliner was also added by a third party.

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Delta (photo © Ed Little)

Here is an illegal burner by Amsterdam graffiti legend Delta from 2006. When Delta returned to graffiti in the 90s, he blew up big with his 3-D styles, which lead to a very successful career in the arts. Staying true to his roots, he remains active in his hometown streets while killing it in the galleries and even the architectural world.

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ROA (photo © Ed Little)

An early work by international superstar ROA from the mid 2000s; While it is undeniably a ROA, it is awesome to see how his style and eye for detail have developed. It is part of an original mural that also featured Bue the Warrior and Chase. The wall was mostly repainted, but the ROA has been left untouched.

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Leno, Twice and Gear (photo © Ed Little)

Above is some illegal wildstyle graffiti by the most prolific Amsterdam duo of the new millennium, Twice and Gear, along with colorful blockbuster letters by subway and trackside killer Leno on an old submarine nearby the NDSM hall of fame. Bastardilla and Stinkfish are on the bottom as well.

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NEKST tribute. (photo © Ed Little)

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Nekst Tribute (photo © Ed Little)

From Banksy projections to illegal wildstyle graffiti, all of the different aspects of today ́s modern urban art landscape are still a part of Amsterdam ́s creative daily routine. But for a city known for its liberal feel, it would be nice to see Amsterdam embrace urban art even more and reclaim its previous position as ahead of the worldwide pack.  In order to do so, we will always keep an eye on the streets.

 

We thank Alex and Ed for this sharing this good work with BSA readers.

© Text Alex Pope © Photos Ed Little

To see more Amsterdam Street Art and read interviews with the artists click Keep It Hush

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week: 02.23.14

Images Of The Week: 02.23.14

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Here’s our weekly interview with the street, this week featuring 1up, Bishop203, Bradley Theodore, Cash4, Deekers, El Sol 25, Hiss Keeley, Kevin Cyr, King Amsterdam, Ludo, Mosco Clandestino, Not Art, ROA, Royce Bannon, Smells, Sweet Toof, Trap Art, and Zimer.

Top Image >> Sweet Toof joins Deekers, 1UP, Roa and Keely on this little wall of horrors. (photo © Jaime Rojo)

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Sweet Toof and Smells collab on a roof top. (photo © Jaime Rojo)

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Bradley Theodore gives Anna and Karl a face lift. (photo © Jaime Rojo)

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Hiss (photo © Jaime Rojo)

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Cash4 . Smells (photo © Jaime Rojo)

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Clearly this is Not Art (photo © Jaime Rojo)

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Trap Art. (photo © Jaime Rojo)

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The Padlock Menagerie (photo © Jaime Rojo)

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Ludo up close at the show “Fruit of the Doom”. Detail. (photo © Jaime Rojo)

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An unusual thing for Ludo – a sculptural reprise of his recurring image “Fruit of the Doom” from his solo show at Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Ludo “Fruit of the Doom” solo show at Jonathan LeVine Gallery. (photo © Jaime Rojo)

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El Sol 25, Bishop 203 and Royce Bannon adorn the facade of 17 Frost Gallery for  the “Outdoor Gallery NYC” show. (photo © Jaime Rojo)

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Kevin Cyr “Right Place, Right Time” solo show at Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Kevin Cyr “Right Place, Right Time” solo show at Jonathan LeVine Gallery. (photo © Jaime Rojo)

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King Amsterdam (photo © Jaime Rojo)

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Zimer (photo © Jaime Rojo)

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Mosco Clandestino (photo © Jaime Rojo)

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Untitled. Central Park, Manhattan. 2013 (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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The Power of Color via Street Art, Graffiti, and Murals

The Power of Color via Street Art, Graffiti, and Murals

No doubt it is the grey days of late winter that is making us think about this as we brace for the next snowstorm, but today we’re considering the impact that Street Art color has on architecture that never asked for it.

We’re not the first to think of hues, shades, tones, and palettes when it comes to the man made environment of course, but it does strike us that most of the buildings that are hit up by street art and murals today were designed by architects who never imagined art on their facade.

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Os Gemeos in Boston. (photo © Jaime Rojo)

Modern architecture for some reason is still primarily grey, washed out greens, beige, eggshell, snore.

“Color is something that architects are usually afraid of,” said internationally known and awarded architect Benedetta Tagliabue in an interview last May about the topic of color.  A generalization probably, and you can always find exceptions of colorfully painted neighborhoods globally like the Haight in San Francisco, La Boca in Buenos Aires, Portafino in Italy, Guanajuato in Mexico, Bo-Kaap in Capetown, the favelas of Rio de Janeiro and the Blue City of India, but many of those examples speak to color blocking and pattern.

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Interesni Kazki in Baltimore. (photo © Jaime Rojo)

We’ve been looking at the power of Street Art to reface, re-contextualize, re-energize, and re-imagine a building and its place in the neighborhood. Some times it is successful, other times it may produce a light vertigo. The impact of work on buildings by today’s Street Artists and muralists depends not only on content and composition but largely on the palette they have chosen. It sounds trite, and self-evident perhaps, but much of Street Art is about color, and primarily on the warm scale first described by Faber Birren with his OSHA colors and color circle in the 1930s .

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Faile in Manhattan, NYC. (photo © Jaime Rojo)

Birren developed his color system with the observation that artists favor the warm colors more than the cold, from the violet side of red and extending beyond yellow because “, their effect is more dynamic and intense and because the eye can, in fact, distinguish more warm colors than cold.

It’s common now to think of 21st century Street Art as the graffiti-influenced practice that primarily activates the detritus of the abandoned industrial sector blighting western cities in the wake of trade agreements that sent all the jobs to lands without protections and regulations. While that is definitely the sort of neglected factory architecture preferred for “activation” by many graffiti artists and Street Artists alike, we also see more curious couplings of color with the delicately ornate, the regal, or even modernist structures today thanks to artists being invited, rather than chased.

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Shepard Fairey in Manhattan, NYC. (photo © Jaime Rojo)

The results? Abstractionist, cubist, geometric, letter-based, illustrative, figurative, text-based, outsider, folk, dadaist, pop.  One common denominator: color.

“The environment and its colors are perceived, and the brain processes and judges what it perceives on an objective and subjective basis. Psychological influence, communication, information, and effects on the psyche are aspects of our perceptual judgment processes,” writes Frank H. Mahnke in his recent piece for Archinect. The author of Color, Environment, & Human Response has made it his mission to explore psychological, biological effects of color and light and to help creators of the man-made environment make good choices.

Whether all of these choices are good, we leave up to you. But it is worth considering that Street Artists have been part of the conversation on the street for decades now, making powerful suggestions to architects and city planners , so maybe it’s worth taking another look at what they’ve been up to lately.

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Ever in Baltimore. (photo © Jaime Rojo)

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Escif in Atlanta. (photo © Jaime Rojo)

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Kenton Parker and Roa in Miami. (photo © Jaime Rojo)

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LUDO in Chicago. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. (photo © Jaime Rojo)

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Kobra in Manhattan, NYC. (photo © Jaime Rojo)

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Smells, Cash4 and Spiro in Brooklyn, NYC. (photo © Jaime Rojo)

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Don Rimx in El Barrio. Harlem, NYC. (photo © Jaime Rojo)

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Agostino Iacurci in Atlanta. (photo © Jaime Rojo)

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Barry McGee in Brooklyn, NYC. (photo © Jaime Rojo)

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Jaz and Cern in Brooklyn, NYC. (photo © Jaime Rojo)

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Pose and Revok in Manhattan, NYC. (photo © Jaime Rojo)

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Rime, Dceve and Toper in Manhattan, NYC. (photo © Jaime Rojo)

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Pixel Pancho in Miami. (photo © Jaime Rojo)

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Deeker and David Pappaceno in Brooklyn, NYC. (photo © Jaime Rojo)

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Reka in Brooklyn, NYC. (photo © Jaime Rojo)

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RRobots in Brooklyn, NYC. (photo © Jaime Rojo)

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MOMO in Brooklyn, NYC. (photo © Jaime Rojo)

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Skewville in Brooklyn, NYC with an old NEKST tag on top. (photo © Jaime Rojo)

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3ttman and Elias in Atlanta. (photo © Jaime Rojo)

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Chris Stain and Billy Mode tribute to Martha Cooper in Brooklyn with ROA on the water tank. (photo © Jaime Rojo)

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Rubin in Brooklyn, NYC. (photo © Jaime Rojo)

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Os Gemeos in Manhattan, NYC. (photo © Jaime Rojo)

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JMR in Brooklyn, NYC. (photo © Jaime Rojo)

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Greg LaMarche in Brooklyn, NYC. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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The 2013 BSA Year in Images (VIDEO)

The 2013 BSA Year in Images (VIDEO)

Here it is! Our 2013 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

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Before our video roundup below here is the Street Art photographer’s favorite of the year, snapped one second before he was singled out of a New York crowd, handcuffed, and stuffed into a police car – sort of like the Banksy balloons he was capturing.

“Among all the thousands of photos I took this year there’s one that encapsulates the importance of Street Art in the art world and some of the hysteria that can build up around it,” he says of his final shot on the final day of the one month Better Out Than In artist ‘residency’ in NYC this October. It was a cool day to be a Street Art photographer – but sadly Rojo was camera-less in a case of mistaken identity, if only for a short time.

Released two hours later after the actual car-jumping trespasser was charged, Rojo was happy to hear the Chief Lieutenant tell his officer “you’ve got the wrong man”, to get his shoelaces back, and to discover this photo was still on his camera. He also gets to tell people at parties that he spent some time in the holding cell with the two guys whom New York watched tugging down the B-A-N-K-S-Y.

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What’s everybody looking at? Jaime Rojo’s favorite image of the year at the very end of the Banksy brouhaha. (photo © Jaime Rojo)

Now, for the Video

When it came to choosing the 112 images for the video that capture the spirit of the Street Art scene in ’13, we were as usual sort of overwhelmed to comb through about ten thousand images and to debate just how many ‘legal’ versus ‘illegal’ pieces made it into the mix. Should we include only images that went up under the cover of the night, unsanctioned, uncensored, uncompromised, unsolicited and uncommissioned? Isn’t that what Street Art is?

Right now there are a growing number of legal pieces going up in cities thanks to a growing fascination with Street Art and artists and it is causing us to reevaluate what the nature of the Street Art scene is, and what it may augur for the future. You can even say that from a content and speech perspective, a sizeable amount of the new stuff is playing it safe – which detracts from the badass rebel quality once associated with the practice.

These works are typically called by their more traditional description – murals. With all the Street Art / graffiti festivals now happening worldwide and the growing willingness of landlords to actually invite ‘vandals’ to paint their buildings to add cache to a neighborhood and not surprisingly benefit from the concomitant increase in real estate values, many fans and watchers have been feeling conflicted in 2013 about the mainstreaming that appears to be taking place before our eyes. But for the purposes of this roundup we decided to skip the debate and let everybody mix and mingle freely.

This is just a year-end rollicking Street Art round-up; A document of the moment that we hope you like.

Ultimately for BSA it has always been about what is fresh and what is celebrating the creative spirit – and what is coming next. “We felt that the pieces in this collection expressed the current vitality of the movement – at least on the streets of New York City,” says photographer and BSA co-founder Rojo. It’s a fusillade of the moment, complete with examples of large murals, small wheat pastes, intricate stencils, simple words made with recycled materials or sprayed on to walls, clay installations, three dimensional sculptures, hand painted canvases, crocheted installations, yarn installations etc… they somehow captured our imaginations, inspired us, made us smile, made us think, gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it.

Brooklyn Street Art 2013 Images of the Year by Jaime Rojo includes the following artists;

A Dying Breed, Aakash Nihalini, Agostino Iacursi, Amanda Marie, Apolo Torres, Axel Void, Bagman, Bamn, Pixote, Banksy, B.D. White, Betsy, Bishop203, NDA, Blek le Rat, br1, Case Maclaim, Cash For Your Warhol, Cholo, Chris RWK, Chris Stain, Billy Mode, Christian Nagel, Cost, ENX, Invader, Crush, Dal East, Damien Mitchell, Dase, Dasic, Keely, Deeker, Don’t Fret, The Droid, ECB, el Seed, El Sol 25, Elbow Toe, Faile, Faith 47, Five Pointz, Free Humanity, Greg LaMarche, Hot Tea, How & Nosm, Icy & Sot, Inti, Jilly Ballistic, John Hall, JR, Jose Parla, Judith Supine, Kremen, Kuma, LMNOPI, London Kaye, Love Me, Martha Cooper, Matt Siren, Elle, Mika, Miss Me, Missy, MOMO, Mr. Toll, Nychos, Okuda, Alice Mizrachi, OLEK, Owen Dippie, Paolo Cirio, Paul Insect, Phetus, Phlegm, Revok, Pose, QRST, Rambo, Ramiro Davaro, Reka, Rene Gagnon, ROA, RONES, Rubin, bunny M, Square, Stikki Peaches, Stikman, Swoon, Tristan Eaton, The Lisa Project 2013, UFO 907, Willow, Swill, Zed1, and Zimer.

Read more about Banksy’s last day in New York here and our overview of his residency in the essay “Banksy’s Final Trick” on The Huffington Post.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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ROA Gets Up With New Animals In Tow

ROA Gets Up With New Animals In Tow

BSA travels with ROA to Austria, Canada, Great Britain, Norway, Poland, Portugal, Spain, Sweden, and the US.

Today we visit with Street Artist, urban naturalist, and globe trotter ROA to see what walls he has been climbing since we last checked in with him and his traveling curious circus of animals. Alternating between the cuddly and the killing, the endoskelton and the excrement, the pugnacious, playful and the putrefying, this Belgian world citizen is no romantic with his subjects and he isn’t asking for you to be either necessarily.

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ROA. Lagos, Portugal 2013. (photo © Roa)

If you consider the brutal natural and man-made world that animals have to survive in and the ruthless depravity of humans throughout the ages (including right now), perhaps ROA’s depictions of these regionally based creatures are a healthy counterbalance to the fictional storytelling we customarily see in large public depictions of animals. Rotting Big Bird, anyone?

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ROA. Lagos, Portugal 2013. (photo © Roa)

In one instructive example, a local town meeting in Chichester in Great Britain erupted into a heated debate this spring and a vote was called over whether to remove one of ROA’s fresh paintings from public view. The aerosoled portrait  featured a rotting badger lying belly up and pock-marked across the front of a neglected building.

“It’s not appropriate, it’s grotesque and I hope it will be removed,” said the district and parish councilor who was outraged at the factual representation of a dying animal, according to a local website. The article does not mention if she was equally outraged at the culling of badgers locally, which ROA was drawing attention to, or if she would call the culling of undesirable animals “grotesque”.

 

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ROA. Ibex at the harbor in Linz, Austria 2013. (photo © flap.at)

You wouldn’t cheapen the spray-painted monochromatic realism of ROAs work as activism per se, or even moralizing. Sometimes a bear is just a bear.

But sometimes the poses and positions and selectively illustrated details are more pronounced than one may see in nature, so clearly his desire is to draw attention to them. And why not try to give a voice to them? Otters don’t do email and bison hooves are too clunky for texting and nary a narwhal has his own Facebook page. If they have been displaced, marginalized, or are suffering, you won’t see a cluster of clamoring squirrels arrayed before a bank of microphones and cameras issuing a press conference.

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ROA. Detail. Linz, Austria 2013. (photo © flap.at)

But slowly and gradually and almost systematically the former graffiti artist has been raising the awareness of even the dullest among us bipedal primates that the animals we are sharing the world with are plausibly pissed about that whole “dominion over nature” clause that pious Pulcinellas spout when justifying treating some animals like trash even while their blue-blooded poodles are having pedicures. Now that you think of it, this may not be exclusively about the animal kingdom.

Certainly we have all learned from ROAs travels that nature isn’t pretty – and can possibly be very alarming – and he won’t likely let you forget it.

So start trotting, galloping, swimming, scurrying, slithering, and scurrying! We have a lot of catching up to do with ROA as this year he’s been in Austria, Canada, Great Britain, Norway, Poland, Portugal, Spain, Sweden, and the US.

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ROA. Linza, Austria 2013. (photo © flap.at)

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ROA. Linz, Austria 2013. (photo © Roa)

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ROA. Mural Festival. “Still Life With Bison and Bear” Montreal, Canada 2013. (photo © Roa)

This wall was featured in our coverage this summer of the MURAL festival, where we wrote;

“For his first visit to Montreal, the Belgian Street Artist named ROA says that he had a great time creating this ‘still life’ with a bison and a bear. When talking about his inspiration, ROA says that he was impressed with the history of the so-called American bison, which was incredibly abundant in the early 19th century, numbering more than 40 million. After being hunted almost into extinction with a population of 200 a century later, the bison slowly have reestablished their numbers in Canada to 700,000. He decided to add a bear laying on top because it tells a similar story of a native mammal in the region.”

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ROA. “Catch of The Day” Open Art. Örebro, Sweden 2013. (photo © Roa)

“This is the first time I actually painted a narwhal,” says ROA about the curiously speared whale that lives year-round in the Arctic.

“Their tusks make them a unique example of a species; in a way the narwhal is a mythical sea creature; The unicorns of the sea,” explains ROA about this Swedish piece.  “The young male narwal that I painted here is unfortunately caught in a fishing line. I wanted to draw attention to how they and many other species become a victim of hunting and pollution.”

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ROA. “Catch of The Day”. Deatail. Open Art. Örebro, Sweden 2013. (photo © Roa)

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ROA. Vienna, Austria 2013. (photo © Roa)

At the start of July ROA opened his second solo show – this time with Inoperable Gallery in Vienna.

The exhibition was called “PAN-ROA’s Box” and it was an animal curiosity focused show.

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ROA. Detail. Vienna, Austria 2013. (photo © Roa)

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ROA. Wall Therapy. Rochester, NY 2013. (photo © Roa)

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ROA. Wall Therapy. Rochester, NY 2013. (photo © Roa)

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ROA. “Two Blue Tits” in Chichester, Great Britain 2013. (photo © Roa)

ROA was there as part of his invitation to participate at the Chichester Street Art Festival in May.

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ROA. Chichester, Great Britain 2013. (photo © Roa)

Here is the painting referred to above that upset a number of people in Chichester and called for a vote to take it down (it was 50/50 so they’ve left it up).

Regarding the Badger Cull 2013

“After several emails from Louise Matthews about the upcoming badger cull in GB, I painted a badger to support their efforts to save the badgers,” says ROA. The controversial practice in Britain has gained a number of very adamant foes, including Brian May from the rock group Queen.

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ROA. Bethenal-Green London 2013. (photo © Roa)

As a guest of Griff from Street Art London, ROA did this piece in Bethenal-Green.

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ROA. Nuart 2013. Stavanger, Norway. (photo © Roa)

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ROA. Malaga, Spain. (photo © Roa)

As part of his invitation to the Maus Festival, ROA painted this in Calle Casas De Campos, Malaga, Spain.

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ROA. Malaga, Spain. (photo © Roa)

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ROA. “Fighting Squirrels”, Southbank, London 2013. (photo © Roa)

“If you have ever witnessed a squirrel fight, you might recognize the action,” says ROA of these two enraged fellas in mid air.  He explains that when the North American Eastern Grey squirrel (top) was introduced it caused the red native Squirrel (bottom) to lose habitat and population, so now the red one is protected by conservation laws.

ROA would like to thank the Southbank Centre at the canal.

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ROA. Dulwich, London 2013. (photo © Roa)

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ROA. Baroque The Streets Festival. Dulwich, London 2013. (photo © Roa)

Regarding the dog above, ROA says :

” It took me a detailed search into the Dulwich Picture Gallery to find an animal expression that was involved with the daily life of the time and express on it’s own a fragment of the ordinary life. My eye was caught by a pooping dog in a large scale hunting scene; I found that an interesting detail. The people of the museum told me they have more hunting scenes with this same curious detail, but those were currently not exhibited.”

Dulwich:  ‘Baroque The Streets: Dulwich Street Art Festival’ May 10-19, 2013. The festival was organized by Street Art London & Dulwich Picture Gallery

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ROA. Urban Forms Festival. Lodz, Poland. 2013. (photo © Roa)

Roa wishes to extend his most sincere thanks to the following people:

In Southbank, London he sends thanks to the Southbank Centre at the canal.

In Linz, Austria he says thanks to Bubble Days Festival in Linz, and thanks to Poidle.

In Montreal, he says thanks to MURAL for all their good care and for the retreat in Quebec. Thank you also to Yan, Andre, Alexis and Nico!

In Malaga, Spain he says thank you very much Fer.

In Rochester he says thank you to Ian, Steven, Dan and Wise, who “made my stay excellent as usual.”

In Lagos, Portugal he says thanks to LAC Laboratório Actividades Criativas.

In Stavanger, Norway he extends his thanks to the NUART festival.

In Lodz, Poland he says thanks to Michael and the crew.

And we here at BSA say thank you to you all, and of course to ROA for sharing all his travels with BSA readers.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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