Rocking this little neighborhood since 2009, The Welling Court Mural Project in Queens, New York brought a bevy of old skool and new again this summer to add to the collaborative art project that cheers the locals and thrills visitors. By now, you could call it historic, with writers from the OG crowd like Tats Cru, Lady Pink, John Fekner, and Chino giving their best alongside a slew of newbies in the mural art scene. Alison Wallis is the sole director these days, and her roots with the graffiti and street art community go deep, which means a well of trust is involved.
As she scans the list of artists who have given of themselves to this neighborhood for more than a decade in this community project, Wallis writes in the manifesto: “with early career, mid-career, and burgeoning young artists to help foster beauty of all life, peace, and support for all people of any race, belief, and/or sexual identity around the globe.” Once again it is good to see the many ways a community can join together in an evolving and inspiring collective statement that integrates positive social change via the culture of street art.
Meanwhile, artists are still getting up and we must continue living even if we have to take extra precautions and listen to the science and to those who care.
This year’s Welling Court festival in Queens took place under the same health measures as last year. There wasn’t a big block party. The artists painted at their own pace and time sometimes only one alone at the compound – sometimes two at a time.
For the moment, the big gatherings and week-long shenanigans are gone due to Covid. Here are some selections of this year’s proposals and some from previous years that we missed either due to weather, traveling, or simply because those darn cars are always parked in front of the murals.
It’s an annual event in Street Art and mural programs in New York for the last decade, The Welling Court Festival – now poised to be a victim of its own success. The original concept by a couple who ran Ad Hoc gallery in Bushwick, Brooklyn, the neighborhood was full of working class and economically struggling families in a part of the city that had fallen into the margins. Suddenly it was full of color and imagination thanks to Garrison and Alison Buxton and their eclectic and widely dispersed cadre of local and international graffiti and Street Artists who spent one weekend out of the summer smashing walls side by side with community members in a cacophonous untamed way.
This year was no different, with families and children getting into the action, and relationships renewed between artists and admirers on a gorgeous New York summer weekend in June. But what is also evident is the invasion of developers and higher-rent homes and businesses being built. You’ve seen this movie before, and you know how it ends. Owners cash in, renters are priced out, and these walls will be commercial shortly – used to sell shampoo.
The connection between murals and gentrification? That debate continues, but for some, it’s a settled causational relationship. The question about what to do about it, if anything, is unsettled – and unsettling.
Here’s our weekly interview with the street (or boardwalk), this time featuring Caleb Neelon, Cey Adams, Depoe, Rene Gagnon, JCorp, Kimyon333, NYC Hooker, Peat Wolleager, Pinky Weber, Sara Erenthal, Caryn Cast, Joe Iurato, John Fekner, Never, Praxis, Queen Andrea, Hellbent, Bella Pharma, Color Eyes, and Hiss.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
