All posts tagged: Pace Prints

BSA Film Friday: 10.26.18

BSA Film Friday: 10.26.18


Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. One Minute of Dance Per Day : Nadia Vadori-Gauthier
2. Nina Chanel Abney Talks About New Work with Pace Prints
3. Color Trips – Austria


BSA Special Feature: One Minute of Dance Per Day : Nadia Vadori-Gauthier

“And lost be the day to us in which a measure hath not been danced.”
~ from Nietzsche’s Thus Spake Zarathustra

Every day since the shootings of artists and journalists at the Charlie Hebdo offices on January 14, 2015, dancer Nadia Vadori-Gauthier has made sure to dance for a minute or more. It sounds like a good idea.

“Without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there,” she says on her website.

“I dance inside or outside, in public or private places, alone or with others, strangers or people I know, sometimes friends.

I dance as protesters demonstrate, to effect a living poetry, to act through sensitivity against the violence of certain aspects of the world.

This is the solution I found: an action to my own measure, a concrete, repeated action that may redraw lines, disrupt the design, shake up the norms.”

Here she is in Paris on Esperance Street in front of a mural by Street Artist Seth.

Nina Chanel Abney Talks About New Work with Pace Prints

Opening last night at Pace Prints, artists Nina Chanel Abney talks about her work, her colors, characters, content, and the experience of making her first body of prints. She says she’s hooked, and with the large-scale unique prints she creates in the printshop with a great team, you can see why.

Color Trips – Austria

First of all, how did all of this beauty occur this summer and why don’t we live in Austria? Secondly, how is it possible that a town is so small that the train literally has one car? And how does it have big graffiti burners on it? This is the most clean, wild, classic graffiti porn with a good beat that we’ve seen in a while.









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How & Nosm’s Red, Hot, Scorching Monoprints Unveiled

How & Nosm’s Red, Hot, Scorching Monoprints Unveiled

Intermezzo: the midst of a roiling mass of interrelated actions, staccato storylines, rotating currents, complicating drama, and banal daily existence. At any moment your life can be this, or seventy-five variations of it.


How & Nosm “Drought Portal” Detail. 40 x 30 (photo © Jaime Rojo)

How & Nosm regulated their daily existence for nearly seven months to create what may be the most challenging campaign of layered, collaborative, organized hot chaos that they ever have produced. Under the guidance of master print maker Jo Watanabe and his team at Pace Prints in Brooklyn, the graffiti writers turned their mural marksmen skills and their precise methods of art making inside out to create multiple, fluidly sharp monoprints that are each a painting of its own.

“I went to school myself!” exclaims Raoul of the rhythmic and rigorous schedule that required he and his twin brother Davide to show up to work on multiple pieces of multiple prints simultaneously five days a week from 9:30 to 5:30.

Davide describes the method, “You have a whole sheet of 75 different works, multiplied by however many different combinations and screens you can have – you have a black outline on this small section of an artwork, then magenta here, then we decide to spray a stencil on this portion, or fill this one – and in between you have to clean all these different screens. So in the end…”

We interject, “In the end, your head almost explodes.”


How & Nosm “Drought Portal” close up. (photo © Jaime Rojo)

“Well, at some point. Jo is very good at working systematically, because that’s how the Japanese work,” explains the rigidly methodical and razor sharp German who is never late to a meeting with us. He catches himself and laughs in baritone that reverberates, “Actually we work very well together, the Germans and the Japanese! It was awesome.”

Walking through the Pace print facility in Manhattan’s mid 20s it strikes you just how much of a step this is for the brothers to collaborate side by side and fully immersed with such a prestigious fine art print publisher that has been in business since 1968. Names like Chuck Close, Julian Schnabel, Ryan McGuinness, and Qin Feng randomly jump out at you from rack labels while you stroll past acres of contemporary art history in the grand and airy facility.


How & Nosm “Every All” Detail. 40 x 30 (photo © Jaime Rojo)

“We only took seven months to do ours,” says Raoul, “some of these prints, like one from Chuck Close I think, took two and a half years to complete,” he marvels.  Only.  This from one half of a mural team that knocks out mammoth 20’ x 30’ walls in their signature red, white and black palette with exacting detail in the same time that other artists take to sketch their outlines and block in the preliminary color.

As with their walls, the symbolic imagery calls to mind sequences in history, allusions to memories, sharp pangs of emotion; all layered and nested and swimming with one another without beginning or end.  If it feels chaotic, it is by design, to drive away the dullness of the repetition that a typical print run and a typical life can produce.

“You have 25 to 30 screens and you gotta create something new every day,” says Raoul of the challenge to make each one unique. “But you get into a routine. It’s like everyday life. You wake up and have your routine, but you have to make it interesting to yourself every day. “


How & Nosm “Every All” close up. (photo © Jaime Rojo)

So the education of this experience has produced a riveting and color drenched array of polarities pulling and pushing across paper like few of their previous projects, and you can see that the results have enlivened their minds, sharpened their eyes. Additionally, How Nosm are proud that no computers were used in the project whatsoever.

“So that’s how we started,” says Raoul, “we painted on mylar, – it’s like a plastic,” he holds up the transparent sheet to show.  “We used that to shoot the screens.  We didn’t paint anything on the computer. Everything is hand painted; the layers – and they had so many machines and different ways of achieving effects, I didn’t know. “


How & Nosm “Under my Thumb” Detail. 40 x 40 (photo © Jaime Rojo)

Did Mr. Watanabe and his team learn any new tricks from the grown up graffiti kids? “I mean we are like underdogs compared to who has done prints with them before,” says Davide. “We are the first ones with a hard core graff background. But they admitted that they really actually liked the work and they learned something from us too I think.”

We ask in what way – how the guys think about their work, their process? “Basically how spontaneous you can be with a spray can,” he says as he offers to let us feel the built up aerosol portion of one print that the brothers created with a simple stencil. “All this could have meant extra screens, but we saved them time, and they liked the effect.”

When the opening reception takes place this week at Pace and other new works from the series are unveiled simultaneously at the Armory show, How and Nosm are thinking that in the middle of it all will be some sort of graduation ceremony, at least figuratively. Suddenly everything they have done up until now has been redefined, refined even. In some way, they’ve done this before and in others it is all new.

What can follow this brief chapter in their storied creative career? Leave that for tomorrow. For now, behold. “They are all so unique, they all look so different,” says Raoul as he carefully pulls out one hand-embellished print after another from their elaborate archival wrappings.

“They are basically painting prints, you know?”


How & Nosm “Under my Thumb” close up. (photo © Jaime Rojo)


How & Nosm “Red Hot Summer” Detail. 40 x 40 (photo © Jaime Rojo)


How & Nosm “Red Hot Summer” Detail. 40 x 40 (photo © Jaime Rojo)


How & Nosm “Lost Fragments” Detail. 52 x 40 (photo © Jaime Rojo)


How & Nosm “Lost Fragments” Close Up (photo © Jaime Rojo)

How & Nosm “Way Things Are” Solo Exhibition at Pace Prints Opens this Thursday, March 6. Click HERE for details.


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This article is also published on The Huffington Post
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Street Artists At The Fairs For Armory Week NYC 2014

Street Artists At The Fairs For Armory Week NYC 2014


Not quite spring, the Art Fairs are arriving in New York ahead of the tulips. We strolled the impossibly long aisles and peered into the booths to find the folks who have at other times been called “Street Artists”. This weekend they’ll be fine artists, and the list is quite a bit longer than years past as the professionalization of the street continues.

Shows like the Armory, Scope, Volta, and Fountain are good testing venues to see the commercial viability for many of these artists and some have foregone representation – preferring to foot the bill on their own. Since walking the streets to see their work requires multiple layers and hats and gloves – traipsing through the fairs can be far preferable than dirty old Brooklyn streets. It’s also nice to see how some of these folks look in a tie or a blouse – or even just hit a comb. Here below we include some possible gems for you to hunt down.



Pace Prints

How & Nosm at Pier 92


How Nosm at Pace Prints (photo © Jaime Rojo)

For The Armory Show Art Fair location, dates, times, booth numbers, etc… click HERE



Andenken Gallery

Amanda Marie, VINZ


Vinz at Andenken Gallery (image courtesy the gallery)

Black Book Gallery

Judith Supine, WK Interact, Ben Eine, Cycle, James Reka, Cope2, Indie184, Shepard Fairey


Judith Supine at Black Book Gallery (image courtesy the gallery)

C.A.V.E. Gallery

PEETA, Pure Evil


Pure Evil at C.A.V.E. Gallery (image courtesy the artist)

Fabien Castanier Gallery

Speedy Graphito, Mark Kenkins, RERO


Speedy Graphito at Fabien Castanier Gallery (image courtesy the gallery)

Fuchs Projects

Rafael Fuchs, Aakash Nihalini, Skewville


Skewville at Fuchs Projects (photo © Jaime Rojo)

Krause Gallery

Ben Frost, Hanksy


Ben Frost at Krause Gallery (image courtesy the gallery)

Moniker Projects

Beau Stanton, Ben Eine, David Shillinglaw, Greg Lamarche, Jon Burgerman, Pam Glew, Ron English,  Muffinhead, Keira Rathbone.


David Shillinglaw at Moniker Projects (image courtesy the artist)

Natalie Kates Projects

Skullphone, Swoon


Skullphone at Natalie Kates Projects (photo © Jaime Rojo)


ThinkSpace Gallery

Know Hope


Know Hope at ThinkSpace (photo © Jaime Rojo)

Vertical Gallery

Stormie Mills, My Dog Sighs


Stormie Mills at Vertical Galler (photo © Jaime Rojo)

For SCOPE Art Fair location, dates, times, booth numbers, etc… click HERE



Jonathan LeVine Gallery



Pose at Jonathan LeVine Gallery (image courtesy the artist)

For VOLTA NY Art Fair location, dates, times and booth numbers, etc… click HERE



Fumeroism, Jay Shells, Leon Reid IV, Vicki DaSilva are all showing at Fountain this year


Vicki DaSilva at Fountain (image courtesy the artist)


Fumero at Fountain (image © Jaime Rojo)

Urban Folk Art

Adam Suerte


Adam Suerte (courtesy Urban Folk Art)

Street Art Installation curated by Mighty Tanaka

Alex Emmert will be curating the Street Art Installation and he has invited Chris Stain, Alice Mizrachi, Skewville, Cake, Chris RWK, Joe Iurato, Rubin, EKG, Gilf!, Omen and LNY.


Rubin will be part of the installation of Street Artists at Fountain Art Fair (photo © Jaime Rojo)

For Fountain Art Fair location, dates, times, etc…click HERE


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